Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

The Art of London “Augmented Gallery” safely shows art through AR technology

2021-06-04

Every year around May, it is traditionally the start-of-season in London’s West End. In 2021, it has been hampered by shuttered venues and fewer people traveling, due to the spread of coronavirus.But thanks to augmented reality, galleries could put the art outside for people to see. The National Gallery, National Portrait Gallery, Royal Academy of Arts and Sky Arts recently took part in an initiative newly launched by the Heart of London Business Alliance, an organization of London businesses and institutions that promote commerce in the area through media campaigns. Called Art of London, it features a free, mile-long, twenty-stop walking tour which showcases works from these institutions in London’s West End.The tour consists of QR codes in frames made to fit the size of the physical artworks. Through a free app, the codes bring up the painting as well as audio commentary made by educators and curators from major British galleries. They not only introduce the background behind the works, but also give a context of the materials used to create the work - giving a bit of physical quality to the virtual experience.The organizations that joined the Augmented Gallery provide visitors a wide range of artistic representation. Artists represented range from Pierre Seurat to Tracey Emin. Subjects of portraits range from William Shakespeare to Malala Yousafzai.The locations where the works are shown were carefully chosen to present the works in impactful ways while still being accessible. They need to create the right aesthetic environment and mood for each specific work, while making them accessible for the general public."Attracting the public back to the area safely and responsibly has never been more important," Heart of London Business Alliance Chief Executive Ros Morgan said, "AR allows for a close-up encounter with great works of art out on the street, but more importantly, it allows for the street itself to become a canvas." Rather than another example of how augmented reality helps people adjust to life during the pandemic, it shows the possibility of augmented reality helping us look towards an ever-approaching post-pandemic future.Source | AR PostAuthor | Jon Jaehnig
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Landmark exhibitions resurrected on extended reality platform

2021-05-31

TheVov, a new virtual arts ecosystem, is bringing historic exhibitions, along with live workshops and events, to a digital audience.Founded by Outset Contemporary Art Fund and the art-science collective Visualogical, the open-access destination is hosted on the extended reality (XR) platform Vortic Art. TheVov will initially run a 10-week program featuring past landmark exhibitions from 15 museums and galleries across the UK, including the late US artist Chris Burden’s 14 Magnolia Doubles, shown at the South London Gallery 15 years ago; German artist Andreas Gursky’s first UK retrospective at the Hayward Gallery in 2018; and British-Nigerian sculptor Yinka Shonibare’s open air installation at Yorkshire Sculpture Park in 2013. Alongside the exhibitions, a program of live, public events will run until May 30, including lunchtime tours and panel discussions with institution directors taking place inside the virtual galleries, and events with artists hosting interactive workshops.The platform operates on a micro-philanthropic model, inviting users to donate to a fund that will be distributed to the participating institutions at the end of the season.Candida Gertler, co-founder of Outset Contemporary Art Fund, says the shock of Covid has pushed the art world to find creative solutions to keep conversations and opportunities going. Oliver Miro, the founder of Vortic, says the pandemic has accelerated the interest and use of XR. While Miro claimed that XR opens up possibilities that do not exist in the real world, these opportunities of working closely with institutions also enabled the platform to "play around with creating bespoke virtual spaces and environments and to push the boundaries of what is possible in the digital realm". For example, theVov has experimented with layering content with audio guides, and is one of the first platforms in the industry to use live-streaming synchronization with 3D technology to enable curator or artist-led tours.Source | Museums AssociationAuthor | Samyama Kolhapuri
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READY TO-GO | 2021 CAFA Undergraduate Graduation Exhibition unveiled

2021-05-27

The 2021 CAFA Undergraduate Graduation Exhibition is now open, exhibiting graduation work of a total of 875 undergraduates. The physical exhibition is to be held in two parts.
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The Uffizi Gallery just sold a Michelangelo NFT for $170,000, and is minting more masterpieces from Its collection

2021-05-21

The Uffizi Gallery in Florence is turning some of its most prized artworks into NFTs and selling them to raise funds after a cash-strapped year. And it’s starting off with a bang: an encrypted Michelangelo painting of the holy family, Doni Tondo (1505–06), just sold for €140,000 ($170,000).The museum announced in May that it worked with the Italian company Cinello, which has patented a new way to make digital facsimiles of famous paintings. Cinello’s digital artworks, which it calls DAWs, are produced in the dimensions of the original piece, and purport to be completely unique and theft proof. An NFT token is created on the blockchain for each DAW, certifying ownership.Each piece produced for the Uffizi comes with a certificate of authenticity signed by Eike Schmidt, the museum’s director. As part of the agreement with Cinello, the museum banks 50 percent of the profits for each DAW made from a piece in its collection and sold by the company.A spokesperson for the Uffizi declined to provide details about the Michelangelo sale or the museum’s deal with Cinello. However, Schmidt said in an interview that "in the medium term [the NFT sales] will be able to contribute to the finances of a museum." Uffizi saw its annual visitor numbers fall from 4.4 million in 2019 to 1.2 million in 2020, and the NFT sale might nevertheless yield some extra cash at a crucial time.Some other major works from the gallery’s collection will also be turned into DAWs in the near future. Among those on the list are Botticelli’s The Birth of Venus, Raphael’s Madonna del Granduca, Caravaggio’s Bacchus, and Titian’s Venus of Urbino.Source | artnet News
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Public Notice

2021-05-15

The Graduate Students' Graduation Work Exhibition of the CAFA Graduation Season 2021 is now fully reserved.
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Design Museum gets around Covid restrictions with pop-up art supermarket

2021-05-14

Under the UK Government’s Covid-19 restrictions, public museums in England could not open until May 17, but London’s Design Museum found a way to hold an exhibition despite that. The law-abiding creative rebellion is the pop-up exhibition "Supermarket".Photo: The Design MuseumDifferent from any regular exhibitions, "Supermarket" is an in-between concept between exhibition and a real "supermarket", an exhibition disguised as a grocery shop where people can instantly buy and walk out with the art. It enlisted 10 emerging illustrators, artists and animators to design packaging for a number of chosen essentials, including food and drinks, and of course hand sanitizer and toilet paper.The organizers hope to make a vital statement, #CreativityIsEssential, which has resonated with many on social media. “I think it’s a conversation that’s been going on over the whole lockdown,” said Joey Yu, an illustrator, animator and curator who is also part of the project. “I know the reasons they keep it shut for but for me, I think it’s so important for people to keep being inspired. Being able to see something that's the four walls of their room and just learn as well - in music form, theatre form, art form. These are things you need to see and feel in real life and it’s just not the same on the computer. So it’s definitely a debate that needs to be had.”Photo: The Design MuseumThe pop-up exhibition was open to the public from April 22 to 26. All proceeds will go to the Design Museum’s new Emerging Designer Access Fund, which gives emerging artists and designers free access to the Design Museum’s exhibitions, talks and events.Source | Museums AssociationAuthor | Samyama Kolhapuri
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Exhibition Guidelines | CAFA Graduation Season 2021 “READY TO-GO”

2021-05-13

All visitors (including guests with invitation and VIP members) need to make real-name reservation in advance, and enter the museum upon wearing masks and showing green health code. Please scan the QR code at the end to make a reservation.Opening Hours: Tuesday to Sunday 9:30-17:30 (last admission 17:00)Ready for the FutureCAFA GRADUATION SEASONDo not mourn the spring as the luxuriant summer is even more pleasant. While the memory of the online 2020 CAFA Graduation Season still lingers, as we remember how people met together in the unprecedented virtual CAFA Art Museum for the graduation work exhibition, another summer has arrived as the graduates of the year 2021 are having their hard-earned and unparalleled physical group exhibition.The reason that it's "hard-earned" is because with the global pandemic still continuing, we can't let our guard down on the prevention and control works; and it's "unparalleled" because it's the first time that we have a physical graduation work exhibition without holding an opening ceremony. Yet we know even without the ceremony, the exhibition is of the same importance to the graduate students as well as the teachers. The success of the exhibition means the graduates' solid professional foundation, and their persistence in academic ideals and art dreams. Your extraordinary graduation works and dissertations are the best proof of your hard work.The graduate students' graduation work exhibition is an important component of the CAFA's advanced art talent training program. It is not only an effective mechanism to examine the educational quality of CAFA's graduate programs, but also a platform to showcase the results of teaching in front of the public. The exhibition features over 3000 works by 436 doctor and master degree graduates, covering fields from painting, sculpture, experimental art, design, architecture to art history and art theories.The graduate students of 2021 is a special and lucky group. You enrolled in CAFA at its 100th birthday, and you've had the difficult and precious experience of online and offline learning combined, as well as the joy to meet each other again after months of lockdown.Today we gather again at the CAFA Huajiadi campus, and the vast universe of art. We want to give you our best wishes for your prospering art career after graduation, and we hope you are ready for your future, and would continue persisting in your art belief. Happy graduation!CAFA Graduate SchoolMay 2021The CAFA Graduation Season 2021 began on May 9 with the opening of the Graduate Students' Graduation Work Exhibition.Graduation works of the graduate and undergraduate students are successively exhibited across the main exhibition space in CAFA, to showcase the students' achievements, experiments and dreams during their study at CAFA. The exhibition is open to the public for free. The graduate students' graduation work exhibition shows over 3000 works by 55 doctor degree graduates and 381 master degree graduates. The works are exhibited across the CAFAM, the Statue Gallery and the exhibition galleries in the Building No.7.The exhibition will last till May 20.看丨展丨地丨图School of Experimental ArtSchool of Urban DesignSchool of Chinese PaintingOil Painting Department of School of Plastic ArtsPrintmaking Department of School of Plastic ArtsMural Painting Department of School of Plastic ArtsFoundation Program of School of Plastic ArtsSculpture Department of School of Plastic ArtsSchool of DesignGraduate SchoolSchool of ArchitectureSchool of HumanitiesSchool of Arts Administration and EducationScan the QR code to reserve
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Are you ready?丨CAFA Graduation Season 2021: READY TO-GO

2021-05-09

The year of 2020 was a difficult yet extraordinary year, extraordinary because each and every of you. With life returning to ordinary in 2021,The 1311 new graduates are also pulling together,and get ready for the 2021 CAFA Graduation Season.Are you ready? Let’s get readyto gether!to go!to boom! There will be 55 doctor degree graduates and 381 master degree graduates in 2021. Altogether these graduates will exhibit over 3000 pieces of works in the physical galleries, covering fields from painting, sculpture, experimental art, design, architecture to art history and art theories. The online exhibition will meet the public on May 24. It will not only show digital versions of graduating students' works, but also provides a 720-degree view of the exhibition. This is a new breakthrough following the 2020 online graduation season that "will never be offline".All visitors (including guests with invitation and VIP members) need to make real-name reservation in advance, and enter the museum upon wearing masks and showing green health code. Please scan the QR code below to make a reservation.Opening Hours: Tuesday to Sunday 9:30-17:30 (last admission 17:00)Scan the QR code to buy ticketsScan the QR code to make a reservation
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UK’s Collections Trust announces plans for improved museums database

2021-05-08

The recently published new database plan includes three key areas: connect and collect, use and enhance, and store and preserve.
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Closing Notice

2021-04-30

CAFAM opens from 9:30am to 5:30pm on May 1, and closes from May 2 to May 8 due to uninstallation and installation of exhibitions.
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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