Exhibitions and Events-News

Four Waves: The Range of Things Richard Tuttle in conversation with Victor Wang ...

2019-03-15

自上世纪60年代中期,美国艺术家理查德·塔特尔的创作生涯伊始之时,他的作品便打破了雕塑、架上绘画、纸本画作和诗歌等不同媒介的传统定义,他同时也拒绝如极简主义或抽象风格这类艺术史的分类方法。以一种开明的视野与心胸,塔特尔摈除了材料之间高低品质的美学分野,他在脆弱性中发掘张力,也在作品规模与其呈现环境之间的变化关系中找到潜能。自始至今,塔特尔持续地创作具有当代性的作品,同时不断超越此前的范式。 More

CAFAM EXHIBITIONS&ACTIVITES NOTICE (MARCH - JUNE) ...

2019-02-28

MUTE ENCOUNTERS: BRUNO WALPOTH

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The Italian artist Bruno Walpoth has been known as "one of the greatest woodcarving artists of the century". He focuses on the research of human figures, using a simple and unpretentious style to create a special emotional atmosphere. Though the expression and body language of the figure, his work directly reflects the inner feelings. It will be the first time that Bruno's works have been exhibited in Beijing. The exhibition will present 20 new a sculptures which have been prepared specifically for this exhibition, as well as paintings, bronze and paper sculptures that have rarely appeared in his solo shows.

Time:2019/3/5-2019/5/1

Venue: Gallery 3A,CAFA Art Museum

 

 

MARC QUINN:UNDER THE SKIN

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This exhibition will present a selection of the work of the acclaimed British artist Marc Quinn. As one of the leading artists of his generation, Quinn's work explores the recurring themes of art and science; the human body; emotion; and the perception of beauty. For the artist's first solo museum exhibition in China, the works have been drawn from his 30-year career and from multiple series, exploring his enduring interest in identity.

Time:2019/3/8-2019/5/1

Venue: Gallery 3B,CAFA Art Museum

 

 

FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-

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Maggi Hambling (born in 1945) is a major British artist who gained an international reputation in the 1980s, only enhanced subsequently by

recent shows at major museums such as the Hermitage in St Petersburg Russia. This will be a career-length exhibition which showcases Magg Hambling's work from the 1960s to the present day-oil paintings, drawings and monotypes. Her most iconic works will be presented in the exhibition, including the extraordinary Walls of Water paintings, as well as her portraits of lovers, family and friends.

Time:2019/3/8-2019/5/1

Venue: Gallery 4F,CAFA Art Museum

 

 

CAFA ANNUAL FINE ARTS NOMINATION EXHIBITION·2019

— ZHOU JIRONG& YE NAN:BETWEEN THE HEAVENLY AND THE HUMAN

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The exhibition of CAFA Annual Fine Arts Nomination Exhibition. 2019 will be divided into two parts: 1. Cappella of the History-Zhou Jirong Solo Exhibition: 2. Limit of the Loneliness-Ye Nan Solo Exhibition. Over 70 oil paintings, the works of printmaking and composite materials will be presented, displaying the 30-year art careers of the two artists。

Time:2019/3/12-2019/5/1

Venue: Gallery 2B,CAFA Art Museum

 

 

LIN GANG

PAINTING/ VITALITY

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The exhibition will focus on Mr. Lin Gang's oil paintings from life and abstraction works from the perspective of artistic ontology. The former will show how the artist painted the image of external objects, while the latter will show how the artist expressed the spiritual world. Finally, it will aim to outline the internal relationship between Lin Gang’s paintings from life and abstraction works in the past decades, hoping to provide reference for the younger generations in painting practice and creation. At the same time, the exhibition will also review and summarize Mr. Lin Gang’s artistic career and important achievements in an independent section.

Time:2019/3/12-2019/5/1

Venue: Gallery 2A,CAFA Art Museum

 

ITINERANT EXHIBITION PROJECTS

PIONEERING: CHINESE ARTISTS ABROAD IN FRANCE

AND CHINESE MODERN ART(1911-1949)

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The exhibition will be the first large-scale academic exhibition of which CAFA Art Museum has participated in the curating, after the conclusion of the celebrating the 100th anniversary of CAFA. Supported by 2018 China's National Art Fund, the exhibition will show more than 200 artworks loaned from dozens of public and private institutions and art collectors presenting the academic life of more than 50 artists who had studied in France. It will be divided into four sections showing comprehensively the exploring journey of those pioneers in advancing the modernization of Chinese art in the first half of the 20th century, hoping to help to research further the process of formation of Chinese art in the 20th century. It was from Shanghai where the pioneers got on ship to France, taking the first step of the path of Chinese modern art.

Time:2019/3/16-2019/6/9

Venue: Gallery 3&6,Long Museum West Bund,Shanghai

 

 

ITINERANT EXHIBITION PROJECTS

XU BEIHONG AND HIS TIME

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The Exhibition will make a comprehensive and in-depth review of the historical contributions of Xu Beihong the first director of CAFA after the founding of new China, as well as the development of Chinese fine arts in his time. It will be of great significance to clarify the historical context of the development of Chinese art in the 20th century, trace the formation of the basic features of Chinese art in the same period, and also develop the contemporary Chinese art.

Time: 2019/3/29-2019/5/6

Venue: Gallery 2&3,Li’ao He Museum of Fine Arts


BEYOND BOUNDARIES: AN INTERACTION BETWEEN THE CENTRAL ACADEMY OF FINE ARTS, BEIJING AND THE SLADE SCHOOL OF FINE ART UCL LONDON

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The group exhibition will present works by 24 artists who have been teaching in Central Academy of Fine Arts, Beijing( CAFA)and the Slade School of Fine Art, UCL, London. Coinciding with celebrating the 100th anniversary of CAFA and the 150-year anniversary of the Slade School of Fine Art, Beyond Boundaries will highlight the historic contributions made by the two academies and celebrate the important role of cultivating artists played by CAFA and the Slade. Zhang Zikang, Director of CAFAM will be the art director of this exhibition which will be co-curated by Guo Xiaohui and Andrew Stahl. The exhibition will feature the recent works ranging from painting, sculpture to the new digital media, showing the dynamic samples of current artistic practices in China and the UK.

Time: 2019/3/12-2019/4/2

Venue: Somerset House,London


CAFA GRADUATION SEASON, 2019

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The annual CAFA graduation season has always been carefully

achievements of CAFA, especially the teaching achievements will be

mostly reflected in the graduation works. The works presented in the graduation season will embody the level of the academic research and art creation of the academy. During the CAFa graduation season, the academy will be transformed into a grand museum of fine arts, being open to the whole society as a platform of communication between the the graduates and various circles of the society. How can you miss such a gathering?

Time: Early May to Late June,2019

Venue: CAFA Art Museum


 

 

ART EDUCATIONAL PROMOTION SPECIAL PROJECT

THE ART OF LEONARDO-IMPOSSIBLE EXHIBITION

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In order to mark the 500th anniversary of Leonardo da vincis death, the Exhibition "The art of Leonardo-Impossible Exhibition" will display extremely high-definition and true-to-scale reproductions of all the 17 masterpieces of Leonardo exposed in 11 different top museums in the world. These exceptional reproductions will include the Last Supper, Monna Lisa, the Annunciation, the two versions of the virgin of the Rocks etc. The exhibition, organized in cooperation with the italian Embassy and the italian Institute of Culture, with the technical supervision of the Italian national television RAICom, will start its journey in China from Beijing then touring around the world. It will provide a unique opportunity for the people who are passionate of renaissance art to get closer to the great art heritage left to the world by Leonardo da vinci.

Time: Early April to Late May,2019

Venue: CAFA Art Museum


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CAFAM讲座预告 | 讲座:西方艺术的诞生 ...

2019-01-07

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主讲人:弗雷德·克莱纳(美国波士顿大学艺术史与建筑史系教授)
主持人:邵亦杨(中央美术学院艺术史教授)
讲座时间:2019年1月7日  18:30
讲座地点:中央美术学院美术馆学术报告厅
 
主办:中央美术学院人文学院
协办:中央美术学院美术馆、湖南美术出版社
媒体支持:中央美术学院艺术资讯网
 
|讲座介绍|

尽管西方艺术的源头可以追溯到上万年前洞窟中的壁画,但“为艺术而艺术”的革命性观念始于公元前500年的古希腊。为了更好地讲述这个故事,我们回溯比希腊更早的古埃及和美索不达米亚艺术家的作品以及希腊早期几何时期的作品,复合视角、等级比例等观念出现在了不同地域的文化之中,成为了制作图像的某种共同的“正确方式”,尽管文献没有给予我们足够的证据证明早期文明之间的直接交流。
在古希腊的瓶画中,我们不仅看到了艺术家留下的签名,还见证了这一时期在古希腊发生的艺术变革。作品的主题成为了艺术表现的一种方式,而这种方式也是艺术家彰显个人艺术才能的手段。古典的革命不仅局限于绘画,在雕塑方面,希腊人也打破了数千年来一直存在的规则,并开创了一种新的表现方法。希腊的艺术变革影响了之后两千年的西方艺术。

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学校党委第二巡察组巡察美术馆 ...

2019-01-03

根据学校党委统一部署,党委第二巡察组于2019年1月2日至8日对美术馆开展巡察工作。1月2日上午,巡察工作动员大会在美术馆学术报告厅召开。副院长、巡察组组长吕品晶,纪委副书记、巡察办负责人刘娟,巡察组副组长郭丽、傅怡静,美术馆馆长张子康出席会议,巡察组成员、美术馆在职员工参加动员大会。动员大会由美术馆党支部书记任蕊主持。


吕品晶作巡察工作动员讲话。他强调,学校深入学习领会习近平总书记系列重要讲话精神,贯彻中央巡视工作方针,提高政治站位和政治觉悟,落实党委主体责任,按照教育部党组要求,建立巡察制度,成立校内巡察工作领导小组,设立巡察办,把巡察监督作为全面加强学校党的建设和全面从严治党的重要抓手。巡察组将全面贯彻党的十九大精神,牢固树立“四个意识”,坚定“四个自信”,落实中央和教育部党组巡视工作方针,深化政治巡察,目的是推动全面从严治党向基层延伸,密切干群党群关系。本次巡察工作根据《中共中央美术学院委员会校内巡察工作办法》的有关规定,将通过听取汇报、问卷调查、列席有关会议、与美术馆领导班子成员、党员领导干部和其他群众个别谈话、抽查调阅资料、实地走访调研、召开座谈会、受理来信来电来访等方式开展工作,并对在职员工反映的有关重要问题线索进行深入了解,掌握真实情况。

吕品晶强调,本次巡察的主要任务是聚焦全面从严治党这个中心,突出并结合实际深化政治巡察,正确把握政治和业务的关系,坚持从政治上发现问题,以“四个意识”为政治标杆,坚持问题导向,深刻把握发现问题这一生命线,站稳推动解决问题这一落脚点。要真发现问题,发现真问题。要把党的政治建设摆在首位,围绕党的政治建设、思想建设、组织建设、作风建设、纪律建设和夺取反腐败斗争压倒性胜利及巡视反馈问题的整改落实情况,对美术馆领导班子成员特别是主要负责人进行监督。

吕品晶表示,第二巡察组在校党委的领导下,将勇于担当,实事求是,不遮不掩,不懈怠地把校党委交办的巡察任务完成好,为全面从严治党作出新的更大的贡献。


刘娟介绍了巡察工作的相关要求。她指出,校内巡察是推进基层党组织和领导班子建设的重要抓手和全面从严治党的重要举措,被巡察单位要自觉诚实接受巡察,切实履行好巡察整改主体责任,要坚持开展自查自纠与接受巡察监督相结合,把整改工作贯穿于巡察全过程,对巡察后反馈的问题,要全面整改,强化整改落实和成果运用,发挥标本兼治的效应。

 

张子康在表态发言中,代表美术馆领导班子及全体馆员向党委第二巡察组进驻美术馆开展巡察工作表示诚挚欢迎。他表示,本次巡察工作的核心是找到问题、解决问题、促进发展,希望美术馆全体同志实事求是面对问题,积极配合巡察组开展工作,如实汇报并提供巡察组所需的信息和文件材料,共同推动美术馆以全新的面貌继续发展。

 

 

动员大会后进行问卷调查

会议现场照片

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布撤展闭馆公告 ...

2019-01-02

我馆2019年1月4日至1月7日为布撤展期间,暂停参观,1月8日9:30正常开馆,特此告知,欢迎前来观展! More

CAFAM讲座预告 | 叶锦添:看不见的盛世 ...

2018-12-27

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-讲座信息-

Lecture Information

讲座主题:看不见的盛世

主讲嘉宾:叶锦添

学术主持:张子康

时间:2018.12.29(周六)

                  下午 14:30-16:30

地点:中央美术学院美术馆学术报告厅

(本讲座免费参与。请各位公众从美术馆西门入场,座位先到先得。)


-讲座内容-

Lecture Content 

看不见的盛世

在未来世界已经悄悄然地来到这个时空,但我们还没有转化到下一个年代。我们仍然执迷于既有的限制而产生迷茫,这样将会产生一个断折,世界的变化会突然而来,不断超越我们世间认知的一切。

这种急速的转化产生巨大的能量,它将沉浸式地转化著空间,这时候,我想像无限层次的物理世界之外,还有一个时空所不能涵盖的精神世界,它们才是源头,它与物理世界的灵肉关系成为人类转化新景观。

多维视觉将会改变整个世界的样貌,  我们会看到更多以前无法看到的角度,在迷茫的景象中,精神世界将会春光乍现。

——叶锦添

-嘉宾简介-

Guests introduction 

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叶锦添(Tim Yip),自1986年参与了第一部电影《英雄本色》,二十多年以来,担任多部电影的美术与服装创作。合作对象包括众多世界知名导演,如吴宇森、李安、冯小刚、蔡明亮、陈国富、关锦鹏、陈凯歌、田壮壮、李少红等。

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1999年《大明宫词》导演 李少红

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 2000年《卧虎藏龙》导演 李安

他在《赤壁》、《夜宴》、《一九四二》、《风声》、《无极》、《小城之春》、《阿婴》、《胭脂扣》、《诱僧》等电影、电视剧《大明宫词》、《橘子红了》、《红楼梦》以及美国NETFLIX制作的电视剧《马可·波罗》等众多作品中体现的美术创意及充满文化气息与创新的服装造型,一直以来备受国际的瞩目与肯定。

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2009年《赤壁》导演吴宇森

2010年《红楼梦》导演李少红

 

2017年起,叶锦添担任电影《封神三部曲》美术指导及服装造型设计,三部曲中的首部影片预计于2020年上映。

戏剧于我极其重要,我从一个空荡荡的空间开始,这个空间存在于一大群隐藏在黑暗中的人面前。                    

                                                               ——叶锦添  

 

在舞台艺术领域叶锦添与诸多世界知名艺术家及著名艺术团体合作,包括罗伯特·威尔逊Robert Wilson、弗兰克·德贡Franco Dragone、张艺谋、赖声川、杨丽萍,以及云门舞集、当代传奇剧场、汉唐乐府、太古踏舞团、优人神鼓等。 

2012年《孔雀》艺术总监、总编导、领衔主演杨丽萍

舞台剧《楼兰女》、《韩熙载夜宴图》、《长生殿》、《如梦之梦》、《孔雀》、《十面埋伏》作品曾在旧金山歌剧院(San Fransisco Opera House)、伦敦沙德勒之井剧院(Sadler’s Wells Theatre)、纽约乔伊斯剧院(Joyce Theatre)、巴黎夏佑剧院(Palais de Chaillot)、巴黎喜歌剧院(Opera-Comique, Paris)、奥地利格拉兹歌剧院(Opernhaus Graz)、北京国家大剧院、台北故宫博物院等地展演。

2015年,由叶锦添执导的艺术短片《厨房》在法国巴黎蓬皮杜中心举行的第八届ASVOFF国际时尚影像艺术影展中摘得“最佳艺术指导奖”。并先后与M.A.C、周大福等知名商业品牌进行跨界艺术合作。

《寻找Coco》

2016年,由台湾VOUGE杂志委约、携手香奈儿CHANEL,叶锦添掌镜拍摄了以桂纶镁为主角的艺术短片《寻找Coco》。2017年7月,叶锦添再次携手香奈儿CHANEL, 为新创刊的VOGUE Film杂志执导了由周迅、胡歌主演的艺术短片《某种爱的记录》。同年12月,受现代传播集团邀约,叶锦添担任创意、编剧以及导演,携手包括优人神鼓、朱哲琴、裘继戎、吴蛮等艺术家上演了《空穴来风》多媒体舞台剧。

-特邀学术主持-

Academic host

学术主持:张子康先生

嘉宾简介:张子康,1964年生于河北,中央美术学院现任馆长,曾任中国美术馆副馆长、新疆维吾尔自治区文化厅副厅长(援疆任职)、文化艺术出版社社长、中国艺术研究院中国艺术研究推广中心主任、中国国家画院艺术信息研究中心主任、中国艺术研究院中国当代艺术院副院长、今日美术馆馆长、《东方艺术》《今日美术》杂志主编、河北教育出版社北京风雅颂文化艺术中心总监。兼任全国美术馆专业委员会副主任理事和中国美术家协会实验艺术委员会副主任。

-“未来已来”系列学术论坛-

Series of Academic Forum

 

为了庆贺美院百年辉煌,并思考在信息时代世界飞速变化的背景下如何延续下一个百年辉煌,由中央美术学院研究生会主办,中央美术学院研究生会学术部承办了“百年央美'未来·已来'系列学术论坛”。

未来已经到来,边界不复存在,我们邀请了非美院背景的各新兴领域人才来到美院,与美院师生一同探讨如何更好的适应变化莫测的新时代。

诚邀大家参与到“未来已来”学术论坛中来,让思维与思维碰撞,让未来更加清晰,欢迎持续关注中央美术学院研究生会学术部。

 

论坛主办:中央美术学院美术馆 中央美术学院研究生会

联合承办:中央美术学院研究生会学术部

             

论坛指导:黄可一 任  蕊

媒体宣传:何一沙 吴  靖 秦  漫 姜 同

论坛策划:姚轶群 宋美琳 张家瑞

场地协调:梁  雯 郑洪强 牛继钊

现场控制:赵卜萱 汪  正 盛华厚

平面设计:吴效威 许小艺

制作宣传:高  参 祝思远

图文编辑:王一玮 亓  元

 

央美研会公众号

 

 


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“远志四韵——李斛的艺术步履”策展笔记 ...

2018-12-14

| 迎宾语录 |

艺术上就是要强求

不怕费事

不能做小买卖

——李斛

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首韵·土地:“再穷不过讨口,不死就要出头” 

贫苦的家庭,巴山蜀水人家,还有以徐悲鸿写实主义思想为宗旨的中央大学师范学院艺术学系,是哺育李斛艺术成长的土地。

苦难让青少年时期的李斛心事重重,但也磨砺了他要强的个性,人穷志不短,他发奋地写下了“再穷不过讨口,不死就要出头”的座右铭自励。在青年李斛的笔下,为什么总是能见到在巴山蜀水讨生活的穷苦百姓的落寞身影?为什么他总以朴实怜爱的目光凝视着山城和在劳苦贫病中挣扎生存的老乡?因为,那就是他的生活!为什么他要心怀期待,描绘祈祷上苍垂爱人间、治病救人的图画?因为,那也是他的希望!他本来有九个兄弟姊妹,但贫病相继夺去了其中的六人。他在生活的苦海里挣扎,看见那些穷人就和看见他自己一样,他为自己鼓劲儿,希望能出人头地,也为自己祈祷,就如受伤的羔羊。

强调作画要惟妙惟肖的徐悲鸿非常赏识这个苦孩子的造型才华,对他挂念不忘,最终在1948年让弟子宗其香把李斛从四川带到了北京。李斛对恩师徐悲鸿在中央大学“画一百张素描再说”的要求和教诲也终身难忘,因为这不仅直接有助于李斛在逆境中谋生,而且更直接有助于李斛在逆境中“说话”——用形象把自己心里想的在画上讲出来。徐悲鸿称赞李斛能以中国纸墨用西洋画法写生,富有水彩画情调而别开生面,所针对的是当时一般中国画徒有程式的流弊,而所褒扬和提倡的就是李斛能用形象讲话,具体而微,引人入胜的特色。


次韵·百炼:“人生有限,艺术春秋” 

随着新中国的成立,由川入京的李斛真正进入了梦寐以求的画家行列,成为中央美院的一名教师,家庭生活也逐渐走上了正轨。在激情满怀的新生活里,他觉得人生有限而艺术无限,他渴望把有限的人生投入到无限的艺术创作中去,为此他又壮志满怀地写下“人生有限,艺术春秋”的座右铭自励。在他20世纪五、六十年代千锤百炼、精益求精的百炼期里,李斛的艺术实践有三点值得注意:

①进一步深入地通过素描研究和实践,锤炼造型能力,但尤其注意经写生分析之后与水彩、油画、彩墨等不同媒介的转换。展览中的彩墨人物画,就多有与之相关的、自我要求很高的素描写生研究在先,而同一对象的素描分析和彩墨表现又都具有各自独立的审美价值,那份尽精微的钻研劲儿,可真不愧是典型的处女座画家。

②特别注意形象的观察与表现。从形象观察进入形象思维和逻辑思维,最终落实为艺术表现,这是所有美术工作者都要面对的课题,李斛以自己突出的实践性研究——彩墨人物画和彩墨夜景画——回应了这一课题,他曾就此总结说:“说得具体一些:看到的是那样→是不是那样→应该是怎样→我怎样表现它。”

③对中国画的优良传统和西洋画的近代鼎新充满了学习和了解的渴望,在六十年代通过向李苦禅请教和藏阅西方现代艺术图书资料,在一些小品练习里如戏剧人物和蛮牛骏马,已开始出现在写生基础上探索形象的形式变革苗头,可惜因时代原因和中年夭折,未能深远,殊为遗憾。


三韵·心潮:“唤起欢乐,唤起共鸣” 

三韵·心潮是次韵·百炼的主题性时代性强音,主要是引发李斛在创作构思上深究、创作情感上澎湃的主题性代表作。展览中的作品差不多每一幅背后都有一整套素材支撑,包括速写捕捉、草图构思、形象练习、局部写生、放大图稿等等,排列起来可以深入了解画家从生活实践中来,到艺术表现中去的完整创作过程和创作美学追求。其中,如下两点颇值得注意:

①如何认识生活——李斛善于在平凡世界中发现和经营让人心动的瞬间,这原本就是生活艰辛的他当年在徐悲鸿写实主义教育启蒙后自发的“艺为人生”面向。五十年代他在全面接受“文艺为人民服务”的文艺美学观,认识到“在生活面前要以正确的观点去正确地理解生活中最主要的一面”,“要会看生活,在海洋似的生活里看主要的本质的,看主流,发现上升的新的事物”后,开始在创作上自觉注意“唤起欢乐,唤起共鸣”的生活挖掘和情感表达。从一个朴素的“艺为人生”的“写实主义”者,转变为一个“文艺为人民服务”、要“唤起欢乐,唤起共鸣”的“歌颂现实主义”者。

②怎样处理题材——在“唤起欢乐,唤起共鸣”的“歌颂现实主义”创作要求下,李斛非常重视创作要讲生活味,抒情性,意境美,强调生活感受的形象化、艺术化,反对题材至上和从概念出发。他曾经这样说:“题材要宽,不要过分追求情节主题,不要依靠理论家和标题”,“作为艺术品,在于艺术家的处理手法,不在于题材伟大,伟大的题材人家看不懂或不要看也就不伟大。”这些心得和经验,对于今天的主题性创作来说,依旧有借鉴和反省的意义。


主厅展柜

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转角墙图

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转角语录 

一定要在观察生活和研究生活的基础上来画画,形象来自生活,思想来自生活,感情来自生活,构图来自生活,表现方法都来自生活,但这一切都是通过形象来解决的,就是一定要有第一手材料。

从形象观察,进入到形象思维,从形象思维进入到逻辑思维,最后回到形象表现,说得具体一些:看到的是那样→是不是那样→应该是怎样→我怎样表现它。

——李斛《创作方法提纲》(1963)

转角展柜文物(书籍)

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末韵·斛殇:“胸怀远志,不畏近难” 

李斛因青少年时期生活贫困落下胃疾,1955年曾做过胃部切除手术,同时发现肝局部硬化。但是,日后他带学生到工厂、煤矿、农村和敦煌等文化遗产保存地实习,随美院职工下放河北磁县劳动锻炼,奉命为民族饭店、北京饭店等单位创作装堂中国画,他都严于律己,不求照顾,自我忍耐,强做完人,他甚至也“从不向家人讲述自己的任何困难,一贯都是在宽慰别人”。这,就是李斛!他自尊心太强,责任心太强,一辈子在人前要强和隐忍。展览中的自画像,是李斛从1944年的写生到1974年的绝笔,跨度三十年。二十多岁的诙谐发奋,三、四十岁的成熟坚定,五十多岁的昂首不屈,都是他自己对活着就要有样儿的自励性写照。

1973年,为完成北京饭店所需中国画抱病工作的李斛,又先后以隶书和行草书自我鼓舞地写下座右铭“胸怀远志,不畏近难”。然而不幸的是,在身体疾患不得康复的时候,更大的精神迫害最终彻底把李斛压垮了。1974年,“文革”十年浩劫的末期,李斛等十几位画家为北京饭店等单位创作的中国画被打成“黑画”在中国美术馆受到莫须有的批判。李斛的妻子回忆说,从那以后,再也听不到李斛谈画,也看不见他的笑容,除了讲“把我的画保管好”、“我对不起爸爸妈妈”外,整日沉默不语。1975年11月10日凌晨,李斛带着深深的眷恋和遗憾病逝,享年56岁。人到中年,撒手人寰,壮志未酬,伤兮痛兮……

多年以后,他教过的学生都已成名成家,当他们回忆起老师的时候,差不多是异口同声地会提到李斛先生那句川音浓郁的教导:

艺术上就是要强求!

不怕费事!

不能做小买卖!


末韵L型展台文物(杂项)

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合韵·不息:“艺为人生,前浪后浪” 

“五四”以来,在徐悲鸿倡导和开辟的以素描练习为入门、中西融合为特点、艺为人生为旨归的写实主义道路内外,一直不乏与之同行或并行的同道,其中的佼佼者在徐的团结下逐渐在20世纪四十年代后期汇集在徐执掌的北平艺专,出现了没有名目但有模样的徐悲鸿美术教育学派。当然,在这一历史发生过程中,也不乏与徐悲鸿“道不同,不相与谋”的道路选择与实践阵营。在20世纪中国社会的激流涌动中,特别是在新中国成立后政治运动强力介入艺术实践的五、六十年代,不同的道路选择和实践阵营确实出现了被选择利用和被压制打击、势强和势微的分野,最终形成在辩证否定徐悲鸿写实主义基本经验上的歌颂现实主义人物画发展成为主潮这一事实。对此格局以及由此产生的问题,自20世纪八十年代以来美术界多有深入的反思和积极的讨论,且至今依旧是一个容易引起争鸣的话题。

从教学实际看,被吸融进中央美院的徐悲鸿美术教育学派,在不断的思想改造中成为从彩墨画科到中国画系探索建立写生、临摹与创作相结合的“三位一体”教学体系的主体力量。李斛作为其中的一员,是在合韵中的声部吟唱。展览中调配中央美院美术馆藏中国画师资作品与李斛之作一体并陈,既想说明李斛教学与创作上的成绩与局限与这个团队同步,也与这个时代选择同步,也想说明在有李斛参与的第二代中国画教学集体的培养下,受惠于这个集体的第三代画家,像馆藏品作者刘勃舒、姚有多、蒋采蘋、卢沉、张凭、陈谋、王同仁等人,得先生们的培育,又在改革开放的新时代下,继续以李斛所表率的“胸怀远志,不畏近难”的进取精神,勇于探索,积极变革,回应着新时代对教学与创作的新要求。


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外访视频剪辑

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Closing Notice ...

2018-12-03

CAFA Art Museum will be temporarily closed from December 4 to 9, 2018 for exhibition installation.


For your information, It will re-open on December 9, at 9:30 AM.


Welcome to visit the new exhibition. Thank you for your attention!


The new exhibition will open soon:

远志四韵——李斛的艺术步履                                                     2018.12.09 - 2019.01.03   

Everlasting Sincerity of Heart: Li Ruinian and Art Education      2018.12.09 - 2019.01.03

苦旅心语——宋源文个案研究                                                     2018.12.09 - 2019.01.03    


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“The Land of Country Remade” Awarded as An Outstanding Exhibition in the 2018 National Exhibition Season of the Excellent Collection from the Art Museums in China ...

2018-11-22

On November 20, learning from “The Notice of the Ministry of Culture Issuing ‘the Project Planning of 2018 National Exhibition Season of the Excellent Collection from the Art Museums in China’” (Letter of Approval [2018] No. 15), the acceptance work of this project has been successfully completed. Carefully reviewed by a panel of experts and examined by the Ministry of Culture and Tourism, “The Land of Country Remade – Research Exhibition on the Movement of New Chinese Guohua Painting in the 1950s-60s”, planned by CAFA Art Museum, won the Outstanding Project Award. A total of eleven projects are selected as excellent exhibitions and will receive incentive subsidies from the Ministry of Culture and Tourism for carrying out their exhibition tours and other related works.

“The Land of Country Remade” selected representative works from the collection of CAFA Art Museum that reveals the innovation history of Chinese Painting in the 1950s and 1960s, and combed through the literature of discussion, exhibition articles and artworks that related to the reform of Chinese painting. In this both academic and artistic exhibition based on research, visitors can get a viewing experience as if walking through a history book. 

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Edited | Editorial Department of CAFA Art Museum Website

Photography | Li Biao


| The Exhibition Site |


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Student Recruitment “A Poem of Great Ambition – Li Hu’s Artistic Path” • Research Workshop ...

2018-11-20

“A Poem of Great Ambition – Li Hu’s Artistic Path”

Research Workshop

Student Recruitment

Time: November and December 2018

Venue: Multifunctional Room and 2B Gallery, CAFA Art Museum

*See application process at the end of the article

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Research Workshop Introduction

 

Li Hu was an important Chinese painter, art educator, and teacher of CAFA in Chinese modern art history. He integrated Chinese and Western painting techniques – Chinese brush and ink with Western skills – in the creation of Chinese painting and made unique achievements in landscape and portrait painting. Li Hu created a lot of outstanding works, including “Guangzhou Uprising”, “Indian Woman”, “Portrait of Guan Hanqing”, “Night Navigation on the Three Gorges”, etc.

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Li Hu, “Guangzhou Uprising”

2019 is the centenary anniversary of Li Hu. In order to commemorate Li Hu and fully present his artistic outlook, CAFA Art Museum has planned a special exhibition “A Poem of Great Ambition – Li Hu’s Artistic Path”, which is to be displayed in the art museum from December 2018 to January 2019. This exhibition will present more than 100 pieces of representative works created by Li Hua in his lifetime. Curator Cao Qinghui has systematically sorted out the creative process and works of Li Hu at different periods, focusing on Li Hu’s contribution to the innovation creation of Chinese figure painting.

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Li Hu, “Self-portrait”

The research workshop, held along with the exhibition, takes on the education function of CAFA Art Museum to encourage young students to participate in the scientific and research projects related to the exhibition theme by a new model. It attempts to make students have deep engagement with the exhibition and works using immersion programs throughout the exhibition period, so as to arouse and inspire the research interest of students on Li Hu and the modern transformation of modern Chinese painting from multiple perspectives.



Research Workshop Content

This workshop is free of Charge and is divided into three stages.

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Li Hu drawing the draft of “Night Navigation on the Three Gorges” in 1973

The first stage contains four courses before the opening of the exhibition. The main content is to lead students to get familiar with and master the related literature of Li Hu. In this stage, Li Hu’s families, and scholars who have involved in his exhibitions and studies will be invited to teach the students. In the last session of the first part, participants will decide research directions and topics with the instruction of curator Cao Qinghui.

Time: November 2018

Venue: Multifunctional Room, CAFA Art Museum

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Li Hu,“An Old Man in Red”


The second stage has four courses after the opening of the exhibition, with its subject content to further understand Li Hu from different angles and confirm the research titles. In this stage, curators and scholars in the fields of art history and Chinese painting will be invited to direct students to analyze Li Hu’s works and contemporary art of his time from the point of art history, techniques and other angles. Before the courses of the second stage start, students should first submit their research topics according to their learning situation. In addition, during the exhibition, each student will complete an on-site audience tour to have a profound understanding of Li Hua and his works.

Time: December 2018

Venue: 2B Gallery and Multifunctional Room, CAFA Art Museum

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Li Hu, “Sketch of A Plaster Figure”

The third stage is for students to report their achievements before the end of the exhibition. Based on the course learning of the first two stages, students will present their study results in PPT and finish an essay before January 15, 2019. The excellent essay will be included in the publication of the same title as the exhibition.

Time: January 2, 2019

Venue: Multifunctional Room, CAFA Art Museum



The Host of the Research Workshop

Cao Qinghui

(Curator of the exhibition)

Liu Xiyan

(Coordinator of the project)


Instructors of the Research Workshop

Wu Hongliang

(Deputy Director of Beijing Fine Art Academy, Director of the Art Museum of Beijing Fine Art Academy, Curator of “A Retrospective Exhibition of Li Hu’s Excellent Paintings” at the Art Museum of Beijing Fine Art Academy in 2009)

Deng Feng

(Researcher of the National Art Museum of China, Curator of “Beautiful Expression by Pen and Ink: Exhibition of Li Hu’s Paintings” at Han Hai Contemporary Art Center in 2015)

Liu Xilin

(Renowned Chinese art historian)

Jiang Caiping

(Professor of the School of Chinese Painting of CAFA)

Liao Qin

(Lecturer of the School of Chinese Painting of CAFA)

Li Yaochen

(Director of the Collection Department of CAFA Art Museum)

Li Rong

(Li Hu’s daughter)

Li Fan

(Li Hu’s son)

Li Yun

(Li Hu’s daughter)

 


Application Requirements

Recruitment of 10 students as planned

Academic background of art history studies or Chinese painting creation

Recent or graduated master and Ph.D. students

Please send your resume to 112337188@qq.com before November 18

(Please include academic background, research direction and mobile number in the resume)

 


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