Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: Volunteer Guided Tour Arrangement of CAFA Art Museum (August 6-August 11)｜Volunteer Recruitment is Ongoing

2024-08-12

为了艺术更广泛的普及和传播，我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约，请观众按时前往相应展厅入口展览前言墙前，“公益讲解指示牌”处等候即可。美术馆导览志愿者持续招募中，欢迎广大艺术爱好者、讲解爱好者加入！报名方式（1）点击“阅读原文”或访问链接：https://www.cafamuseum.org/gallery/volunteer，点击“加入志愿者”，填写《中央美术学院美术馆志愿者报名表》，报名时请注明申报岗位；（2）报名时间：长期有效；报名咨询时间：每周二至周日上午09：30—12：30 下午13：30—17：30，报名咨询电话：010-64771575；（3）有意愿者通过网络报名等方式，经中央美术学院美术馆审核合格后，统一参加面试，面试择优录用，合格者参加志愿者岗前培训。经培训、考核合格后，将能正式成为中央美术学院美术馆志愿者；（4）志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编 / 何一沙责编 /杜隐珠
More

: "Sailing--Invitational Exhibition of Graduates' Works of CAFA to be Held in Beijing City Library

2024-08-12

主编 / 何一沙责编 /杜隐珠
More

: CAFAM Collection | Ink Dance and Wind Rush, Painting the Unruly “Standing Horse”

2024-08-09

Xu Beihong was one of the most important artists and art educators in the history of Chinese art in the 20th century, and he devoted his life to saving the country through art and "reviving Chinese art" through realism. This painting "Standing Horse" collected by the Museum of the Central Academy of Fine Arts was created in the beginning of 1947, and the inscriptions on the picture show that "Standing Horse" is a piece of work gifted to a friend, and it is a wonderful piece of work of Xu Beihong in his later years when he matured in the art of horse paintings. His good friend Xu Zhongnian once said that "his standing horse is the most exempt from vulgarity, and perhaps the most representative of the soul of Beihong", and Xu Beihong's horses are all uninhibited horses without saddle or bridle". This work is on display in the exhibition "Central Academy of Fine Arts Museum Collection Display - Modern Chinese Art", interested viewers can visit the site.>>>>Standing Horse Xu Beihong 1947 Ink and wash on paper 109x53.3cm Collection of CAFA Art MuseumXu Beihong's horse draws on the focus perspective, light and shadow of Western painting, as well as the traditional Chinese bone-less technique, skillfully transforming the Western concept of chiaroscuro modeling into the Chinese language of ink and brushwork, which is an important practice of his advocacy of the "Improvement of Chinese Painting". Xu Beihong's bold attempt to integrate the East and the West is also reflected in his meticulous and rigorous and bold ink and brush techniques. Such as painting the horse's nostrils, pectoral muscles, and bone joints, etc., with colorful and rigorous brush, fine hooks and fine dyeing, while painting the wind-blown mane and tail, or some of the contour lines, it is a broad brush, thick brush, point thick ink or ink arbitrarily waved rapidly, full of dynamism and momentum. Xu Beihong's horse, the reason why so angry and moving, it is out of the persistence and pursuit of art. Xu Beihong respected the objective natural sketching, his steed, a ink are from his diligent and serious observation, sketching and refining up to. In order to draw a good horse, xu beihong often follow the carriage, carefully observe the horse running when the look dynamic. Once, he only focus on observation, did not pay attention to the road under the feet, the result of a big fall, full of dust, hands, feet, face are wiped skin, but he hurriedly climbed up, continue to catch up. It was in this observation, practicing and thinking over and over again that he finally accomplished a number of excellent works with horses as the theme.Xu Beihong love horses, paintings of horses, he is a metaphor for talent, not only will the horse and the war current events, and national symbols linked, but also the horse as a chaotic world, the fate of the changing, their own heartfelt friends and emotional support.>>>>Editor-in-Chief / He YishaEditor / Du Yinzhu
More

: More than 260 pieces of fine art in the collection--From the perspective of collection, combing the development of "modern Chinese art"

2024-08-06

The twentieth century is a brilliant chapter in the history of Chinese art, and it is also an important period in which the Central Academy of Fine Arts was closely intertwined with the development of modern Chinese art, and the teachers and students of the Academy participated in the creation of a large number of classic works of art. This exhibition, "Modern Chinese Art from the Collection of the Central Academy of Fine Arts", selects more than 260 classic works of 20th century Chinese art from the collection, and divides them into three categories: 1900-1949, 1950-1976, and 1977-2000, with the development of time as the basic main line. Taking the development of time as the basic main line, the exhibition is divided into three sections: 1900-1949, 1950-1976, 1977-2000, and from the perspective of the collection of the Art Museum of the Central Academy of Fine Arts, the exhibition combs through the century-long development of oil painting, Chinese painting, printmaking, sculpture and other plastic arts.
More

: Public Guided Tour Arrangement for Central Academy of Fine Arts Museum (Aug. 6-Aug. 11)｜Volunteers Wanted!

2024-08-05

In order to popularize and disseminate art more widely, the museum will provide the public with a volunteer public service of guided tours at regular intervals. Reservation is not required for this service. Visitors are requested to go on time and wait at the "public service guide sign" in front of the exhibition preface wall at the entrance of the corresponding exhibition hall.Recruitment for Museum Guide Volunteers Continues，Art lovers and lecturers are welcome to join！Enrollment Methods （1）Click "Read Original" or visit the link: https://www.cafamuseum.org/gallery/volunteer, click "Join Volunteer", fill out the "Central Academy of Fine Arts Museum of Art Volunteer Application Form", please indicate the position you are applying for when applying;（2）Enrollment: Long-term;Enrollment and consultation time: Tuesday to Sunday 09:30 a.m. - 12:30 p.m. 13:30 p.m. - 17:30 p.m. Enrollment and consultation phone: 010-64771575;（3）Those who are willing to apply through the network and other means, the Central Academy of Fine Arts Museum of Art review qualified, unified to participate in interviews, interviews merit-based recruitment, qualified to participate in the pre-service training of volunteers. After training, assessment and qualified, will be able to officially become the Central Academy of Fine Arts Museum volunteers;（4）Volunteers have the right to apply for withdrawal from volunteer service. Applicants should inform the Ministry of Public Education one month in advance and return the volunteer documents in time.Editor-in-Chief / He YishaEditor / Du Yinzhu
More

: CAFAM Children's Education Program Recruitment | Futuristic Art Creation iPad Painting Workshop

2024-08-03

在“蓝图生产力——未来感在艺术中的表达”展览期间，我们邀请您参与一场别开生面的iPad绘画Workshop。本次工坊将引导参与者探索艺术与科技的融合，通过iPad这一现代媒介，表达对未来世界的无限想象。什么是iPad绘画？iPad绘画是一种利用数字设备进行的艺术创作方式，它结合了传统绘画的直观性和数字技术的便捷性。通过iPad，艺术家可以轻松实现色彩、线条、纹理的自由变换，创造出具有未来感的艺术作品。此次工作坊我们做什么？• iPad绘画基础：介绍iPad绘画的基本工具和技巧。• 未来感主题探讨：引导参与者讨论和构思具有未来感的艺术主题。• 创作实践：在导师的指导下，使用iPad完成一幅表达未来感的艺术作品。• 作品分享与讨论：创作者展示自己的作品，并与其他参与者交流创作心得。此次iPad绘画体验带来什么？• 科技与艺术的结合：体验如何使用iPad进行艺术创作，探索科技在艺术表达中的应用。• 未来感的实践：引导参与者思考和表达对未来世界的想象，创作出具有未来感的艺术作品。• 艺术感知的拓展：通过iPad绘画，参与者将对艺术的感知和表达方式有新的认识。工作坊报名工作坊时间：8月4日下午14:00-16:00工作坊地点：中央美术学院美术馆会议室招募对象：8岁以上热爱艺术的儿童（每位儿童限一位家长陪同）招募人数：10人报名方式：请编辑“未来感艺术创作Workshop+参与者姓名+年龄+电话”发送短信至13261936837（梁老师），名额有限，报满为止。报名成功者将会收到短信回复，请勿重复提交报名。参加工作坊需要准备什么？1. 一台安装有绘画应用（procreate）的iPad（建议使用Apple Pencil以获得最佳绘画体验）。2.对未来世界的好奇心和创造力。注：1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到，志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。工作坊导师王冲清华大学美术学院社会美育研究所学术委员，VR&AI绘画艺术家，数字美育研究学者，社会美育推广人，拥有14年艺术教学与教研经验。Editor-in-Chief / He YishaEditor / Du Yinzhu
More

: CAFAM Collection Exhibition | Integration and Transformation Focus on Reality：Exploring the Classic Collections from 1900 to 1949

2024-07-31

As one of the national key art museums, CAFA Art Museum adhering to the academic philosophy of "being eclectic, following the past and opening up the present", has made great efforts in the construction of modern public cultural space and art collection, with a view to realizing its unique art history narrative. Over the past 100 years since the founding of the school, the Central Academy of Fine Arts and its affiliated art museums have been continuously and orderly carrying out the collection of classic works of art, and currently have a collection of more than 20,000 pieces of various types of artifacts, which cover the ancient and modern worlds and take into account the Chinese and Western cultures. The official launch of the collection of long-term display, with the collection of classic works of art constitute the presentation of the historical development of Chinese art, is the revitalization of the museum collection of academic exploration, but also for the community to provide a rich cultural and historical outlook, aesthetic education resources, as well as the core value of art teaching and research.The 20th century is an important period in the development of Chinese art, in which the Central Academy of Fine Arts has been involved from the beginning to the present day, playing an active role in promoting and leading, and its teachers and students have been involved in the creation of a large number of classic works, which have had a great impact on the history of art in modern China. This display selects more than 200 pieces of 20th century Chinese art works in the collection, and is divided into three sections, 1900-1949, 1950-1976 and 1977-2000, based on the time as the main line, presenting a hundred years of the development of the plastic arts. Through the exhibition, visitors can experience the artistic pursuit, artistic exploration of different periods as well as the contemporary outlook presented by the works.>>>>Plate I1900-1949At the beginning of the 20th century, against the backdrop of national peril, social upheaval, and the need to save the country, a new type of art gradually emerged as an important means of enlightening the people and seeking national rejuvenation. The following decades were an important period in the transition of Chinese art to modernity and the rise of modern art education in China, which not only absorbed the excellent achievements and scientific methods of world art, but also organized and inherited traditional Chinese art, and at the same time advocated going out into the society, paying attention to the reality, rescuing the country and fighting for its glory, and seeking to create a new kind of art in order to meet the needs of the development of the modern society.1900-1949 was a period of change and innovation in the history of Chinese art. The Art Museum of the Central Academy of Fine Arts invites you to enter the gallery of this history and feel those art echoes across time. Here, every piece of artwork is a story, and every piece of artwork carries the weight of history.>>>>Plate ISome of the works on display《半裸女像》李叔同约1909年布面油彩 90.5×116cm 中央美术学院美术馆藏《男人体正侧面速写》徐悲鸿 1924年纸上油彩 52×44cm 中央美术学院美术馆藏《怒吼吧，中国》李桦 1935年黑白木刻 27.5×18.7cm 中央美术学院美术馆藏《松鹰》（轴）齐白石 1935年纸本水墨 150×63cm 中央美术学院美术馆藏《蒙藏女子歌舞》孙宗慰 1942年布面油彩 82×121cm 中央美术学院美术馆藏《攻城》胡一川 1946年套色木刻 13×17.8cm 中央美术学院美术馆藏《轰炸》滑田友 1946年铸铜 116×90cm 中央美术学院美术馆藏>>>>中央美术学院美术馆藏陈列——现代中国美术展览时间：2024年7月23日起展览地点：中央美术学院美术馆2层B展厅展览专业照明赞助：AKZU（深圳市埃克苏照明系统有限公司）展览空间建筑设计顾问：中国建筑科学研究院主编 / 何一沙责编/ 杜隐珠现场图/ 丁怡
More

: Good News | "Blueprint Productive Force" was selected for the "2024 Support Program for Young Curators of National Art Museums" of the Ministry of Culture and Tourism"

2024-07-29

On July 18, 2024, the General Office of the Ministry of Culture and Tourism announced the notice of "2024 National Art Museum Young Curators Support Program Selected Project List", and the exhibition project "Blueprint Productive Force - The Expression of Futuristic Sense in Art" submitted by the Museum of Central Academy of Fine Arts was successfully selected. The exhibition project "Blueprint Productivity - Expression of Future Sense in Art" submitted by the Museum of Central Academy of Fine Arts was successfully selected. This exhibition is curated by Yi Yue of the Central Academy of Fine Arts, and is on display in Hall A on the third floor of the museum until September 1st.The National Art Museum Young Curators Support Program is an annual program organized by the Ministry of Culture and Tourism to cultivate and support young curatorial talents in art museums across the country, improve the ability of art museums to plan exhibitions on their own, and enhance the level of professionalism in art museums. The program encourages the curation of exhibitions based on 20th century Chinese art history and case studies of artists, art museum collections, or art resources in the region."Blueprint Productivity - The Expression of Future Sense in Art" is not only based on the research of contemporary art works in the collection and inviting a number of artists' representative works to participate in the exhibition, but also makes full use of the academic resources of the Museum of Art of the Central Academy of Fine Arts, and delves into the contemporary issues of art creation and art education. It also makes full use of the academic resources of the Central Academy of Fine Arts Museum to explore the contemporary issues of art creation and art education. On the one hand, the exhibition discusses technological interventions and media utilization, and on the other hand, it points to the feedback of art's perception of the unknown and the future world, as well as how art pioneeringly pushes us to look into a broader future. The exhibition is presented in four sections as follows: Introduction|Beginning with ImaginationThe exhibition begins with a painting, a plan and a film excerpt created around the construction of the Thirteen Tombs Reservoir. These works correspond to the construction site in progress, the bright future to come, and the social scene twenty years later, presenting the expression and imagination of the "productive forces" of literature and art creation during the period of New China's construction. When we start from the imagination of the past and look to its position twenty years later, in 1978, when the "National Science Conference" was held, Xu Yanbo created three prints in continuity with this opportunity, presenting art's view of "science and technology as productive forces," and The three prints present art's view of "science and technology as a productive force" and unfold the imagination of the unknown and the future. 漫游深空对太空的遐想是艺术创作的永恒母题。天文观测的进步和航天的跨步飞跃，让深空不再只是想象之境。艺术家对人类痕迹置入广袤宇宙的表述，勾连出对空天探索进行当代文化诠释的特征与话题，比如科学与艺术的叠合、传统符号与现代设备的互观，以及人类世界与太空的分界。串联机器随着技术的加速更迭，人与机器的融合愈加紧密。在当下复杂的艺术媒介景观中，艺术家在使用机器时，首先需要面对的是自身和机器之间的关系，正视融合艺术之感和机器之手的创作实践与生产潜能。与此同时，不乏艺术家在跨学科多领域的交织中创造机器，展开对人工产物和自然力量之间的关系的思辨。余音|蓝图之问正如我们所知，生产力是社会发展的根本动力。那么，艺术作为承载预见能力和想象感知的载体，将以何种生产力质态成为人类走向未来的先锋？展览终章以唐晖创作的“时空一击”系列，对这一回归艺术本体的提问做出回应，即穿透表象、跳脱时空，建构漫游于传统与当代的视觉叙事，由此指向人类文明的未来演进。文化和旅游部2024年全国美术馆青年策展人扶持计划入选项目蓝图生产力——未来感在艺术中的表达主办：中央美术学院美术馆展览时间：2024年7月19日至9月1日展览地点：中央美术学院美术馆3层A展厅| 艺术家 |王式廓许彦博周吉荣孟禄丁唐晖托马斯·吴（Tomas Vu）张文超徐娜苏永健甘浩宇金郑晓李宇辰展览总监：靳军韩文超学术顾问：曹庆晖展览统筹：王春辰高高策展人：易玥展览协调：刘希言徐欣晨设计统筹：纪玉洁展览与视觉设计：孙彤支持机构：北京百展文化科技有限公司上海特锐艺术展览服务股份有限公司主编 / 何一沙责编/ 杜隐珠
More

: Volunteer Guided Tour Arrangement of CAFA Art Museum (July 30 - August 4)

2024-07-29

为了艺术更广泛的普及和传播，我馆将为公众提供公益的志愿者定时导览服务。本服务无须预约，请观众按时前往相应展厅入口展览前言墙前，“公益讲解指示牌”处等候即可。美术馆导览志愿者持续招募中，欢迎广大艺术爱好者、讲解爱好者加入！报名方式（1）点击“阅读原文”或访问链接：https://www.cafamuseum.org/gallery/volunteer，点击“加入志愿者”，填写《中央美术学院美术馆志愿者报名表》，报名时请注明申报岗位；（2）报名时间：长期有效；报名咨询时间：每周二至周日上午09：30—12：30 下午13：30—17：30，报名咨询电话：010-64771575；（3）有意愿者通过网络报名等方式，经中央美术学院美术馆审核合格后，统一参加面试，面试择优录用，合格者参加志愿者岗前培训。经培训、考核合格后，将能正式成为中央美术学院美术馆志愿者；（4）志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编 / 何一沙责编/ 杜隐珠
More

: “光生万物"——斯特凡·杰罗夫斯基的艺术追求

2024-07-28

“那是光照进来的地方：斯特凡·杰罗夫斯基的艺术”正在中央美术学院美术馆展出。斯特凡·杰罗夫斯基（Stefan Gierowski）是战后欧洲最杰出的抽象艺术家之一。此次展览共展出作品27件，通过对艺术史和当代议题的探讨，以及对中国哲学影响的挖掘，为杰罗夫斯基艺术在当代的观看提供了新的视角。展览将持续至9月1日。
More

Child Public Education Reservation Form

*
Event name
*
Event time
*
Gender
Male

Female
*
*
*
*
*
*
Do you need any accessibility service?
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Submit

Adult Public Education Event Reservation Form

*
Event name
*
Event time
*
*
Gender
Male

Female
*
*
*
*
*
Do you need any accessibility service?
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Sumbit

Group Public Education Event Reservation Form

*
Event name
*
Event time
*
Group type
University

Institution

Group
*
*
*
*
Participating group type
Children

Youth

Adult

Seniors
*
*
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.