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CAFAM展览预告 | “那是光照进来的地方:斯特凡·杰罗夫斯基的艺术(1925-2022)”即将开展

2024-07-07

那是光照进来的地方:斯特凡·杰罗夫斯基的艺术(1925-2022)这就是光线进入的方式:斯特凡·吉罗夫斯基(1925-2022)的艺术展览时间:2024年7月10日-9月1日展览地点:中央美术学院美术馆四层展厅开幕时间:7月10日(周三)15:00开幕地点:中央美术学院美术馆四层展厅主办单位:中央美术学院美术馆支持单位:斯特凡·杰罗夫斯基基金会、波兰共和国文化和国家遗产部、波兰共和国驻华大使馆、波兰驻华大使馆文化处                                                                                                                                                                                                                       17月10日,我馆将举办二战后欧洲最杰出的抽象艺术家之一——斯特凡·杰罗夫斯基(Stefan Gierowski)的回顾展“那是光照进来的地方:斯特凡·杰罗夫斯基的艺术(1925-2022)”。 这将是他2022年去世后的首次回顾展。                                           《画作CCCLXXXIX》,1977年 布面油画 109 × 109 厘米 图片由斯特凡·杰罗夫斯基基金会提供 斯特凡·杰罗夫斯基于1925年生于波兰,早至上世纪六十年代即在纽约现代艺术博物馆、威尼斯双年展等展出作品,在长达半个多世纪的艺术生涯中,他的展览出现在世界各地,作品被法国蓬皮杜艺术中心在内的全球重要艺术机构收藏。但作为波兰艺术家,他代表了活跃在欧洲“另一半”的艺术家。 杰罗夫斯基对波兰艺术在西方经典中近乎完全缺席的情况有着清醒的认识,认为“波兰前卫艺术演进的路径与西方路径彼此平行,而不是受后者影响的结果”。 本次展览即通过对艺术家自二十世纪40年代晚期直至2022年去世为止的艺术生涯的回顾和分析,对“现代艺术乃是西欧/美国的产物”这一正统观念提出挑战,讲述了其实践与成就如何参与了现代艺术史“西方故事”的瓦解。                                           《画作CCCXCVIII》 1977年 布面油画 119 × 100 厘米 图片由斯特凡·杰罗夫斯基基金会提供展览由英国著名策展人菲利普·多德(Philip Dodd)策展,涵盖了艺术家生涯中最重要的作品,并以三个部分探讨了相应的议题。 其中包括:在太空旅行成为全球焦点的当下,杰罗夫斯基的抽象艺术如何回应了太空探索这一主题,并对太空中光的存在以及科学语境中光的意义等问题给出独特的答案; 中国文化尤其是老子哲学对杰罗夫斯基的影响,由此延伸而出对精神与虚空的探讨,并提示了中国文化在很大程度上参与了现代西方思想的塑造; 以及艺术家通过抽象艺术对光与色的关系所进行的伟大探索,展示了艺术能够以何等富有深度及创造性的方式对科学的思想与发展提供回应。                                           《画作CLXVII》 1962年 布面油画 60 × 50 厘米 图片由斯特凡·杰罗夫斯基基金会提供正如菲利普·多德所述:“当下,现代艺术的‘西方故事’面临分崩离析,人们重拾对太空探索和旅行的兴趣,科学范式在全球范围内日益居于核心地位,英语世界以外地区抽象艺术的历史得到承认,对于精神性与艺术的讨论重获尊重——以上当代重要趋势和斯特凡·杰罗夫斯基的绘画恰成彼此启发映照之势”。展览标题“那是光照进来的地方”取自歌手莱昂纳德·科恩(Leonard Cohen)的曲目《颂歌》(Anthem)。 展览深入探讨了杰罗夫斯基艺术中“光”的多重意义——从科学意义上的光,到精神意义上的光,再到作为绘画必要组成部分的光,以此回应杰罗夫斯基关于“光生万物”的表达。                                              《画作CDLIX》 1981年 布面油画 100 × 100 厘米 图片由斯特凡·杰罗夫斯基基金会提供艺术家于2022 年去世后,国际艺术界掀起了一股“杰罗夫斯基艺术热潮”。 2023年在罗斯科博物馆举办的个展“斯特凡·杰罗夫斯基:至此永恒”(Stefan Gierowski: From Here to Eternity)中,杰罗夫斯基与马克·罗斯科(Mark Rothko)的作品并列展示,位于意大利的Dep艺术画廊亦在2022年举办了杰罗夫斯基和卢西奥·丰塔纳(Lucio Fontana)的多位艺术家在内的群展“ 空间感,光感”(The Sense of Space,The Sense of Light)。 诸多评论家和文化名人对他赞誉备至,包括纽约现代艺术博物馆前策展人乔金·毕沙罗(Joachim Pissarro)、蓬皮杜中心策展人米歇尔·高蒂埃(Michel Gauthier)、罗斯科作品全集主编大卫·安法姆(David Anfam)。此次由中央美术学院美术馆举办的展览“那是光照进来的地方:斯特凡·杰罗夫斯基的艺术(1925-2022)”也通过对多个艺术史和当代议题的探讨,以及对中国哲学影响的挖掘,为杰罗夫斯基艺术在当代的观看提供了全新视角。此次展览将持续至9月1日。
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喜讯 | 我馆展览入选文旅部“全国美术馆馆藏精品展出季”

2024-07-06

主编  / 何一沙责编 / 杜隐珠编辑 / 贺伊飞
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“2024广角°青年实验空间项目”入选方案公布

2024-07-05

“广角°——青年实验空间项目” 由中央美术学院美术馆主办,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,使其成为中央美术学院青年教师策展与创作的实验田,意在通过多元的展览项目,协助并促进青年师生对跨学科联动、区域文化研究及中国传统文化作出积极回应。取其不规则之空间造型和不设限的展示维度,该项目于2023年正式更名为“广角°”。广角,一则与美术馆一层公共空间的另一策展培育计划“锐角”呼应,将美术馆中的两个空间以青年策展实践为角度相连接,向社会展示学院在策展教育与策展实践方面的最新成果;二则与青年教师在创作与教学中不断拓宽的思想广度相联系,教师们的申报方案中,有不少涉及跨媒介实践和教学方法扩展的项目。在美术馆发展规划的青年教师扶持计划中,广角作为一个起点,以校内艺术教育与社会美育传播为两条延线,展示青年与时代语境的交流,激活青年与传统收藏的链接,催生青年与更广阔可能性的碰撞。2023年底,“广角°——青年实验空间项目”第三期正式对外发布,并面向中央美术学院的青年教职工征集方案。最终收到十余个研究角度各异的方案,体现了多位青年教师对人工智能、传统文化传承、艺术设计、艺术媒材创作等话题的思考。6月27日,围绕征集方案,工作组组织了复评会议。评审组由校内外专家共9位组成。其中,校外评审人员有北京大学艺术学院院长彭锋,北京画院院长吴洪亮,《美术》杂志社社长冀鹏程;校内评审人员为中央美术学院学报编辑部主任、《美术研究》杂志社社长张鹏,中央美术学院科研处处长于洋;活动主办方代表包括美术馆馆长靳军,书记韩文超,副馆长王春辰,副馆长高高。广角项目的工作组团队,包括策划研究部刘希言、易玥、李捷和王若冰共同协调本次评审会议。经过评审组的反复讨论与匿名投票,最终选定3份团体方案与3份个人方案(排名不分先后):入选团体方案以小组形式围绕一个主题进行的实验性展览策划与实施方案,包含师生团队项目1.异境逃逸录——感觉阈限与编程风景方案团体:黄可一、朱日新、李森、章烟朦、赵欣昕、单俊盛方案概述:展览的概念围绕“感觉阈限”与“编程风景”这两个词汇展开。在这样的视角下,绘画成为一个将承载着个体经验的风景片段进行归档的行为。展览选择了几位青年教师和艺术家近几年的作品,他们在创作中都有意识地使用了类似代码的视觉元素或输入了某种篡改原有程序的指令,经过不同的路径,采用不同的媒介手段对风景进行了重构。2.颅海见山:楔子方案团队:冯雪、王子琪、郑淏文、韩佳彤、王楠、刘则芊、魏羽枫、刘昭佚、Baowen Mai、杜英奇、陈国东、黄洋、李沁洋、朱翌潇、钱彬、陈思亮、周游、郑淏文、邬建安、梁硕、夏海瑜、绘川方案概述:《颅海见山》聚焦中国边缘群体脑海中构建的独特世界。展览关注一种瞬间的固化,由不同艺术事件组成,以多元形式探究与展现这些个体在适应生活后的观念定型,以及在教育、信仰、社会、地理和生活经历等各类壁垒下形成的逻辑自洽。在学术层面,本方案通过实验展览形式不仅探究中国范围内特定边缘群体的精神世界及艺术何为,更从研究与实践角度,探索当代艺术事件范式和艺术创作中的事件性。3.液态乡愁方案团队:王静、邢丹、邱宇、陈抱阳、王歆童、黄恩琦、时子媛、龙盼、徐子奕、唐克扬(文献)、基因组美食中心(文献)方案概述:“乡愁”是记忆也是未来,是弥散在空间中的后人类视角的淡淡愁思。展览通过装置、影像与科技方式展开各自的探索,呈现出对记忆、感知和故土的意识唤醒。乡愁成为一种营养、一种底色,渗透在每个人的作品中,青年艺术家在流转的“乡愁”中探寻未来,记忆与情感千丝万缕的牵连,在时间媒介和生物语言的折叠中,成为面向未来的折射。入选个人方案一位青年教师的新作/近作展览方案,其中需包含另一位/组青年教师作为策展人为其构思的展览策划案1.应物“相”形艺术家:杜英奇策展人:李明威方案概述:本次展览的主题是“应物体、‘相’形”,用“相”替代谢赫六法“应物象形”中的“象”,“相”(四声)作为动词,有观看、选择、提炼之意,如相马、相面。在具象雕塑创作中,杜英奇的造型方法与六法中的“应物象形”有相近之处,但在他的作品中,所呈现的是一种对自然物象的选择、抽离和改造,“相”形的过程,就是将“自然物”转化为“雕塑物”的创作过程。2.万物有灵——贾田雪个人作品展艺术家:贾田雪策展人:张晨、王丹云方案概述:“万物有灵——贾田雪作品展”以贾田雪的工笔与没骨花鸟画作品为样本,试图探讨花鸟画的生活之源,以及在当代社会语境下,人与自然超越主体与客体,自我与他者,内在与外界的复杂精神关联,在展览空间以非二元性的视角思考人与空间、人与自然之间的关系。3.形形色色色色形——周亭的色彩直觉艺术家:周亭策展人:柳青、孙华方案概述:本次展览的作品选择了艺术家周亭过往油画创作中的一些代表作,同时针对色彩研究这一课题全新绘制局部及在日常生活中无处不见的色块组合的阵列式呈现,记录艺术家色彩产生的全部过程,以及对色彩认识起源的点滴,个人化地对颜色无限挖掘和剧烈拓展,从而观察艺术家的色彩行为和意识脉络。
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公教活动回顾 | 2024年中央美院毕业季

2024-07-04

主编  / 何一沙责编 / 杜隐珠文 / 黄丽敏图 / 王洲、胡琪莎、李沐晓等多位志愿者编辑 / 姚轶群、梁雯公益导览及服务 / 中央美术学院美术馆志愿者团队
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CAFAM展览预告 | “复数之礼 通达永恒——韩国艺术四人展”即将开展

2024-07-03

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2024第三届全球大学生虚拟策展大赛7月1日启动

2024-07-01

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2024-06-27

中央美术学院有着收藏毕业生作品的优秀传统,历届毕业生的作品都有着鲜明的时代特点和艺术气质,是美院教学的生命力体现和历史展现。目前,2024届毕业生作品的收藏工作圆满完成,经由收藏委员会审定确认,共有28名学生的优秀毕业作品被挑选留校,由中央美术学院美术馆永久收藏。其中研究生共10名18件(套)作品,本科生共18名22件(套)作品,不仅涵盖了绘画、雕塑、装置、设计等多种艺术形式,更有一批具有跨学科融合的数字多媒体艺术作品。这些作品的入藏,增加了我馆藏品的多元化和创新性,丰富了我馆的馆藏体系,为艺术更好地推广和交流奠定了坚实的基础。靳军馆长在2024中央美院毕业典礼上向馆藏作品的作者代表颁发证书| 被收藏作品毕业生名单 |研究生院:原晓轩中国画学院:高佳艺油画系:徐志洋、刘家豪、谭森垚版画系:周宏博、陈柏宇、范书媚、林圭宇、叶娉婷雕塑系:陈光耀、马千丁壁画系:高一鸣设计学院:张岩、吴兆伦、肖博涵、刘金涛、孙艺宸、李然、邵泓晔城市设计学院:谢孟瑶、杨云舒、朱若歌、刘峰岑、刘鑫 、陈仲烜、程海铸实验艺术与科技艺术学院:李晴
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2024-06-27

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Volunteers for the Central Academy of Fine Arts (CAFA) Museum of Fine Arts

2024-06-25

Located on the campus of the Central Academy of Fine Arts, the Art Museum of the Central Academy of Fine Arts (CAFA) is a professional, internationalized and modern art museum with the functions of academic research, exhibition display, collection restoration and public education. It adheres to the academic philosophy of "being inclusive, following the past and opening up the present", serves the society with "wisdom", devotes itself to the construction of contemporary public cultural space, presents human artistic civilization to the general public with a brand new vision, and shares the culture of the times with all walks of life.The dissemination and promotion of art and culture requires wider public participation, and the work of art museum volunteers is an important window for public participation in the arts. At present, the art museum volunteer work has been carried out for more than nine years, and the volunteer team is getting stronger and stronger, injecting vivid power into the art museum. As an enthusiastic social welfare and art museums, you must hope to join our team and contribute to social aesthetic education. We are willing to build a platform for you to show yourself and serve the society.The Art Museum of the Central Academy of Fine Arts is now openly recruiting people from all walks of life who are enthusiastic about public welfare and museums, and invites you to join our volunteer team.1、您可参与的岗位    (1)公共咨询服务志愿者(2)导览志愿者(3)活动志愿者(4)公共教育多媒体志愿者2、期待您符合以下志愿者的基本条件  (1)18-65周岁,具有完全民事行为能力的自然人,无违纪违法不良记录;(2)身心健康、开朗热情、态度亲和、善于沟通,具有较强的责任心、志愿服务意识和组织协调能力,语言表达流畅,普通话发音标准;(3)大专以上文化程度,热爱艺术,愿意了解艺术的相关知识,有较强的学习能力;(4)有足够空余时间从事志愿工作;(5)符合以下条件者可优先考虑:  ①具有艺术类、文博类、语言文学类、历史、考古、新闻学、心理学、摄影摄像、新媒体运营、美术教育等专业背景者;  ②大中小学教师;  ③有博物馆志愿者一年以上服务经验者;  ④掌握一门或多门语言沟通能力者;  ⑤具有文字编辑、图片和视频拍摄能力者。3、岗位工作内容与具体要求  (一)公共咨询服务志愿者(1)为观众提供咨询和引导服务;(2)完成现场观众咨询解答和投诉接待工作;(3)完成公众服务工作,应急配合接待团体导览服务。以尊重的态度对待每一位公众,做到礼貌用语,微笑服务,引导观众文明参观,有序参观;(4)前台服务热线的接听和电话转接,做好来电咨询工作,重要事项认真记录并传达给相关人员;(5)配合馆内安全导引等相关工作预案,及时发现情况并上报且采取相应措施。(二)导览志愿者(1)参与展前培训,了解各展览学术点,提供志愿导览服务;(2)导览资料的整理及收集,策划并组织艺术知识的普及工作;(3)建构硕博生导览团的相关整理工作;(4)根据不同年龄层进行导览心理研究与探访。(三)活动志愿者(1)参与公共教育项目和活动的策划与实施;(2)协助讲座、工作坊等相关活动宣传资料的整理与收集;(3)参与部门项目活动的现场工作执行。(四)公共教育多媒体志愿者(1)完成现场照片、视频拍摄相关工作;(2)完成活动报告撰写、编辑校对、照片与视频等归档、编辑及整理等活动总结工作;(3) 必要时协助活动现场执行。4、服务时长  (1)每周二至周日开馆日上午9:30-13:30;下午13:30-17:30(请根据个人实际情况填写志愿服务时间,可选半天);(2)保证每月至少来馆服务2次(每次不少于2小时);(3)每年服务时间不少于48小时。5、您将获得的专属权益  (1)免费参加中央美术学院美术馆举办的各种培训学习、讲座研讨会等活动的权利;(2)凭志愿者证件可以免费参观展览的权利;(3)在服务期间,志愿者可以向管理部门申请免费查阅本馆资料;(4)将获得艺术专业知识培训,包括但不限于中西方美术简史,美学导论,博物馆、美术馆概论与发展史,展览阐释,解密展览策划,博物馆、美术馆多媒体记录技巧与应用。(5)了解和参与幕后的专业工作,可以接触艺术家、艺术品、策划人和专家学者,认识有共同兴趣和理想的人;(6)可以参加“志愿者活动日”——美术馆专门为志愿者设计的交流、培训和联谊活动;(7)可以累积“志愿北京”时长;(8)服务期满半年且服务时长超过36小时或年满一年且服务时长达48小时的志愿者可向管理部门申请志愿者服务证明,并享有优先申请“美术馆实习生”的资质;(9)每年优秀志愿者将获得一年度的美术馆个人年卡会员资格。6、报名方式  (1)点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》;(2)报名时间:长期有效;报名咨询时间:每周二至周日上午09:30—12:30 下午13:30—17:30;报名咨询电话:010-64771575;(3)有意愿者通过网络报名等方式,经中央美术学院美术馆审核合格后,统一参加面试,面试择优录用,合格者参加志愿者岗前培训。经培训、考核合格后,将能正式成为中央美术学院美术馆志愿者;(4)志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。主编  / 何一沙责编 / 杜隐珠
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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