Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

“2024中央美院本科生毕业展”火热开启

2024-05-20

清晨一场雨带来清凉初夏2024中央美院毕业季持续保持热度本科生毕业作品展第一阶段今日开启油画系壁画系实验艺术与科技艺术学院城市设计学院艺术管理与教育学院(中法)艺术与设计管理学院集中亮相作品分布在中央美院美术馆、石膏馆以及上海中法学院校区精彩毕业季一起相约初夏
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布展剧透 | “2024中央美院本科生毕业作品展”即将到来!

2024-05-18

5月19日,“2024中央美院本科生毕业作品展(一)”即将开展。本阶段将展出油画系、壁画系、实验艺术与科技艺术学院、城市设计学院、艺术管理与教育学院、(中法)艺术与设计管理学院的毕业生作品。展期将持续至6月2日。观众可通过“央美美术馆”小程序、“中央美术学院美术馆”微信公众号或“中央美术学院美术馆”官网进行预约购票(购票说明详见官网)。每日观展名额限量,约满为止(毕业季期间,周一正常开放)。
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公教活动回顾 | “曼声徐度——昆曲在美院”展览

2024-05-17

2024年4月21日,“曼声徐度——昆曲在美院”展览圆满落下帷幕。展览期间,在校团委、美术馆、人文学院、版画系等单位的大力支持下,主办方精心策划并组织了一系列丰富有趣的公共教育活动。这些活动不仅延伸了展览的外沿,为广大师生和观众带来生动的文化体验,更展现出昆曲活动在百年央美厚重文化底蕴滋养下所焕发出的崭新活力。/01/ “曼声徐度”滋兰昆曲社 甲辰(2024)清明公期曲会 4月4日,是展览开幕后的第三天,适逢清明假期,春和景明,樱花翻飞。下午两点,“曼声徐度”滋兰昆曲社甲辰(2024)清明公期曲会在美术馆学术报告厅举行。参加曲会的除中央美术学院滋兰昆曲社师生曲友以外,还有来自北京师范大学以雅昆曲社以及北京昆曲研习社等单位的曲友和嘉宾。 曲会秉持桌台清唱的法度与传统,生动展现了新时代高校曲社恪守传统、孜孜以求传承业余昆曲活动薪火的不懈努力,鲜活而又鲜明地诠释了本次展览的核心理念。曲会合影曲会由策展人主持滋兰昆曲社师生合唱曲会现场 /02/花音满庭——昆曲乐赏会 4月11日午后,由版画系发起并精心策划的“花音满庭——昆曲乐赏会”在5号楼版画系中庭举行。来自版画系的老师和同学们与滋兰昆曲社师生一道相聚海棠树下,细品新茗,共赏清音。大家围绕昆曲展开交流,一同感悟中华优秀传统文化之美,解码中华美学精神的相同基因。席间,滋兰昆曲社师生还清唱了部分代表性曲目。 活动结束后,版画系师生陪同滋兰昆曲社师生参观了水印木刻工作室,随后又一同参观了“曼声徐度——昆曲在美院”展览,由策展人进行了详细讲解。乐赏会现场乐赏会后策展人为版画系师生讲解展览/03/ “滋兰社长面对面”分享交流活动 4月12日下午,“滋兰社长面对面”分享交流互动在展览第三部分“空谷传音”展厅内举行。在现场参与活动的滋兰昆曲社历任社长有:苏畅(2018-2019届,第十任社长)、彭楚月(2019-2021届,第十二任社长)、王楠(2021-2022届,第十三任社长)、钟子骥(2022-2023届,第十四任社长)。活动由滋兰昆曲社现任社长戴熙桐、副社长吴柳婵主持。 活动中,社长们进行了清唱示范。随后,社长们又邀请在场观众们一同入座清音桌,亲身体验昆曲传习的魅力。社长们还分享了自己入社的机缘,以及担任社长的感悟。最后,活动在大家合唱《沁园春·雪》的曲声中圆满结束。滋兰社长面对面活动现场,在场观众入座清音桌,体验清唱、共话昆曲 /04/策展人“面对面”导览交流活动 4月13日下午,“曼声徐度——昆曲在美院”展览策展人董永俊、王瑀及本次展览视觉设计师胡贤明老师一同莅临展场,为观众进行专题导览,并在导览结束后围绕昆曲清唱、滋兰昆曲社发展历程、展览策展和展陈设计等诸多方面展开分享交流。活动同时还邀请了滋兰昆曲社社员在“空谷传音”展厅内为观众带来桌台清唱展示。 策展人、设计师与观众面对面现场交流/05/学术讲座:风流蕴藉义崇雅——漫论昆曲之美 4月19日下午两点,专题讲座“风流蕴藉义崇雅——漫论昆曲之美”在美术馆会议室进行,主讲人王浩教授携策展人董永俊、王瑀老师与在场听众一起漫论昆曲、欣赏经典昆曲唱段。 讲座中,王浩老师引用相关历史文献解释了昆曲的定义,介绍了历史上与昆曲相关的文人、艺人等内容,最后又介绍了昆曲成为“人类口头和非物质遗产代表作”的过程并对此进行了辨析。 讲座结束之际,在场听众还一同欣赏了朱復先生在滋兰昆曲社建社一周年曲会上清唱《千钟禄·惨睹》【八阳】的录像。最后,王浩老师还与滋兰昆曲社社员一起为观众们示唱了散曲若干。王浩教授讲授讲座结束后与听众的合照/06/ 昆曲研习工作坊 4月20日下午一时许,本次展览的最后一场公教活动——昆曲研习工作坊在展览现场开始。工作坊由滋兰昆曲社前社长钟子骥同学主持,他首先带领学员们参观了“曼声徐度——昆曲在美院”展览,通过详尽的讲解使各位学员初步了解基本常识与理念。滋兰昆曲社资深社员施廷琦在现场向学员们讲解了自己的参展作品。 参观结束后,学员们在钟子骥同学和曲社社员的指导下从认识曲谱开始,系统体验拍曲,体会口传心授的妙处。研习结束后,学员们就各自的体验与收获进行了分享交流。大家纷纷表示,通过一下午的研习,不仅得以初步认识昆曲曲谱,更切身感受到了传统昆曲桌台清唱的魅力。滋兰昆曲社资深社员施廷琦向工作坊学员们介绍展出的个人作品工作坊现场照片曼声徐度,不绝如缕。展览虽已落幕,但昆曲在美院的故事还在继续…… 曼声徐度——昆曲在美院展览时间:2024年4月2日—4月21日展览地点:中央美术学院美术馆2层C展厅主编  / 何一沙责编 / 杜隐珠
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公教活动回顾 | “曼声徐度——昆曲在美院”展览

2024-05-17

2024年4月21日,“曼声徐度——昆曲在美院”展览圆满落下帷幕。展览期间,在校团委、美术馆、人文学院、版画系等单位的大力支持下,主办方精心策划并组织了一系列丰富有趣的公共教育活动。这些活动不仅延伸了展览的外沿,为广大师生和观众带来生动的文化体验,更展现出昆曲活动在百年央美厚重文化底蕴滋养下所焕发出的崭新活力。/01/ “曼声徐度”滋兰昆曲社 甲辰(2024)清明公期曲会 4月4日,是展览开幕后的第三天,适逢清明假期,春和景明,樱花翻飞。下午两点,“曼声徐度”滋兰昆曲社甲辰(2024)清明公期曲会在美术馆学术报告厅举行。参加曲会的除中央美术学院滋兰昆曲社师生曲友以外,还有来自北京师范大学以雅昆曲社以及北京昆曲研习社等单位的曲友和嘉宾。 曲会秉持桌台清唱的法度与传统,生动展现了新时代高校曲社恪守传统、孜孜以求传承业余昆曲活动薪火的不懈努力,鲜活而又鲜明地诠释了本次展览的核心理念。曲会合影曲会由策展人主持滋兰昆曲社师生合唱曲会现场 /02/花音满庭——昆曲乐赏会 4月11日午后,由版画系发起并精心策划的“花音满庭——昆曲乐赏会”在5号楼版画系中庭举行。来自版画系的老师和同学们与滋兰昆曲社师生一道相聚海棠树下,细品新茗,共赏清音。大家围绕昆曲展开交流,一同感悟中华优秀传统文化之美,解码中华美学精神的相同基因。席间,滋兰昆曲社师生还清唱了部分代表性曲目。 活动结束后,版画系师生陪同滋兰昆曲社师生参观了水印木刻工作室,随后又一同参观了“曼声徐度——昆曲在美院”展览,由策展人进行了详细讲解。乐赏会现场乐赏会后策展人为版画系师生讲解展览/03/ “滋兰社长面对面”分享交流活动 4月12日下午,“滋兰社长面对面”分享交流互动在展览第三部分“空谷传音”展厅内举行。在现场参与活动的滋兰昆曲社历任社长有:苏畅(2018-2019届,第十任社长)、彭楚月(2019-2021届,第十二任社长)、王楠(2021-2022届,第十三任社长)、钟子骥(2022-2023届,第十四任社长)。活动由滋兰昆曲社现任社长戴熙桐、副社长吴柳婵主持。 活动中,社长们进行了清唱示范。随后,社长们又邀请在场观众们一同入座清音桌,亲身体验昆曲传习的魅力。社长们还分享了自己入社的机缘,以及担任社长的感悟。最后,活动在大家合唱《沁园春·雪》的曲声中圆满结束。滋兰社长面对面活动现场,在场观众入座清音桌,体验清唱、共话昆曲 /04/策展人“面对面”导览交流活动 4月13日下午,“曼声徐度——昆曲在美院”展览策展人董永俊、王瑀及本次展览视觉设计师胡贤明老师一同莅临展场,为观众进行专题导览,并在导览结束后围绕昆曲清唱、滋兰昆曲社发展历程、展览策展和展陈设计等诸多方面展开分享交流。活动同时还邀请了滋兰昆曲社社员在“空谷传音”展厅内为观众带来桌台清唱展示。 策展人、设计师与观众面对面现场交流/05/学术讲座:风流蕴藉义崇雅——漫论昆曲之美 4月19日下午两点,专题讲座“风流蕴藉义崇雅——漫论昆曲之美”在美术馆会议室进行,主讲人王浩教授携策展人董永俊、王瑀老师与在场听众一起漫论昆曲、欣赏经典昆曲唱段。 讲座中,王浩老师引用相关历史文献解释了昆曲的定义,介绍了历史上与昆曲相关的文人、艺人等内容,最后又介绍了昆曲成为“人类口头和非物质遗产代表作”的过程并对此进行了辨析。 讲座结束之际,在场听众还一同欣赏了朱復先生在滋兰昆曲社建社一周年曲会上清唱《千钟禄·惨睹》【八阳】的录像。最后,王浩老师还与滋兰昆曲社社员一起为观众们示唱了散曲若干。王浩教授讲授讲座结束后与听众的合照/06/ 昆曲研习工作坊 4月20日下午一时许,本次展览的最后一场公教活动——昆曲研习工作坊在展览现场开始。工作坊由滋兰昆曲社前社长钟子骥同学主持,他首先带领学员们参观了“曼声徐度——昆曲在美院”展览,通过详尽的讲解使各位学员初步了解基本常识与理念。滋兰昆曲社资深社员施廷琦在现场向学员们讲解了自己的参展作品。 参观结束后,学员们在钟子骥同学和曲社社员的指导下从认识曲谱开始,系统体验拍曲,体会口传心授的妙处。研习结束后,学员们就各自的体验与收获进行了分享交流。大家纷纷表示,通过一下午的研习,不仅得以初步认识昆曲曲谱,更切身感受到了传统昆曲桌台清唱的魅力。滋兰昆曲社资深社员施廷琦向工作坊学员们介绍展出的个人作品工作坊现场照片曼声徐度,不绝如缕。展览虽已落幕,但昆曲在美院的故事还在继续…… 曼声徐度——昆曲在美院展览时间:2024年4月2日—4月21日展览地点:中央美术学院美术馆2层C展厅主编  / 何一沙责编 / 杜隐珠
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公教活动回顾 | “曼声徐度——昆曲在美院”展览

2024-05-17

2024年4月21日,“曼声徐度——昆曲在美院”展览圆满落下帷幕。展览期间,在校团委、美术馆、人文学院、版画系等单位的大力支持下,主办方精心策划并组织了一系列丰富有趣的公共教育活动。这些活动不仅延伸了展览的外沿,为广大师生和观众带来生动的文化体验,更展现出昆曲活动在百年央美厚重文化底蕴滋养下所焕发出的崭新活力。/01/ “曼声徐度”滋兰昆曲社 甲辰(2024)清明公期曲会 4月4日,是展览开幕后的第三天,适逢清明假期,春和景明,樱花翻飞。下午两点,“曼声徐度”滋兰昆曲社甲辰(2024)清明公期曲会在美术馆学术报告厅举行。参加曲会的除中央美术学院滋兰昆曲社师生曲友以外,还有来自北京师范大学以雅昆曲社以及北京昆曲研习社等单位的曲友和嘉宾。 曲会秉持桌台清唱的法度与传统,生动展现了新时代高校曲社恪守传统、孜孜以求传承业余昆曲活动薪火的不懈努力,鲜活而又鲜明地诠释了本次展览的核心理念。曲会合影曲会由策展人主持滋兰昆曲社师生合唱曲会现场 /02/花音满庭——昆曲乐赏会 4月11日午后,由版画系发起并精心策划的“花音满庭——昆曲乐赏会”在5号楼版画系中庭举行。来自版画系的老师和同学们与滋兰昆曲社师生一道相聚海棠树下,细品新茗,共赏清音。大家围绕昆曲展开交流,一同感悟中华优秀传统文化之美,解码中华美学精神的相同基因。席间,滋兰昆曲社师生还清唱了部分代表性曲目。 活动结束后,版画系师生陪同滋兰昆曲社师生参观了水印木刻工作室,随后又一同参观了“曼声徐度——昆曲在美院”展览,由策展人进行了详细讲解。乐赏会现场乐赏会后策展人为版画系师生讲解展览/03/ “滋兰社长面对面”分享交流活动 4月12日下午,“滋兰社长面对面”分享交流互动在展览第三部分“空谷传音”展厅内举行。在现场参与活动的滋兰昆曲社历任社长有:苏畅(2018-2019届,第十任社长)、彭楚月(2019-2021届,第十二任社长)、王楠(2021-2022届,第十三任社长)、钟子骥(2022-2023届,第十四任社长)。活动由滋兰昆曲社现任社长戴熙桐、副社长吴柳婵主持。 活动中,社长们进行了清唱示范。随后,社长们又邀请在场观众们一同入座清音桌,亲身体验昆曲传习的魅力。社长们还分享了自己入社的机缘,以及担任社长的感悟。最后,活动在大家合唱《沁园春·雪》的曲声中圆满结束。滋兰社长面对面活动现场,在场观众入座清音桌,体验清唱、共话昆曲 /04/策展人“面对面”导览交流活动 4月13日下午,“曼声徐度——昆曲在美院”展览策展人董永俊、王瑀及本次展览视觉设计师胡贤明老师一同莅临展场,为观众进行专题导览,并在导览结束后围绕昆曲清唱、滋兰昆曲社发展历程、展览策展和展陈设计等诸多方面展开分享交流。活动同时还邀请了滋兰昆曲社社员在“空谷传音”展厅内为观众带来桌台清唱展示。 策展人、设计师与观众面对面现场交流/05/学术讲座:风流蕴藉义崇雅——漫论昆曲之美 4月19日下午两点,专题讲座“风流蕴藉义崇雅——漫论昆曲之美”在美术馆会议室进行,主讲人王浩教授携策展人董永俊、王瑀老师与在场听众一起漫论昆曲、欣赏经典昆曲唱段。 讲座中,王浩老师引用相关历史文献解释了昆曲的定义,介绍了历史上与昆曲相关的文人、艺人等内容,最后又介绍了昆曲成为“人类口头和非物质遗产代表作”的过程并对此进行了辨析。 讲座结束之际,在场听众还一同欣赏了朱復先生在滋兰昆曲社建社一周年曲会上清唱《千钟禄·惨睹》【八阳】的录像。最后,王浩老师还与滋兰昆曲社社员一起为观众们示唱了散曲若干。王浩教授讲授讲座结束后与听众的合照/06/ 昆曲研习工作坊 4月20日下午一时许,本次展览的最后一场公教活动——昆曲研习工作坊在展览现场开始。工作坊由滋兰昆曲社前社长钟子骥同学主持,他首先带领学员们参观了“曼声徐度——昆曲在美院”展览,通过详尽的讲解使各位学员初步了解基本常识与理念。滋兰昆曲社资深社员施廷琦在现场向学员们讲解了自己的参展作品。 参观结束后,学员们在钟子骥同学和曲社社员的指导下从认识曲谱开始,系统体验拍曲,体会口传心授的妙处。研习结束后,学员们就各自的体验与收获进行了分享交流。大家纷纷表示,通过一下午的研习,不仅得以初步认识昆曲曲谱,更切身感受到了传统昆曲桌台清唱的魅力。滋兰昆曲社资深社员施廷琦向工作坊学员们介绍展出的个人作品工作坊现场照片曼声徐度,不绝如缕。展览虽已落幕,但昆曲在美院的故事还在继续…… 曼声徐度——昆曲在美院展览时间:2024年4月2日—4月21日展览地点:中央美术学院美术馆2层C展厅主编  / 何一沙责编 / 杜隐珠
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“首届青年批评家论坛”将于5月19日在中央美术学院美术馆举办

2024-05-16

首届青年批评家论坛 主办:中央美术学院美术馆承办:中央美院美术馆当代艺术批评与策展研究中心 时间:2024年5月19日地点:中央美术学院美术馆报告厅 “首届青年批评家论坛”将于5月19日在中央美术学院美术馆举办,本次论坛以“当下艺术现状之我见”为主题,分为“现象观察”、“策展研究”、“艺术批评现状之思”、“艺术批评史学研究”四场,邀请当代艺术批评、策展、艺术史以及艺术市场领域的青年学者、批评家分享最新的学术研究成果、独立的观点与主张,展开思想的交流与碰撞。有兴趣前来参加论坛的听众,请通过中央美术学院美术馆小程序购票入馆。 会议日程  // 8:30-9:00    开幕仪式 主持人:王春辰   致辞:高高   对青年批评家的祝辞:贾方舟    // 9:00-9:50    第一场:现象观察 主持人:于洋    赵炎 | “去物质化”与当代新媒体艺术  李亭宇 | 意义脱位时刻:关于技术图像时代的批评困局   徐薇 | 价与值:艺术作品的两张脸   王基宇 | 公共流量时代:人民艺术的五种可能// 9:50-10:10    对话互辩 // 10:10-10:20    茶歇 // 10:20-11:10    第二场:策展研究 主持人 | 刘礼宾   王丹云 | 思想作为双年展的策展方法—以第八届横滨三年展为例纪玉洁 | 动机、立场与判断力—设计批评作为设计展的策展方法 秦晋之 | 论当代中国艺术家合法性赋权系统       苏典娜 | 再评美国60年代的反文化运动       11:10-11:30    对话互辩 13:30-15:00    第三场:艺术批评现状之思 主持人 | 盛葳   林梓 | 精神分析话语引入艺术批评语境的意义   罗逸飞 | 不要身份,但要性别:当代女性主义批评   蔡润玮 | 面对驯化与投机:批评的具象化回归   邓雅心 | 媒介转场:自媒体下的当代艺术批评   蒋苇 | 当代艺术的话语转向与点石成金的艺术批评   朱莉 | “泛媒介”浪潮下艺术批评的话语表征与范式转向    郑新雅 | 何种批评合适?—论艺术批评的过度理论化   张骁锐 | 内或外、真与伪—关于艺术批评与“理论—虚构”     // 15:00-15:20    对话互辩 // 15:20-15:30    茶歇 // 15:30-16:40   第四场:艺术批评史学研究 主持人 | 范晓楠   吴晶莹 | 重释的策略:“前卫”概念的历史流变与中国境遇       徐旷之 | 从杯中风波到文化战争:《十月》诞生的历史语境、定位及局限性       王志亮 | 辩证统一论的尴尬—1979-1983关于形式美、自我表现和现实主义的论争     曾小凤 | “五四”语境下的中国美术批评何以成史?   刘白芊 | 话语权力的博弈与竞争:极简艺术批评的“公众困境”       黄浩立 | 从“观念”到“思考”:当代艺术批评在“同时代性”概念中的意义构成      // 16:40-17:00    对话互辩// 17:00-17:30    闭幕式 王端廷 | 总结发言
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CAFAM公众招募 | 2024中央美院研究生毕业作品展 系列公共教育活动

2024-05-13

2024年“心向往之--中央美院毕业季”如约而至,我们怀着激动的心情又一次踏进了央美的校园。这是青春绽放的时节,更是艺术宴。CAFAM公共教育部策划了系列公教活动,包括公益导览和专业工作坊等。我们诚挚的邀请大家一起参与活动,在这浪漫夏日共同见证美院人的艺术、青春与创造。 01毕业生的自我阐述——我的作品我来讲在奔赴艺术的道路上,我们的毕业生们如此执着而热烈,如此虔诚而谦逊。毕业展是他们呈现自我卓越的舞台,更是公众了解他们的平台。我们在这里向大家发出邀请,请你们站在展厅内,站在作品前,聆听毕业生的创作理念,感受青年艺术家的气息和情怀。在5月12日这天,我们邀请了近百位优秀毕业生共聚美术馆,为艺术爱好者们讲解自己的作品,深度阐释青年艺术家创作面临的当代文化语境,感受美院的教育传承和文脉发展。 活动时间: 5月12日10:00-12:00                   5月12日14:00-16:00活动地点:美术馆各层展厅作品讲解:各专业毕业生参与方式:无需预约,公众可随时加入队伍聆听讲解。02志愿者公益导览在毕业展期间,我们邀请志愿者们采访了多位优秀毕业生,并系统整理了相关资料。届时我们的导览志愿者,将在展厅内进行免费的定时的公益讲解,欢迎大家前来参观交流。导览时间:上午10:00-12:00                 下午14:00-16:00导览诠释:美术馆志愿者团队参与方式:请大家准时在美术馆一层前台集合,志愿者将带领大家前往各展厅。03工作坊《水晶里的世界》——创意精微素描绘画 | 工作坊介绍 |  水晶包裹体(李雪涛拍摄) 在地球诞生后的最初2.5亿年,众多矿物形成。它们见证了生命演化,助力了人类文明。本次工坊聚焦神奇的“幽灵水晶”,带您探索其形成过程,并以创意素描的方式描绘其内含物。这是一次艺术与科学的交融之旅,导师将带领您领略自然与生命之美。| 工作坊报名 |工作坊时间:5月12日(周日)14:00-16:00工作坊地点:美术馆会议室招募对象:18岁以上成人招募人数:15人报名方式:请添加微信13910187193(姚老师),标注“工作坊+真实姓名+电话+职业”发送申请,名额有限,报满为止。报名成功后,将收到微信回复。请勿重复提交报名。注:工作坊全程免费参与。2.活动最终解释权归中央美术学院美术馆所有。| 毕业作品介绍 |《SiO2》作品细节图 矿物是自然界稳固的构成基石,是生命健康不可或缺的保障,更是人类文明持续发展的坚实支柱。作品《SiO2》以幽灵水晶为原型,将其内在杂质具象化,重新审视矿物在生命与生产中的重要作用。装置部分模拟冰块融化质感,隐喻不可再生资源的逐渐消逝。| 工作坊导师 |李雪涛原北京军区通信部副部长、军区信息化专家委常务副主任。资深矿物爱好者,长期从事地质文化和矿物知识公益科普活动。特别对包裹体水晶的科学体系、文化内涵及市场规律,有着独道见解和深入实践。葛若雯2024年中央美术学院壁画系硕士研究生,中央美术学院壁画系第三工作室。矿物科学绘画师,为《矿物日历》,《神奇的矿物图解》等图书的插图作者。曾获中国地质调查局、中国地质大学、中国国家地理、浙江省地质博物馆等举办的科普奖项。主编  / 何一沙责编 / 杜隐珠
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CAFAM讲座&对谈预告|外星智能:未来的偶然历史

2024-05-10

外星智能:未来的偶然历史ALIEN INTELLIGENCE: THE ACCIDENTAL HISTORY OF THE FUTURE迎接AI艺术涌现Embracing the Emergence of AI Art讲座时间2024年5月10日(星期五)18:00-20:00May 10, 202418:00-20:00讲座地点中央美术学院美术馆学术报告厅Academic Lecture Hall, CAFA ART Museum主办中央美术学院设计学院中央美术学院美术馆School of Design, CAFACAFA ART Museum- 学术顾问 -宋协伟中央美术学院教授、博士生导师、中央美术学院学术会员会副主任、国务院学位委员会第八届设计学科评议组成员、教育部设计学科指导委员会副主任Song Xiewei Professor and Doctoral Supervisor of the Central Academy of Fine Arts (CAFA), Deputy Director of the Academic Membership Association of CAFA, Member of the Eighth Design Discipline Review Group of the Academic Degrees Committee of the State Council, Deputy Director of the Design Discipline Steering Committee of the Ministry of Education.靳军中央美术学院美术馆馆长、教授Jin Jun Professor, Director of CAFA Art Museu郝凝辉中央美术学院设计学院院长、教授Hao Ninghui Professor, Dean of the School of Design, CAFA高高中央美术学院美术馆副馆长Gao Gao Deputy Director of CAFA Art Museum- 学术召集 -李世奇中央美术学院设计学院系统设计方向召集人、副教授Li Shiqi Associate Professor, Program Director of System Design, School of Design, CAFA纪玉洁中央美术学院美术馆设计总监、副研究员Ji Yujie Associate Professor, Design Director of CAFA Art Museum- 演讲嘉宾 -尼尔·里奇Neil Leach建筑师、理论家和策展人,欧洲科学院院士,哈佛大学设计学院客座教授,欧洲商学院教授,同济大学高峰教授,南加州大学兼职教授,在人工智能与设计结合研究领域,发表过大量文章著作,有清晰而富有洞见的思想。Neil Leach is an architect, theorist and curator. He is a Professor of Digital Design at The European Graduate School, a visiting professor at Harvard University’s Graduate School of Design, a visiting professor at Tongji University, an adjunct professor at the University of Southern California, and a NASA Innovative Advanced Concepts Fellow. He has published numerous articles and works in the field of artificial intelligence and design, and his thoughts are clear and insightful.王玥婷Wang YuetingMidjourney亚洲副总裁,持续深耕AIGC及投资领域多年,目前负责Midjourney中国区运营。Wang Yueting is the Vice President of Midjourney Asia, she has been deeply involved in AIGC and investment fields for many years and is currently responsible for the operations of Midjourney China.- 对谈嘉宾 -尼尔·里奇建筑师、理论家、策展人Neil LeachArchitect, Theorist and Curator王玥婷Midjourney亚洲副总裁Wang YuetingVice President of Midjourney Asia冯梦波中央美术学院实验艺术与科技艺术学院院长、教授Feng MengboProfessor, Dean of the School of Experimental Art and Science and Technology, CAFA郝凝辉中央美术学院设计学院院长、教授Hao NinghuiProfessor, Dean of the School of Design, CAFA李世奇中央美术学院设计学院系统设计方向召集人、副教授Li ShiqiAssociate Professor, Program Director of System Design, School of Design, CAFA纪玉洁中央美术学院美术馆设计总监、副研究员Ji YujieAssociate Professor, Design Director of CAFA Art Museum黄一骏建筑师Huang YijunArchitect- 总结发言嘉宾 -韩  涛中央美术学院设计学院副院长、教授Han TaoProfessor, Vice Dean of School of Design, CAFA- 尼尔·里奇 讲座简介 -《外星智能:未来的偶然历史》ALIEN INTELLIGENCE: THE ACCIDENTAL HISTORY OF THE FUTURE到底发生了什么?过去的几个月在人工智能历史上意义非凡。人工智能不仅在技术方面取得了显著的飞跃,而且已经能够完成令人难以置信的任务。同时,我们也见证了一些貌似肥皂剧的争论:埃隆·马斯克(Elon Musk)起诉山姆·奥特曼(Sam Altman)和OpenAI,呼吁大家放慢脚步。本次演讲将探讨人工智能的偶然历史,以及其近期的技术突破如何把我们推向了一个可能还未准备好的由人工智能驱动的未来。我们已经达到了通用人工智能(AGI)了吗?人工智能会解决我们所有的问题,还是会导致文明的崩溃?What exactly is going on? The past few months in the history of AI have been extraordinary. There have been remarkable leaps forward in terms of technology, with AI becoming capable of incredible tasks. Meanwhile we have witnessed what is little short of a soap opera, with Elon Musk suing Sam Altman and OpenAI, and appeals been made asking everyone to slow down.This lecture looks at the accidental history of AI, whose recent breakthroughs have thrust us into an AI fuelled future, perhaps before we are ready. Have we already reached AGI? And will AI solve all our problems, or lead to the collapse of civilisation?- 王玥婷 讲座简介 -《迎接AI艺术涌现》Embracing the Emergence of AI Art讲座从摄影艺术的发展历史引申至AI艺术的可能形态,探讨人工智能(AI)在未来艺术创作中的角色。通过“Prompting”方式生成创造性的图像这一新创作形式,开辟了艺术创作的新领域,这将引向一种全新的信息和艺术表达,改变我们理解和创造艺术的模式。The lecture traces the evolution of photographic art to the potential forms of AI art, exploring the role of artificial intelligence (AI) in future artistic creation. Through the new creative form of generating imaginative images via "Prompting," a new realm of artistic creation is opened, leading to a novel form of information and artistic expression, changing the way we understand and create art.超现代光滑刻面盔甲外衣Smooth faceted oyster of ultra超现代简约跑车 Closeup of Ultra contemporary minimalist sports car超微观特写视图Ultra microscopic closeup view of Ultra contemporary超现代简约未来主义鸟瞰图Aerial view of ultra contemporary minimalist futurist超现代水平挤压棱镜建筑案例horizontal extruded prisms of Ultra contemporary case超现代简约建筑Ultra contemporary minimalist architecture- 报名方式 -请扫描下方二维码报名参加讲座Please scan the QR code below to register for the seminar视觉设计:杨永淳、庞明昊Visual design: Yang Yongchun, Pang Minghao主编  / 何一沙责编 / 杜隐珠
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CAFAM直播预告|2024中央美院研究生毕业作品展来啦!

2024-05-09

5月9日(周四)14:00在抖音关注@中央美术学院美术馆 官方账号带你走进作品背后的故事我们不见不散直播介绍主持人 张安迪央美版画系 2018届本科 2021届研究生(美院安迪看艺术)账号主理人 擅长风格独特的艺术解读 寓教于乐看展是我们和艺术作品的一次对话抖音平台 直播通道扫码观看展览信息主编 / 何一沙责编  / 吴靖编辑  / 贺伊飞视频制作 / 丁怡
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CAFAM讲座回顾 | 罗伯特·劳森伯格的艺术与生活哲学

2024-05-09

4月22日晚,“罗伯特·劳森伯格的艺术与生活哲学”讲座活动在中央美术学院美术馆学术报告厅举行。主讲人由美国纽约现代艺术博物馆(MoMA)研究部主任利亚·迪克曼(Leah Dickerman)担任。美术馆副馆长王春辰担任主持人中央美术学院美术馆副馆长王春辰作为主持人,对本次讲座的主讲人和出席嘉宾进行了介绍,并指出劳森伯格是美国20世纪下半叶最活跃及最具创新性的艺术家之一。曾在上世纪80年代来到北京,在中国美术馆举办个展,影响了很多中国青年艺术家。中美不同背景的学者对这样一位经过历史沉淀的艺术家的再解读,值得我们去比较和探究。美术馆馆长靳军发言中央美术学院美术馆馆长靳军对于迪克曼女士及先生的远道而来表示欢迎,并谈到中央美术学院美术馆一直把打造成为一个开放的国际学术交流平台作为目标,我们非常愿意和国内以及世界各地艺术家、艺术机构一起交流、合作,把最优秀的艺术介绍给艺术团体、学者以及广大的观众。主讲人利亚·迪克曼主讲人利亚·迪克曼指出,罗伯特·劳森伯格是20世纪下半叶美国最具影响力的艺术家之一,同时也是MoMA核心的研究对象之一。在2017年以前已经有很多年没有在美国范围之内进行一场严肃的劳森伯格的回顾展了。2017年,迪克曼代表MoMA还有她来自英国泰特现代美术馆的同事一起策划了劳森伯格朋友之间的一场展览。时至今日,青年艺术家们仍然会谈论和提起他,并将他和艺术史进行链接和再解读。本次讲座从对于绘画的摧毁、对于拼贴的框架、极端的等同、合作的艺术、科技和旅行这六条线索对劳森伯格的艺术创作进行解析。迪克曼还谈到,劳森伯格给我们留下了很多艺术遗产,他的作品以及他的艺术是一种极大的开放性,他打破了很多边界,他会和朋友们一起创作,一起合作,他把艺术带到了艺术家的工作室以外,打破了艺术的墙。他相信艺术可以为世界带来不同,他也邀请了不同的观众走进他的艺术,他的艺术倡导的东西就是一种对话,一种包容,一种在全球范围之内的广泛参与。讲座现场美术馆馆长靳军及主讲人利亚·迪克曼在讲座现场当日,利亚·迪克曼一行还参观了中央美术学院美术馆正在展出的展览“绘画的提问:一个世界性的课题”,并与参展艺术家就展览与创作进行了交流。利亚·迪克曼女士及先生、展览策展人王春辰、参展艺术家吴啸海、陈曦利亚·迪克曼一行在“绘画的提问:一个世界性的课题”展览现场参展艺术家陈曦向利亚·迪克曼介绍参展作品利亚·迪克曼在“绘画的提问:一个世界性的课题”展览现场利亚·迪克曼参观艺术家工作室
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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