中国写实画派二十周年展

  • Dates:2024-12-17 - 2025-01-05
  • Location:中央美术学院美术馆三层展厅
  • Opening:2024-12-19 15:00
  • 主办单位: 中央美术学院 中国写实画派
  • 承办单位: 中央美术学院美术馆 北京东轩艺术发展有限公司
  • 支持单位: 中国艺术研究院油画院 北京靳尚谊艺术基金会 北京渥德艺术中心 北京全素科技

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Invite You To enjoy more than 220 wonderful works of art | Focus on "20th Anniversary Exhibition of Chinese Realistic Painting School"

2024-12-16

中国写实画派二十周年展主办单位:中央美术学院 中国写实画派承办单位:中央美术学院美术馆 北京东轩艺术发展有限公司支持单位:中国艺术研究院油画院 北京靳尚谊艺术基金会 北京渥德艺术中心 北京全素科技展览时间:2024年12月17日-2025年1月5日开幕时间:2024年12月19日15:00展览地点:中央美术学院美术馆三层展厅展览前言 回望二十年前,由靳尚谊、艾轩、杨飞云、王沂东领衔的北京写实画派在中国美术馆举行了首次展览,次年因陈逸飞等几位京外艺术家的加入更名为“中国写实画派”。二十年后的今天,“中国写实画派”已汇聚国内具有雄厚实力的代表性艺术家三十多位,并不断涌现出众多带有经典性的优秀艺术作品。他们秉承传统,勇于创新,不仅赢得了社会各界的广泛关注与支持,更在中国油画界树立起了一面鲜明的旗帜。二十年坚持不懈地努力,“中国写实画派”声名日隆,影响日甚。自意大利传教士利玛窦在明万历年间把油画带到中国,经过四百余年的根植发展,油画已经成长为中国本土重要的艺术表现形式。19世纪末20世纪初,随着国人留学欧洲,西洋油画及其教学模式也迅速被引进并在中国发展起来。冯钢白、李铁夫、徐悲鸿等艺术大师,系统地学习了欧美及法国学院派写实油画的理念和技法,建立起中国写实油画的雏形。1949年新中国成立后,俄罗斯巡回画派和苏联的油画成为中国写实油画的主导力量。马克西莫夫在中央美术学院成立“马训班”,引进契斯恰科夫教学体系,在写实油画造型、色彩以及主题性绘画的创作上,创造出了一大批具有相当影响力的艺术作品。此后中国写实油画先后产生“革命现实主义”、“新古典主义”、“乡土现实主义”、“新学院派”等各种风格与流派,百家争鸣精彩纷呈。新时期以来,在改革开放的背景下,“85新潮”使中国美术从“革命现实主义”一枝独秀的格局裂变为向传统与现代等面向的探索。而“中国写实画派”的成立作为回归经典、回归技艺、回归大众,坚持从油画语言的“本源”和油画内涵的“本质”的代表,吸收西方油画精华,融入本土深厚的文化内涵,成长为根深叶茂的一脉。“中国写实画派”在成立之初就发表了自己的宣言,明确提出画派的目标是建立高水准的中国当代写实油画学派,尊重传统文化,强调人文和理性精神,追求画面完美品质。秉持这一理念,“中国写实画派”紧随当代社会的变革和发展,不断丰富着自己的语言形式,适应新的社会审美需求,以东方的视角审视生命和自然,以持之以恒的艺术实践来证明写实主义在理性、道德和审美的恒久价值。并在新时代主题性绘画创作上,作出杰出的贡献,表现出广阔的发展前景和蓬勃的生机。二十年前的一个夜晚,一群画家在中央美术学院城市设计学院的一间办公室里着手筹划这个写实油画的团体。二十年后的今天,站在新的历史起点上,“中国写实画派”将继续秉承“尽精微,致广大”的艺术理念,不断探索和创新,为中国的艺术事业贡献更多的力量。林茂中央美术学院院长特邀参展艺术家  靳尚谊 潘世勋 孙为民 高天雄 胡建成 林茂 靳尚谊1934年12月生于河南焦作。1953年毕业于中央美术学院绘画系。1957年结业于马克西莫夫油画训练班,并留校任教。曾任全国政协常委、中国文学艺术界联合会副主席、中国美术家协会主席、中央美术学院院长。现任中国美术家协会名誉主席、中央文史研究馆馆员、中国国家画院顾问、院委,中央美术学院教授、北京靳尚谊艺术基金会顾问。  鉴于靳尚谊先生在艺术创作及教学方面的突出贡献,国务院授予其国家级专家称号,享受政府特殊津贴。油画作品《塔吉克新娘》《青年歌手》《狱中瞿秋白》《医生》《八大山人》《晚年黄宾虹》等成为中国当代油画的代表,得到了广泛传播。他是中国近代极具影响力的艺术家、教育家、慈善家,是中国当代油画的代表人物。靳尚谊《穿红裙的祁艳》布面油画 90cm×82cm 2022年靳尚谊《杨门女将》布面油画 91cm×72cm 2024年潘世勋1934年生于吉林省吉林市。20世纪50年代在沈阳军区政治部美术组从事创作与编辑工作。1955年考入中央美术学院油画系,先后师从吴作人、王式廓、董希文、艾中信等教授。1960年以优异成绩毕业于中央美院油画系吴作人工作室(后更名为第一工作室)并留校任教。1984-1986年由国家文化部选派到法国巴黎美术学院进修。中央美术学院油画系教授,曾任油画系主任、技法材料工作室主任等职。现为中国美术家协会会员,中国油画学会理事,享有国务院颁发特殊贡献津贴荣誉。潘世勋的创作以油画为主,多高原题材,代表作包括《翻身曲》《我们走在大路上》《红日初升》《雅江藏女》等,出版有《潘世勋油画集》《潘世勋西藏画册》等画集。潘世勋在国内外举办过多次展览,作品为中国国家博物馆、中国美术馆、中央美术学院美术馆等国内外机构收藏。他在西方绘画技法材料领域潜心研究多年,是将西方油画技法材料等相关课程引入新中国现代油画教学的第一人,出版有《欧洲传统绘画技法演进三百图》等研究专著。潘世勋《背影的高原》布面油画 120x120cm 2004年孙为民孙为民,1946年生,黑龙江人,1967年毕业于中央美术学院附中,1987年毕业于中央美术学院油画系,硕士。曾任:中央美术学院副院长、中央美术学院油画系主任、中央美术学院油画系第一工作室主任、中央美术学院学术委员会副主任、中央美术学院教授,博士生导师。孙为民《绿荫》布面油画 120cm×80cm 2010年孙为民《温暖的阳光》布面油画 130x80cm 2021年高天雄中央美术学院教授,1953年出生于北京,1984—1986年就读于解放军艺术学院美术系,1990—1992年就读于中央美术学院油画系,曾任中央美术学院附中教师,中央美术学院造型基础部教师、油画系一画室教师。高天雄《小寇》布面油画 80cm×40cm 2010年高天雄 布面油画 2014年胡建成1982年毕业于鲁迅美术学院,获学士学位。1988年研究生毕业,获硕士学位。1993年调入中央美术学院。胡建成《放大现实》布面油画 200cm×85cm  2000年胡建成《无题》布面油画 165x45㎝  2001年林茂1975年出生于四川省广安市岳池县。现任中央美术学院院长,教授,博士生导师,十四届全国政协委员,文化和旅游部优秀专家,中央统战部党外知识分子建言献策专家组成员,中国美术馆收藏委员会专家委员。1992年考入中央美术学院附中,1996年以全国第二名的成绩考入中央美术学院油画系,2000年毕业创作《状态》获中央美术学院“王嘉廉奖学金”优秀毕业创作奖。  先后担任文化部中外博艺美术馆馆长、中国艺术研究院油画院学术秘书长、中国当代艺术院院长助理、《中国艺术时空》杂志社社长。2017年任文化部艺术发展中心副主任。2022年任中央美术学院副院长。2023年6月任中央美术学院院长。2018年油画风景作品《润土》荣获第36届意大利佛罗伦萨国际视觉艺术奖银奖。林茂《暖阳》布面油画 50cm×80cm 2024年林茂《山脊》布面油画 60cm×80cm 2021年参展艺术家  艾轩 杨飞云 王沂东 陈衍宁 徐芒耀 何多苓 刘孔喜 袁正阳 郭润文 王宏剑 朝戈 张利 龙力游 夏星 李士进 徐唯辛 翁伟 庞茂琨 冷军 殷雄 李贵君 何红舟 马琳 张义波 朱春林 徐青峰 常磊 吴成伟 来源 于明 王子骄 陈逸飞 郑艺 忻东旺 王少伦艾轩现为中国美术家协会会员,国家一级美术师,中国油画学会常务理事,北京市政府高级文艺职称评审委员会委员。2004年与王沂东、杨飞云等共同发起成立“北京写实画派”。2005年由陈逸飞先生提议改称“中国写实画派”。2008年和杨飞云、王沂东组织“中国写实画派”成员集体创作《热血五月·2008》,公益拍卖 3350万元全部捐给汶川地震灾区。2015年获欧洲议会颁发的欧洲之星奖章和国际和平艺术家联盟东方骑士勋章。美国《华尔街日报》整版报道艾轩其人。艾轩《风干了的小河谷》布面油画 130cm×110cm 2020年杨飞云中国艺术研究院油画院名誉院长,中国美术家协会油画艺术委员会名誉主任,中国油画学会理事,中央美术学院客座教授,意大利佛罗伦萨造型艺术研究院通讯院士,俄罗斯列宾美术学院客座教授。杨飞云《美育之门》布面油画 250×160cm 2019年杨飞云《春阳》布面油画 220cm×193cm 2024年王沂东1955年生于山东省蓬莱县,1975年毕业于山东艺术学校美术系留校任教,1982年毕业于中央美术学院油画系留校任教,中央美术学院教授。2004年起任北京画院专业画家。国家一级美术师。中国国家画院研究员。中国油画学会理事。王沂东《轻风海棠图》布面油画 80×60cm 2018年王沂东 《太行喜事》180x350cm 2010-2014 布面油彩陈衍宁1945年出生于广州市,1959年入广州美术学院附中,1965年毕业于广州美术学院舞台美术班,曾为广东画院画家,中国美协广东分会常务理事,作品曾多次参加全国美展。1986年赴美留学,毕业于美国奥克拉荷马市立大学,1991年获英国艺术家协会主办肖像比赛大奖,曾在纽约举办两次个人画展,作品曾参加1987年纽约“中国当代油画展”,1998年纽约古根汉博物馆“中国5000年艺术展”等,1999年应邀为英国女王画肖像,作品被中国美术馆、苏格兰国立美术馆、英国皇家所属协会博物馆等机构和私人收藏。陈衍宁《风影》布面油画 167cm×122cm 2015年
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What is it like to see the work of more than 40 realistic painters at once?

2024-12-19

One night twenty years ago,A group of painters in an office of the School of Urban Design, Central Academy of Fine Arts started to plan for this group of realistic oil painting.The establishment of the "Chinese Realistic Painting School" serves as a representativethat returns to the classics, returns to skills and returns to the public,it adheres to the "origin" of the language of oil painting and the "essence" of the connotation of oil painting, absorbs the essence of Western oil painting, integrates the profound local cultural connotations, and has grown into a flourishing branch with deep roots.
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Don't miss it! Witness the stunning performance of "Twenty Years of the Realist Painting School"

2024-12-22

On December 19th, the "20th Anniversary Exhibition of the Chinese Realist Painting School" opened at the Central Academy of Fine Arts. This exhibition is jointly hosted by the Central Academy of Fine Arts and the Chinese Realist Painting School, and organized by the Art Museum of the Central Academy of Fine Arts. The Oil Painting Institute of the Chinese National Academy of Arts and the Beijing Jin Shangyi Art Foundation serve as supporting units. A total of 41 artists were invited to present over 220 classic realist artworks.The guests attending the opening ceremony include: senior professors from the Central Academy of Fine Arts and specially invited artists of this exhibition, Pan Shixun, Sun Weimin, Gao Tianxiong, and Hu Jiancheng; Lin Mao, the president of the Central Academy of Fine Arts, and Liu Peiyuan, the deputy secretary of the Party Committee and secretary of the Discipline Inspection Commission; the founders of the Chinese Realist Painting School: Ai Xuan, Yang Feiyun, and Wang Yidong; members of the painting school and representatives of their families, Xu Mangyao, Liu Kongxi, Yuan Zhengyang, Guo Runwen, Chao Ge, Zhang Li, Long Liyou, Li Shijin, Weng Wei, Pang Maokun, Li Guijun, Ma Lin, Zhang Yibo, Zhu Chunlin, Chang Lei, Wu Chengwei, Yu Ming, Xu Hong, the wife of Zheng Yi, Zhang Hongfang, the wife of Xin Dongwang, and Zhao Xiaoyan, the wife of Wang Shaolun. Also present are Guo Yuanchao, the director of the office of the Realist Painting School; Duan Jimin, the editor-in-chief of Jilin Fine Arts Publishing House, and Sun Gang, the responsible editor; Lv Cunyi, who has long supported the activities of the Chinese Realist Painting School; as well as the heads of departments and administrative offices such as the Oil Painting Department, the Basic Modeling Department, the Chinese Painting Academy, the Sculpture Department, the Calligraphy Academy, the Restoration Academy, the Urban Design Academy, the Sino-French Institute of Art and Design Management, the Graduate School, the National Thematic Art Creation and Research Center, the Education Development Foundation, the Scientific Research Office, the Party Committee's Teachers' Work Department (Personnel Office), the Party Committee's Publicity Department, the Party Committee's Student Work Department, and the Art Museum.Lin Mao, President of the Central Academy of Fine Arts, Delivered a SpeechLin Mao stated that over the past twenty years, the "Chinese Realist Painting School" has gathered more than thirty representative artists with strong capabilities in China, and numerous outstanding and classic artworks have continuously emerged. The goal of the establishment of the "Chinese Realist Painting School" is to establish a high-standard Chinese contemporary realistic oil painting. It respects traditional culture, emphasizes the humanistic and rational spirit, and pursues the perfect quality of paintings. Upholding this concept, the "Chinese Realist Painting School" closely follows the changes and development of contemporary society, constantly enriches its language forms, adapts to new social aesthetic needs, examines life and nature from an Eastern perspective, and proves the eternal value of realism in terms of rationality, morality, and aesthetics through persistent artistic practice. Moreover, it has made outstanding contributions to the creation of theme paintings in the new era, demonstrating broad development prospects and vigorous vitality.Yang Feiyun, one of the founders of the Chinese Realist Painting School and the Dean of the Chinese Oil PaintingInstitute of the Chinese National Academy of Arts, delivered a speech.Yang Feiyun believes that realism is not the goal of realistic painting, nor is it the end of painting. Realism is an irreplaceable expressive force and a highly vital carrier of painting language. In this era of images, although some social functions have been taken over by images, the spiritual aesthetic function of figurative painting is irreplaceable. The Chinese Realist Painting School insists on using figurative visual art to observe the spiritual world of contemporary society. In the multi-dimensional pattern of contemporary art, it retains an irreplaceable territory of expression. He expressed gratitude to all sectors of society and academic peers for their attention, support, encouragement, and criticism over the years. He also stated that he will use high-quality painting language to depict the Chinese people well, and represent Chinese aesthetics, Chinese emotions, and Chinese spirit.Jin Jun, the curator of the Art Museum of the Central Academy of Fine Arts, delivered a speech.Jin Jun mentioned that the Realist Painting School is an important art group representing the achievements of oil painting language in the new era. Since its establishment, it has been active in the Chinese art circle for 20 years. With their exquisite skills and profound insights, and a humanistic sentiment of cherishing life and paying attention to reality, the artists have presented their delicate and rich observations of the world accurately and artistically.At the same time, the Art Museum of the Central Academy of Fine Arts is renowned for its rich and diverse collections. The permanent exhibition of the museum's collections, the section on modern Chinese art, showcases many classic representative works of realistic oil paintings that mark important nodes in the development of modern Chinese art. The holding of this exhibition precisely forms a beneficial dialogue with the historical collections of the museum, allowing the audience to more intuitively feel the close connection between the Realist Painting School and the inheritance and development of Chinese realistic oil painting.Gao Gao, the deputy curator of the art museum, served as the host.The Chinese Realist Painting School has gathered representative artists with strong capabilities in China. Upholding traditions and being brave in innovation, it has won extensive attention and support from all sectors of society and has become a distinct banner in the Chinese oil painting field. The display of classic works in this exhibition is the best testament to the artists' tireless pursuit of excellence. The exhibition will last until January 5th, 2025.Group photo at the opening ceremonyGuests visit the exhibitionList of Artists                               Specially Invited Exhibiting Artists: Jin Shangyi, Pan Shixun, Sun Weimin, Gao Tianxiong, Hu Jiancheng, Lin MaoExhibiting Artists: Ai Xuan, Yang Feiyun, Wang Yidong, Chen Yanning, Xu Mangyao, He Duoling, Liu Kongxi, Yuan Zhengyang, Guo Runwen, Wang Hongjian, Chao Ge, Zhang Li, Long Liyou, Xia Xing, Li Shijin, Xu Weixin, Weng Wei, Pang Maokun, Leng Jun, Yin Xiong, Li Guijun, He Hongzhou, Ma Lin, Zhang Yibo, Zhu Chunlin, Xu Qingfeng, Chang Lei, Wu Chengwei, Lai Yuan, Yu Ming, Wang Zijiao, Chen Yifei, Zheng Yi, Xin Dongwang, Wang ShaolunSome of the exhibited works何红舟《乐葵与文森》布面油画 100cm×100cm 2020年何红舟《乐葵与文森》布面油画 100cm×100cm 2020年马琳《天际》布面油画 160cm×150cm 2021年吴成伟《惠安女系列—静静地等待》布面油画 162×145cm 2024年吴成伟《惠安女系列—静静地等待》布面油画 162×145cm 2024年吴成伟《惠安女系列—静静地等待》布面油画 162×145cm 2024年王子娇《春》布面油画 35×25cm 2021年陈逸飞《蓝衣仕女》布面油画 147cm×147cm 2001年郑艺《凡心已炽》布面油画 160×180cm 1999年忻东旺《古董商》布面油画 60x50cm 2012年王少伦《美丽班》布面油画 61×50cm 2012年..............................................................................................................................................................................中国写实画派二十周年展主办单位:中央美术学院 中国写实画派承办单位:中央美术学院美术馆 北京东轩艺术发展有限公司支持单位:中国艺术研究院油画院 北京靳尚谊艺术基金会 北京渥德艺术中心 北京全素科技展览时间:2024年12月17日-2025年1月5日展览地点:中央美术学院美术馆三层展厅主编 / 何一沙责编  / 杜隐珠现场图 / 贺伊飞
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Exploring Realistic Painting with Chang Lei and Yang Jiannong | CAFAM Live Preview

2024-12-27

Monday, February 30, 14:00On TikTok, WeChat Video, Xiaohongshu, BiliBiliFollow @ CAFA Art Museum official account"The 20th Anniversary Exhibition of Chinese Realistic Painting School" is on displaySpecial invitation for this live broadcastChang Lei, a member of China Realistic Painting SchoolYang Jiannong, founder of Xixi CultureExplore the world of realistic painting togetherC A F A MLive Streaming Introduction-------------------------------------------------------------| Live streaming guest |Chang LeiVice President of the Oil Painting Institute of the Chinese National Academy of ArtsMember of the Chinese Realist Painting School| Live streaming host |Yang JiannongFounder of Xixi CultureTiktok@CAFA Art MuseumXiao Hongshu@CAFA Art MuseumBiliBili@CAFA Art MuseumThe 20th Anniversary Exhibition of the Chinese School of Realistic Painting Exhibition Period: December 17, 2024 - January 5, 2025  Exhibition Venue: Central Academy of Fine Arts Art Museum, 3rd Floor Gallery Editor-in-Chief / He Yisha Editor / Du Yinzhu
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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