Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

新展预告|“疏密时空:马树青、封岩、王光乐艺术对话”即将亮相!

2026-07-25

CAFAM当代艺术力量系列主办中央美术学院美术馆疏密时空:马树青、封岩、王光乐艺术对话开幕时间:2025年7月26日(周日)下午4:00开幕地点:中央美术学院美术馆3B展厅展览时间:2026年7月26日-9月6日展览地点:中央美术学院美术馆3B展厅“疏密时空——马树青、封岩、王光乐艺术对话”是中央美术学院美术馆“CAFAM当代艺术力量系列”的首展。展览将三位在各自路径上深耕数十年的艺术家汇聚一处,并非因为他们风格相近,而是因为他们都拥有一种在今天已不多见的品质:在同一个方向上持续、深入地推进。三位艺术家的作品最终都呈现为抽象的面貌,但抽象并不是他们刻意选择的方向。马树青从80年代末留学德国,三十多年来一直专注于色彩与空间的关系,让颜料在反复叠加中成为时间与空间的载体。封岩在摄影与绘画之间穿行往返,从日常之物中捕捉被忽略的细节,让观看本身成为创作的核心。王光乐从一束光、一片水磨石地面开始,把日复一日的涂刷与等待转化为创作的方法,让时间成为作品中最核心的材料。三个人做的事不同,关心的问题也不同,却都在各自的领域里走到了深处。这个展览既有三位艺术家各自完整的独立板块,也特别设置了三组“两两对话”区域——“同形异路”“和声与独白”“印痕与层叠”。这种设置让展览不再是一个静态的陈列,而成为一场动态的思想交锋。观众不是被动地接受结论,而是在两组作品之间主动发现关联与差异。在中国当代艺术长期被社会议题和叙事性内容主导的语境中,这三位艺术家的实践走出了一条相对边缘却因此更显珍贵的道路。他们在艺术本体语言里持续地思考和推进。他们的作品不追求即时的冲击力,却经得起长时间的凝视。我们希望通过这个展览,传递这样一种取向:在大家都关注变化的时候,也需要关注那些需要长时间积累才能获得的品质——专注、定力,以及对一个问题持续追问的能力。同时也希望让更多人看到,那些看似安静的画面背后,有着丰沛的思想和持久的生命力。作为“CAFAM当代艺术力量系列”的起点,这个展览只是一个开始。我们期待在未来,这个平台能够为更多独立而坚定的艺术路径提供相遇和对话的机会。欢迎各位走进展厅,在疏密之间,在时空之中,看见三种不同的坚持。马树青       追忆普罗旺斯05-2026    250×250cm    丙烯亚麻布面      2026马树青  工作日1  110×140cm  矿物色粉丙烯媒介剂   2026封岩  无题8735   180×150cm   布面丙烯   2017封岩   无题8625   180×150cm   布面丙烯   2015封岩   无题8625   180×150cm   布面丙烯   2015王光乐   160116   280×180cm   布面丙烯   2016CAFAM当代艺术力量系列疏密时空:马树青、封岩、王光乐艺术对话开幕时间:2025年7月26日(周日)下午4:00开幕地点:中央美术学院美术馆3B展厅展览时间:2026年7月26日-9月6日展览地点:中央美术学院美术馆3B展厅主办:中央美术学院美术馆主编 / 何一沙责编 / 杜隐珠编辑 / 刘梓玥
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14 Flower-and-Bird Paintings Selected as Beijing Exhibits|The 3rd National Fine Arts Exhibition of College Students (Chinese Painting Section)

2026-07-23

Since the opening of the Chinese Painting Section of Blooming: The 3rd National Fine Arts Exhibition of College Students at CAFA Art Museum on July 6, nearly 300 works have formed a rich exhibition narrative structured around four sections: "New Visions of the Era", "Scenes of Human Life", "Literary Spirit in Flower-and-Bird Painting" and "Cultural Veins of Mountains and Rivers". Created by students from over a hundred universities across 31 provinces, municipalities directly under the Central Government and autonomous regions nationwide, these works embody contemporary college students’ diverse explorations and sincere expressions in Chinese painting.Among the nearly 300 exhibits, 69 works have been selected as Beijing Exhibits following expert evaluation and will be presented in the Beijing showcase in August. Fourteen of them are flower-and-bird paintings, grouped under the section "Literary Spirit in Flower-and-Bird Painting". Drawing inspiration from natural scenery or ordinary still-life subjects, these works reveal exquisite details and authentic temperament through layered ink and colour rendering. With unique perspectives and brushwork, the creators infuse traditional themes with vivid contemporary sentiments, articulate distinct aesthetic ideals and insights into life, and demonstrate the vibrant vitality of a new generation of Chinese painting creation.Artist: Li Ao Title: Herons by Mirror Macao Institution: Macau University of Science and Technology★★ ★Artist: Meng Yuxiang Title: Surging Tides Institution: Jilin Normal University★★ ★Artist: Wan Yue Title: Elegy of the Vast Ocean Institution: Beihai University of Art and Design★★ ★Artist: Zhang Enyi Title: Culture Bears the Dao Institution: Renmin University of China★★ ★Artist: Sun Jingyu Title: Home Institution: Capital Normal University★★ ★Artist: Li Qian Title: Among Vines Institution: Guizhou Normal University★★ ★Artist: Liu Fen Title: Palms: Not the Final Destination, But a Stop Along the Journey Institution: Yangtze University★★ ★Artist: Zhou Dianjin Title: Spring Splendour Cannot Be Confined Within the Garden Institution: Chinese Academy of Arts (China National Center for Safeguarding Intangible Cultural Heritage)★★ ★Artist: Zhang Yan Title: Ranks of Sunflowers Institution: Chinese Academy of Arts (China National Center for Safeguarding Intangible Cultural Heritage)★★ ★Artist: Liu Lu Title: Theatre of Flying Birds Institution: China Academy of Art★★ ★Artist: Li Lingyi Title: Chongqing Forest Institution: Sichuan Fine Arts Institute★★ ★Artist: Ran Yuan Title: The Spirit of Artifacts Institution: Sichuan Fine Arts Institute★★ ★Artist: Li Yutong Title: Floating Whiteness Beneath Azure Institution: Shaanxi Normal University★★ ★Artist: Wen Aiyu Title: The Grey Seagull Flying to the Future Institution: Nanjing University of the Arts★★ ★Blossoming:The 3rd National Fine Arts Exhibition of College StudentsChinese Painting SectionExhibition Period: July 7 – August 2, 2026 Venue: CAFA Art Museum, 1st Floor Hall, Hall B (2nd Floor), Hall A (3rd Floor), 4th Floor HallOrganizer: China Artists Association Co-organizers: Art Center of China Federation of Literary and Art Circles, Central Academy of Fine ArtsEditor-in-Chief: He Yisha Responsible Editor: Du Yinzhu Editor: Wang Cong
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Major Heat Today

2026-07-23

Major Heat Today
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19幅山水画入选进京作品|第三届全国大学生美展中国画展区正在展出

2026-07-21

“绽放——第三届全国大学生美术作品展览”中国画展区自7月6日在中央美术学院美术馆启幕以来,近三百件作品以“时代新象”“人间世相”“花鸟文心”“山河文脉”四大板块构建起丰富的展览叙事。这些作品来自全国三十一个省市的百余所高校,汇聚了当代大学生对中国画的多元探索与深情表达。近三百件作品中,经专家评审共有69件被评为进京作品,将于8月参与进京作品展。其中山水画作品19幅,分布于“时代新象”与“山河文脉”两大板块。这些作品或取法传统,在皴擦点染间承续古意;或以当代视角审视自然,在写生与感悟中记录山河新貌。可贵的是,创作者们并未止步于对经典的追摹,而是在时代与传统的双重体悟中,逐渐找到属于自己的艺术语言。作者:黄依萌名称:《千年雄安,风起新程》院校:河北大学作者:杨航名称:《家山新韵》院校:成都大学作者:樊语彤名称:《天河筑梦》院校:重庆大学作者:弓小婷名称:《佳期而至》院校:山东师范大学作者:刘家诚名称:《云洗巴山幽》院校:山东大学作者:毛新星名称:《天工铸锦 工业印记》院校:澳门城市大学作者:李勤名称:《塬上清涧音》院校:西安美术学院作者:范钧焱名称:《脉搏相牵大湾区》院校:广州美术学院作者:耿海沛名称:《烟岚万里归春》院校:湖南科技大学作者:张哲源名称:《黔境筑痕》院校:太原理工大学作者:姚思琪名称:《茸城清韵》院校:上海大学作者:陈正觉名称:《乡风社火》院校:中国艺术研究院(中国非物质文化遗产保护中心)作者:邓金名称:《万山载雪》院校:中央美术学院作者:李涛名称:《晨韵生息》院校:贺州学院作者:骆祺缘名称:《万殊共生》院校:中央美术学院作者:樊令超名称:《云落春涧》院校:中国艺术研究院(中国非物质文化遗产保护中心)作者:彭瑾慧名称:《大龙湫》院校:中央美术学院作者:许嘉辰名称:《狮林探幽》院校:南京艺术学院作者:丁哲名称:《白山黑水铸忠魂》院校:中国传媒大学“绽放——第三届全国大学生美术作品展览”中国画展区展览时间:2026年7月7日-8月2日展览地点:中央美术学院美术馆1层展厅、2层B展厅、3层A展厅、4层展厅主办单位:中国美术家协会承办单位:中国文联美术艺术中心、中央美术学院主编 / 何一沙责编 / 杜隐珠编辑 / 王琮
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“星火赓续——中央美术学院美术馆藏中国共产党人精神图谱专题展”在济南拉开帷幕

2026-07-19

主编 / 何一沙责编 / 杜隐珠
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从近三百件中脱颖而出!36幅大学生人物画作品锁定进京名额

2026-07-15

“绽放——第三届全国大学生美术作品展览”中国画展区自7月6日在中央美术学院美术馆启幕以来,近三百件作品以“时代新象”“人间世相”“花鸟文心”“山河文脉”四大板块构建起丰富的展览叙事。这些作品来自全国三十一个省市的百余所高校,汇聚了当代大学生对中国画的多元探索与深情表达。近三百件作品中,经专家评审共有69件被评为进京作品,将于8月参与进京作品展。其中人物画作品36幅,分布于“时代新象”与“人间世相”两大板块。“时代新象”以宏阔的时代叙事展现青年一代对家国情怀的书写,“人间世相”则以细微的个体关怀描绘市井烟火中的人间温情。工笔赋彩见匠心,写意传神见性情——这批人物画作品以各自独特的笔墨语言,记录下这个时代最生动的面孔与最真挚的情感。作者:张丹名称:《逐梦》院校:内蒙古艺术学院★  ★  ★作者:林芷瑶名称:《高原盛集》院校:青海师范大学★  ★  ★作者:谭竞名称:《好春光》院校:湖南师范大学作者:贾孟名称:《跃动青春》院校:曲阜师范大学作者:罗玲玲名称:《无忧》院校:湖南师范大学作者:徐子越名称:《话家常》院校:哈尔滨师范大学作者:刘阳河名称:《鱼群来过之后》院校:中国人民大学作者:宣梦莹名称:《帕米尔红韵》院校:山东工艺美术学院作者:王铱灿名称:《暖红絮语》院校:山东工艺美术学院作者:余音名称:《共绘新篇》院校:山东师范大学作者:李浩然名称:《青春无悔》院校:山东艺术学院作者:魏淳悦名称:《间隙》院校:云南艺术学院作者:宁兆博名称:《翰宇星澜》院校:山东师范大学作者:范党远名称:《循迹》院校:西安美术学院作者:何绍侃、祁博辰名称:《光荣时刻》院校:首都师范大学
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中央美术学院美术馆“小导览员”公益课程招募

2026-07-14

暑期又至,中央美术学院美术馆诚挚邀请热爱艺术的小朋友们,参加“小导览员”公益课程。此次活动旨在培养青少年对艺术的兴趣和热情,提升语言表达和公众演讲能力,提供深入艺术现场、锻炼公共表达的实践机会。在前两届扎实沉淀的基础上,今夏我们再次启动招募,依然聚焦于提升艺术素养与表达能力,继续面向10至15岁的青少年开放。具体信息及报名须知如下:课程时间:7月23日、24日9:30-12:00上课地点:中央美术学院美术馆考核时间:7月30日9:30-12:00特别提示:7月24日至29日开馆时间,小导览员均可在美术馆学习、练习本次课程共设三次课第一次课:展览内容讲授展览、展品相关知识,并分析教授如何讲解一件艺术品,引导学员学以致用,将所学内容转化为面向观众的导览讲解。第二次课:导览技巧讲授导览技巧并进行现场练习,让小导览员们轻松自信地练就面向公众的导览。第三次课:考核对现场导览进行考核,要求每位小导览员都能独立完成导览任务。报名对象:年龄在10-15岁之间的青少年儿童招募人数:20人考核、上岗与证书:考核通过并实际导览两场以上的小朋友,将获得由中央美术学院美术馆颁发的“小导览员”证书发证日期:7月30日(待定)请填写报名表,发送至cafamedu@cafa.edu.cn,报名成功会收到邮件回复。报名截止日期:7月19日报名表请从百度网盘下载,链接:https://pan.baidu.com/s/1r4PJMn9kD0TUk7TAd5Xe_w?pwd=xbX1复制这段内容打开「百度网盘APP 即可获取」本次课程不仅通过专业培训提升孩子们的艺术素养,激发他们对美术的兴趣和热爱,更将着力于锻炼孩子们的公众表达技巧,增强自信心,并通过实际导览让孩子们在实践中成长。我们期待看到更多热爱艺术的小朋友们积极参与到本次“小导览员”公益课程中来,让我们一起在艺术的世界里成长、进步!“小导览员”讲解现场专业老师讲授讲解技巧小导览员结课颁证仪式现场主编 / 何一沙责编  / 杜隐珠
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喜讯+1 | 我馆策划展览入选全国美术馆青年策展项目扶持计划

2026-07-12

近日,文化和旅游部办公厅公布了《2026年全国美术馆青年策展项目扶持计划入选名单》,其中,中央美术学院美术馆刘宇晗策划的展览“向未来——中央美术学院美术馆藏青年作品展”入选。该展览将于2027年在我馆展出。主编 / 何一沙责编 / 杜隐珠
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“Heterogeneous Resonance – Porcelain · Schlieren Imaging · Digital Sculpture” Exhibition Opens as Scheduled

2026-07-09

On July 6, 2026, Wide Angle° – Youth Experimental Project Space launched its third exhibition of the fourth session, Heterogeneous Resonance – Porcelain · Schlieren Imaging · Digital Sculpture, at Gallery C on the 3rd floor of CAFA Art Museum. Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of CAFA; Han Wenchao, Secretary of the Directly-Affiliated Party Branch of the CAFA Art Museum; and Yang Jie, Director of the Faculty Affairs Department and Human Resources Department of CAFA, delivered speeches respectively. Wang Ruiying, Project Manager of the CAFA Institute of Art & Design and curator of this exhibition, together with the three participating artists — Pan Jingru, Associate Professor of the CAFA School of Design, He Yisha, Head of the Media Department of the CAFA Art Museum, and Li Wenlong, Associate Professor of the CAFA School of Design — each gave a brief introduction to the exhibition and its featured works. Gao Gao, Deputy Director of the CAFA Art Museum, presided over the opening ceremony.Speech by Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine ArtsIn his speech, Yu Yang pointed out that this exhibition delivers artistic expressions of homogeneous resonance through heterogeneous media including ceramics, digital technology and schlieren imaging. Essentially, the three artists, via their individual artistic practices, offer concrete responses to the core issues of our era: in an age dominated by digital art and artificial intelligence, what role should art academies play? How can we engage with traditions? How can we perceive life? And how may the seemingly cold medium of digital art capture warm artworks and the warmth of life itself? Beyond encapsulating the three artists’ reflections on art and life, the exhibition also carries enlightening implications for the Central Academy of Fine Arts across creation, teaching, research, exhibition curation, as well as communication and exchange.Han Wenchao, Secretary of the Directly Affiliated Party Branch of CAFA Art Museum, Delivered a SpeechIn his speech, Han Wenchao first reviewed the overall progress of the Wide Angle — Youth Experimental Project Space since its proposal. He extended his congratulations to the curator and the three participating artists. He noted that while the three artists employ diverse materials and expressive forms, their creations are all rooted in traditional culture and cultural heritage. This embodies the young generation of faculty’s commitment to "upholding fundamental traditions while pursuing innovation". On one hand, they inherit traditional artistic vocabularies and cultural origins, holding fast to the core cultural lineage of the nation; on the other hand, they actively embrace the new era and deliver contemporary artistic expressions via new technologies. Han Wenchao pointed out that this exhibition represents academic exploration and independent critical thinking undertaken by young faculty in their research and creative practice, and this is the significance that varied exhibitions bring to the academic community.Speech by Yang Jie, Director of the Faculty Affairs Department and Human Resources Department of the Central Academy of Fine ArtsIn his speech, Yang Jie, Director of the Faculty Affairs Department and Human Resources Department of the Central Academy of Fine Arts, emphasized that the Wide Angle — Youth Experimental Project is experimental and exploratory in nature, aiming to address emerging issues and new ideological dimensions behind artistic creation. In this era of leaping advances in artificial intelligence technology, it is vital to stay true to original aspirations and academic ideals. The project enables broader audiences to witness the strength of the Academy and the creative trajectory of young artists.Speech by Wang Ruiying, Project Manager of the Institute of Art and Design, Central Academy of Fine Arts and Curator of the ExhibitionIn her speech, Wang Ruiying, Project Manager of the Institute of Art and Design at the Central Academy of Fine Arts and curator of this exhibition, clarified the core question explored by the show: What connections can be generated when seemingly vastly different media are placed within one space? Wang Ruiying pointed out that works by the three faculty members Pan Jingru, He Yisha and Li Wenlong all converge on the blurring of boundaries. Ceramics blur the line between reality and illusion, as well as the bond between figuration and abstraction; 3D printing bridges the divide between the virtual and the tangible; digital media reconstructs the coordinate system linking tradition and contemporaneity.Speech by Pan Jingru, Participating Artist and Associate Professor of the School of Design, Central Academy of Fine ArtsIn her speech, Pan Jingru, Participating Artist and Associate Professor of the School of Design at the Central Academy of Fine Arts, sincerely thanked all guests and faculty for their attendance, and briefly introduced her exhibited works Central Axis Kaleidoscope and Metamorphosis. Metamorphosis is a projection installation that explores the symbiotic relationship between traditional craftsmanship and artificial intelligence. Central Axis Kaleidoscope, by contrast, leverages digital technology to transform traditional patterns embedded in the Central Axis cultural heritage into flowing visual rhythms on screen.  Essentially, both Metamorphosis and Central Axis Kaleidoscope examine, to varying degrees, the modes of existence and concrete manifestations of traditional artistic forms as they become spectacles within the contemporary AI context. The distinction lies in their respective focuses: Metamorphosis centers on two contrasting orders—the agrarian civilizational order embodied by handcrafted traditional patterns, and the mechanical rational order manifested by modern artificial intelligence technology. Meanwhile, Central Axis Kaleidoscope directly renders traditional aesthetic elements into visual spectacles.Speech by He Yisha, Exhibiting Artist and Head of the Media Department of CAFA Art MuseumIn her speech, He Yisha, Exhibiting Artist and Head of the Media Department of the Art Museum of the Central Academy of Fine Arts, extended sincere gratitude to all distinguished guests, faculty members and colleagues from the Art Museum. He Yisha presented two series of works in this exhibition, namely Bone Series and Shell-Breaking Series. For Bone Series, she poured high-white ceramic slip into moulds to create thousands of thin, fragile animal bone replicas of diverse shapes. As for Shell-Breaking Series, porcelain is adopted to reproduce the fragmented forms of broken eggshells. Drawing on porcelain’s unique physical properties — hardness, fineness, pure whiteness, permanence and fragility — the two series powerfully symbolize the eternity and transience, fortitude and vulnerability, vitality and extinction of life. Moreover, the works subtly convey a distinctive gentle temperament inherent to women’s contemplation of life. Through authentic artistic language, He Yisha’s creations profoundly express a primal life experience that transcends time and geography, achieving a perfect integration of form and content.Speech by Li Wenlong, Exhibiting Artist and Associate Professor of the School of Design, Central Academy of Fine ArtsLi Wenlong, Associate Professor of the School of Design at the Central Academy of Fine Arts, expressed his sincere gratitude to all present guests and faculty. Li Wenlong exhibited his work Time Lion for this show. While creating this piece, the artist drew a parallel between the evolutionary logic of stone lion motifs in traditional Chinese culture and the generative logic of images produced by modern AI technology. He leveraged AI to generate brand-new artistic forms from the vast archive of traditional stone lion imagery. Such images derived from pre-existing images raise entirely new research questions for artists, audiences, art historians and art critics alike. The powerful full-spectrum searching and infinite generative capacity of AI both obscure and magnify the artist’s subjective vision. Meanwhile, the singular fixed quality of newly generated images largely conceals the complexity embedded within them. Nevertheless, until artificial intelligence develops autonomous consciousness, these images of images, shadows of shadows, remain nothing more than another manifestation of human subjective awareness and specific cultural contexts.Gao Gao, Deputy Director of CAFA Art Museum, presided over the event.Group Photo of GuestsGroup Photo of the Exhibition TeamOn-Site Exhibition ViewingWe look forward to young faculty and artists growing alongside the platform Wide Angle — Youth Experimental Project Space. Riding the tides of the times, we will jointly witness the historical evolution of Chinese contemporary art.The exhibition will remain on view until September 4.Exhibited WorksHeterogeneous Resonance — Porcelain · Pattern Projection · Digital SculptureExhibition Dates: July 7 – September 4, 2026Venue: Gallery C, 3rd Floor, Art Museum of the Central Academy of Fine ArtsOrganizers:CAFA Art MuseumFaculty Affairs Department (Human Resources Office), Central Academy of Fine ArtsFaculty Development Center, Central Academy of Fine ArtsAcademic Director: Lü PinjingCurator: Wang RuiyingArtists: Pan Jingru, He Yisha, Li WenlongVisual Design: Yan YangEditor-in-Chief: He Yisha Editor: Du Yinzhu
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Nearly 300 Fine Art Works by College Students From Over 100 Institutions Are On Display at CAFA Art Museum!

2026-07-09

On July 6, Blooming – The Chinese Painting Section of the 3rd National University Students Fine Arts Exhibition grandly opened as scheduled at the CAFA Art Museum. As a national comprehensive fine arts exhibition, the National University Students Fine Arts Exhibition has run two sessions since its inauguration in 2017. The 3rd iteration is sponsored by the China Artists Association and organized by the Art Center of the China Federation of Literary and Art Circles. The Central Academy of Fine Arts undertakes the Chinese Painting Section of this exhibition and hosts the opening ceremony as the first venue.Nearly 300 selected artworks from more than 100 universities across China’s 31 provinces, autonomous regions and municipalities are featured in the exhibition. The show unfolds its narrative through four thematic chapters: New Visions of the Times, Lives of Ordinary People, Sentiments in Flowers and Birds, and Cultural Heritage of Mountains and Rivers. Together, they depict a rich, multi-layered artistic landscape of contemporary Chinese painting creation in the new era.Distinguished guests attending the opening ceremony included senior veteran professors of the Central Academy of Fine Arts, namely Lou Jiaben, Sun Jingbo, Tang Yongli, Su Baijun, Cui Xiaodong, Wang Shujie, Li Yang and others. Key guests from the exhibition’s organizer and undertaker institutions were as follows: Zhu Di, Member of the Party Leadership Group, Vice Chairman and Secretary of the Secretariat of the China Federation of Literary and Art Circles; Qu Jian, Secretary of the Party Leadership Group and Standing Vice Chairman of the China Artists Association; Wang Ping, Member of the Party Leadership Group and Secretary-General of the China Artists Association; Lin Lan, Vice Chairman of the China Artists Association and Party Secretary of the Guangzhou Academy of Fine Arts; Zhu Hongzi, Member of the Party Leadership Group, Deputy Secretary-General and First-Class Inspector of the China Artists Association; Du Songru, Deputy Director of the Art Center of the China Federation of Literary and Art Circles. Representatives of the leadership of the Central Academy of Fine Arts were present: Lin Mao, President of the Central Academy of Fine Arts; Wu Qiang, Deputy Party Secretary and Secretary of the Commission for Discipline Inspection; Zhang Zhubo, Member of the Standing Committee of the Party Committee and Vice President. Other honored attendees covered Tian Zhongli, Deputy Party Secretary and President of Beijing Institute of Graphic Communication, Director of the Illustration and Binding Art Committee of the China Artists Association; Xu Fushan, Vice President of the Chinese National Academy of Arts; Wu Hongliang, Member of the National Committee of the Chinese People's Political Consultative Conference, President of Beijing Painting Academy, Deputy Director and Secretary-General of the Curatorial Committee of the China Artists Association; Li Gang, Vice President of Harbin Normal University; Chen Ming, Director of the Theoretical Research Institute of the China National Academy of Painting and Member of the Theory and Curatorial Committee of the China Artists Association. Also in attendance were academic leaders specializing in Chinese painting from universities nationwide, as well as heads of all teaching, research and administrative departments of the Central Academy of Fine Arts. Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine Arts, presided over the opening ceremony.Speech by Lin Mao, President of the Central Academy of Fine ArtsIn his address, Lin Mao, President of the Central Academy of Fine Arts (CAFA), stated that the National University Students Fine Arts Exhibition, first held in 2017 and refined through two previous editions, has grown into an authoritative national platform linking fine arts education at universities with the country’s fine arts industry. Countless young artists who debuted through this platform have now become backbones of university art teaching and frontline practitioners delivering aesthetic education at grassroots levels. Today, we gather at CAFA Art Museum to witness the opening of the Chinese Painting Section, the first venue of the 3rd National University Students Fine Arts Exhibition. This moment not only carries forward the original aspiration of the prior two exhibitions, but also embodies the cultural mission and responsibility of the times that CAFA, a pacesetter of China’s higher fine arts education, must shoulder. Titled Blooming, this exhibition bears rich and far-reaching implications. For young student artists, "blooming" means the first unfolding of artistic talent, the collision of diverse ideas, and the most vibrant, splendid form of life.Since its founding, CAFA has taken Chinese painting teaching as the foundation of aesthetic education, developing a distinctive teaching system that integrates tradition, life and creation as a three-in-one framework, and closely combines copying classical works, sketching from life and independent creation. The Academy has faithfully acted on the guidance for aesthetic education laid out in General Secretary Xi Jinping’s reply to its veteran professors, advanced the Aesthetic China Initiative, strived to foster an all-encompassing "Extensive Fine Arts" landscape, and promoted in-depth integration of campus aesthetic education and public aesthetic education. This exhibition shows that contemporary college students consciously root their creations in life and the people. Whether depicting grand narratives of social development or capturing the warm trivialities of ordinary civilian life, their works embody a precious sense of on-site presence. Standing in the new era, higher fine arts education faces unprecedented opportunities and challenges. Taking this exhibition as a new starting point, CAFA will continue to deepen educational and teaching reforms. We will guide young students to draw nourishment from fine traditional Chinese culture and strengthen their cultural confidence. Meanwhile, we encourage them to embrace the times and dare to innovate, so that the voices of young Chinese artists can resonate amid global cultural exchanges and mutual learning.Speech by Jin Jun, Director of CAFA Art MuseumJin Jun, Director of CAFA Art Museum, stated that the National University Students Fine Arts Exhibition is a high-standard, widely covered and highly authoritative national grand exhibition for young artists in China. It serves as a core platform for the China Artists Association to discover young artistic talents and consolidate the foundation of higher art education. The Chinese Painting Section of this exhibition is undertaken by the Central Academy of Fine Arts, with CAFA Art Museum overseeing the entire implementation process. Since the call for entries opened in March 2026, the exhibition has received more than 4,400 Chinese painting submissions from across the country. After three rounds of reviews, nearly 300 works were selected, among which 69 pieces were brought to Beijing for display. Through the joint efforts of the museum team and various departments of the Academy, a high-end exhibition platform has been built for contemporary young Chinese painting creators. Notably, the exhibition opens right after CAFA’s graduation season. It not only extends the artistic fervor of graduation shows, but also serves as an important venue for exchanging achievements of higher art education nationwide. Outstanding students from all over the country gather here with their accumulated thinking and creative passion nurtured on campus. This seamless connection not only sustains the artistic upsurge, but also makes this venue a focal point for youth art across China. In the future, the Art Museum will keep leveraging its strengths to build a growth platform for young artistic talents, enabling their artistic explorations to resonate with the pulse of the times. It is hoped that every visitor to CAFA Art Museum can perceive the upward vitality taking root across China within these vivid brushstrokes, as well as the passionate and sincere artistic hearts of young creators in the new era.Speech by Peng JinhuiDoctoral Candidate of the Central Academy of Fine Arts and Student Representative of Exhibitors in the Chinese Painting SectionPeng Jinhui, doctoral candidate at the Central Academy of Fine Arts and student representative of exhibitors in the Chinese Painting Section, delivered a speech on behalf of all young student artists. She expressed sincere gratitude to the organizers and undertakers of the exhibition. The event has built a high-level platform for young art students to showcase works and exchange ideas, making every participant fully aware of their mission to inherit and carry forward fine traditional Chinese culture.She said she felt extremely honored to exhibit her works here. This opportunity not only recognizes her years of practice in copying ancient paintings, sketching from life, reading extensively and artistic reflection, but also serves as a driving force for further creation. Young creators should hold traditions in reverence and delve deep into classical painting techniques. Meanwhile, they need to observe and reflect on real life from a contemporary perspective, and pursue innovation based on the enduring cultural lineage. This exhibition gathers youthful artistic creations and forms a grand forum for ideological exchange. She looks forward to learning from fellow young artists nationwide and making progress together. She will uphold artistic ideals with wholehearted sincerity, and interpret the artistic pursuits of young people in the new era through brush and ink.Speech by Qu Jian, Secretary of the Party Leadership Group and Standing Vice Chairman of the China Artists AssociationQu Jian, Secretary of the Party Leadership Group and Standing Vice Chairman of the China Artists Association, stated that young people are the future of fine arts. Launched in 2017, the National University Students Fine Arts Exhibition has grown into a preeminent national platform dedicated to discovering young artistic talents and advancing exchanges in higher fine arts education. Themed Blooming, this exhibition symbolizes the vigorous emergence and artistic blossoming of young students after sustained accumulation and refinement, vividly embodying the uplifting spirit of young art practitioners in the new era. As the debut section of the exhibition, the Chinese Painting Section received over 4,400 submissions nationwide, with nearly 300 works selected for exhibition. The acceptance rate of less than ten percent demonstrates the rigorous selection standards and the profound expectations embodied in the exhibited works.The Chinese Painting Section presents a vibrant youthful atmosphere that inherits fine traditions while pursuing bold innovation. Grounded in solid traditional brush-and-ink techniques, young creators integrate real-life social observations into their creations, depicting the panorama of Chinese modernization through classical painting. They pursue individualized artistic expressions in brushwork, composition and color application. Though marked with academic exploration, these works deliver sharp problem awareness, sincere cultural consciousness and vigorous innovative vitality, injecting strong confidence into the inheritance and development of Chinese painting. Moving forward, the China Artists Association will continue to support young artistic talents with pragmatic measures, inclusive visions and systematic arrangements to broaden their career development paths. It is hoped that young artists will embrace the spirit of the exhibition theme Bloom and shine with unique artistic radiance on the new journey of building a culturally prosperous China.Zhu Di, Member of the Party Leadership Group, Vice Chairman and Secretary of the Secretariat of the China Federation of Literary and Art Circles, officially announced the opening of the exhibitionYu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine Arts, presided over the opening ceremonyThe exhibition narrative is structured around four sections of the Chinese Painting Zone. Ranging from grand epics of the times to delicate care for individuals, from natural scenery and creations to magnificent mountains, rivers and long histories, these sections together form a rich, multi-faceted artistic panorama of Chinese painting by young creators in the new era. They carry the young artists’ intellectual journeys, emotional expressions and inner monologues of the soul.The exhibition will remain open until August 2. We look forward to your visit to experience the vibrant artistic "blooming" of young student artists!Blooming – The 3rd National Fine Arts Exhibition of College StudentsChinese Painting SectionExhibition Period: July 7 – August 2, 2026 Venue: CAFA Art Museum Organizer: China Artists Association Undertakers: Fine Arts Center of the China Federation of Literary and Art Circles, Central Academy of Fine ArtsOrganizing Committee of the Exhibition SectionDirectors: Xu Yang, Lin Mao Deputy Directors: Wang Xiaolin, Lü Pinjing, Wu Qiang, Zhang Zhubo, Yu Yang Project Director: Yu Yang Committee Members: Jin Jun, Qiu Ting, Lin Xiaochu, Ge Yujun, Fu Yijing, Xu Xinli, Gao Zhenbin, Shan Yingxian, Tan Jiaxin, Dong Ran, Yang Ye, Wang Lei, Shi Wenjie Director of the Committee Office: Jin Jun Deputy Director of the Committee Office: Gao GaoExhibition Implementation Team of China Artists AssociationDu Songru, Sun Ning, Hu Ying, Zhang Luo, Wu Liya, Li Fang, Zhao QiCAFA Exhibition Implementation TeamExhibition Directors: Jin Jun, Han Wenchao, Qiu Ting, Du YicaiExhibition Coordination Managers: Gao Gao, Hai Jun, Li Yaochen, Wang Xiuling, Xu Hualing, Liao QinExhibition Coordinators: Liu Xiyan, Liu Yuhan, Li Jie, Xu Zuoqiang, Li Jiang, Bian Kai, Zhao Yue, Peng JinhuiExhibition Administrators: Wu Peng, Su Shicun, Jing Peng, Lü ZhifaExhibition Assistants: Wang Cong, Luo Keke, Zhang Shurong, Luo Ruofan, Cheng Ruoxu, Wu Siyan, Fan Qiyan, Tang Ziyu, Liu Mingqi, Wu Yiyang, Zhang Kan, Chen GuanshiExhibition Designers: Min Zhiyi, Li Qiang, Wu Jiangtao, Wang ChaojingMedia & Publicity: He Yisha, Wu Jing, He Yifei, Du Yinzhu, Ding Yi, Guo Hongmei, Sun Xiaomeng, Peng YuxinPublic Education: Xiao Baozhen, Geng Jinghua, Wang Jun, Yao Yiqun, Liang Wen, Cai MengFinance & Administration: Yang Liu, Men JingDevelopment & Promotion: Sun Wei, Yi Yi, Jin Jianru, Kou Lei, Liu XinglingAdministrative Support: Jiang Siyu, Yue Junyao, Zhang Qian, Guo Xu, Chen Xiaohua, Cao YuxuanEditor-in-Chief: He Yisha Responsible Editor: Du Yinzhu On-site Photographs: He Yifei
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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