Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

New Year's Day Opening Announcement

2024-12-30

Honorable audience:The 2025 New Year's Day is coming soon. In order to meet the visiting needs of the general audience, our museum will open normally during the festival on January 1, 2025. The opening time is 9:30-17:30 (ticket check-in will stop at 17:00). We look forward to you make an appointment to see the exhibition!Important NoticeDear viewers:In order to enhance the viewing experience, the exhibition "Modern Chinese Art from the Collection of the Museum of Fine Arts of the Central Academy of Fine Arts" will be temporarily closed from December 26, 2024 to January 11, 2025 for gallery maintenance. We apologize for any inconvenience this may cause. Thank you for your understanding and support, and we look forward to presenting you with a richer exhibition experience after the maintenance.CAFA Art MuseumDecember 30, 2024Current ExhibitionsThe 20th Anniversary Exhibition of the Chinese School of Realistic PaintingExhibition Period: December 17, 2024 - January 5, 2025 Exhibition Venue: CAFA Art Museum, 3rd Floor GalleryOcean On PaperPoetry/Printmaking International ExhibitionExhibition Period: December 10, 2024 - January 5, 2025Exhibition Venue: CAFA Art Museum, 4th Floor GalleryVarious Shapes and Colors RelationshipZhou Ting's Color InstinctsExhibition Period: December 15, 2024 - January 12, 2025Exhibition Venue: CAFA Art Museum, 2nd Floor, Gallery CEditor-in-Chief / He YishaEditor / Du Yinzhu
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Statement on "Research and Practice Program on Youth Aesthetic Education at CAFA Art Museum"

2024-12-28

"Research and Practice Program on Youth Aesthetic Education at CAFA Art Museum" is an endowed scientific research project raised through the Education Development Foundation of the Central Academy of Fine Arts and approved by the Central Academy of Fine Arts. Adhering to the purpose of "doing a good job in aesthetic education and promoting the spirit of Chinese aesthetic education", the museum carefully researches aesthetic education programs and carries out related practical activities. The practical activities include four sections: (1) Summer Study Workshop for Teenagers; (2) Teacher's Workshop for Teenagers' Aesthetic Education; (3) Aesthetic Education Program Stage Achievement Reporting Exhibition; and (4) CAFAM Teenager's Art Appreciation (online free video). At present, the program has completed all offline practical activities.It is hereby solemnly declared that this project does not involve any grading examination, examination, enrollment, competition, solicitation and exhibition, etc. It is a serious infringement for any unit or individual to publish false propaganda in the name of the project in any form and on any platform, tamper with the official information of the project, and use the official website online video of the project for sale! The Office of Governing the School according to Law of the Central Academy of Fine Arts will pursue its legal responsibility through legal procedures and demand compensation for reputation and economic losses. Students and parents, please don't be deceived!CAFA Art MuseumDecember28, 2024Editor-in-Chief / He YishaEditor / Du Yinzhu
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Exploring Realistic Painting with Chang Lei and Yang Jiannong | CAFAM Live Preview

2024-12-27

Monday, February 30, 14:00On TikTok, WeChat Video, Xiaohongshu, BiliBiliFollow @ CAFA Art Museum official account"The 20th Anniversary Exhibition of Chinese Realistic Painting School" is on displaySpecial invitation for this live broadcastChang Lei, a member of China Realistic Painting SchoolYang Jiannong, founder of Xixi CultureExplore the world of realistic painting togetherC A F A MLive Streaming Introduction-------------------------------------------------------------| Live streaming guest |Chang LeiVice President of the Oil Painting Institute of the Chinese National Academy of ArtsMember of the Chinese Realist Painting School| Live streaming host |Yang JiannongFounder of Xixi CultureTiktok@CAFA Art MuseumXiao Hongshu@CAFA Art MuseumBiliBili@CAFA Art MuseumThe 20th Anniversary Exhibition of the Chinese School of Realistic Painting Exhibition Period: December 17, 2024 - January 5, 2025  Exhibition Venue: Central Academy of Fine Arts Art Museum, 3rd Floor Gallery Editor-in-Chief / He Yisha Editor / Du Yinzhu
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“Shape" and "Color" Germination, Growth | "Zhou Ting's Color Intuition" As Promised

2024-12-27

On December 15, the third exhibition of the third phase of Wide Angle°-Youth Experimental Project Space, "Various Shapes and Colors -- Zhou Ting's Color Intuition", was opened at CAFA Art Museum. This exhibition is the solo exhibition of Zhou Ting, an associate professor of the Central Academy of Fine Arts, with designer Sun Hua and Liu Qing, an associate professor of the sculpture department of CAFA, as curators.Wen Guozhang, a veteran professor of the Central Academy of Fine Arts, Zhang Junjuan, deputy secretary of the party branch and vice principal of the secondary art school attached to the Central Academy of Fine Arts, Han Wenchao, secretary of the party branch directly under the Art Museum, Liu Qing, curator of this exhibition and associate professor of the sculpture department of the Central Academy of Fine Arts, Sun Hua, designer and curator of this exhibition, and Zhou Ting, exhibiting artist and associate professor of the secondary school attached to the Central Academy of Fine Arts, made the opening speech; and heads of other teaching and research units and relevant teachers, including the Department of Oil Painting, Department of Modeling Fundamentals, School of Chinese Painting, Department of Fresco, School of Restoration, Graduate School, Publicity Department, Integrated Media Center, and the Central Academy of Fine Arts, attended the opening ceremony. The heads of other teaching and research units and administrative departments such as the Department of Oil Painting, Department of Basic Modeling, School of Chinese Painting, Department of Mural Painting, School of Restoration, Graduate School, Propaganda Department, Media Center, and the Central Academy of Fine Arts Secondary School and other relevant teachers attended the opening ceremony of the exhibition. Gao Gao, deputy director of the Museum of Fine Arts, served as the host.Speech by Mr. Han Wenchao, Secretary of the Directly Affiliated Party Branch of CAFA Art Museum In his speech, Han Wenchao briefly introduced the basic information of the Wide Angle° program. He said that Zhou Ting is the second teacher from the attached middle school to be selected for this program, and the presentation of this exhibition demonstrates Zhou Ting's decades-long pursuit of art in its truest form. Her works express her exploration of the beauty of color, and when she walks into the exhibition hall, she can feel her purest love for life, her family, and the things around her, which she integrates into her images, hoping to bring emotional resonance to the audience.Speech by Wen Guozhang, a veteran professor of the Central Academy of Fine ArtsIn his speech, Wen Guozhang shared his experiences and insights in teaching at the academy. The Central Academy of Fine Arts has become the highest art school from the foundation laid by Xu Beihong, Wu Zuoren and other pioneers as well as the legacy of excellent teachers. Mr. Ma Changli still life teaching as an example, highlighting the teaching of the Academy of Fine Arts is not only to impart knowledge, but also to stimulate and inherit the talent of art. As Zhou Ting's teacher, he hopes that the basic teaching can be inherited and continued to build a unique system of art education in the Central Academy of Fine Arts.Speech by Zhang Junjuan, Deputy Secretary of the General Party Branch and Vice Principal of Fine Arts School Affiliated to CAFAOn behalf of the affiliated school, Zhang Junjuan congratulated the opening of this exhibition. She talked about how every time she looks at Zhou Ting's works she can feel a moment of heartfelt emotion. The yellow color in the exhibition hall allows everyone to see Zhou Ting's inner light, and the display of still life in the colors that teachers and students are most familiar with is Zhou Ting's constant expression of his artistic legacy as an artist. She hopes that more teachers from the affiliated schools will join the Wide Angle° program.Speech by curator and designer Sun HuaSun Hua said that this exhibition expressed Zhou Ting's analysis and summary of her artistic course. He mentioned that Zhou Ting has always maintained a simple love for painting for many years, which is touching. Zhou Ting has the habit of making a foundation in painting, and her personality and appearance are born from this. The color effects accidentally formed by the remaining pigments in the works are magnified and become valuable parts of the artist's independent individual. This exhibition is not only the presentation of Zhou Ting's personal art, but more importantly, she is representative, reflecting the thinking of many teachers in the affiliated school on basic skills, basic teaching and the changes of the times.Speech by Zhou Ting, artist and associate professor of Fine Arts School Affiliated to CAFAIn her speech, Zhou Ting thanked the Central Academy of Fine Arts, the affiliated middle school, the art museum and the curators for their support and help for this exhibition. Many things to be explained she wrote on the exhibition wall with a pencil, which belongs to her own special way of expression, and hoped that everyone would give valuable opinions.Gao Gao, Deputy Director of the Museum of Fine Arts, acted as moderatorGuests photoThe painting intuition of shape and color cannot be separated from the natural self-carriage, the muscle memory cultivated in the academy, or the awakening of self-consciousness.Those still lifes displayed in the exhibition seem to pull back in time to the classrooms of the past. However, the same still life is interpreted in different colors by different people. Behind these unique presentations is the flow of the artists' respective consciousness, a reflection of their keen sense of color.The more artistic styles develop into "in full swing" today, the more worth observing and studying how the "shape" and "color" of the basic visual units germinate and grow in individual artists.This exhibition will last until January 12, 2025. We look forward to welcoming you into Zhou Ting's world of color.Editor-in-Chief / He Yisha Editor / Du YinzhuSite Map / He Yifei
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10位诗人 VS 10位版画家 | 文学与艺术的跨界碰撞

2024-12-26

●  纸  ●   海  ●●  上  ●   洋  ●
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跨年大展:“何处寻行迹”巡展今日在安徽省美术馆启幕!

2024-12-25

文化和旅游部“2023年全国美术馆馆藏精品展出季”优秀项目何处寻行迹——中央美术学院美术馆藏古代会话中的人与自然展览时间:2024年12月19日-2025年2月23日展览地点:安徽省美术馆三层6、7号展厅今日,由中央美术学院美术馆与安徽省美术馆合作举办的“何处寻行迹——中央美术学院美术馆藏古代绘画中的人与自然”巡展在安徽省美术馆三层6、7号展厅启幕。“幽人空翠间,何处寻行迹”,这是一件中央美术学院美术馆藏清代山水画尾的画家自题(朱昂之《仿王蒙山水图》)。群峰涧谷、竹林叠影间,一座茅堂掩映其中,一位盘坐于团垫上的士人,正望山静思。在中国古代山水画中,除却烟容巨壮的宏阔山水,常见此类点景人物间或漫布于画中。他们或行波远渡、或观山望瀑、或牧放树下、或云间对弈、或烹茶小憩,似是画家随意拨点,又有画龙点睛之妙,让静止的画面仿佛随着人物的动势和目光流转起来。画中之人,是实写,还是虚笔?画中之景,蕴含着何种情怀?人与景之间如何构成了一种映照与互文?他们又与今天的观看者有什么联系?这些问题,正是此次展览试图提供给公众的一个观看山水画的新向度:从“人”的在场与观看出发,重新进入山水画,观察并串联起不同时代的古代山水画和人物画的叙事共性,籍由山水中的人与人物间的景,重新理解中国传统文化思想中人与自然的共生关系。事实上,中华文明历来崇尚天人合一、道法自然。《易经》云,“观乎天文,以察时变;观乎人文,以化成天下”;《庄子》言,“天地与我并生,而万物与我为一”。人与自然和谐共生的自然观和宇宙观,始终贯穿于我们的文化思想中。古人一方面尊重造化规律、时节物理,以自然之道养生宁家;另一方面,他们还注重对景物环境的感悟和寄情,通过索景寻幽和文人活动,或于自然中澄怀味象、寻得心源,或以景致喻自我、以自然染心迹。基于此,中央美术学院美术馆围绕其古代绘画收藏精品,以古人与自然共生的智慧和理想为切入点,从“意象玲珑”“人境相偕”“四时景物”三个角度,展示饱含文化情思的自然生态、寄情林泉烟霞的畅怀人生,以及顺应四季物理的人民生活。通过找寻画中的人物行迹、观察和带入人在山水间的种种活动,使今天的观看者能够切身地理解古代绘画的所达、所寄和所思,并在悠游画中山水的过程中放松身心。展览从央美美术馆的馆藏历代绘画中精选了明清山水画和人物画四十余套,既包括李士达的《匡庐泉图》、陆治的《桃源图》、査士标的《群峰树色图》、蓝瑛的《白云红树图》、任伯年的《米癫拜石图》等经典名作;也包括较少展出的特色藏品,如张宏的《仿古山水册》、梅清的《山水》、钱慧安的《人物故事册》等。该展览入选了文化和旅游部“2023年全国美术馆馆藏精品展出季”,并获评优秀项目。理解中华文明的突出特性、挖掘中国传统文化的深刻内涵、促进人与自然的和谐共生,已经成为中国式现代化建设的重要要求。“人与自然”是一个亘久的话题,在思考二者共生之道时,回望传统并非固步自封,而是重新诠释并拓展古老的人与自然观的内涵。这次与安徽省美术馆合作的展览,将古代书画与现代视角联系起来,将古代哲思与现代规划贯穿起来,由画中行迹寻得自然哲学,或将为传播经典自然理念、传承中华传统文化提供新的助力。《匡庐泉图》轴  李士达  绢本设色  明中央美术学院美术馆藏《仿张僧繇画法山水》轴  祁豸佳 纸本设色  明中央美术学院美术馆藏《桃源图》轴  陆治  绢本设色  1565年中央美术学院美术馆藏《山水》轴 张宏  纸本设色  1638年中央美术学院美术馆藏展览现场主编 / 何一沙责编 / 杜隐珠
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CAFAM部分展厅临时闭展公告

2024-12-25

尊敬的观众朋友:因布撤展需要,我馆二层B展厅将于12月26日(周四)临时闭展,预计1月11日(周六)恢复开放,其他当前展览正常展出,由此给您带来的不便敬请谅解。中央美术学院美术馆2024年12月24日 当前展览 ◤中国写实画派20周年展展览时间:2024年12月17日-2025年1月5日展览地点:中央美术学院美术馆三层展厅纸上海洋诗歌/版画国际交流展展览时间:2024年12月10日-2025年1月5日展览地点:中央美术学院美术馆四层展厅形形色色色色形周亭的色彩直觉展览时间:2024年12月15日-2025年1月12日展览地点:中央美术学院美术馆二层C展厅主编 / 何一沙 责编 / 杜隐珠
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CAFAM Experimental Theater | Flow -- Performance

2024-12-23

身体为圆,呼吸为韵。自转,公转,四肢随惯性运动,将圆形语义扩张,观形、听声、寻味,无限洄游往返……表演时间2024.12.25  15:00-15:50演出地点中央美术学院美术馆 阶梯空间参与方式凭美术馆当日门票即可观看《洄》——作为身体实验作品系列表演的第一场,是为寒冬跨年之际而特别创作,舞蹈家海龙以身体为艺术媒介,运用“自转”和“公转”的身体行动方式,伴随着颂钵的声音频率以及来自藏区香料挥发的气味,与美术馆这一特殊空间共同构成了非确定性的激发、干扰或想象。在美术馆里身体就是艺术品本身,通过身体运动对“洄游”概念不断扩展,模糊了时间与空间的边界,构建出无限延续的艺术语境,象征宇宙的律动,四季的轮回,周而复始,使人与人、人与空间、人与时间、人与艺术之间不断构建多维的美学关系。本次表演是舞蹈家海龙在中央美术学院美术馆的首次尝试,未来将不断推出新的身体实验作品,敬请期待。杨海龙作品《画皮》创作于2015年 摄影:陈英秋杨海龙作品《画皮》 创作于2015年  摄影:付晓杨海龙作品《姽嫿·西游》 创作于2017年 摄影:朱敬江杨海龙作品《画皮》 创作于2015年 摄影:胡一帆杨海龙作品《画皮》 创作于2015年  摄影:长庚| 身体艺术家 |杨海龙当代舞蹈艺术家、舞者。毕业于中央民族大学舞蹈学院,KRIRK大学艺术学硕士,新加坡ODT驻团艺术家及舞蹈总监,原北京9当代舞团创始人及执行艺术总监。中华儿童文化艺术促进会舞蹈艺术委员会特聘专家,第十三届“桃李杯”全国青少年舞蹈教育教学成果展示评审专家,主演电影短片“Scaramazza”获戛纳电影节SFC市场认证,加拿大多伦多诺利伍德国际电影节最佳舞蹈电影,国家艺术基金2015年青创人才获得者,曾任职于北京歌剧舞剧院、北京当代芭蕾舞团主要演员。| 视觉总监 |孙华设计师和策展人、中央美术学院艺术学博士。| 声音艺术家 |王先明颂钵疗愈师自然声音疗愈师、唱诵师。独立音乐人、音乐制作人。毕业于中央音乐学院,资深艺术教育行业从业者, 曾作为小柯剧场音乐剧演员活跃于舞台, 后进行颂钵疗愈、自然声音疗愈、唱诵等方面的研究,尤其专注于氛围及疗愈音乐的制作和声音现场。项目赞助:西藏尼木县藏香协会项目策划:中央美术学院美术馆公共教育部项目执行总监:耿菁华项目组:梁雯 郭贺彤场务:陈小华 姚轶群 梁雯 王军 郭贺彤单位鸣谢:西藏追光者绘画工厂有限责任公司    原麦山丘个人鸣谢:温泽 徐新主编 / 何一沙 责编 / 杜隐珠
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Don't miss it! Witness the stunning performance of "Twenty Years of the Realist Painting School"

2024-12-22

On December 19th, the "20th Anniversary Exhibition of the Chinese Realist Painting School" opened at the Central Academy of Fine Arts. This exhibition is jointly hosted by the Central Academy of Fine Arts and the Chinese Realist Painting School, and organized by the Art Museum of the Central Academy of Fine Arts. The Oil Painting Institute of the Chinese National Academy of Arts and the Beijing Jin Shangyi Art Foundation serve as supporting units. A total of 41 artists were invited to present over 220 classic realist artworks.The guests attending the opening ceremony include: senior professors from the Central Academy of Fine Arts and specially invited artists of this exhibition, Pan Shixun, Sun Weimin, Gao Tianxiong, and Hu Jiancheng; Lin Mao, the president of the Central Academy of Fine Arts, and Liu Peiyuan, the deputy secretary of the Party Committee and secretary of the Discipline Inspection Commission; the founders of the Chinese Realist Painting School: Ai Xuan, Yang Feiyun, and Wang Yidong; members of the painting school and representatives of their families, Xu Mangyao, Liu Kongxi, Yuan Zhengyang, Guo Runwen, Chao Ge, Zhang Li, Long Liyou, Li Shijin, Weng Wei, Pang Maokun, Li Guijun, Ma Lin, Zhang Yibo, Zhu Chunlin, Chang Lei, Wu Chengwei, Yu Ming, Xu Hong, the wife of Zheng Yi, Zhang Hongfang, the wife of Xin Dongwang, and Zhao Xiaoyan, the wife of Wang Shaolun. Also present are Guo Yuanchao, the director of the office of the Realist Painting School; Duan Jimin, the editor-in-chief of Jilin Fine Arts Publishing House, and Sun Gang, the responsible editor; Lv Cunyi, who has long supported the activities of the Chinese Realist Painting School; as well as the heads of departments and administrative offices such as the Oil Painting Department, the Basic Modeling Department, the Chinese Painting Academy, the Sculpture Department, the Calligraphy Academy, the Restoration Academy, the Urban Design Academy, the Sino-French Institute of Art and Design Management, the Graduate School, the National Thematic Art Creation and Research Center, the Education Development Foundation, the Scientific Research Office, the Party Committee's Teachers' Work Department (Personnel Office), the Party Committee's Publicity Department, the Party Committee's Student Work Department, and the Art Museum.Lin Mao, President of the Central Academy of Fine Arts, Delivered a SpeechLin Mao stated that over the past twenty years, the "Chinese Realist Painting School" has gathered more than thirty representative artists with strong capabilities in China, and numerous outstanding and classic artworks have continuously emerged. The goal of the establishment of the "Chinese Realist Painting School" is to establish a high-standard Chinese contemporary realistic oil painting. It respects traditional culture, emphasizes the humanistic and rational spirit, and pursues the perfect quality of paintings. Upholding this concept, the "Chinese Realist Painting School" closely follows the changes and development of contemporary society, constantly enriches its language forms, adapts to new social aesthetic needs, examines life and nature from an Eastern perspective, and proves the eternal value of realism in terms of rationality, morality, and aesthetics through persistent artistic practice. Moreover, it has made outstanding contributions to the creation of theme paintings in the new era, demonstrating broad development prospects and vigorous vitality.Yang Feiyun, one of the founders of the Chinese Realist Painting School and the Dean of the Chinese Oil PaintingInstitute of the Chinese National Academy of Arts, delivered a speech.Yang Feiyun believes that realism is not the goal of realistic painting, nor is it the end of painting. Realism is an irreplaceable expressive force and a highly vital carrier of painting language. In this era of images, although some social functions have been taken over by images, the spiritual aesthetic function of figurative painting is irreplaceable. The Chinese Realist Painting School insists on using figurative visual art to observe the spiritual world of contemporary society. In the multi-dimensional pattern of contemporary art, it retains an irreplaceable territory of expression. He expressed gratitude to all sectors of society and academic peers for their attention, support, encouragement, and criticism over the years. He also stated that he will use high-quality painting language to depict the Chinese people well, and represent Chinese aesthetics, Chinese emotions, and Chinese spirit.Jin Jun, the curator of the Art Museum of the Central Academy of Fine Arts, delivered a speech.Jin Jun mentioned that the Realist Painting School is an important art group representing the achievements of oil painting language in the new era. Since its establishment, it has been active in the Chinese art circle for 20 years. With their exquisite skills and profound insights, and a humanistic sentiment of cherishing life and paying attention to reality, the artists have presented their delicate and rich observations of the world accurately and artistically.At the same time, the Art Museum of the Central Academy of Fine Arts is renowned for its rich and diverse collections. The permanent exhibition of the museum's collections, the section on modern Chinese art, showcases many classic representative works of realistic oil paintings that mark important nodes in the development of modern Chinese art. The holding of this exhibition precisely forms a beneficial dialogue with the historical collections of the museum, allowing the audience to more intuitively feel the close connection between the Realist Painting School and the inheritance and development of Chinese realistic oil painting.Gao Gao, the deputy curator of the art museum, served as the host.The Chinese Realist Painting School has gathered representative artists with strong capabilities in China. Upholding traditions and being brave in innovation, it has won extensive attention and support from all sectors of society and has become a distinct banner in the Chinese oil painting field. The display of classic works in this exhibition is the best testament to the artists' tireless pursuit of excellence. The exhibition will last until January 5th, 2025.Group photo at the opening ceremonyGuests visit the exhibitionList of Artists                               Specially Invited Exhibiting Artists: Jin Shangyi, Pan Shixun, Sun Weimin, Gao Tianxiong, Hu Jiancheng, Lin MaoExhibiting Artists: Ai Xuan, Yang Feiyun, Wang Yidong, Chen Yanning, Xu Mangyao, He Duoling, Liu Kongxi, Yuan Zhengyang, Guo Runwen, Wang Hongjian, Chao Ge, Zhang Li, Long Liyou, Xia Xing, Li Shijin, Xu Weixin, Weng Wei, Pang Maokun, Leng Jun, Yin Xiong, Li Guijun, He Hongzhou, Ma Lin, Zhang Yibo, Zhu Chunlin, Xu Qingfeng, Chang Lei, Wu Chengwei, Lai Yuan, Yu Ming, Wang Zijiao, Chen Yifei, Zheng Yi, Xin Dongwang, Wang ShaolunSome of the exhibited works何红舟《乐葵与文森》布面油画 100cm×100cm 2020年何红舟《乐葵与文森》布面油画 100cm×100cm 2020年马琳《天际》布面油画 160cm×150cm 2021年吴成伟《惠安女系列—静静地等待》布面油画 162×145cm 2024年吴成伟《惠安女系列—静静地等待》布面油画 162×145cm 2024年吴成伟《惠安女系列—静静地等待》布面油画 162×145cm 2024年王子娇《春》布面油画 35×25cm 2021年陈逸飞《蓝衣仕女》布面油画 147cm×147cm 2001年郑艺《凡心已炽》布面油画 160×180cm 1999年忻东旺《古董商》布面油画 60x50cm 2012年王少伦《美丽班》布面油画 61×50cm 2012年..............................................................................................................................................................................中国写实画派二十周年展主办单位:中央美术学院 中国写实画派承办单位:中央美术学院美术馆 北京东轩艺术发展有限公司支持单位:中国艺术研究院油画院 北京靳尚谊艺术基金会 北京渥德艺术中心 北京全素科技展览时间:2024年12月17日-2025年1月5日展览地点:中央美术学院美术馆三层展厅主编 / 何一沙责编  / 杜隐珠现场图 / 贺伊飞
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2024-12-21

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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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