Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: Lecture Preview | Context-Praxis Salon

2026-05-05

Body · Illusion · Watchfulness——The Epiphany of Eastern Aesthetics and Zhao Liang’s Dance ArtTime: 18:30–20:30, May 6, 2026Venue: Lecture Hall, CAFA Art MuseumSpeakers: Zhao Liang, Shao Yiyang, Yang Minggang, Wu Jian, Wu HongOrganizer: CAFA Art MuseumSupporter: Chinese Academy of ArtsThe Context-Praxis Salon is a public art education and academic event launched by CAFA Art Museum, aiming to connect and discuss contemporary artistic practices across diverse fields. We regularly invite experts and scholars from various disciplines to present their latest artistic practices and research findings to the public. Unlike the CAFAM Public Theatre, which adopts performance and exhibition as its core presentation forms, this salon showcases artists’ current practices through discourse and textual exchange. Together with the CAFAM Public Theatre, it forms a dual platform for the museum to conduct in-depth discussions and public communication on the cutting-edge frontiers of contemporary aesthetic education.校外观众请扫描二维码预约入校请从中央美术学院美术馆西门进入学术报告厅Off-campus visitors are requested to scan the QR code to register for entry.Please enter the Auditorium through the West Gate of CAFA Art Museum.Lecture Content————————————In recent years, Zhao Liang, a prominent young contemporary dancer, has persistently pursued and explored the integration of modern dance with Eastern elements. He has established a distinctive artistic signature while infusing the ideas and concepts of modern dance into the ancient yet vibrant Eastern physical tradition, creating a series of stage works rooted in an Eastern cultural context. Among his representative works is the Eastern Spirit and Desire Trilogy, consisting of its first chapter Illusory Metamorphosis, middle chapter Tea, Illusion and Scripture, and final chapter Twin Retreats. His piece Martial Dance is an interdisciplinary collaboration between martial artists and modern dancers, seeking to liberate contemporary martial arts from the constraints of competitive sports. Another work, Divine Harmony, was created in a Zen monastery in Shanghai. All of these creations reflect Zhao Liang’s profound exploration and sincere passion for Eastern aesthetics. His artistic practice focuses not only on the innovation of physical movement vocabulary but also on embedding unique Eastern aesthetics into his dance works through striking visual expression. For this session of the Practical Context Research Salon, we are honored to invite renowned contemporary dancer Zhao Liang to share his artistic philosophy. Scholars from relevant fields will also be present to discuss and comment on the formation of traditional Eastern spiritual charm across diverse artistic disciplines.Special Guest——————————Zhao LiangA leading contemporary Chinese dance artist, Zhao Liang graduated from the Department of Dance, Minzu University of China. He once served as a dancer with the Guangdong Modern Dance Company. Currently, he acts as the Art Director of Zhao Liang ART and a director of the China Dancers Association. He joined the Guangdong Modern Dance Company in 1998 and participated in international cultural exchange programs. In 2003, he became an independent artist and embarked on interdisciplinary creation. His representative work, the Eastern Spirit and Desire Trilogy — including Illusory Metamorphosis, Tea, Illusion and Scripture and Twin Retreats — integrates traditional Chinese opera with Western modern art. Inspired by Tang-dynasty tea utensils, Tea, Illusion and Scripture has staged nearly 200 global performances to date. His work Martial Dance further combines martial arts with modern dance. His choreographic works have won the Golden Lotus Award of China Dance and the New Drama Award of the Wenhua Awards. He also received the highest modern dance award at the International Dance Competition in Italy. Supported by the China Federation of Literary and Art Circles Fund and the National Art Fund, Zhao Liang has been selected for the National Leading Talents Training Program for Literature and Art.Shao YiyangProfessor at the Central Academy of Fine Arts, Vice Dean of the School of Humanities, doctoral supervisor and postdoctoral supervisor. She also serves as the lead researcher of Western Art History, Director of the World Art History Association, Member of the Art Theory Committee of the Chinese Artists Association, and Director of the Chinese Oil Painting Society. Additionally, she is the Executive Editor of the Visual Culture Series published by Jiangsu Phoenix Fine Arts Publishing House. She earned her PhD in Philosophy from the University of Sydney in 2003 and once worked as a visiting professor at the University of Melbourne. In 2019, she was awarded the International Prize for Chinese Contemporary Art Criticism. Her major publications include After Postmodernism, Beyond Postmodernism, A History of Western Art, Modern and Contemporary Art of the 20th Century, Contemporary Art in a Global Context, and Western Art: A Visual History. She has led the translation of A New History of Renaissance Art and edited the series Documents of Modern Western Art Studies in China.Yang MinggangDoctor of Literature and Postdoctoral Fellow in Literary Aesthetics. He currently serves as Director and Research Fellow of the Dance Research Institute at the Chinese Academy of Arts, as well as a doctoral supervisor. His research focuses on Chinese aesthetics, ancient literary theory, literary and art history, and art criticism. He has undertaken sub-projects of major art programs funded by the National Social Science Fund of China, including Research on the Current Assessment, Construction Goals and Evaluation Criteria of the Disciplinary System, Academic System and Discourse System of Chinese Art Studies, and Theoretical and Practical Research on Chinese Aesthetics and Artistic Spirit. He also presides over the Qing-dynasty sub-project of the key National Social Science Fund project A Comprehensive History of Chinese Aesthetic Consciousness. His authored works include A Comprehensive History of Chinese Aesthetic Consciousness: Qing Dynasty Volume and The Modern Transformation of Chinese Aesthetics. He is the chief editor of the six-volume series Studies on the Spirit of Chinese Aesthetics.Wu JianAssociate Professor at the School of Art and Communication, Beijing Normal University, and Doctor of Art Studies from Peking University. Supported by the China Scholarship Council, he pursued joint research in the field of Representation Culture at the University of Tokyo. His main research focuses on modern Chinese art theory and criticism, with a particular attention to contemporary dance practice and criticism from the perspective of art theory.Wu HongProfessor and doctoral supervisor at the Central Academy of Fine Arts (CAFA). He obtained his doctoral degree from the Graduate School of CAFA in 2019, and was a visiting scholar at the Royal Academy of Fine Arts Antwerp, Belgium, from 2023 to 2024. His long-term research and creation focus on lithography, watermark woodcut and mixed media art. Characterized by woodblock imprints, ink diffusion and layered light and shadow, his practice is dedicated to the contemporary transformation of traditional printmaking, blending Eastern artistic conception with contemporary concepts. He has held numerous exhibitions at home and abroad. His solo exhibitions include Interpretation of a Poem, Calling Names Through Wood, Shifting Forms and Resonant Senses, and Wandering Ode on the Wall. His works are collected by major art institutions both domestically and internationally.Host——————Geng JinghuaCurator and writer, she serves at the Public Education Department of CAFA Art Museum. She curates and hosts art education programs including the CAFAM Public Theatre and Idea Lab. Her research focuses on case studies of contemporary artists, as well as the production and communication of public aesthetic education.Chief Editor / He YishaResponsible Editor / Du YinzhuEditor / Zhang Ni
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: Start of Summer Today, Perfect for Exhibition Visits

2026-05-05

Start of Summer Today, Perfect for Exhibition Visits
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: Zhao Li | The "Metamorphic" Expression and Visual Turn Of Ren Bonian's Flower-and-Bird Paintings From The Perspective Of Shanghai School — Centered on the Collection of CAFA Art Museum

2026-05-03

Editor-in-Chief / He YishaEditor / Du Yinzhu
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: Must-visit for May Day! Over 1,000 artworks at the CAFA Postgraduate Graduation Exhibition interpret the theme of "Awakening in Colors"

2026-05-01

The annual major art event — the 2026 CAFA Graduation Season — kicked off on April 30, with the highly anticipated first phase, the Graduate Graduation Exhibition, opening concurrently. Bringing together over 1,000 elaborate works by 570 master’s and doctoral graduates, the exhibition presents a comprehensive and multi-dimensional showcase across the museum’s galleries. It features graduate creations from the School of Chinese Painting, Department of Oil Painting, Department of Printmaking, Department of Mural Painting, Department of Sculpture, Foundation Department of Fine Arts, School of Calligraphy, School of Experimental and Technological Art, School of Design, School of Cultural Heritage Conservation, Institute of Aesthetic Education, and School of Humanities.This is not only a youthful ritual bidding farewell to campus life, but also a demonstration of contemporary young artistic vitality under the new theme of "Awakening in Colors". We welcome all visitors to immerse themselves in the exhibition and experience the pioneering voices of these emerging artists as they embrace transformation and new beginnings.
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: Sneak Peek of The CAFA Graduation Season! Come Take A Look?

2026-04-28

● ●●●●When art intertwines with CAFA, colors come to life. The 2026 CAFA Graduation Season is around the corner, and a visual feast themed “awakening in colors" is quietly taking shape. Every artwork by CAFA students speaks to the vitality of art. From monochrome to rich hues, from static to dynamic, and from observation to interaction, the evolving journey of artistic creation is fully presented.With fewer than 48 hours to go before the official opening of the CAFA Postgraduate Graduation Exhibition, follow our lens to the exhibition venue and catch an exclusive sneak peek of the final installation preparations.On April 30th, countless colors converge and coexist, and diverse youthful spirits unite to generate vibrant energy, blooming fully across the campus of the Central Academy of Fine Arts. More surprises await your personal discovery!The online ticket reservation channel for the 2026 CAFA Graduation Season is now open. Visitors can make reservations and purchase tickets via the Art Museum Mini Program, official WeChat account or official website of the Central Academy of Fine Arts (please refer to the official website for detailed ticket purchase instructions). Reservations can be made up to 7 days in advance. Daily visiting quotas are limited and will close once fully booked. The art museum will open as usual on Mondays during the graduation season.Real-name reservation with valid identification documents is required. Each person is limited to one reservation per day, and visitors shall arrive at the museum at the reserved time after successful reservation. During the graduation season, visitors can enter the museum by verifying their identity cards and other valid documents at the dedicated ticket checking passage at the north gate of the Central Academy of Fine Arts.主编 / 何一沙责编 / 杜隐珠部分图片来源：小红书博主脸脸
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: The Reservation Channel for 2026 CAFA Graduation Season Opens Today

2026-04-23

The annual grand event of CAFA—the 2026 CAFA Graduation Season—will kick off on April 30, with the Postgraduate Graduation Exhibition opening concurrently. This exhibition features 570 master’s and doctoral graduates, presenting over a thousand artworks displayed across the CAFA Art Museum. We warmly welcome all visitors to experience this year’s graduates’ theme of "Vibrant Coexistence" in person.On April 23, the online reservation and ticket purchase channel for the 2026 CAFA Graduation Season officially opened, with reservations available up to 7 days in advance. Visitors may book tickets via the CAFA Art Museum mini-program, official WeChat account or official website (please refer to the official website for ticketing instructions). Daily visiting quotas are limited and will close once fully booked. During the Graduation Season, the museum will remain open as usual on Mondays.Real-name reservation with valid identification is required. Each person may only make one reservation per day. After successful booking, visitors shall arrive at the museum at their reserved time. Throughout the Graduation Season, admission is available by swiping valid documents such as ID cards at the dedicated ticketing entrance on the north gate of the Central Academy of Fine Arts.Editor-in-Chief / He YishaEditor / Du Yinzhu
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: April 30, Witness "Awakening In Colors" Together | 2026 CAFA Graduation Season Is Coming Soon!

2026-04-22

2026 CAFA Graduation SeasonSet to kick off on April 30The "Postgraduate Graduation Exhibition" will be held simultaneously570 master's and doctoral graduates participatingOver a thousand works gathered on campusLeap into vibrancyEmbark on a new journeyStay tunedChief Editor / He YishaEditor / Du Yinzhu
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: Today Is Grain Rain

2026-04-20

Today is Grain Rain.
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: New Expressions of Fashion Design In Art Museums | "Fashion 100" Exhibition Is Coming to An End

2026-04-19

China Artists Association "Youth Art Talent Program": Fashion 100, since its opening, five successful fashion shows have been staged at the CAFA Art Museum. The grand finale show (special session by faculty members of Beijing Institute of Fashion Technology) will follow at 16:00 on April 19.Bringing the Fashion 100 shows to the CAFA Art Museum has not only integrated static and dynamic presentation formats typical of fashion design, but also employed high-definition LED screens to continuously play 3D runway videos of virtual AI-generated models. These echo the winding and varied circulation of the exhibition space where real fashion models walk, creating a uniquely shaped catwalk tailored to the museum’s distinctive aesthetic field. Virtual and real, screen and live performance overlap and complement each other. Audiences are deeply immersed in the experience: as models pass by, they vividly perceive the youthful vitality of the performers, the immersive allure of fashion, the lightness and structure of fabrics, and the exquisite and distinctive craftsmanship.The Fashion 100 shows held at CAFAM organically combine rigorous academic research with dynamic fashion trends, cross-disciplinary experimentation in fashion design with profound cultural heritage. Meanwhile, they extensively integrate high technology with traditional craftsmanship. Two examples are shared below:Jiang Xi’s Lacquer Layered Delights bag series innovatively transforms traditional lacquerware techniques from daily utensils into apparel and bag design. It not only continues the sophisticated textures and unique surfaces of China’s long-revered and influential traditional lacquer craft, but also inspires and expands the boundless possibilities for widely adapting outstanding ethnic traditions from other cross-disciplinary fields in the fashion industry. Xie Mengdi’s Rising Wind and Surging Water fashion collection is designed based on the distinctly Eastern aesthetic of traditional Chinese cross-cut pattern making. Supported by 3D modeling technology, it digitizes, infinitely replicates, and renders multi-dimensionally the traditionally flat-cut construction, realizing a sustainable ecological vision that integrates traditional Chinese costume aesthetics with new technology. Zhang Yidi’s Traces of Wind · Grottoes series fashionably reinterprets the time-honored Chinese grotto culture through textured expressions using ramie fabric and paper art with ethnic characteristics. Zhang Yan’s Pastoral collection transforms ethnic minority materials and aesthetics into contemporary urban garments. Other remarkable works include Wei Qinwen’s Between Lines series, Cheng Zhilu’s Evolving Forms series, Xiong Yi’s Mountains · Whispers series, and Liu Qiwen’s New Adornments of Intangible Cultural Heritage series, all of which are highly noteworthy.The Fashion 100 runway shows at CAFAM differ from the prevailing trends of luxury, niche positioning, haute couture and marketing-driven scarcity in the international fashion industry. Instead, they place greater emphasis on academic confidence and industrial responsibility, as well as on culturally expressive design empowered by technology and the concept of sustainable ecological design. Although the 100 participating young designers feature diverse styles and distinct creative visions, their works generally follow a shared trend: rooted in Eastern aesthetics, drawing on global fashion currents, and grounded in China’s profound cultural traditions. The language and temperament of their creations highlight the contemporary expression of their national cultural roots, integrating the characteristics of Eastern aesthetics with new trends in contemporary fashion.The presentation of "Fashion 100" is not only a reflection of the current academic research status and future development potential of 100 young designers in China's fashion industry, but also a new expression of China's cultural soft power and the strength of Chinese youth in the new century.∕China Artists Association "Youth Art Talent Program"IN — The First Fashion 100 Achievement Exhibition & Runway SeriesExhibition Dates: March 22 – April 19, 2026Venue: Hall on the 1st Floor / Gallery B on the 3rd Floor, CAFA Art Museum Chief Editor / He YishaExecutive Editor / Du YinzhuContributor / Hong Mei
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: Finale Show | Special Design Presentation by Teachers from Beijing Institute of Fashion Technology

2026-04-18

The 6th ShowTeacher Special Session of Beijing Institute of Fashion Technology Registration for the show venue | Show Time |16:00, Sunday, April 19| Venue |Hall 3B, Art Museum of Central Academy of Fine Arts| Number of Recruits |80 People| Registration Method |╱China Artists Association "Youth Art Talent Program"IN · Origin – The First Fashion 100 Completion Exhibition & Series of ShowsExhibition Dates: 22 March 2026 – 19 April 2026Venue: Hall on the 1st Floor / Gallery B on the 3rd Floor, CAFA Art MuseumChief Editor / He YishaEditor / Du Yinzhu
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Child Public Education Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.