Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

“异质共振——瓷·纹影·数塑”展览如期开幕

2026-07-09

More

百余所院校、近300件全国大学生美术作品 亮相央美美术馆!

2026-07-09

7月6日,“绽放——第三届全国大学生美术作品展览中国画展区”在中央美术学院美术馆如期开幕。全国大学生美术作品展览是国家级综合性美术大展,自2017年创办以来已举办两届。第三届全国大学生美术作品展览由中国美术家协会主办、中国文联美术艺术中心承办。中央美术学院作为本届展览中国画展区的承办院校,也是开幕式首站的承办单位。本次展览入选作品近三百件,涉及全国三十一个省市的百余所高校。以“时代新象”“人间世相”“花鸟文心”“山河文脉”四大板块构建展览叙事,共同勾勒出新时代中国画创作丰富而立体的艺术图景。出席开幕式的嘉宾有中央美术学院老先生楼家本、孙景波、唐勇力、苏百钧、崔晓东、王书杰、李洋等;展览主办、承办单位的重要嘉宾:中国文联党组成员、副主席、书记处书记诸迪,中国美术家协会分党组书记、驻会副主席屈健,中国美术家协会分党组成员、秘书长王平,中国美术家协会副主席、广州美术学院党委书记林蓝,中国美术家协会分党组成员、副秘书长、一级巡视员朱虹子,中国文联美术艺术中心副主任杜松儒;中央美术学院校领导代表:中央美术学院院长林茂,党委副书记、纪委书记吴强,党委常委、副院长张朱博;以及北京印刷学院党委副书记、院长、中国美术家协会插图装帧艺术委员会主任田忠利,中国艺术研究院副院长徐福山,全国政协委员、北京画院院长、中国美术家协会策展委员会副主任兼秘书长吴洪亮,哈尔滨师范大学副校长李岗,中国国家画院理论研究所所长、中国美术家协会理论与策展委员会委员陈明;全国高校中国画专业的学科带头人以及中央美术学院各教学科研和行政部门负责人等。中央美术学院党委常委、副院长于洋担任开幕式主持人。中央美术学院院长林茂致辞中央美术学院院长林茂在致辞中表示,全国大学生美术作品展览自2017年举办首届,历经两届沉淀,已然成为衔接高校美术教学与全国美术行业的国家级权威平台。无数从这个平台走出去的青年学子,如今已经成为高校美术教学的中坚力量,成为扎根基层美育一线的实践者。今天,在中央美院美术馆见证第三届大学生美展首个开幕的展区——中国画展区的启幕,既是对前两届展览初心的延续,更是中央美术学院作为中国高等美术教育重镇,必须扛起的时代责任和文化使命。本届展览以“绽放”为主题,寓意丰富而深远。对于青年学子而言,“绽放”是才华的初露,是思想的激荡,是生命最热烈、最美好的姿态。中央美术学院自建校之初,便将中国画教学作为美育根基,形成了传统、生活、创作“三位一体”和临摹、写生、创作紧密结合的教学特色。中央美院始终践行习近平总书记给我校老教授回信中提出的美育嘱托,落实“美润中华”行动计划,致力于构建“大美术”格局,推动学校美育与社会美育的深度融合。通过本次展览,可以看到,当代大学生在创作中展现出“深入生活、扎根人民”的自觉意识,无论是关注社会发展的宏大叙事,还是描绘市井烟火的人间温情,都体现了一种难能可贵的在场感。立足新时代,高等美术教育正面临着前所未有的机遇与挑战。中央美术学院将以此为契机,持续深化教育教学改革。既要引导青年学子从中华优秀传统文化中汲取滋养,坚定文化自信;也要鼓励他们拥抱时代、勇于创新,在全球文化交流互鉴的大格局中,发出中国青年艺术家的声音。中央美术学院美术馆馆长靳军致辞中央美术学院美术馆馆长靳军表示,“全国大学生美术作品展”是国内规格高、覆盖面广、极具权威性的国家级青年美术大展,是中国美术家协会发掘青年美术力量、夯实高等美术教育根基的核心平台。本次中国画展区交由中央美术学院承办,由中央美术学院美术馆统筹全程落地。展览自2026年3月征稿以来共收到来自全国投稿的中国画作品4400余件。经过三轮评审,最终入选作品近300件,其中进京作品69件。美术馆团队与学院各部门通力合作,为当代青年中国画创作者搭建了高水平的展示舞台。值得一提的是,本次展览恰逢央美毕业季之后,既是毕业季艺术热度的延续,也成为全国高等美术教育成果交流的重要现场。来自全国各地的优秀学子们,带着他们在校园里的思考沉淀与激情,汇聚到一起,这种衔接不仅延长了艺术的热潮,更让这个场域成为全国青年艺术关注的焦点。未来,美术馆将继续发挥自身的优势,为青年美术人才搭建成长平台,让青年的艺术探索与时代脉搏同频共振。希望每一位走进中央美术学院美术馆的观众,都能在这鲜活的笔墨中感受到中国大地上向阳生长的力量,感受到新时代青年那颗滚烫而赤诚的艺术之心。中国画展区参展学生代表、中央美术学院博士研究生彭瑾慧发言中国画展区参展学生代表、中央美术学院博士研究生彭瑾慧代表全体青年学子向本次展览的主办方、承办方表示感谢,展览为青年学子搭建了高水平展示交流平台,也让大家深感肩负传承中华优秀传统文化的使命。她谈到能够携作品参展深感荣幸,这既是对个人多年临古、写生、读书、思辨的肯定,更是一种鞭策。青年创作者既要敬畏传统、深耕古法,也要以当代视角观照现实,在文脉中寻求创新。本次展览是青春艺术的集中呈现,更是思想交流的盛会,期待与全国同道互学互鉴,以赤诚之心坚守艺术理想,用笔墨展现新时代青年的艺术追求。中国美术家协会分党组书记、驻会副主席屈健致辞中国美术家协会分党组书记、驻会副主席屈健表示,青年是美术事业的未来。“全国大学生美术作品展”自2017年创办以来,始终是发掘青年美术人才、促进高等美术教育交流的重要窗口。本届展览以“绽放”为主题,寓意莘莘学子历经沉淀积蓄后破土而出与艺术绽放,生动彰显了新时代青年美术学子蓬勃向上的青春色彩。中国画展区作为首展,收稿4400余件,入选近300件,不足十分之一的入选率印证了遴选标准的严格与作品承载的期许之重。走进中国画展区,植根传统又锐意求新的青春气息扑面而来。青年创作者既秉承传统笔墨功底,又直面社会生活,以丹青记录中国式现代化图景,在笔墨语言、画面构成、色彩表达上进行个性化探索。作品虽带学院探索痕迹,但其中的问题意识、文化自觉与创新活力,让中国画的发展充满信心。未来,中国美术家协会将一如既往以更务实的举措、更开阔的视野、更系统的布局为青年美术人才铺就更宽广的成才之路。希望大家如本届展览主题“绽放”一般,在文化强国建设的新征程中迸发出最美的艺术光华。中国文联党组成员、副主席、书记处书记诸迪宣布展览开幕中央美术学院党委常委、副院长于洋担任开幕式主持人中国画展区四大板块构建的展览叙事,从宏阔的时代叙事到细微的个体关怀,从自然的风物造化到壮阔的山河岁月,共同勾勒出新时代青年中国画创作丰富而立体的艺术图景,寄托了青年学子们思想的跋涉、情感的流露与灵魂的独白。本次展览将持续至8月2日,期待您来到现场体会青年学子“绽放”的艺术活力!"绽放——第三届全国大学生美术作品展览"中国画展区展览时间:2026年7月7日-8月2日展览地点:中央美术学院美术馆主办单位:中国美术家协会承办单位:中国文联美术艺术中心、中央美术学院展区组委会主任:徐扬、林茂副主任:王晓琳、吕品晶、吴强、张朱博、于洋项目总监:于洋委员:靳军、丘挺、林笑初、葛玉君、傅怡静、徐新立、高振斌、单英贤、谭佳欣、董然、杨晔、王蕾、史文杰办公室主任:靳军办公室副主任:高高中国美术家协会展览执行团队杜松儒、孙宁、胡颖、张洛、吴丽雅、李芳、赵琦中央美术学院展览执行团队展览总监:靳军、韩文超、丘挺、杜轶才展览统筹:高高、海军、李垚辰、王秀玲、徐华翎、廖勤展览协调:刘希言、刘宇晗、李捷、许祚强、李江、边凯、赵岳、彭瑾慧展览管理:吴鹏、宿世存、荆鹏、吕智发展览助理:王琮、骆可可、张舒容、罗若凡、程若徐、吴思妍、范齐焉、汤淄喻、刘铭琪、吴亦杨、张衎、陈冠石展览设计:闵志伊、李强、武江涛、王超婧媒体宣传:何一沙、吴靖、贺伊飞、杜隐珠、丁怡、郭红梅、孙霄萌、彭宇欣公共教育:肖宝珍、耿菁华、王军、姚轶群、梁雯、蔡萌财经事务:杨柳、门婧发展推广:孙炜、伊义、金简如、寇蕾、刘星伶行政支持:蒋思妤、岳君瑶、张倩、郭旭、陈小华、曹雨喧主编 / 何一沙责编 / 杜隐珠现场图 / 贺伊飞
More

Minor Heat Today

2026-07-07

Minor Heat Today
More

"第三届全国大学生美术作品展览中国画展区研讨会"即将举办

2026-07-07

第三届全国大学生美术作品展览中国画展区研讨会会议时间2026年7月6日13:30—17:00会议地点中央美术学院电教报告厅主持人丘挺(中央美术学院中国画学院院长)本次研讨会将聚焦青年中国画创作与学科建设等问题,围绕三大核心议题展开深度学术研讨。一、青年学子的艺术责任。围绕文艺服务人民、呼应时代,探讨如何引导青年深入生活,书写时代精神,树立符合新时代的艺术理想。二、学科建设与青年创作评估。结合本届展览作品,分析高校教学范式、笔墨传承与创作导向,梳理青年创作的优势与不足。三、智能技术的机遇与挑战。探讨AI对审美范式、创作逻辑与教学模式的影响,明晰中国画转型路径及青年创作应坚守的边界与立场。希冀能以此次学术研讨凝聚行业共识,提炼核心研讨成果,为中国画的长远发展提供借鉴。主编 / 何一沙责编 / 杜隐珠
More

CAFAM展览预告 | 异质共振:潘镜如、何一沙、李文龙联展 即将开展

2026-07-07

广角°青年实验项目空间 主办中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心“广角°青年实验项目空间”于2022年初启动首期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的理念,使美术馆三层C展厅的独立空间,成为青年教师创作研展、展览策划的一块实验田。异质共振——瓷·纹影·数塑展览时间:2026年7月7日—9月4日展览地点:中央美术学院美术馆3层C展厅“广角°青年实验项目空间”第四期第三个展览:“异质共振——瓷·纹影·数塑”将于2026年7月7日在中央美术学院美术馆3层C展厅开展。本次展览为中央美术学院潘镜如、何一沙、李文龙三位青年教师的联展。展览由中央美术学院副院长吕品晶担任学术主持,中央美术学院艺术设计研究院青年教师王睿莹担任策展人。异质拓扑,听见共振的回声。当瓷土在高温中淬炼出薄如蝉翼的蛋壳,当时狮从代码流中生长出骨骼,当传统纹样在数字浪潮里碎成流动的光斑——三种看似互斥的存在,正以“异质”为锚点,撞出震颤的共振。三者的异质并非孤立的存在,而是在观众的感知中形成了一张拓扑网络。拓扑学中,边界的连续变形不改变事物的本质关联。正如瓷土的厚重与树脂的冷硬,看似是材质的两极,却在虚实混淆中共享同一种感知震颤:陶瓷骨头让你怀疑“真实”的定义,时狮让你困惑“虚拟”的边界,二者在认知错位处共振。传统纹样的静态与数字万花筒的动态,看似是时间的两端,却在形态流动中完成同一种语言转译:破碎陶瓷蛋壳上的符号是欲言又止的对话,数媒屏幕里的纹变是永不停止的表达,二者在沟通的渴望处共振。在这100平方米的场域里,异质是共振的前提,感知是共振的介质。瓷土的温度、树脂的冷光、像素的流动,从未因异质而隔绝。入口处,时狮的屏幕映着数媒的纹影,脚下散落的瓷骨则托住这场跨界的对话,那些材质、技术、观念的差异,终将在你的感官里折叠成同一条共振的曲线——这不是对差异的消解,差异不是屏障,而是让碰撞更响亮的鼓面。异质共振的终极意义,或许就在这里:让不同的媒介在感知的拓扑中,找到彼此的“非对称共生”。当你靠近那组破碎的蛋壳,或许会听见瓷片与数字粒子的私语;当你触摸3D时狮的肌理,或许能想起蛋壳破碎时的脆响;当你在数媒的纹流中伸手,或许会触到陶瓷纹样未凉的体温。这场展览,无关谁吞噬谁,只关乎:异质拓扑,听见共振的回声。所有媒介都在说同一句话——艺术的生命力,从不在单一的轨道上,而在碰撞、渗透、共振的每一个瞬间。——策展人 王睿莹参展作品潘镜如《中轴万花筒》LED模组屏 视频 2025年何一沙 《破壳系列》瓷 2023—2026年何一沙《骨头系列》瓷 2015—2016年李文龙 《信号猫》计算机数控加工 ABS 2025年展览团队| 艺术家 |潘镜如中央美术学院设计学院副教授。其创作立足中国文化遗产的当代转译,持续关注传统视觉系统在数字媒介中的再生机制,尤其聚焦汉字、纹饰与民间图样等文化符号,探索其在影像、装置、交互界面与算法生成中的跨媒介延展。曾获德国iF设计奖,作品入围全国美术作品展、亚洲艺术双年展等,并于中国美术馆、798艺术中心等机构展出。代表作品包括《隐匿的汉字》(北京恭王府博物馆)、《见山》(北京时代美术馆)、《中轴万花筒》(前门广和楼)等。何一沙艺术家,现任中央美术学院美术馆媒体部主任,毕业于中国美术学院获学士学位,于英国威尔士大学卡迪夫艺术学院获硕士学位。部分参展经历:2024中国(峰峰)首届磁州窑国际陶瓷艺术双年展,中韩陶艺特别展:纪念中韩建交30周年(2022),湖北国际当代艺术邀请展(2018),中央美术学院陶瓷艺术研究院成立仪式暨推衍——中国当代陶艺学术邀请展(2016),艺术北京——当代陶艺展(2015),2015中英文化交流年英国文化季——小羊肖恩“艺术·羊”项目等。李文龙中央美术学院设计学院副教授,硕士生导师;湖北美术学院艺术与科技专业特聘教授;跨媒介设计师,研究领域为在交叉学科大设计背景下的机器人智能设计,以及文旅融合设计。长期致力于“艺术、科技、产业”交叉融合下的创新实践。策展人王睿莹中央美术学院艺术设计研究院项目管理负责人,毕业于伦敦艺术大学策展与收藏专业。曾参与及策划过多个国内外的展览及艺术项目。曾在伦敦策划海外艺术家个展“Ludicrum Playaria”,参与国际线上艺术展、深圳湾公共艺术季等,并发起推进快乐周末艺术计划。异质共振——瓷·纹影·数塑展览时间:2026年7月7日—9月4日展览地点:中央美术学院美术馆3层C展厅主办:中央美术学院美术馆  中央美术学院教师工作部(人事处)  中央美术学院教师发展中心学术主持:吕品晶策展人:王睿莹艺术家:潘镜如  何一沙  李文龙视觉设计:燕阳主编 / 何一沙责编 / 杜隐珠
More

深化艺科融合 共筑学术高地 | 中央美术学院美术馆与香港艺文创新研究院共同签署合作备忘录

2026-07-05

6月27日,香港城市大学代表团一行莅临中央美术学院美术馆参观考察,通过座谈交流与合作备忘录签约,搭建起两地高等艺术与创新教育深度合作的重要桥梁,为未来全方位、多层次战略合作奠定坚实根基。签约仪式现场,双方围绕艺术与科技跨界融合、馆藏资源活化利用、创新人才协同培养、文化IP创意转化等核心议题展开深入座谈研讨,明确以中央美术学院110周年校庆为重要时间节点,系统落地系列合作成果,推动学术共识转化为实践项目。中央美术学院党委常委、副院长于洋致辞中央美术学院党委常委、副院长于洋在致辞中系统梳理了中央美术学院的百年发展脉络。自建校伊始,徐悲鸿先生便倡导 “尽精微,致广大” 的治学思想,这一理念现已凝练为学校校训,成为引领中央美术学院百年办学、学术研究与艺术创作的核心精神内核。作为教育部直属的唯一一所高等美术学府,中央美术学院更是全国唯一拥有美术学、设计学两个学科连续两轮入选国家 “双一流” 建设名单的艺术院校,在高等美术教育领域具有引领性地位。他着重指出,学院即将迎来110周年校庆这一重要历史节点,期待以本次交流合作为契机,深化两校学术互动与资源共享,产出一批高质量、标志性的校际合作成果。香港城市大学副校长(内地策略)鲁春致辞香港城市大学副校长鲁春谈到,自2025年起,双方便开展对接洽谈,期待在中央美院110周年校庆这一重要节点,推出两校联合打造的优质合作项目。他介绍道,香港城市大学二级学院在理工科研究、AR 增强现实等前沿技术领域具备优势,未来将依托学科互补,推动央美优质师资赴港授课、馆藏精品巡展、学术收藏、动画联合创作等跨学科课题落地,实现教学共建、展览共办、资源共享的实质性合作。中央美术学院美术馆馆长靳军发言中央美术学院美术馆馆长靳军表示,双方将立足于前期共识,持续深化创新项目的协同推进与深度落地。中央美术学院在除传统艺术创作外的数字媒体艺术、创意设计创新实践、艺术展览策划传播等领域已形成研究体系与标志性成果,未来将围绕联合科研创新课题、实验基地建设、艺术创新传播等方向,与香港城市大学携手构建长期稳定的合作机制。香港城市大学协理副校长(环球战略)、香港艺文创新研究院院长林芬发言香港城市大学协理副校长(环球战略)、香港艺文创新研究院院长林芬谈到,双方在办学理念、学术方向与发展愿景上高度契合。香港艺文创新研究院始终以教育、艺术、科技与产业融合为核心纽带,拓展创新人才培养路径,服务社会文化创新发展,未来将全力助推两校合作。中央美术学院国际合作与交流处(港澳台办公室)处长王川、中央美术学院教务处处长林笑初等嘉宾共同参与交流,将搭建多元化协同桥梁,覆盖人才培养建设,推动校际合作实施。双方代表签署合作备忘录嘉宾合影签约仪式由中央美术学院美术馆副馆长海军主持。在我馆相关负责人的陪同下,香港城市大学一行重点参观了“中央美术学院美术馆藏陈列——古代中国艺术” 专题展。切身感受到百年央美在艺术传承、藏品研究与公共美育领域的深厚积淀。此次交流与合作,是内地高等艺术学府与香港创新型综合大学的强强联合,既推动了中国优秀传统文化的当代活化与跨地域传播,也为艺术与科技融合创新、粤港澳大湾区与内地艺术教育协同发展开辟了新路径,对构建新时代高等艺术教育合作新格局具有重要示范意义。主编 / 何一沙责编 / 杜隐珠现场图 / 贺伊飞
More

中央美术学院美术馆一行赴新华社历史陈列馆开展主题党日活动

2026-07-05

6月30日下午,在中国共产党成立105周年之际,中央美术学院美术馆直属党支部一行与中国新闻书店党支部共同走进新华社历史陈列馆,开展联学共建主题党日活动。中央美术学院美术馆直属党支部书记韩文超、副馆长海军、副馆长高高、美术馆直属党支部副书记李垚辰,新华出版社副总编辑李伟、中国新闻书店总经理张名及双方相关部门负责人参加活动。新华社历史陈列馆始建于1909年,前身为清末财政学堂大讲堂,2011年改建为新华社历史陈列馆,现为新华社传统教育基地、党性教育基地和党员活动站。在讲解员的引导下,大家通过历史照片、文献档案与实物陈列,深入了解新华社在烽火岁月中作为党的新闻舆论工作重镇的奋斗足迹。从革命战争年代冲在前线的战地记者,到和平时期重大报道中的新华社身影,丰富的展陈生动呈现了新华人的使命担当。在陈列有新华出版社图书的展柜前,大家驻足翻阅了《新时代治国理政纪实》第一卷和《中华人民共和国年鉴2025》等出版物。参观过程中,嘉宾们还仔细观看了《转战陕北传奇“四大队”》纪录片,感受新华社的红色根脉。参观结束后,双方在中国新闻书店举行座谈,围绕党建联学共建、社区美育、出版物合作、文创开发等方向进行了深入交流。双方一致认为,以“美润中华”为主题,开展务实合作,可以很好地实现资源共享、优势互补。下一步,双方将建立常态化沟通机制,逐一细化落实合作方案。此次联学共建主题党日活动,为中央美术学院美术馆与新华出版社搭建了良好的交流平台。中央美术学院美术馆将继续坚守学术品质,深化展览研究,切实履行美术馆在文化传承、美育传播与社会服务中的核心职能。主编 / 何一沙责编 / 杜隐珠
More

"绽放——第三届全国大学生美术作品展览"中国画展区 即将开展!

2026-07-04

"绽放——第三届全国大学生美术作品展览"中国画展区开幕时间:2026年7月6日9:00开幕地点:中央美术学院美术馆学术报告厅展览时间:2026年7月7日-8月2日展览地点:中央美术学院美术馆一层展厅/二层B展厅/三层A展厅/四层展厅主办单位:中国美术家协会承办单位:中国文联美术艺术中心  中央美术学院岁序更替,华章日新。在全面建成社会主义现代化强国的新征程上,青年一代不仅是时代的见证者,更是历史的创造者。习近平总书记殷切寄语广大青年:“要自觉听从党和人民召唤,坚定理想信念,厚植家国情怀,勇担历史使命,奋力书写挺膺担当的青春篇章”。在这一时代背景下,由中国美术家协会主办、中国文联美术艺术中心承办的“第三届全国大学生美术作品展览”如期举办。本届展览以“绽放”为总主题,旨在全面检阅新时代高校美术教育成果,发掘优秀青年美术人才,展现当代大学生笃志进取、开拓创新的精神风貌。对于青年而言,“绽放”是才华的显露,是思想的迸发,是生命最美好的姿态;对于艺术而言,“绽放”是传统的活化,是创新的尝试,是笔墨当随时代的生动实践;对于国家而言,“绽放”是文化自信的彰显,是青春力量的汇聚,是中华民族伟大复兴征程中不可或缺的精神底色。中央美术学院作为第三届全国大学生美术作品展览中国画展区的承办院校,始终在深耕美育实践、培养高等美术人才方面发挥着引领作用,近年来一直深入贯彻落实习近平总书记给中央美院八位老教授的重要回信精神,全面推进“美润中华”行动计划,坚持以美育人、以文化人的教育教学实践。本次承办中国画展区展览,正是学校联动全国高校践行美育使命的重要举措。中国画作为中华文化的瑰宝,历经千年沉淀,凝聚着中华民族的哲学思想、审美意趣与精神追求,是中华优秀传统文化标志性的艺术载体。本展区以全国青年优秀创作样本汇聚展现高校中国画教学成果,搭建跨区域学术交流平台,引导青年学子坚定文化自信,自觉承担起传承发展中华优秀传统文化的历史使命。为了系统呈现作品的丰富内涵与多元面貌,中国画展区以“时代新象”“人间世相”“花鸟文心”“山河文脉”四大板块构建展览叙事,从宏阔的时代叙事到细微的个体关怀,从自然的风物造化到壮阔的山河岁月,共同勾勒出新时代青年中国画创作丰富而立体的艺术图景,寄托了青年学子们思想的跋涉、情感的流露与灵魂的独白。在这些作品中,我们看到了一颗颗炽热的、与时代同频共振的青春之心,感受到当代中国画坛最具潜力与活力的新生力量。丹青言志,翰墨绽放。让我们共同期待,这些年轻的艺术学子在未来的岁月里,能够继续不忘初心,焕彩共生,以笔墨与色彩抒写中华民族伟大复兴的宏伟画卷,绽放出更加绚丽夺目的光彩!开幕式预约 扫描二维码预约共提供300个参加开幕式名额约满即止,先到先得"绽放——第三届全国大学生美术作品展览"中国画展区展览时间:2026年7月7日-8月2日展览地点:中央美术学院美术馆主办单位:中国美术家协会承办单位:中国文联美术艺术中心  中央美术学院主编 / 何一沙责编 / 杜隐珠
More

List Released | 30 Graduation Works Permanently Collected by CAFA Art Museum

2026-06-26

As the 2026 CAFA Graduation Season draws to a successful close, the CAFA Art Museum makes an official announcement: a total of 30 outstanding graduate artworks from this year’s graduation season have been added to its permanent collection, including 14 postgraduate works and 16 undergraduate works. The body of work covers a wide range of mediums, such as Chinese painting, oil painting, printmaking, mural painting, calligraphy, sculpture, design, video and moving image, and picture books. This acquisition not only highlights the academic value of graduation creative works, but also embodies the sharpest artistic perceptions of our era. For every graduate, having their work collected by the alma mater’s art museum marks a transformative leap from student creation to formal artistic canon. These thirty young artists will have their names stand alongside distinguished predecessors of the Academy, jointly shaping the contemporary chapter of CAFA’s century-old artistic legacy.Collected Postgraduate Works╲Dong Zhiguo Dwelling in Quiet Nook  200×130cm Oil on Canvas 2026 Oil Painting DepartmentHu Shilei Scenery in the Studio 150×200cm Oil on Canvas 2026 Oil Painting DepartmentChen Yage Have you ever seen animals holding a meeting in the forest  varying sizes coated art paper 2026 Printmaking DepartmentPan Hongchi Urban Dweller  40×60cm ×5 Watermark Woodcut 2026 Printmaking Department   Zhao Kangqiao The Fifth Season (14/19)  70×50cm Copperplate Print 2026 Printmaking DepartmentWang Bixuan Does My Ship Exist in the New World 50×60×175cm Wood Photosensitive Resin 2026 Department of SculptureZeng Qiumao Lone Walker 30×35×36cm Painted Plaster 2026 Sculpture DepartmentTan Yufei The Shape of Possibilities 4 minutes and 46 seconds Video 2026 Sculpture DepartmentTeng Xiuyi Youth Volunteer Teacher: Old Teng 54×56×56cm Fiberglass,Acrylic 2026 Sculpture DepartmentYan Ming Ice Skating 100×150cm Oil on Canvas 2026 Basic Department of Plastic ArtsRen Zhiying Whispering Tiny Details 220×250×150cm Video 2026 School of DesignChen Xinxue Discrete Points on the Skyline  Varied Sizes  White Copper & Aluminum  2026  School of Urban Design Lu Yunzheng Incredible Varying Sizes Watercolor, Colored Pencils, Digital Painting 2026 School of Urban DesignXu Keke Travel Around the World Chirp 4′28″ Animated Video 2026  School of Urban DesignUndergraduate Students' Collected Works╲Yang Tian'ai  Kuazi Shop 140×195cm Oil on canvas  2026 Oil Painting DepartmentGui Yuanlong Bright Sunny Day 150×120cm Oil on Canvas 2026 Oil Painting Department邢梦书    涌动着    170×250cm    综合材料    2026    壁画系    闫心语    栖息单元    尺寸可变    视频    2026    城市设计学院    肖敏君    衍育童年——情绪精灵    尺寸不一    树脂    2026    城市设计学院    王玉楷    没有为什么    尺寸不一    数字绘画    2026    城市设计学院  孙一淼    芥子明    8分40秒    数字媒体    2026    城市设计学院    袁睿骞   什么都没有的期望-火情    39.5x60.5    综合材料    2026    版画系    马胤朔    火商    240×150cm    绵纸、铜粉    2026    中国画学院    袁璋钰    境    205×200cm    纸本设色    2026    中国画学院    崔梓慧    隶书《使至塞上》    240×45cm    纸本墨笔    2026    书法学院    Li Zhilin Summer Shrubs 5′52″ Animated Video 2026 School of DesignHou Mingcan Deviating from Objects: Unconventional Creation Variable Sizes Mixed Media 2026 School of DesignXu Yue, Mountain Moving, 5′38″, Video, 2026, School of DesignLu Ziman  Second World  14 Points  Video  2026  School of DesignLi Junxiao Yourself 60×60cm × 9 Photography 2026 Sculpture DepartmentEditor-in-Chief / He YishaEditor / Du Yinzhu
More

The Training Program on Cultural and Creative IP Design, Operation and Management of the Central Academy of Fine Arts officially commences

2026-06-25

On the morning of June 22, 2026, the opening ceremony of the first session of the Training Program on Cultural and Creative IP Design, Operation and Management, hosted by the CAFA Art Museum, was held in the conference room of the Art Museum.Jin Jun, Director of CAFA Art Museum; Han Wenchao, Secretary of the Directly Affiliated Party Branch; Hai Jun and Gao Gao, Deputy Directors of CAFA Art Museum; Li Yaochen, Deputy Secretary of the Directly Affiliated Party Branch, attended the ceremony.╪Part .01Opening CeremonySpeech by LeadersParticipants of this training program come from all over the country, covering practitioners from cultural and museum institutions, cultural tourism enterprises, cultural and creative brands, university teachers and professionals in other diverse fields. Most of them are senior practitioners and institutional leaders with years of in-depth experience in the industry, who look forward to exchanging experience and inspiring one another during the six days of joint study.Speech by Jin Jun, Director of the CAFA Art MuseumIn his speech, Jin Jun, Director of the CAFA Art Museum, stated that as one of China’s key national art museums, the CAFA Art Museum is actively responding to the overall arrangements of the Ministry of Culture and Tourism concerning the design, research and development, operation and communication of cultural and creative products. Cultural and creative merchandise serves not only as a vital carrier for disseminating artistic content featured in exhibitions, but also as a core channel linking the museum with the public and expanding the breadth and depth of art communication. At present, new cultural and creative products and museum gift shops of CAFA Art Museum are being launched one after another, fostering sound connections with visitors and the wider community. He expressed the hope to jointly explore future development trends in this field together with all participants of the training program.Han Wenchao, Secretary of the Directly Affiliated Party Branch of the CAFA Art Museum, delivered a speechHan Wenchao, Secretary of the Directly Affiliated Party Branch of the CAFA Art Museum, extended a warm welcome to participants traveling from afar. He noted that the art museum acts as a window linking the academy to society. The annual Graduation Season event launched by the museum in recent years has grown into a highly popular cultural phenomenon in Beijing. This training program constitutes a key component of CAFA’s resumed non-degree education. Upon completing the courses, participants will forge a bond with the Central Academy of Fine Arts and be recognized as "alumni" of the Art Museum. He expressed his wish that this program will serve as a starting point for long-term exchanges and collaboration among all parties.Speech by Haijun, Deputy Director of the CAFA Art MuseumHaijun, Deputy Curator of CAFA Art Museum, elaborated on the curriculum design philosophy. Given that almost all participants are senior professionals in the cultural and creative industry with experience leading or taking part in cultural and creative projects, the training program centers on cultural design and prioritizes sharing and exchange. It aims to inspire participants to build systematic frameworks by examining the development of the entire industry ecosystem, rather than focusing on training for specific research topics. In terms of instructors, apart from multiple professors from the Academy of Fine Arts, representatives from benchmark cultural and creative institutions including the National Museum of China and the Palace Museum, as well as frontline creators of AIGC cultural innovation, have been specially invited to deliver lectures. The program strives to integrate perspectives from three sectors: cultural institutions, industry players and universities, enabling participants to learn from one another and make progress together within the professional framework of cultural and creative IP design, operation and management. The CAFA Art Museum also hopes to continuously advance aesthetic education and social services through this training program, expand its collaborative network, and pursue coordinated development alongside all partners.╪Part .02Visit the School History MuseumExplore the Graduation ExhibitionFollowing the opening ceremony, led by Teacher Wang Jun from the Public Education Department of the Art Museum, all participants visited the School History Museum of the Central Academy of Fine Arts and the ongoing Graduation Season Exhibition, getting an up-close look at the creations and vibrant vitality of young CAFA students.╪Part .03From Collections to Daily LifeSharing Practices of Cultural & Creative DevelopmentTeacher Liao Fei delivered a lecture themed From Collections to Daily Life: Blockbuster Creation and Exhibition-Integrated Creative Practices of the National Museum of China. He systematically introduced the development system and development model of cultural and creative products at the National Museum of China. Combining case studies including the phoenix crown fridge magnet, the special exhibition of Li Jingxun’s relics, the Year of the Horse zodiac exhibition, and the overseas exhibition of ancient Greek artifacts, the course thoroughly analyzed the innovative approach of "integrating exhibitions and cultural creation" as well as the market-oriented operation logic adopted by the National Museum of China. He also shared successful experience in revitalizing cultural relics, spreading culture, and deeply integrating cultural heritage into people’s daily lives.Scene of the Lecture Delivered by Liao Fei, General Manager of National Museum of China (Beijing) Cultural Industry Development Co., LtdTeacher Tie Zheng illustrated cases of cultural and creative development from the Winter Olympics and the Palace Museum, elaborating on the selection of cultural and creative IPs, development routes and models, as well as diversified cultural communication approaches. He analyzed how to integrate historical and cultural elements into modern life so as to inherit and promote China’s fine traditional culture.Scene of the Lecture by Tie Zheng, Associate Research Librarian, Cultural and Creative Industry Department, the Palace Museum╪Part .04Short-term ImmersionLong-term EmpowermentCultural and creative IP links artworks with everyday life, and more importantly, acts as a bridge facilitating communication between art museums and society. The launch of the inaugural training program represents a new undertaking by CAFA Art Museum in the fields of non-degree education and public services, as well as a proactive response to the national cultural innovation strategy. Going forward, drawing on the Academy’s century-old academic legacy and the museum’s experience and platform strengths in exhibitions, collection management, academic research and cultural and creative development, the museum will keep focusing on the full industrial chain of cultural and creative development, namely "cultural origin research — creative design — IP development — technical application — cross-border operation — commercial implementation". It is dedicated to cultivating interdisciplinary cultural and creative talents with Chinese characteristics who integrate superior artistic aesthetics, sophisticated IP planning capabilities and profound commercial operation competence.Century-long Cultural Lineage,Cultivate Minds via ArtConvey Truth via Civilization,Disseminate Vision via CreationEditor-in-Chief: He YishaEditor: Du Yinzhu
More

Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
Quick loginAccount login
  • Mobile phone number will be your login ID
  •  
Use Artron membership to login