Discipline with Master’s Dignity-Teaching & Research Exhibition

  • Dates:2018-10-12 - 2018-11-04
  • Location:Gallery 3A, CAFA Art Museum
  • Opening:2018-10-12
  • Organizer(s): Central Academy of Fine Arts
  • Organizers: School of Fine Art of CAFA CAFA Art Museum
  • Academic Advisers: Zhan Jianjun|Xie Dongming
  • Academic Support: Yu Hong
  • Art Director: Ma Lu|Liu Shangying
  • Curator: Tang Yu

Details

In the last one hundred years, a large number of great masters and prominent artists have gathered at the Department of Oil Painting of CAFA and left their great masterpieces with significant achievements. Among them, the No.3 Studio of the Department of Oil Painting founded by Dong Xiwen has made c... More
In the last one hundred years, a large number of great masters and prominent artists have gathered at the Department of Oil Painting of CAFA and left their great masterpieces with significant achievements. Among them, the No.3 Studio of the Department of Oil Painting founded by Dong Xiwen has made constantly accomplishments in the magnificent art history of modern Chinese art and become the core power to promote the development of Chinese oil painting and the formation of the “Chinese school of oil painting”, which can be viewed as a typical study case in the history of modern Chinese oil painting.
Looking back, since the No.3 Studio started as Dongxiwen Studio in the beginning, it has rooted in the excellent tradition of Chinese culture while paying attention to absorbing and digesting the essence of Western oil painting, showing its extensiveness and inclusiveness in learning from others. At the same time, centering around the education idea of “teach students according to their level and take advantage of a favorable trend”, the studio carried on Dong Xiwen’s ideal of creating “Chinese-style oil painting” and had played an indispensable role in shaping the national image and cultivating talents for oil painting. After the Cultural Revolution (1966-1976), under the lead of Zhan Jianjun, the No.3 Studio has always adhered to the rules and standards of basic training, suggesting to create an atmosphere of academic freedom and guiding the students to explore and develop their individuality. It insisted upon the principle of “being both strict and mild” in teaching, neither conservative nor indulgent, and fulfilled the academic proposal of “initiatively establishing the Chinese-style oil painting” with excellent teaching results. Thus, many outstanding graduates emerged and became the backbone force in today’s Chinese art circles of oil painting.
In the new context of global art transformation since coming into the new century, the education work of the No.3 Studio has been presided over by Xie Dongming and Yu Hong successively with the teaching tradition proposed by Dong Xiwen that “being open to new ideas and drawing on the strengths of others”. The studio held firmly to strict realistic foundation training and attached equal importance to rigorous practice and active mind as well as to explore deeply the independent value and potential spiritual space of oil painting’s self-language that formed during the historical evolution. In the background of a variety of landscape and media of global culture and arts, the No.3 Studio injected new energy into Chinese art world with generations of graduates, which also pointed out the special meaning and value possessed by the No.3 Studio in the future development of global advanced art education and visual arts. Therefore, on the centennial anniversary of CAFA, the School of Fine Arts organized “Discipline with Master’s Dignity – Teaching & Research Exhibition of No.3 Studio of the Department of Oil Painting, CAFA”, which presents the historical development of the No.3 Studio of the Department of Oil Painting and showcases the education ideas and creation characteristics during different periods, forming a narrative structure composed of three sections – “National style, Chinese style”, “Establishing the Chinese school of oil painting” and “Base on tradition, face the contemporary era ”. Through the organic rearrangement of No.3 Studio’s works, historical pictures and archives of different periods, the exhibition comprehensively describes its historical line of the teaching and the wide dimension of the creation, featuring a total of 60 pieces of works created by teachers and students during different stages since the founding of the Dongxiwen Studio in 1959. Reviewing the development process of the No.3 Studio and doing research on its experience of teaching can be regarded as both a case study on the history of oil painting in new China and a summary and promotion of the academic spirit and inheritance of CAFA.

Preface

历百年迄今,中央美术学院油画系可谓名师大家济济一堂,鸿篇巨帙,成果斐然。其中由董希文先生创建的油画系第三工作室,在波澜壮阔的中国现代美术史上更是不断书写出一篇篇壮美华章,成为推动中国油画艺术发展并形成“油画艺术的中国学派”的核心力量,堪称中国现代油画史上的一个典型案例。

回望历史,第三工作室从建立之初的董希文工作室开始,广收博采、兼容并蓄,一方面扎根于中国文化的优秀传统,另一方面也注重对西方油画艺术的自主吸收、融会贯通。同时秉承着董希文先生“油画中国风”的学术理想,围绕“因材施教、顺水推舟”的教学理念,在塑造国家形象和培养油画艺术人才方面发挥了无可替代的重要作用。文革之后,在詹建俊先生的主持下,第三工作室始终坚持基础训练的规范和法度,主张创造自由的学术氛围,引导学生探索和发挥自己的个性,教学中坚持“严宽结合”,既不保守、也不放任,以优异的教学成果践行着“自觉建构油画艺术的中国学派”的学术主张,涌现出许多优秀的毕业生,成为今天中国油画艺术界的中坚力量。

新世纪以来,在全球艺术变革的新语境下,第三工作室的教学相继在谢东明、喻红两任工作室主任的主持下,不忘董希文先生提出的“广收博采,为我所用”的教学传统,清醒而理智地坚守严格的写实基础训练,在教学中做到严谨的训练与活跃的思维并重,并持续深入探寻油画语言本体在历史演进中生成的独立价值和潜在精神空间。在全球文化艺术景观化、媒体化的多元图景中,第三工作室培养出来一批批毕业生为中国艺术界注入了新的活力。这也是油画系第三工作室在今后全球高等美术教育与视觉艺术发展趋势中的独特意义和价值所在。

因此,在中央美术学院建校百年之际,造型学院推出“师严道尊:中央美术学院油画系第三工作室教学研究展”的专题展览,以油画系第三工作室发展的历史脉络为经,以不同时期的教学理念和创作特色为纬,形成“民族风格、中国气派”“建构油画艺术的中国学派”“立足传统、面对当代”三个展览单元作为叙事结构。通过对第三工作室不同历史阶段作品、历史照片、教学文献的进行有机编排,全面勾勒出其教学的历时展开和创作的广泛维度,共展出1959年董希文工作室成立以来各个阶段教师和学生作品共计六十余件,回顾第三工作室的发展历程,研究它的教学经验,这既是对新中国油画史的一次个案研究,也是对中央美术学院学术精神和学术传承的又一次总结和弘扬。


历百年迄今,中央美术学院油画系可谓名师大家济济一堂,鸿篇巨帙,成果斐然。其中由董希文先生创建的油画系第三工作室,在波澜壮阔的中国现代美术史上更是不断书写出一篇篇壮美华章,成为推动中国油画艺术发展并形成“油画艺术的中国学派”的核心力量,堪称中国现代油画史上的一个典型案例。

回望历史,第三工作室从建立之初的董希文工作室开始,广收博采、兼容并蓄,一方面扎根于中国文化的优秀传统,另一方面也注重对西方油画艺术的自主吸收、融会贯通。同时秉承着董希文先生“油画中国风”的学术理想,围绕“因材施教、顺水推舟”的教学理念,在塑造国家形象和培养油画艺术人才方面发挥了无可替代的重要作用。文革之后,在詹建俊先生的主持下,第三工作室始终坚持基础训练的规范和法度,主张创造自由的学术氛围,引导学生探索和发挥自己的个性,教学中坚持“严宽结合”,既不保守、也不放任,以优异的教学成果践行着“自觉建构油画艺术的中国学派”的学术主张,涌现出许多优秀的毕业生,成为今天中国油画艺术界的中坚力量。

新世纪以来,在全球艺术变革的新语境下,第三工作室的教学相继在谢东明、喻红两任工作室主任的主持下,不忘董希文先生提出的“广收博采,为我所用”的教学传统,清醒而理智地坚守严格的写实基础训练,在教学中做到严谨的训练与活跃的思维并重,并持续深入探寻油画语言本体在历史演进中生成的独立价值和潜在精神空间。在全球文化艺术景观化、媒体化的多元图景中,第三工作室培养出来一批批毕业生为中国艺术界注入了新的活力。这也是油画系第三工作室在今后全球高等美术教育与视觉艺术发展趋势中的独特意义和价值所在。

因此,在中央美术学院建校百年之际,造型学院推出“师严道尊:中央美术学院油画系第三工作室教学研究展”的专题展览,以油画系第三工作室发展的历史脉络为经,以不同时期的教学理念和创作特色为纬,形成“民族风格、中国气派”“建构油画艺术的中国学派”“立足传统、面对当代”三个展览单元作为叙事结构。通过对第三工作室不同历史阶段作品、历史照片、教学文献的进行有机编排,全面勾勒出其教学的历时展开和创作的广泛维度,共展出1959年董希文工作室成立以来各个阶段教师和学生作品共计六十余件,回顾第三工作室的发展历程,研究它的教学经验,这既是对新中国油画史的一次个案研究,也是对中央美术学院学术精神和学术传承的又一次总结和弘扬。


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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!