Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

作品推介 · 版画系 | 2024中央美院本科生毕业作品展

2024-06-09

毕业寄语系主任孔亮数载美院生活,数载不负光阴,时间表最终划到了毕业这一季。青春的你们即将踏上新的征程,开启新的人生,我谨代表版画系全体师生献上毕业前的寄语。你们出生在新世纪,成长在新时代,你们见证了祖国日益繁荣昌盛,经历了社会飞速进步。你们是敢于担当、善于创新的千禧一代,你们是心怀梦想、用心从艺的青春实践者。在中央美术学院学习期间,你们锻炼了专业本领,树立了艺术理想,参加了许多有意义的社会实践活动,你们已经具备了走向社会或继续深造的基本能力,为你们的努力和拼搏点赞。人生路上,唯有奋斗是常态,奋斗是青春最亮丽的底色。希望你们继承中央美术学院的优良传统,沿着一代代美术名家的足迹,在奋斗中历练,在奋斗中成长,让艺术的风采在新时代的广阔天地中绽放,让人生在实现中国梦的奋进中放出光芒。自古功名属少年,奔赴大好前程,请带上这份最真诚的祝福!李晟东作品名称:《单向度的光》作品材质:石版作品尺寸:200 x 100 cm指导老师:孔亮、康剑飞、李军、江帆作品名称:《弥散》作品材质:石版作品尺寸:210 x 140 cm指导老师:孔亮、康剑飞、李军、江帆作品阐述:《单向度的光》,作品将自然记忆和身份作为线索,畅想来处。荒芜的对象代表着关于这段记忆的模糊和还去,在心中腐烂,生根。积极向内的挖掘,伴随的是进发出许多复杂的情绪。画面整体沉重的氛围,主要视点是画外射入的一束顶光,这束光贯穿了作者的创作和生活。时间会渐渐带走属于个人神秘的记忆和体验。《弥散》,颗粒的碎片化和离散性象征了图像的损失同时伴随着记忆的重塑。作品通过对于过往记忆的重塑,颗粒可以代表系统的多样性、复杂性和相互联系性,其关于人的意识缝隙中之间储存着的诸如断裂的记忆,分散的经历以及破碎的情感表达。
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毕业季现场 | 端午假期邀您 “粽”享 “2024中央美院本科生毕业作品展”

2024-06-07

 迎着夏日细雨带来的清凉,“2024中央美院本科生毕业作品展第二阶段”于今日如约而至。其中,中国画学院、书法学院、版画系、雕塑系、人文学院、设计学院和建筑学院的作品汇集亮相。同时,为满足广大观众的观展需求,我馆将于端午节放假期间(6月8日至6月10日)正常开馆,展期持续至6月23日,欢迎您前来参观。| 温馨提示 |观众可通过“央美美术馆”小程序、“中央美术学院美术馆”微信公众号或“中央美术学院美术馆”官网进行预约购票(购票说明详见官网)。每日观展名额限量,约满为止(毕业季期间,周一正常开放)。| 美术馆展区 |主编  / 何一沙责编 / 杜隐珠现场图 / 贺伊飞
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作品回顾 ‧ 实验艺术与科技艺术学院 | 2024中央美院本科生毕业作品展

2024-06-04

《被黑簇拥的蓝》作者:李晴作品尺寸:2.4x7x2.1m作品材料:铁、马赛克、水、煤渣作品阐释:“这是我的父亲,是我的家乡,是孕育我的一切。”我的父亲开着这辆大卡车在我的家乡山西运煤、运水来维持着整个家庭的生计。这辆车随着村落里兴起而后又被关停的小型煤矿也走到了报废、下岗的结局。“黑”是煤炭的黑,“蓝”是建立在黑之上的美好明天。
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CAFAM公众招募 | 2024中央美院本科生毕业作品展(一)系列公共教育活动

2024-06-04

2024年“心向往之--中央美院毕业季”本科生毕业展正在如火如荼的进行,这是青春绽放的时节,更是艺术的盛宴。为了更好地推广艺术教育,让更多的人了解和欣赏到央美学子的优秀作品,本周CAFAM公共教育部继续策划了系列公教活动,邀请大家共同参与,通过互动、体验与交流的方式,拉近艺术与公众的距离,让艺术的魅力感染每一个人的心灵。在这浪漫夏日共同见证美院人的艺术、青春与创造。01CAFAM儿童工作坊艺术与线形结构——探索创意与稳定的融合正值六一儿童节,中央美术学院美术馆作为全国科普教育基地且伴随毕业季的进行。公教部为孩子们策划了以力与线性结构为主题的艺术工作坊。我们将通过介绍线形结构的基本概念、历史和应用领域,带领儿童了解线形结构的基础原理,结合实例了解艺术品中线与力的运用,创造独特而动人的艺术品。通过实际案例的分析和亲手体验线形结构的创作过程,从而激发孩子们的创造力和想象力。本次工作坊将以平衡与线为切入点,通过张拉式整体结构的创作,邀请每一位参与者探索创意与稳定的融合,了解力平衡中的奥秘。带领大家使用各种材料和技巧,设计和制作属于自己的线形结构作品,学习如何在艺术创作中保持稳定性和平衡,探索美学原则。| 工作坊报名 |工作坊时间:6月1日(周六)10:00-12:00工作坊地点:美术馆展厅及会议室招募对象:10岁以上热爱艺术的儿童(每位儿童限一位家长陪同)招募人数:15人报名方式:请编辑“儿童活动+参与者姓名+年龄+电话”发送短信至13261936837(梁老师),名额有限,报满为止。报名成功者将会收到短信回复,请勿重复提交报名。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。| 毕业作品介绍 |作品名称:《爷爷的线》作品尺寸:2m*2m*75cm作品材料:电机,榆木,农具作品阐释:这件作品聚焦于年轻一代与老一辈的亲情纽带,我与爷爷之间的牵挂,通过爷爷农具中间 红线的拉扯,牵动铃铛的发出响声,血缘就像一个无形的纽带,一直连接着我,超越了物理时空的距离。| 工作坊导师 |李伊澜2024年中央美术学院实验艺术与科技艺术学院社会方向毕业生,热爱表演,机械,古朴质感的艺术创作,关注社会与人等问题。曾任北京2022年冬残奥会志愿者,曾获得中央美术学院社会工作优秀奖 ,2022 年中央美术学院实验星火荣誉称号 ,第九届中国国际“互联网+”大学生创新创业大赛北京赛区省市级三等奖 ,青创北京”2023 年“挑战杯”首都大学生课外学术科技作品竞赛省市级二等奖。王晶中央美术学院美术馆公共教育部实习生,2023级实验艺术与科技艺术学院在读研究生,研究方向科技艺术,个人作品曾在(上海)没顶艺术中心、(北京)首钢六工汇展出。曾获腾讯高校游戏创意制作大赛银奖、校级党课优秀组长,参与统筹多场校内外美育活动,连获三年中央美术学院优秀社会工作奖。02艺术法工作坊:数字时代下艺术创作的那些事| 工作坊介绍 |数字时代的浪潮正席卷着艺术世界的每一寸领域。数字技术不仅改变了艺术创作、制作的过程,也丰富了艺术作品呈现、传播的渠道。一方面,借助数字手段和新兴创作工具,艺术创作者的创作效率得到了极大地提升。另一方面,互联网技术的进步,尤其是社交媒体平台的兴起,使数字化的艺术作品能够通过网络迅速传播,广泛触及全球观众。在数字时代下,艺术创作者也面临着新的挑战。数据的泛滥以及数字复制技术的发展,使艺术创作者面临着前所未有的知识产权保护压力。如何在有效利用数字技术的同时,以合法的途径保护艺术创新,成为艺术界亟须解决的问题。正值央美毕业季,美术馆公教部以探讨关于数字时代下艺术创作的艺术法及知识产权问题为主题举办一场艺术法工作坊。本次工作坊得到了央美艺术法诊所的支持,由周林教授作为学术主持,邀请艺术管理与教育学院同学进行分享,旨在为艺术创作者、艺术管理者、艺术爱好者们提供深入学习与广泛交流的机会,一起探讨数字时代下艺术与法律的融合之道。在本次工作坊中,我们精选了业界所关注的热点议题,并将围绕着数字化创作工具的应用、知识产权保护、AI创作的法律问题等方面展开讨论。期待与您的相遇,共同探讨数字时代下艺术创作的那些事!| 工作坊报名 |工作坊时间:6月2日(周日)14:00-15:30工作坊地点:美术馆会议室招募对象:18岁以上艺术创作者和相关专业爱好者 招募人数:15人报名方式:请编辑“活动二+姓名+职业/就读专业+电话”发送短信至 13608359798,名额有限,报满为止。报名成功者,将会收到短信回复。请勿重复提交报名。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。| 艺术法诊所介绍 |央美艺术法诊所成立于2021年,是中央美术学院艺术法研究中心设立的公益性法律志愿者服务团队,旨在以法律助力央美人成就自己的艺术梦想。| 学术主持 |
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作品回顾 ‧ 空间展示设计工作室 | 2024中央美院本科生毕业作品展

2024-06-04

 展览现场 |
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CAFAM公众招募 | 2024中央美院本科生毕业作品展(一)系列公共教育活动

2024-06-01

2024年“心向往之--中央美院毕业季”本科生毕业展正在如火如荼的进行,这是青春绽放的时节,更是艺术的盛宴。为了更好地推广艺术教育,让更多的人了解和欣赏到央美学子的优秀作品,本周CAFAM公共教育部继续策划了系列公教活动,邀请大家共同参与,通过互动、体验与交流的方式,拉近艺术与公众的距离,让艺术的魅力感染每一个人的心灵。在这浪漫夏日共同见证美院人的艺术、青春与创造。01CAFAM儿童工作坊艺术与线形结构——探索创意与稳定的融合正值六一儿童节,中央美术学院美术馆作为全国科普教育基地且伴随毕业季的进行。公教部为孩子们策划了以力与线性结构为主题的艺术工作坊。我们将通过介绍线形结构的基本概念、历史和应用领域,带领儿童了解线形结构的基础原理,结合实例了解艺术品中线与力的运用,创造独特而动人的艺术品。通过实际案例的分析和亲手体验线形结构的创作过程,从而激发孩子们的创造力和想象力。本次工作坊将以平衡与线为切入点,通过张拉式整体结构的创作,邀请每一位参与者探索创意与稳定的融合,了解力平衡中的奥秘。带领大家使用各种材料和技巧,设计和制作属于自己的线形结构作品,学习如何在艺术创作中保持稳定性和平衡,探索美学原则。| 工作坊报名 |工作坊时间:6月1日(周六)10:00-12:00工作坊地点:美术馆展厅及会议室招募对象:10岁以上热爱艺术的儿童(每位儿童限一位家长陪同)招募人数:15人报名方式:请编辑“儿童活动+参与者姓名+年龄+电话”发送短信至13261936837(梁老师),名额有限,报满为止。报名成功者将会收到短信回复,请勿重复提交报名。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。| 毕业作品介绍 |作品名称:《爷爷的线》作品尺寸:2m*2m*75cm作品材料:电机,榆木,农具作品阐释:这件作品聚焦于年轻一代与老一辈的亲情纽带,我与爷爷之间的牵挂,通过爷爷农具中间 红线的拉扯,牵动铃铛的发出响声,血缘就像一个无形的纽带,一直连接着我,超越了物理时空的距离。| 工作坊导师 |李伊澜2024年中央美术学院实验艺术与科技艺术学院社会方向毕业生,热爱表演,机械,古朴质感的艺术创作,关注社会与人等问题。曾任北京2022年冬残奥会志愿者,曾获得中央美术学院社会工作优秀奖 ,2022 年中央美术学院实验星火荣誉称号 ,第九届中国国际“互联网+”大学生创新创业大赛北京赛区省市级三等奖 ,青创北京”2023 年“挑战杯”首都大学生课外学术科技作品竞赛省市级二等奖。王晶中央美术学院美术馆公共教育部实习生,2023级实验艺术与科技艺术学院在读研究生,研究方向科技艺术,个人作品曾在(上海)没顶艺术中心、(北京)首钢六工汇展出。曾获腾讯高校游戏创意制作大赛银奖、校级党课优秀组长,参与统筹多场校内外美育活动,连获三年中央美术学院优秀社会工作奖。02艺术法工作坊:数字时代下艺术创作的那些事| 工作坊介绍 |数字时代的浪潮正席卷着艺术世界的每一寸领域。数字技术不仅改变了艺术创作、制作的过程,也丰富了艺术作品呈现、传播的渠道。一方面,借助数字手段和新兴创作工具,艺术创作者的创作效率得到了极大地提升。另一方面,互联网技术的进步,尤其是社交媒体平台的兴起,使数字化的艺术作品能够通过网络迅速传播,广泛触及全球观众。在数字时代下,艺术创作者也面临着新的挑战。数据的泛滥以及数字复制技术的发展,使艺术创作者面临着前所未有的知识产权保护压力。如何在有效利用数字技术的同时,以合法的途径保护艺术创新,成为艺术界亟须解决的问题。正值央美毕业季,美术馆公教部以探讨关于数字时代下艺术创作的艺术法及知识产权问题为主题举办一场艺术法工作坊。本次工作坊得到了央美艺术法诊所的支持,由周林教授作为学术主持,邀请艺术管理与教育学院同学进行分享,旨在为艺术创作者、艺术管理者、艺术爱好者们提供深入学习与广泛交流的机会,一起探讨数字时代下艺术与法律的融合之道。在本次工作坊中,我们精选了业界所关注的热点议题,并将围绕着数字化创作工具的应用、知识产权保护、AI创作的法律问题等方面展开讨论。期待与您的相遇,共同探讨数字时代下艺术创作的那些事!| 工作坊报名 |工作坊时间:6月2日(周日)14:00-15:30工作坊地点:美术馆会议室招募对象:18岁以上艺术创作者和相关专业爱好者 招募人数:15人报名方式:请编辑“活动二+姓名+职业/就读专业+电话”发送短信至 13608359798,名额有限,报满为止。报名成功者,将会收到短信回复。请勿重复提交报名。注:1.工作坊全程免费参与。2.请报名成功的公众于活动当天准时在美术馆一层大厅集合并签到,志愿者将带领大家集体前往展厅及活动地点。3.活动最终解释权归中央美术学院美术馆所有。| 艺术法诊所介绍 |央美艺术法诊所成立于2021年,是中央美术学院艺术法研究中心设立的公益性法律志愿者服务团队,旨在以法律助力央美人成就自己的艺术梦想。| 学术主持 |
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无界的写作:2024年艺术批评主题学术论坛暨第十届国际艺术评论奖(IAAC10)发布仪式

2024-05-31

无界的写作主办:中央美术学院人文学院,复旦大学哲学学院,上海久事美术馆,国际艺术评论奖(IAAC)承办:中央美术学院人文学院、中央美术学院学院美术馆论坛时间:2024年6月1—2日论坛地点:中央美术学院5号楼多功能厅(6月1日全天)、中央美术学院美术馆(6月2日下午)缘起艺术批评是艺术界得以正常、有效运转的一个必要因素,也是中央美术学院人文学院乃至学校的教学和研究中不可或缺的一个关键环节和重要组成部分,在“双一流”建设中承担着特别的责任、发挥着特别的作用。为此,人文学院乃至学校的艺术批评教研活动需要保持与艺术批评界的深度交流与合作,从而了解艺术批评的最新动态,更高效地服务于人文学院乃至学校的未来发展。国际艺术评论奖(IAAC)自2014年创建并举办首届活动以来,逐渐形成了一套成熟、有效的评选机制,在全球艺术界和批评界赢得了广泛的声誉,目前已有2000余位来自世界各地的艺术写作者参与投稿,并有36位中外作者获奖,极大地推动了当代艺术的独立批评,促进了世界各地的批评家或写作者之间的批判性思考和对话。2024年,IAAC将举办第10届国际艺术评论奖,并迎来10周年庆典。为此,中央美术学院人文学院特别联合复旦大学哲学学院等机构,举办“无界的写作——2024年艺术批评主题学术论坛”暨第10届国际艺术评论奖(IAAC10)发布仪式。论坛议题1. 中西艺术哲学(理论)与批评写作2. 艺术史(翻译)与批评写作3. 开放的艺术批评写作4. 艺术现场、媒体与独立批评写作的未来论坛安排6月1日 9:00—18:309:00—9:40开幕式主持:王浩(中央美术学院人文学院教授,艺术理论系主任)致辞:孙向晨(复旦大学哲学学院教授、IAAC联席主席),黄小峰(中央美术学院教授、人文学院院长)合影9:40—12:00第一单元:中西艺术哲学(理论)与批评写作主持:于润生(中央美术学院人文学院教授、党委书记)发言:1.高名潞(美国匹兹堡大学艺术史系教授):《逻辑的中断与批评的危机》2.彭  锋(北京大学艺术学院教授、院长):《从批评到点评》3.牛宏宝(中国人民大学哲学系教授):《“技术转向”语境下建立技艺(techne)艺术学的可能性》4.邵亦杨(中央美术学院人文学院教授、副院长):《达芬奇,一位当代艺术家?》5.舒可文(策展人,写作者,原《三联生活周刊》主编):《经验与一个场所》14:00—15:40第二单元:艺术史(翻译)与批评写作主持:张鹏(中央美术学院教授,《美术研究》主编)发言:1.沈语冰(复旦大学哲学学院教授):《艺术史研究中的细读与艺术批评》2.杭春晓 (中国艺术研究院美研所研究员、副所长):《文本再阅读——以材料为基点的思维转向》3.常培杰(中国人民大学文学院副教授、副院长):《艺术批评的同时代性》4.唐宏峰(北京大学艺术学院研究员):《图像理论译介与批评写作》5.鲁明军(复旦大学哲学学院青年研究员):《1980年代以来的翻译—阅读与艺术批评写作的变迁》茶歇15:40—16:0016:00—17:40第三单元:开放的艺术批评写作主持:沈语冰(复旦大学哲学学院教授)发言:1.朱青生(北京大学历史系教授):《现状与问题——中国当代艺术年鉴2023卷导论(摘要)》2.王春辰(中央美术学院教授、美术馆副馆长):《现场经验与消化的批评写作——以“青年批评家论坛”为例》3.贺  婧(清华大学美术学院助理教授,《艺术界》法语版主编):《视野与方法:“多边形”的艺术批评写作》4.刘礼宾 (中央美术学院艺术管理与教育学院教授,策展人):《批评意识、批评实践与批评研究》5.苏  伟(策展人,写作者,IAAC往届获奖者):《“现实感”在哪?》17:40—18:30圆桌讨论、总结主持:袁新(复旦大学哲学学院党委书记)引言:尹吉男(中央美术学院教授,广州美术学院特聘教授),孙向晨(复旦大学哲学学院教授)6月2日 13:00—17:0013:00—13:40第10届国际艺术评论奖(IAAC10)发布仪式主持:沈语冰(复旦大学哲学学院教授)1. 仪式致辞:Lewis Biggs (IAAC理事、国际公共艺术协会主席)谷际庆(上海久事(集团)有限公司副总裁、上海久事美术馆馆长)2.《第九届国际艺术评论奖精选集》(中信出版集团,2024)发布:胡喆(上海久事文化传播有限公司常务副总经理、上海久事美术馆副馆长)3. IAAC10评委宣布:孙向晨(复旦大学哲学学院教授、IAAC联席主席)4. 投稿须知:凌敏(IAAC理事)13:40—17:00  第四单元:艺术现场、媒体与独立批评写作的未来上半场13:40—15:00:艺术批评:甲方,还是乙方?主持:鲁明军(复旦大学哲学学院青年研究员)发言:陈海涛(站台中国创始人)何  岸(艺术家)刘  韡(艺术家)蒲英玮(艺术家、IAAC往届获奖者)杨北辰(MACA美凯龙艺术中心总监,中央戏剧学院副教授)袁佳维(策展人,艺术批评写作者)茶歇15:00—15:20下半场15:20—17:00:独立批评写作的未来主持:王春辰(中央美术学院教授、美术馆副馆长)发言:林  梓(独立策展人,艺术批评写作者)王  欢(策展人、艺术批评写作者、IAAC往届获奖者)王维嘉(复旦大学哲学学院副教授)徐旷之(中央美术学院人文学院博士生,“空白艺论”主理人)张  晨(中央美术学院人文学院副教授、IAAC往届获奖者)扫描二维码预约6.2论坛活动主编  / 何一沙责编 / 杜隐珠
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CAFAM直播预告|2024中央美院本科生毕业作品展(一)来啦!

2024-05-28

5月29日(周三)10:30在抖音关注@中央美术学院美术馆 官方账号带你走进作品背后的故事我们不见不散C A F A M直播介绍                                                                                                   主持人张安迪央美版画系 2018届本科 2021届研究生(美院安迪看艺术)账号主理人 擅长风格独特的艺术解读 寓教于乐看展是我们和艺术作品的一次对话抖音平台 直播通道扫码观看展览信息                                                                                                   主编  / 何一沙 责编 / 杜隐珠视频 / 贺伊飞
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CAFAM直播预告|2024中央美院本科生毕业作品展(一)来啦!

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5月29日(周三)10:30在抖音关注@中央美术学院美术馆 官方账号带你走进作品背后的故事我们不见不散C A F A M直播介绍                                                                                                   主持人张安迪央美版画系 2018届本科 2021届研究生(美院安迪看艺术)账号主理人 擅长风格独特的艺术解读 寓教于乐看展是我们和艺术作品的一次对话抖音平台 直播通道扫码观看展览信息                                                                                                   主编  / 何一沙 责编 / 杜隐珠视频 / 贺伊飞
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CAFAM论坛综述 | 共鸣与激荡:艺术批评“新声代”的出场 ——首届“青年批评家论坛”

2024-05-27

5月19日,首届“青年批评家论坛”在中央美术学院美术馆举行,主题为“当下艺术现状之我见”。论坛分为四个部分:“现象观察”、“策展研究”、“艺术批评现状之思”和“艺术批评史学研究”,邀请了来自当代艺术批评、策展、艺术史及艺术市场领域的青年学者和批评家分享他们的最新学术研究成果及独立观点。中央美院美术馆副馆长高高致辞论坛首先由副馆长高高代表美术馆致辞,她提到,今年新成立的中央美术学院美术馆当代艺术批评与策展研究中心,旨在通过策展、出版和研讨等活动,发挥高校美术馆在实验性和创新性方面的优势,持续推动当代艺术的思考、研究与实践。作为该中心首个研讨活动,首届“青年批评家论坛”希望通过学术交流,激发独立观点的碰撞与交流。中央美院美术馆副馆长王春辰致辞中国美术批评家年会荣誉主席贾方舟致辞随后,中国美术批评家年会荣誉主席贾方舟发表了题为《批评的现场和批评的在场——祝贺青年批评家的出场》的祝词。他回顾了批评家的发展历程,强调了不同时代批评家的重要性,并希望未来的批评现场能有更多青年人的参与。贾方舟提出,批评家应具备三种素质:首先是美术史的知识背景,其次是构建自己的理论框架,最后是对当代艺术现实的敏感。他也真诚祝愿,新一代的青年人能继往开来,成为更优秀、更活跃的青年批评家。// 第一场:现象观察在第一场讨论中,嘉宾们围绕“现象观察”展开了多角度的探讨。讨论由于洋主持,发言人包括赵炎、李亭宇、徐薇和王基宇,他们从媒体、图像、市场、大众文化等方面发表了看法,代表了当代艺术批评的不同面向。赵炎以“去物质化”与当代新媒体艺术为主题,从20世纪60年代观念艺术的消解物质性特征开始,探讨了新媒体艺术中身体的去物质化趋势。他分析了艺术理论中的观念艺术“去物质化”问题,提出了媒介视角和身体视角两条线索,并探讨了数字技术带来的虚拟化具身与主体性之间的关系。赵炎认为,新媒体艺术发展过程中“去物质化”的多层次问题,包括观念、技术和身体三个视角,凸显了艺术的主体性和去主体性的问题。李亭宇讨论了技术图像时代的批评困局,指出在当今技术图像的时代,传统艺术批评的效力正在减弱。他认为批评困局并非仅来自最近的技术媒介的遭遇,而是有其深远的历史根源。李亭宇通过讨论摄影对艺术批评与艺术史的塑造,揭示了批评对象的脱位历史,并提出了当前艺术批评所面临的挑战和应对策略。徐薇探讨了当代艺术价格与价值的关系,提出价格对艺术“好坏”判断的影响。她指出,当艺术品作为商品交易时,其价格并不完全代表其艺术价值。徐薇认为,艺术价值应从历史、政治、技术和惊奇等多个方面进行评价,而不仅仅依赖于市场价格。她呼吁重新审视艺术品的内在价值,发掘其中的真正宝藏。王基宇则讨论了公共流量时代人民艺术的五种可能性。他认为,具有公共价值的艺术应能与人民群众直接发生有效关系,而不只是满足于艺术史爱好者的关注。王基宇列举了几种与人民发生有效关系的路径,包括写实、一语双关、脑筋急转弯、大型典礼气氛、可爱的动植物与小朋友以及格斗等形式。他强调,艺术家和艺术机制需要适应新的时代,找到与公众建立有效关系的新方式。
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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