Exhibitions and Events-News- CAFA Art Museum

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Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: Each treads their own path --How may they converge? On the Essence of Art in Ma Shuqing, Feng Yan and Wang Guangle

2026-08-03

Some bodies of work evolve at their own unhurried rhythm, advancing and retracing along the winding paths of relentless self-examination.Ma Shuqing, Feng Yan and Wang Guangle all approach their practice with an almost obstinate, enduring patience, borne of their unceasing interrogation into the very nature of art. Sparseness and density constitute their shared formal vocabulary; time and space form the dimensions they jointly cultivate. Though each walks a distinct artistic path, they are united by one core conviction: artistic value emerges through sustained, persistent creation.The three artists were born respectively in the 1950s, 1960s and 1970s. Decades of dedicated artistic exploration have enabled each to forge a distinct formal language of their own. Their creations possess both the incisive edge of contemporaneity and a quiet poise tempered by the passage of time—a quality especially precious amid today’s rapidly shifting society.Over just a few decades, China has traversed a developmental journey that took Western nations nearly two centuries to complete. Countless ideas and phenomena were swept away by new trends before they could fully settle and ripen. Fundamental modernist tenets—artistic self-awareness, the purification of mediums, and the intrinsic independent value of form—blossomed fleetingly yet were quickly eclipsed by successive artistic movements before reaching full fruition. Precisely for this reason, abstract art has preserved a rare purity: uncompelled by ephemeral social issues, unmoored from narratives and symbolic codes, it engages with the most fundamental questions of art through prolonged artistic self-refinement.Ma Shuqing centers his practice on the ontology of art. Working concurrently across multiple bodies of work from his Layering series to the Concave-Convex series, he transforms paint into tangible matter that articulates intangible time and space. Feng Yan’s photography evolves from figurative depictions of everyday objects to magnified rock textures and the painterly foliage of his Tang Mausoleum Long Grass series, before shifting into painterly expression. As he shuttles across media boundaries, he turns art itself into a process of photographic development. At the core of Wang Guangle’s practice lies his relentless exploration and visual articulation of fundamental existential questions. From a beam of light in his Afternoon series to the terrazzo floor motifs of his Terrazzo series, he renders time the central conceptual underpinning of his art through unceasing repetitive labor.This exhibition captures a temporal slice of the present, bringing three independent, resolute artistic trajectories into convergence here. Each stands complete on its own, yet they illuminate and reflect one another. This show is not a conclusive summation, but another fulcrum for artistic growth. Through dialogue, these independent artists coalesce into a collective creative force that will continue to evolve and advance in the years ahead. It is our hope that this temporal snapshot conveys to viewers a vital truth: even in the present day, there remain creators who forge their own paths with such unwavering focus and conviction. Artistic growth never ceases. Sustained perseverance constitutes the most unadorned form of artistic vitality—together with space and time, it crystallizes the transmission of pure ideas and spiritual essence.As the inaugural exhibition of the CAFAM Contemporary Art Forces Series organized by the CAFA Art Museum, this show has undergone more than a year of preparation and curatorial planning, and is now presented to the public with a brand-new spatial layout. Separate exclusive spaces are allocated for each of the three artists, enabling full presentations akin to individual solo exhibitions. In addition, a special "Dual Dialogue Zone" is created, where artworks by different artists are displayed side by side within the same venue. This layout facilitates in-depth exploration of their commonalities and divergences, guiding visitors to forge their unique viewing trajectories through sustained contemplation. Balancing individual autonomy and interconnection across the entire exhibition space, the venue delivers an innovative viewing experience.In addition, a dedicated reading area has been set up within the exhibition hall. Visitors wishing to delve deeper into the three artists’ practices may browse their monographs here. We hope this quiet nook can offer visitors a space for reflection and extended contemplation.This exhibition is on view in Gallery 3B of CAFA Art Museum...CAFAM Contemporary Art Forces SeriesSparse and Dense Timespace: An Art Dialogue Among Ma Shuqing, Feng Yan and Wang GuangleExhibition Dates: July 26 – September 6, 2026Venue: Gallery 3B, CAFA Art MuseumOrganizer: CAFA Art MuseumEditor-in-Chief: He YishaResponsible Editor: Du YinzhuEditor: Liu Ziyue
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: 第三届全国大学生美术作品展览中国画展区圆满闭展

2026-08-03

“绽放——第三届全国大学生美术作品展览中国画展区” 于8月2日闭展。展览分为“时代新象”、“人间世相”、“花鸟文心”和“山河文脉”四个部分，以特定的视角展示了新时代大学生在中国画创作领域的大体面貌。作为中国传统文化中的一个重要艺术门类，中国画在历史的演进过程中逐渐形成了两个主要的体系：一个是文人画体系，一个是中国画体系，两者既代表着不同的历史阶段和审美倾向，也同样回应着不同的历史文化课题。文人画的基础是农耕文明和中国古代社会的等级秩序，其主要表达的对象是关于人与自然的关系、人与自我之间的关系。由于创作主体的原因，文人画很大程度上体现的是文人士大夫阶层的生命感知和审美趣味，这与当时的宫廷画、院体画和民间美术之间，在文化认同和身份认同方面有着不可逾越的鸿沟，当然，这也是近现代知识分子独独推崇文人画的主要原因。随着当代艺术中后现代艺术思潮的反拨，文人画审美趣味越来越势微，民间美术等艺术样式的原发生命活力逐渐被重视。而中国画体系则是属于20世纪初试图以西学救亡图存的时代浪潮的一部分，面对的是当时西方强势工商业文明对中国传统农耕文明的强烈冲击，因此，中国画体系自诞生起，其核心历史课题便更倾向于表达人与社会的关系，而不是传统文人画的人与自然的关系和人与自我的关系。从外在形态上看，中国画寻求表征的是中国传统文化的某种现代生存样式，但却试图在此过程中尽可能保留文人画的审美意境、笔墨特征等特点。经过近一个多世纪的实践，中国画体系中引入了西画的现场写生观念，透视空间、质感表达、体积塑造、光影效果、主观色彩等西式技法，在中国画的人物、山水、花鸟等领域都产生了广泛的影响。然而，类似透视空间、逼真描摹这样的艺术表达方式是以主客体对立的方式来看待世界的，这与中国传统文化中天人合一的宇宙观大相径庭。随着现代社会的发展，工商文明对人类物化程度的不断加深，主体和客体的位置对调，人类无时无刻不处于外在的商品逻辑和社会机制的双重规训之下，因此艺术表达的主题自然重新转向了人与自然、人与自身之间的关系，这不仅仅是对过度物化的逃离，也是一种反抗和坚守。此外，当代的中国画还面临着一个重要的时代课题，那就是它还属于民族复兴浪潮的一部分，肩负着向全世界弘扬中国传统文化的部分责任，这种历史课题要求中国画具备基于本土传统文化核心特征的国际化艺术样式，这对每一位中国画画家都提出了更高的要求。在本次展览的参展作品中，从题材上看以山水和人物画居多，从样式上看彩墨占据主流，从技法上看工笔小写意占绝大多数。作品大多尺幅巨大，借助图像便利，进行精雕细琢。画面描绘有条不紊，冷静理智，形象地隐喻了高速发展却又秩序井然高度规训化的当代社会。这些作品既可以看到基于当代视觉经验和生命体验的鲜活表达，也可以看到基于传统文脉的代际传承，这些作品大都散发着一种蓬勃的生命力和自信心，这正是大学生艺术家们对时代感召的具体而鲜活的回应。当然，更希望中国传统绘画中所蕴含的人文精神和独特魅力，能够随着中华民族的全面复兴而传遍全世界。“绽放——第三届全国大学生美术作品展览”中国画展区展览时间：2026年7月7日-8月2日展览地点：中央美术学院美术馆1层展厅、2层B展厅、3层A展厅、4层展厅主办单位：中国美术家协会承办单位：中国文联美术艺术中心、中央美术学院主编 / 何一沙责编 / 杜隐珠撰稿 / 红梅编辑 / 刘梓玥
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: 第三届全国大学生美术作品展览中国画展区——山河文脉

2026-08-03

“绽放——第三届全国大学生美术作品展览”中国画展区自7月6日在中央美术学院美术馆启幕以来，近三百件作品以“时代新象”“人间世相”“花鸟文心”“山河文脉”四大板块构建起丰富的展览叙事。这些作品来自全国三十一个省市的百余所高校，汇聚了当代大学生对中国画的多元探索与深情表达。本次推送为大家介绍板块四“山河文脉”。板块介绍
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: The 3rd National Fine Arts Exhibition of College Students (Chinese Painting Section)-- Painting Flowers and Birds, Cherishing Literary Spirit

2026-08-01

Since "The 3rd National Fine Arts Exhibition of College Students (Chinese Painting Section)" opened at CAFA Art Museumon July 6, nearly 300 artworks have formed a multi-layered exhibition narrative divided into four chapters: "New Visions of the Times", "Scenes of Human Life", "Painting Flowers and Birds, Cherishing Literary Spirit", and "Cultural Veins of Mountains and Rivers". Selected from over a hundred universities across China’s 31 provinces, municipalities and autonomous regions, these works showcase contemporary college students’ diverse explorations and heartfelt expressions of traditional Chinese painting.This post introduces Chapter Three: Painting Flowers and Birds, Cherishing Literary Spirit. Section Introduction Flowers, trees, birds and beasts have long served as spiritual vessels for emotional expression in traditional Chinese painting. Centered on plants, creatures, natural scenery and refined antiquities, this chapter carries forward the lineage of classical flower-and-bird painting—observing one’s inner self through nature and voicing aspirations via landscapes. Within the charm of brush and ink, it articulates the unique poetic scholarly sentiment inherent to the East, revealing the purity, fortitude and boundless vitality dwelling in contemporary college students’ inner worlds. Heaven and earth reside in a single flower or leaf; warmth of humanity shines through every vessel and artifact. The creators mirror their inner aspirations through all creations of nature, embody the spirit of life via flowers and birds of the four seasons, and house the poetry of daily life within elegant scholar’s furnishings. The flowing brushwork bears both the imaginative verve and bearing of ancient traditions, as well as young people of the new era’s delicate contemplation of their own lived experiences. Elegant ink washes bring plants and creatures into full bloom, unfolding an oriental poetic scroll of all living things thriving together in perpetual renewal. Selected Exhibited Works Artist: Ran YuanTitle: The Spirit of UtensilsInstitution: Sichuan Fine Arts Institute(Work Selected for Beijing Exhibition)★★ ★Artist: Zhou DianjinTitle: Spring Beauty Unconfined Within the GardenInstitution: Chinese Academy of Arts (China National Center for Intangible Cultural Heritage Protection)(Work Selected for National Exhibition in Beijing)★★ ★Artist: Wan YueTitle: Elegy for the Vast OceanInstitution: Beihai University of Art and Design(Work Selected for National Exhibition in Beijing)★★ ★Artist: Li AoTitle: Herons by Mirror MacaoInstitution: Macau University of Science and Technology(Work Selected for National Exhibition in Beijing)★★ ★Artist: Meng ZhujunTitle: Bamboos Growing in the Wild WildernessInstitution: Jiamusi UniversityArtist: Zheng BaiyangTitle: The Double Brightness of Weaving DreamsInstitution: Guangzhou Academy of Fine ArtsArtist: Zhu SiyuTitle: Toward the SunInstitution: Changchun University of Science and TechnologyArtist: Zou TaoTitle: Tranquil Delights of the Secluded StreamInstitution: Shaanxi Normal UniversityArtist: Wang QinyiTitle: Misty Dews Gleam Toward the Vast FirmamentInstitution: China Academy of ArtArtist: Xu ShenziTitle: Three Layers of Autumn SoundsInstitution: City University of MacauArtist: Lu FanTitle: Harmonious Voices of Spring RadianceInstitution: Yunnan UniversityAuthor: Zhao YueweiTitle: Shared PerchInstitution: Nanjing University of the ArtsArtist: Liu FenTitle: Palm Trees: Not the Final Destination, But a Mid-journey StopInstitution: Yangtze University(Work Selected for Beijing Exhibition)Artist: Li QianTitle: Among the VinesInstitution: Guizhou Normal UniversityArtist: Huang ZiyiTitle: Graceful Reflections in Lotus PondInstitution: Central South University of Forestry and Technology
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: The Gaze of Abstract Art | "Sparse and Dense Timespace: An Art Dialogue Among Ma Shuqing, Feng Yan and Wang Guangle" Opens As Scheduled

2026-07-28

"Sparse and Dense Timespace: An Art Dialogue Among Ma Shuqing, Feng Yan and Wang Guangle" has opened at Gallery 3B, CAFA Art Museum. As the inaugural exhibition of CAFA Art Museum’s CAFAM Contemporary Art Power Series, the show features Ma Shuqing, Feng Yan and Wang Guangle — three artists who have dedicated themselves to their creative practices for decades. Combining individual sections with "pairwise dialogue" zones, the exhibition presents their distinct explorations and inquiries within the realm of abstract art.Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine Arts, delivered an addressYu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine Arts, remarked that the exhibition is titled "Sparse and Dense Timespace". Though the three artists boast distinctive styles, they have persevered along their respective creative paths. Ma Shuqing has devoted more than thirty years to abstract painting, probing the relationship between colour and space. Feng Yan moves fluidly between photography and painting, rediscovering the appearance of ordinary objects through sustained observation. For Wang Guangle, time has always served as the quintessential material of his creation. What unites their artistic practices is their continuous reflection on and advancement of the intrinsic language of art. They neither chase prevailing aesthetics nor engage directly with social issues. Such an artistic trajectory remains relatively marginal within the context of Chinese contemporary art, yet it is all the more precious for that reason, standing up to prolonged contemplation.By staging this exhibition, CAFA Art Museum intends to convey a stance: in an era fixated on "change", we ought to cherish the quality forged through long-term accumulation and the capacity for persistent inquiry. This bears on the fundamentals of art education, as well as the inner sense of direction and motivation for creators. As the first project of the contemporary art research exhibition series, we hope to build a platform for dedicated practitioners to engage in dialogue and bring their perseverance to wider audiences.Jin Jun, Director of CAFA Art Museum and Curator of the Exhibition, Delivered an AddressJin Jun, Director of CAFA Art Museum and Curator of the exhibition, stated that against the backdrop of Chinese modernization and new quality productive forces, the value of abstract art has become increasingly prominent. Closely connected to daily work and life, abstract art draws people’s attention to aesthetics, pure form, as well as texture, quality and detail. Modern and contemporary art constitutes a core exhibition category for CAFA Art Museum. As the inaugural exhibition of the CAFAM Contemporary Art Power Series, this exhibition has been unveiled to audiences after more than one year of planning. The show brings together three artists: Ma Shuqing, Feng Yan and Wang Guangle. Born in the 1950s, 1960s and 1970s respectively, they are at the prime of their creative careers. As key representatives of Chinese contemporary abstract art, each has developed a distinctive approach in their explorations of space, time, colour and light. Furthermore, the exhibition features an inventive spatial layout. Separate galleries function as mini solo exhibitions to showcase each artist’s individual creative outlook, while dedicated "Dialogue Zones" juxtapose works by two artists to examine their convergences and divergences. This arrangement helps audiences comprehend the artists’ modes of thinking, builds a contextual framework for sustained contemplation of artworks, and delivers diversified viewing experiences. It is expected that as a public cultural and artistic platform, the museum will continue to bring ideas together, stimulate discussions, and foster and showcase the vitality of contemporary art.Participating Artist Ma Shuqing Delivered an AddressParticipating artist Ma Shuqing expressed his gratitude to the Central Academy of Fine Arts for giving him the opportunity to take part in this dialogue exhibition alongside the other two distinguished artists. In his opinion, painting is no longer a prevalent topic nowadays. He is particularly appreciative that CAFA Art Museum persists in staging an exhibition of paintings at a time when AI attracts tremendous attention. He believes that the core of painting lies in the process rather than the final result — something that cannot be replaced by any algorithm. Meanwhile, painting carries intense privacy. Artworks are created alone in the studio, yet they take on a completely different form once they enter public exhibition spaces. For this reason, he refrains from over-interpreting his works verbally, hoping to leave viewers full freedom of observation and interpretation.Participating Artist Feng Yan Delivered an AddressParticipating artist Feng Yan expressed his sincere gratitude to CAFA Art Museum for organizing this exhibition. What resonates with him most is the "dialogue" framework created by the show. Each artist is provided with an independent space, while their works encounter those of the other two artists within the Dialogue Zones. Artworks enter each other’s visual field as well as the viewers’. New meanings emerge through ongoing comparison, response and transformation. Although Feng Yan seems to traverse different media, moving between photography and painting, one inquiry has remained unchanged over the years: How does an image come into being? How does it unfold gradually amid time, space, materiality and observation, rather than being manufactured. He fully endorses the exhibition’s core keyword — "continuity". It is the considerable disparities between the three artists in their concerns and artistic output that enable authentic dialogue. Art does not aim to reach unanimity. Instead, across disparate approaches and experiences, it allows us to understand one another anew and gain renewed insight into art itself.Gao Gao, Deputy Director of CAFA Art Museum, presided over the eventGroup Photo of GuestsThe three artists were born respectively in the 1950s, 1960s and 1970s. While the works exhibited bear abstract characteristics, abstraction was not a predetermined creative direction for them. Instead, it evolved organically into their unique artistic language through long-term practice. Since pursuing his studies in Germany in the late 1980s, Ma Shuqing has consistently devoted himself to expressing intangible time and space through colour. This exhibition showcases works from multiple series including Layers, Concave & Convex and Provence, embodying his pure, decades-long exploration of the essence of art. Feng Yan moves fluidly between photography and painting. From Tang Mausoleum Long Grass to The Other Side of a Painting, and extending to abstract paintings presented publicly for the first time, he has constructed a complete cross-media creative cycle. Works spanning Wang Guangle’s early Coffin Paint series to his Untitled series resonate with one another across the gallery, demonstrating his sustained creative practice centred upon time as the core concept. Their creative trajectories reflect the decades-long exploration and continuously deepening spiritual connotations of Chinese abstract art.The exhibition unfolds across six sections. It features dedicated individual spaces for each of the three artists, alongside three specially designed "pairwise dialogue" zones: “Common Forms, Divergent Paths”, “Harmony and Soliloquy”, and “Impression and Stratification”. When works by two artists are juxtaposed, beneath their seemingly similar formal appearances lie entirely different artistic inquiries. Their ostensibly divergent creative paths are subtly interconnected at a deeper level. Rather than delivering definitive conclusions to visitors, this curatorial framework extends an invitation: every viewer can initiate their own dialogue, discover personal connections between the artworks, and forge an individual viewing trajectory.The CAFAM Contemporary Art Power Series is a brand-new exhibition programme launched by CAFA Art Museum. It aims to spotlight artists who have sustained long-term dedication within their respective fields, with profound academic grounding and enduring artistic accumulation. A clear curatorial vision was established from the very beginning of the series: rather than pursuing the scale effect of large group exhibitions, nor settling for the single perspective of solo shows, it explores a third approach — bringing together artists with divergent creative paths yet intrinsic affinities to form an integrated dialogue within a shared space. “Sparse and Dense Timespace”marks the first realisation of this curatorial concept.The exhibition is on view at Gallery 3B, CAFA Art Museum and will run until 6 September.Ma Shuqing, Recalling Provence 05-2026, 250 × 250 cm, Acrylic on linen, 2026Ma Shuqing, Workday 1,110 × 140 cm, Mineral pigments with acrylic medium, 2026Feng Yan, Untitled 8735,180 × 150 cm, Acrylic on canvas, 2017Feng Yan, Untitled 8625, 180 × 150 cm, Acrylic on canvas, 2015Wang Guangle, 120705, 180 × 160 cm, Acrylic on canvas, 2012Wang Guangle,160114, 280 × 180 cm, Acrylic on canvas, 2016CAFAM Contemporary Art Power SeriesSparse and Dense Timespace: An Art Dialogue Among Ma Shuqing, Feng Yan and Wang GuangleExhibition Dates: 26 July – 6 September 2026 Venue: Gallery 3B, CAFA Art MuseumOrganiser: CAFA Art MuseumExhibition Curatorial TeamAcademic Host: Yu Yang Curators: Jin Jun, Gao Gao Exhibition Director: Han Wenchao Exhibition Coordinators: Hai Jun, Li Yaochen Assistant Curators: Hu Xiaolan, Wang Jing Visual Design: Dong YuexiSpace Design: Shen XingyiVideo Production: Lu Yingying, Zhi Yuehui, Sui Wuchangjun, Ding Yi, Chang YuqingExhibition Management: Jing Peng, Su Shicun, Lü Zhifa, Chen Xiaohua, Guo XuMedia Promotion: He Yisha, Wu Jing, He Yifei, Du Yinzhu, Ding Yi, Guo Hongmei, Min ZhiyiPublic Education: Xiao Baozhen, Geng Jinghua, Wang Jun, Yao Yiqun, Liang Wen, Cai MengDevelopment & Outreach: Sun Wei, Yi Yi, Jin Jianru, Kou LeiFinance: Yang Liu, Men JingAdministrative Support: Yue Junyao, Liu Xingling, Zhang Qian, Jiang SiyuExhibition Assistants: Zhang Shurong, Wang Shumo, Tang Ruoxi, Jiang Bingchen, Fan Qiyan, Wang Yuqing, Zeng Zhitong, Peng Yuxin, Dong Kun, Liu Ziyue, Wu Yixi, Zhang Yuanxi, Li Songjialin, Meng Shujun, Liu Motong, Liu Mingqi, Wu YiyangAcknowledgements (Listed in alphabetical order of Pinyin):Beijing Commune, Hi Art, Ku Art (Beijing), Blue Shore Gallery (Shenzhen), Asia Art Center (Beijing) Cai Xiaolin, Chen Xiaohong, Huang Dai, Jiang Ting, Li Zeyu, Leng Lin, Li Na, Luo Xiaohu, Peng Peng, Wang Xiaofei, Shi Jiajia, Zhang Li, Zhang Mengmeng, Zhang Zihan, Zhou RongkeEditor-in-Chief / He Yisha Editor / Du Yinzhu
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: 新展预告｜“疏密时空：马树青、封岩、王光乐艺术对话”即将亮相！

2026-07-25

CAFAM当代艺术力量系列主办中央美术学院美术馆疏密时空：马树青、封岩、王光乐艺术对话开幕时间:2025年7月26日(周日)下午4:00开幕地点:中央美术学院美术馆3B展厅展览时间：2026年7月26日-9月6日展览地点：中央美术学院美术馆3B展厅“疏密时空——马树青、封岩、王光乐艺术对话”是中央美术学院美术馆“CAFAM当代艺术力量系列”的首展。展览将三位在各自路径上深耕数十年的艺术家汇聚一处，并非因为他们风格相近，而是因为他们都拥有一种在今天已不多见的品质：在同一个方向上持续、深入地推进。三位艺术家的作品最终都呈现为抽象的面貌，但抽象并不是他们刻意选择的方向。马树青从80年代末留学德国，三十多年来一直专注于色彩与空间的关系，让颜料在反复叠加中成为时间与空间的载体。封岩在摄影与绘画之间穿行往返，从日常之物中捕捉被忽略的细节，让观看本身成为创作的核心。王光乐从一束光、一片水磨石地面开始，把日复一日的涂刷与等待转化为创作的方法，让时间成为作品中最核心的材料。三个人做的事不同，关心的问题也不同，却都在各自的领域里走到了深处。这个展览既有三位艺术家各自完整的独立板块，也特别设置了三组“两两对话”区域——“同形异路”“和声与独白”“印痕与层叠”。这种设置让展览不再是一个静态的陈列，而成为一场动态的思想交锋。观众不是被动地接受结论，而是在两组作品之间主动发现关联与差异。在中国当代艺术长期被社会议题和叙事性内容主导的语境中，这三位艺术家的实践走出了一条相对边缘却因此更显珍贵的道路。他们在艺术本体语言里持续地思考和推进。他们的作品不追求即时的冲击力，却经得起长时间的凝视。我们希望通过这个展览，传递这样一种取向：在大家都关注变化的时候，也需要关注那些需要长时间积累才能获得的品质——专注、定力，以及对一个问题持续追问的能力。同时也希望让更多人看到，那些看似安静的画面背后，有着丰沛的思想和持久的生命力。作为“CAFAM当代艺术力量系列”的起点，这个展览只是一个开始。我们期待在未来，这个平台能够为更多独立而坚定的艺术路径提供相遇和对话的机会。欢迎各位走进展厅，在疏密之间，在时空之中，看见三种不同的坚持。马树青追忆普罗旺斯05-2026 250×250cm 丙烯亚麻布面 2026马树青工作日1 110×140cm 矿物色粉丙烯媒介剂 2026封岩无题8735 180×150cm 布面丙烯 2017封岩无题8625 180×150cm 布面丙烯 2015封岩无题8625 180×150cm 布面丙烯 2015王光乐 160116 280×180cm 布面丙烯 2016CAFAM当代艺术力量系列疏密时空：马树青、封岩、王光乐艺术对话开幕时间:2025年7月26日(周日)下午4:00开幕地点:中央美术学院美术馆3B展厅展览时间：2026年7月26日-9月6日展览地点：中央美术学院美术馆3B展厅主办：中央美术学院美术馆主编 / 何一沙责编 / 杜隐珠编辑 / 刘梓玥
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: 14 Flower-and-Bird Paintings Selected as Beijing Exhibits｜The 3rd National Fine Arts Exhibition of College Students (Chinese Painting Section)

2026-07-23

Since the opening of the Chinese Painting Section of Blooming: The 3rd National Fine Arts Exhibition of College Students at CAFA Art Museum on July 6, nearly 300 works have formed a rich exhibition narrative structured around four sections: "New Visions of the Era", "Scenes of Human Life", "Literary Spirit in Flower-and-Bird Painting" and "Cultural Veins of Mountains and Rivers". Created by students from over a hundred universities across 31 provinces, municipalities directly under the Central Government and autonomous regions nationwide, these works embody contemporary college students’ diverse explorations and sincere expressions in Chinese painting.Among the nearly 300 exhibits, 69 works have been selected as Beijing Exhibits following expert evaluation and will be presented in the Beijing showcase in August. Fourteen of them are flower-and-bird paintings, grouped under the section "Literary Spirit in Flower-and-Bird Painting". Drawing inspiration from natural scenery or ordinary still-life subjects, these works reveal exquisite details and authentic temperament through layered ink and colour rendering. With unique perspectives and brushwork, the creators infuse traditional themes with vivid contemporary sentiments, articulate distinct aesthetic ideals and insights into life, and demonstrate the vibrant vitality of a new generation of Chinese painting creation.Artist: Li Ao Title: Herons by Mirror Macao Institution: Macau University of Science and Technology★★ ★Artist: Meng Yuxiang Title: Surging Tides Institution: Jilin Normal University★★ ★Artist: Wan Yue Title: Elegy of the Vast Ocean Institution: Beihai University of Art and Design★★ ★Artist: Zhang Enyi Title: Culture Bears the Dao Institution: Renmin University of China★★ ★Artist: Sun Jingyu Title: Home Institution: Capital Normal University★★ ★Artist: Li Qian Title: Among Vines Institution: Guizhou Normal University★★ ★Artist: Liu Fen Title: Palms: Not the Final Destination, But a Stop Along the Journey Institution: Yangtze University★★ ★Artist: Zhou Dianjin Title: Spring Splendour Cannot Be Confined Within the Garden Institution: Chinese Academy of Arts (China National Center for Safeguarding Intangible Cultural Heritage)★★ ★Artist: Zhang Yan Title: Ranks of Sunflowers Institution: Chinese Academy of Arts (China National Center for Safeguarding Intangible Cultural Heritage)★★ ★Artist: Liu Lu Title: Theatre of Flying Birds Institution: China Academy of Art★★ ★Artist: Li Lingyi Title: Chongqing Forest Institution: Sichuan Fine Arts Institute★★ ★Artist: Ran Yuan Title: The Spirit of Artifacts Institution: Sichuan Fine Arts Institute★★ ★Artist: Li Yutong Title: Floating Whiteness Beneath Azure Institution: Shaanxi Normal University★★ ★Artist: Wen Aiyu Title: The Grey Seagull Flying to the Future Institution: Nanjing University of the Arts★★ ★Blossoming：The 3rd National Fine Arts Exhibition of College StudentsChinese Painting SectionExhibition Period: July 7 – August 2, 2026 Venue: CAFA Art Museum, 1st Floor Hall, Hall B (2nd Floor), Hall A (3rd Floor), 4th Floor HallOrganizer: China Artists Association Co-organizers: Art Center of China Federation of Literary and Art Circles, Central Academy of Fine ArtsEditor-in-Chief: He Yisha Responsible Editor: Du Yinzhu Editor: Wang Cong
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: Major Heat Today

2026-07-23

Major Heat Today
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: 19幅山水画入选进京作品｜第三届全国大学生美展中国画展区正在展出

2026-07-21

“绽放——第三届全国大学生美术作品展览”中国画展区自7月6日在中央美术学院美术馆启幕以来，近三百件作品以“时代新象”“人间世相”“花鸟文心”“山河文脉”四大板块构建起丰富的展览叙事。这些作品来自全国三十一个省市的百余所高校，汇聚了当代大学生对中国画的多元探索与深情表达。近三百件作品中，经专家评审共有69件被评为进京作品，将于8月参与进京作品展。其中山水画作品19幅，分布于“时代新象”与“山河文脉”两大板块。这些作品或取法传统，在皴擦点染间承续古意；或以当代视角审视自然，在写生与感悟中记录山河新貌。可贵的是，创作者们并未止步于对经典的追摹，而是在时代与传统的双重体悟中，逐渐找到属于自己的艺术语言。作者：黄依萌名称：《千年雄安，风起新程》院校：河北大学作者：杨航名称：《家山新韵》院校：成都大学作者：樊语彤名称：《天河筑梦》院校：重庆大学作者：弓小婷名称：《佳期而至》院校：山东师范大学作者：刘家诚名称：《云洗巴山幽》院校：山东大学作者：毛新星名称：《天工铸锦工业印记》院校：澳门城市大学作者：李勤名称：《塬上清涧音》院校：西安美术学院作者：范钧焱名称：《脉搏相牵大湾区》院校：广州美术学院作者：耿海沛名称：《烟岚万里归春》院校：湖南科技大学作者：张哲源名称：《黔境筑痕》院校：太原理工大学作者：姚思琪名称：《茸城清韵》院校：上海大学作者：陈正觉名称：《乡风社火》院校：中国艺术研究院（中国非物质文化遗产保护中心）作者：邓金名称：《万山载雪》院校：中央美术学院作者：李涛名称：《晨韵生息》院校：贺州学院作者：骆祺缘名称：《万殊共生》院校：中央美术学院作者：樊令超名称：《云落春涧》院校：中国艺术研究院（中国非物质文化遗产保护中心）作者：彭瑾慧名称：《大龙湫》院校：中央美术学院作者：许嘉辰名称：《狮林探幽》院校：南京艺术学院作者：丁哲名称：《白山黑水铸忠魂》院校：中国传媒大学“绽放——第三届全国大学生美术作品展览”中国画展区展览时间：2026年7月7日-8月2日展览地点：中央美术学院美术馆1层展厅、2层B展厅、3层A展厅、4层展厅主办单位：中国美术家协会承办单位：中国文联美术艺术中心、中央美术学院主编 / 何一沙责编 / 杜隐珠编辑 / 王琮
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: “星火赓续——中央美术学院美术馆藏中国共产党人精神图谱专题展”在济南拉开帷幕

2026-07-19

主编 / 何一沙责编 / 杜隐珠
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Child Public Education Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.