Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

2026央美毕业季“焕彩共生号”主题列车

2026-06-03

2026央美毕业季,我们把“焕彩共生号”主题列车开进了你日常——锁定地铁14、15号线 !这可不是一列普通的地铁,车厢内满满的央美毕业季灵感与创意,载着你驶向无限可能的未来。每一节车厢,都是一个青春的注脚,一个关于“共生”的艺术宣言。夏日来央美,共享毕业季。即日起至6月24日,快来打卡这辆列车,定格你与青春、与艺术的限定合影,让它成为这个夏天最艺术的记忆锚点!此外,中央美院本科生毕业展(一阶段)即将于6月3日闭展,未观展的朋友们合理安排时间哦~~主编 / 何一沙 责编 / 杜隐珠
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大朋友小朋友的六一好去处 | 央美毕业季的绘本乐园

2026-06-02

这个六一,来中央美术学院美术馆二层玻璃展厅,赴一场关于“看见”与“被看见”的温暖约会。这里正在呈现绘本创作工作室第20届本科毕业生的作品。每年此时,这些充满情感与温度的绘本,都会成为连接大小朋友心灵的桥梁。薄薄几十页的翻动间,是绘声写影的努力,是寻真返本的追求,更是一个个等待与你相遇的、丰盈而独特的世界。当你驻足,你读到的或许与作者创作的初衷全然不同。但这正是作品的魅力所在——所有的不同解读,都是作品的拓展;所有的感同身受,都是灵魂的碰撞。中央美院本科生毕业展(一阶段)即将于6月3日闭展,请暂时放下繁杂,跟随线条与色彩,进入这个简单与丰富并存、现实与想象相谐的二元世界吧!童心国《童心国》莫佳翰在每个人的内心深处,都有一个与生俱来的童心国。童心国是非常美好的,如果你珍爱它,你就可以一直保持童心,拥有纯真善良和有趣的灵魂;如果你忽视它,它就会随着时间和你成长环境的改变慢慢消失。一夜之间,童心国四个区域的总管们用最后能量来到现实,帮她重拾友谊、重写愿望、与父母和解。四枚徽章重新点亮,童心国复苏。女孩找回了童心,也找回了自己。起起落落《起起落落》黄汝茜《起起落落》是一部以“自然力量”为核心的绘本,将万物运行中“上升”的动力与“落下”的归宿,分别拟人化为“起起”与“落落”两种看不见的力量。起起负责让万物升起、出发;落落负责让万物落下、归去,起起和落落,一同守护着世间万物。用四季作为叙事框架展开,呈现万物运行的节奏与循环。结局博物馆不等了《不等了》余晓琳《不等了》讲述兔一穿越五个寓言世界——蜂巢工厂、纸狼荒原、猫咪都市、虚无鱼港、游云驿站。每站一种身份困境:被量化、被排斥、被凝视、被虚无吞噬。兔一不是拯救者,只是信使。最终它不再等待被认可,纵身跃入流动的旅途。想·象《想·象》 李念想象的本意是想念大象,是对未知之物的幻想,“象”是实体也是精神寄托。当我们出生于一片既定的环境,想象就是发现和创造的底层代码。绘本讲述了小石头在流星的撞击中诞生,跟随陨石坑里的遗迹逐渐看到这个星球上一个文明的记忆——藻类文明如何在“想”的能量中创生、在“象”的支撑与庇护下从繁荣到暗淡的故事。在它将象骨的全貌发掘出后,它完全感受到了这个星球“想·象”与创造的能量,决定学会运用这个能量创造属于它的文明,越来越多的“想”融进它的“象”,融进星球的脉络,变成新的想象火种埋进地里、飞向远方,继续着新的文明循环。只要想·象在奔走,宇宙间的文明注定生生不息。最好的礼物《最好的礼物》郭洪羽生病的小狐狸已经很久没有出门了,这一天,他收到了来自好朋友们的礼物:一个装着纸星星的许愿瓶,他许下了和朋友们相见的愿望。到了夜晚,他的朋友们果然乘着一架大大的纸飞机来到了他的窗前,他们竟然一同飞到了月亮上,在这里,他们遇到了同样孤单的一只兔子,小狐狸和伙伴们一同用折纸为月亮上的兔子留下了最好的礼物.在故事中,最后谜底揭开,月亮上的小免其实一直都在小狐狸身边:它是小狐狸的玩具娃娃,而那座月亮上美丽的折纸城,其实也是小狐狸内心的象征……预约通道2026中央美院毕业季线上预约购票通道开启,观众可通过中央美术学院美术馆小程序、微信公众号或官网进行预约购票(购票说明详见官网)。最早可提前7天预约。每日观展名额限量约满为止,毕业季期间美术馆周一正常开放。预约时需使用有效证件进行实名预约,每人当天只能预约一次,预约成功后,观众按预约时间到场。毕业季期间,在中央美术学院北门票务专用通道刷身份证等有效证件验票进馆。主编 / 何一沙 责编 / 杜隐珠
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中央美院文创IP设计运营与管理研修班学员招募!文创开发全链路一站式打通

2026-06-01

经中央美术学院美术馆批准,2026年中央美术学院文创IP设计运营与管理研修班正式面向社会招生。从文物库房的静默珍藏,到国潮设计的广泛传播;从馆藏的静态陈列,到文化产品的跨域流动。当前,美育浸润行动与文化出海战略持续推进,文博文创已超越传统“纪念品”范畴,成为活化文化资源、增强文化自信、链接公众生活、传递中国声音的重要载体。但在实际工作中,许多文博机构与从业者仍面临一系列现实挑战:如何对文化符号进行有效的现代化转译?如何打造真正受市场欢迎的文创产品?如何实现IP的跨界联动?如何借助AIGC提升创意效率?如何建立可持续的市场化运营体系?本研修班依托中央美术学院百年学术积淀与专业资源,汇聚央美教授、文博机构核心专家、文创运营一线实践者,围绕“文化溯源—创意设计—IP打造—技术应用—跨界运营—商业落地”全流程,为文博及文化创意领域从业者提供系统、务实的进阶学习平台。Part .01您将收获什么?1. 国家级标杆项目的IP开发经验以北京冬奥会视觉设计、国家外宣IP项目等为教学案例,梳理“文化溯源—原创研发—审美提升—市场落地”的文创开发路径,帮助学员建立大型文创项目的整体思维。2. 系统的文化IP品牌框架从文化符号提炼、品牌叙事构建到视觉体系与世界观设计,逐步解决文创产品中符号杂乱、品牌辨识度不足的问题。3. 文博爆款产品的开发逻辑深度解析国博“凤冠冰箱贴”、故宫现象级文创、冬奥“冰墩墩”系列等案例,了解馆藏资源“展创结合”的实操方法,学习如何让文物从库房走向生活。4. 跨界联动与商业运营的实用方法聚焦文博IP与时尚、科技、文旅、生活消费等领域的品牌合作路径,通过案例研讨与策略模拟,掌握IP价值挖掘、品牌匹配与商业落地的基本能力。5. 可落地的AIGC数字创意技能以东方美学为基础,学习AIGC文创工作流程:文化符号的AI提取、插画与IP形象生成、数字内容快速产出,实现从创意到市场的效率提升。6. 与行业专家交流的平台在央美校园内,与专业教授、文博主创、企业运营负责人面对面交流,共享行业前沿信息与经验。Part .02课程特色· 央美学术环境:校内授课,依托央美美术馆、设计学院等载体,近距离感受国家级艺术审美与原创教研氛围。· 多元师资组合:高校专业教师 + 文博机构主创 + 一线市场运营者 + 数字创意专家,兼顾学术高度与实践深度。· 系统课程体系:课程体系完善,从文化策略到爆款打造,从技术应用到运营落地,注重实操性。Part .03课程安排Part .04招生信息· 全国各级美术馆、博物馆、文化馆、文旅单位从业人员· 文创设计、IP运营管理、文旅项目策划人员· 传统文化产业创业者、美育工作者、文化传播从业者百年文脉,以艺育人;以文载道,以创传声。报名须知:授课时间:6月22日-6月27日授课地点:中央美术学院花家地校区招生人数:15-30人待遇1) 学习期满,成绩合格,颁发《中央美术学院短期研修证明书》2) 课程期间,学员在美术馆文创商店及咖啡厅消费享受优惠。通信地址:北京市朝阳区花家地南街8号中央美术学院美术馆咨询电话:010-64771687电子邮件报名邮箱:liuxingling@cafa.edu.cn点击文末“阅读原文”获取“文创IP设计运营与管理研修班”招生简章。主编 / 何一沙责编  / 杜隐珠
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央美两场重磅直播 | 郎永淳、颜芳、高高 带你解锁毕业展

2026-05-31

名人深度导览中央美院毕业季艺术推介大使郎永淳&颜芳带你看展2026年6月1日18:00前沿思想漫谈中央美院美术馆副馆长高高解读科技如何助力艺术想象2026年6月2日18:00主编 / 何一沙责编 / 杜隐珠
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梦开始的地方 | 央美油画系毕业生的内在回响

2026-05-28

“中央美院本科生毕业展”第一阶段展期过半,油画系的毕业生们为公众呈现了一场关于绘画本体、视觉表达与精神成长的集中探索。每一笔色彩的起落之处,潜藏着青年艺术家“梦开始的地方”。20多岁的笔触描绘虽稍显稚嫩,但他们将个人记忆与生活经验凝固成富有触感的画面,体现出年轻一代对油画的语言最本真的敬畏与拓展。梦开始的地方作品名称:《画室2026》作者:李鹏威尺寸:100×300cm材料:布面油画作品以中央美术学院工作室为创作原型,致敬现实主义画家库尔贝的《画室》,以写实的手法还原画室一角的真实场景。画面中的画架、管道、天光与墙面痕迹,不仅是日常空间的记录,更是创作者从向往、沉浸到即将毕业告别这段追梦时光的情感载体,因此它也被命名为《梦开始的地方》。在AI技术对图像生产与架上绘画形成冲击的当下,作品也是一次立场回应:AI可模仿已有的视觉范式,却无法复刻创作者的个体体验与情感温度。架上绘画的核心价值,正体现在创作者以肉身感知世界、以笔触传递情绪的过程中,这正是技术无法替代的、属于人的艺术表达。在房子两边作品名称:《在房子两边Ⅰ》《在房子两边Ⅱ》作者:赵梓羽尺寸:148*110cm材料:布面油画这组系列创作所表达的是作者自己体会到的“我”和“世界”之间的关系。“在房子两边”像一个引子,上面的人物和下面靠右的人物被我罩在了一个房间,但却不在一幅画面里。画面以人物,自然环境,窗格,拟房屋的红色罩色几何形作为视觉符号。将它们并置于一个空间中,通过符号之间的位置关系,红绿色块的分割等,拉开视觉和心理距离。画面里的视觉符号看起来独立却又在构图,颜色,意象逻辑中互相关联,有着隐秘的联系。侉子店作品名称:《侉子店》作者:杨天爱尺寸:195*140cm材料:布面油画指导老师:喻红 陆亮 刘商英 迟明画面以深夜街角为场景,一片被遗落于地的绿色防尘布在路灯斜照下泛起冷冽的微光,褶皱如河水的波痕,在砖块的压抑中仍隐隐起伏。远方树林融为一片深邃的墨黑,天空被层叠的雾霾染成暗淡的锈红色,无星无月,唯有寂静的风声贯穿街道。那抹似曾相识的、来自记忆深处的温钝绿色,悄然中和了场景原本的刺目与疏离。这是作者对“日常物的时间性”与“记忆投射”的视觉思辨。他将防尘布这一工业时代的短暂覆盖物,转化为承载情感与时间深度的“河流”,通过油画特有的厚重肌理与层次叠染,构建出物质与隐喻之间的微妙平衡。覆羽作品名称:覆羽作品材质:丙烯 颜彩 马克笔 油画棒 胶水转印 绢拼贴于亚麻布作品尺寸:各150*220cm创作时间:2026作者姓名:李嘉宇导师:裴咏梅 郭亚冠这两幅创作是将歌曲给作者潜意识植入的意境捕捉在画布上的一次尝试,灵感直接源自两首对其意义非凡的歌曲。在画面色调的选择上完全遵循听感:黄色的这张灵感来源于The Cure 的《Just Like Heaven》,这首歌拥有明亮的旋律,在作者耳中是灿烂、眩晕且带有梦幻感的暖黄色,但是内核是忧伤的;蓝色的这张灵感来源于Gorillaz 的 《On Melancholy Hill》,呈现出一种克制、清冷又略带明亮的忧郁蓝色,但是内核是温暖的。画面中可以识别出的具象元素来源于歌词:plastic tree(塑料树),spinning (旋转)…结合自身在不同地点收集的素材,采用元素拼接的方法,如碎片般将歌词中捕捉到的零散意象提取出来,在画面中进行大量重复。这些不断叠加的符号按照乐曲中的节奏分布,通过元素的堆砌构建出一种非线性的叙事感。正如标题《覆羽》一般,“覆”代表着作者的绘画方式:通一层层半透明的图层重叠,覆盖,最后形成出来的视觉效果。“羽”是其试图营造一种如羽般的朦胧轻盈漂浮感,尝试通过色彩的纯粹感受和符号的重叠,将音乐的瞬时抽象听感固化为视觉的叙事空间。红钢作品名称:《红钢》作者:孙潇尺寸:200×150cm材料:布面油画作品的创作画面取材于青岛港口船厂,结合了作者家乡港口机械的工业构成与家乡记忆。通过强烈的几何秩序,传递出工业文明的磅礴张力,并以明快鲜艳的色彩赋予冰冷的钢铁温度和色彩,是作者对家乡工业景观的一次诗意的重构。内向回响作品名称:《内向回响》作者:王齐尺寸:150×200cm材料:木板、白蜂蜡、达玛树脂、油画作者以“透过玻璃瓶向外看”的视角为灵感,用圆心向外辐射的视觉结构,呈现情绪的变化过程。蜡的温度、重量、肌理、光泽都变成抽象表达里独立的词汇。厚重肌理代表情绪起伏的痕迹,向外扩散的纹路,是记录了思绪与感知在心中震荡、折返、归敛的过程。所有向外的延伸,终是向内的归返,完成一场沉静而持续的内心回响。预约通道2026中央美院毕业季线上预约购票通道开启,观众可通过中央美术学院美术馆小程序、微信公众号或官网进行预约购票(购票说明详见官网)。最早可提前7天预约。每日观展名额限量约满为止,毕业季期间美术馆周一正常开放。预约时需使用有效证件进行实名预约,每人当天只能预约一次,预约成功后,观众按预约时间到场。毕业季期间,在中央美术学院北门票务专用通道刷身份证等有效证件验票进馆。主编 / 何一沙责编 / 杜隐珠现场图 / 孙霄萌
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Good News | Our Museum’s Exhibitions & Events Win Three National Awards

2026-05-25

Recently, the Department of Arts of the Ministry of Culture and Tourism released the public notice on the shortlist of Outstanding Projects for National Art Museums 2025. The General Office of the Ministry of Culture and Tourism also unveiled the list of Outstanding Projects for the 2025 National Exhibition Season of Fine Collections from Art Museums. Three projects curated by our museum have been recognized: Imported Oil Painting-A Retrospective Exhibition Of The Maksimov Oil Painting Program At CAFA(1955–1957) won the award for Outstanding Exhibition Project; Energy and Civilization: An Immersive Public Art Education Program Integrating Science and Art was nominated for Outstanding Public Education Project; and Interflowing Artscapes -- CAFAM International Exchange Research Exhibition from the Collection was selected as an Outstanding Project.Taking this achievement as a new starting point, our museum will uphold academic integrity, further deepen exhibition research, and expand the reach and depth of public art education. We will also advance the creative transformation and innovative development of our fine collections. Fulfilling our core responsibilities in cultural inheritance, art education and public service, we strive to build a solid bridge connecting academic research and public art appreciation.Imported Oil Painting-A Retrospective Exhibition Of The Maksimov Oil Painting Program At CAFA(1955–1957) Exhibition Dates: November 15, 2025 – January 3, 2026Venue: Galleries, 1/F, 3A & 4/F, CAFA Art MuseumLooking back on the history of Chinese art education and the development of the Central Academy of Fine Arts, the founding of the Maximov Oil Painting Training Class seventy years ago marked a pivotal chapter in the evolution of Chinese oil painting in the 20th century. To systematically review and fully showcase the teaching achievements and academic significance of this historic initiative, CAFA Art Museum presents the Retrospective Exhibition of Teaching Achievements of the Maximov Oil Painting Program (1955–1957), running from November 15, 2025 to January 18, 2026. Centered on the major teaching activities of the training class between 1955 and 1957, the exhibition features graduate works from the class selected from the museum’s permanent collection. To ensure a comprehensive presentation, the curatorial team has gathered over 240 exhibits from diverse sources including the National Art Museum of China, Shanghai Art Museum, artists’ families, private collectors and art institutions. The collection encompasses works created by Soviet expert Konstantin Maximov during his tenure in China, indoor and outdoor sketches, study pieces and creative drafts by the class participants. As the most complete, comprehensive and academically insightful exhibition dedicated to the history and artistic value of the Maximov Oil Painting Training Class, this show traces the origins of realistic expression and educational development of Chinese oil painting, and revisits the groundbreaking start of realistic oil painting in higher art education and artistic creation in the early People’s Republic of China.Energy and Civilization – An Immersive Public Art Education Series Integrating Science and Art,taking the public education and art promotion of the exhibition Energy and Civilization as the carrier and guided by cutting-edge science showcased in the show, this initiative pioneers innovative practices across public services, art education outreach and interdisciplinary artistic expression. The full lineup features thematic lectures, forums, popular science salons, children’s science workshops, professional guided tours for the public, as well as opening light and performance acts and a closing energy-themed electronic music public theatre. Through immersive experiences, the series delivers public outreach that blends science with art education.Interflowing Artscapes -- CAFAM International Exchange Research Exhibition from the CollectionExhibition Dates: September – October 2025Venue: CAFA Art MuseumInterflowing Artscapes -- CAFAM International Exchange Research Exhibition from the Collection was on view from July 18 to September 3, 2025. It marks the first systematic academic sorting and public presentation of the museum’s international art collection. The exhibition not only showcases its collected artworks and academic achievements, but also serves as a pioneering and valuable exploration for art museums across China to curate exhibitions with a global art historical vision based on their own collections. During the preparation phase, the exhibition received professional guidance from art historians including Yi Ying, Shao Yiyang and Yu Runsheng. More than 200 international artworks were carefully selected, spanning three centuries from 19th-century European oil paintings to contemporary art. Geographically, the pieces cover five continents from the Americas to Oceania. Over 80 percent of the exhibits were displayed to the public for the very first time since being acquired.The exhibition consists of two sections: International Art Treasures and Chinese Reflections. The first section presents the museum’s global collection vision from the perspective of cultural diversity. The second features works themed on China created by four foreign artists during their stay in the country, showcasing impressions of China through foreign perspectives. Together, they form a two-way observation and dialogue — looking out at the world from within and viewing China from the outside — aiming to reveal the profound significance of cultural exchange and mutual learning. The exhibition not only reflects the museum’s development as well as the achievements of art education and international exchanges at the Central Academy of Fine Arts, but also depicts the landscape of Sino-foreign cultural communication and the global art ecosystem.| About CAFA Art Museum|CAFA Art Museum is a professional and international modern art museum integrating academic research, exhibition display, collection conservation and public education. Its history dates back to the early 1950s. As the first professional art exhibition venue built after the founding of the People's Republic of China, it is also among the first batch of National Key Art Museums. Upholding the academic philosophy of inclusiveness, heritage and innovation, the museum serves the society with knowledge, commits itself to building contemporary public cultural spaces, presents the artistic civilizations of humanity to the public from a brand-new perspective, and shares the culture of the times with all sectors of society.Editor-in-Chief / He YishaEditor / Du Yinzhu
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Grain Buds Today

2026-05-21

Grain Buds Today
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More Than an Exhibition | CAFA Undergraduate Graduation Show Kicks Off on May 20

2026-05-21

Phase 1 of the 2026 CAFA Undergraduate Graduation Exhibition runs from May 20 to June 3. Graduates from the Department of Oil Painting, Department of Mural Painting, School of Experimental and Media Arts, School of Urban Design, School of Arts Management and Education, School of Cultural Heritage Restoration, and the Sino-French School of Art and Design Management (exhibited at the Shanghai Campus) present their works to create a distinctive artistic space. Here, artistic research is underway, art education bears fruit, and the future is being forged.Beyond viewing the exhibitions, you can also bring art home. The Art Shop of the Art Museum and the CAFA Market have jointly launched an Art Derivatives Hub. Meanwhile, the Graduation Season Food Festival will be held from May 20 to May 22, bringing a feast of flavors. Let us cherish the tastes of this wonderful summer together!Ticket reservations for the 2026 CAFA Graduation Season are now available online. Visitors may book tickets via the CAFA Art Museum Mini Program, official WeChat account or website. For detailed ticketing rules, please refer to the official website. Reservations open up to 7 days in advance. Daily visitor slots are limited and will close once fully booked. The museum remains open on Mondays throughout the graduation season.All reservations require real-name registration with valid identification. Each person may make only one reservation per day. Please arrive at the museum at your scheduled time. During the event, enter via the dedicated ticket checkpoint at the north gate of CAFA by scanning your ID or other valid documents.主编 / 何一沙责编 / 杜隐珠
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Exclusive Live Stream Spoiler | Sneak Peek of CAFA Undergraduate Graduation Exhibition!

2026-05-19

Today marks May 18th, the International Museum Day. The momentum of this year’s theme Museums as Bridges Connecting the World is still strong, and a highly anticipated artistic bridge is taking shape at the Central Academy of Fine Arts . The first phase of the CAFA Undergraduate Graduation Exhibition is set to open on May 20th, bringing together diverse artistic mediums, creative concepts and academic disciplines. The exhibition features graduation works by students from the Department of Oil Painting, Department of Mural Painting, School of Experimental and Technological Arts, School of Urban Design, School of Arts Management and Education, School of Cultural Heritage Restoration, as well as the Sino-French Institute of Arts and Design, whose exhibits will be displayed at the Shanghai Campus.At 18:00 on May 19th, on the eve of the opening, we present an exclusive preview live stream. Before the artworks are officially unveiled to the public, you will get a rare glimpse into the artistic creation process. Distinguished guests will also share insightful thoughts on graduation season artworks from the perspective of art museum collections. Come take an early look and experience the creativity and imagination of the new generation of artists.Join us at 18:00 on May 19th see you live! More wonderful surprises await you in the live stream.主编 / 何一沙责编 / 杜隐珠现场图 /  贺伊飞
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Enrollment | CAFA Training Course on Cultural & Creative IP Design, Operation and Management Is About to Open

2026-05-16

Short-term Immersion, Long-term Empowerment6-day Intensive TrainingBroaden your holistic vision of cultural and creative IPBreak away from fragmented thinking and homogeneous creationAt CAFAEngage with leading academic and industry expertsEstablish the underlying logic and top-level design of IPRoot creativity deeplyNurture cultural vitalityDrive value circulation经中央美术学院批准,由中央美术学院美术馆主办的文创IP设计运营与管理研修班项目面向社会招生。在文化强国战略与文化产业创新发展的背景下,文创IP已成为连接传统文化与当代生活、赋能文旅融合与品牌升级的核心引擎。然而,当前行业仍面临IP设计同质化、运营缺乏系统思维、商业化路径不清晰等挑战。本研修班以培养“兼具艺术审美高度、IP策划精度、商业运营深度”的文创复合型人才为核心目标,精准锚定文博文旅行业的人才缺口,致力于构建具有中国特色的文创IP人才培养体系。课程通过为期六天的集中培训,以政策解读、案例剖析、主题讲座的方式,帮助学员系统掌握从IP创意孵化、视觉设计、故事构建,到运营推广的全流程。项目将邀请中央美术学院专业教师、文博机构专家、知名IP运营专家参与授课与指导,强调实战导向与成果转化,助力学员形成可落地、可持续的文创IP项目方案,为我国文创IP人才培养提供具有中国特色的教学范本。╫Part .01 课程概述课程围绕“IP设计—运营—落地”主线,分为三大模块展开:设计开发模式:系统学习文创IP的定位策略、角色与世界观建构、视觉设计语言、故事内容创作;文博专家实战分享模块:邀请文博系统资深专家,分享博物馆、美术馆文创产品开发的实际案例、合作模式与运营经验;知名IP及文旅单位负责人案例分享模块:对话成功IP运营方与文旅项目负责人,解析IP授权、跨界合作、营销推广与产业变现路径。╫Part .02研修班简介本课程面向美术馆、文博机构、文旅企业、设计公司、文创品牌从业者,以及高校设计、艺术管理、文化创意、IP运营等相关专业师生开放,帮助学员在合规框架下推进IP创新与商业化。招生项目名称文创IP设计运营与管理研修班授课时间2026年6月22日—6月27日办学单位中央美术学院美术馆教学地点中央美术学院望京校区课程设置主体课程如下:文化创意产业创新设计国内典型文创P运营案例剖析角色、符号与世界观构建AIGC与东方文化美学创意市场语境下的文创产品设计方法IP跨界合作与品牌联动策略美术馆/博物馆文创开发模式与案例解析文旅融合背景下文创发展路径探索创新的文化IP及文创品助力文化消费提升创意来自典藏—文化资源的应用与实践文化远见与设计策略(注:中央美术学院教务处有权根据实际情况,在同等条件下对课程进行微调。)╫Part .03报名信息报名条件无心理疾病、身体健康,政治思想好,品行端正,遵纪守法。大专及以上学历,或具有文创、设计、文博、文旅等行业两年以上从业经验;对文创IP开发、运营、授权等方向有浓厚兴趣,具备一定美术、设计、策划 或相关经验者优先。招生人数15-30人培训费用国内学员12000元/期/人;自费留学生(外籍)15000元/期/人。证书颁发学习期满后,成绩合格者由学校统一颁发《中央美术学院短期研修证明书》报名方式报名审核费:国内学员260元/人,自费留学生(外籍)800元/人,网上缴费(请参考《中央美术学院非学历教育项目报考费网上缴费说明》,附下载链接),缴费成功后请截图保留缴费凭证。(注:未被录取的、录取后申请退学或违纪被勒令退学的,报名审核费一律不退。)报名方式:电子邮件、面报、函报报名时间:电子邮件报名截止时间:2026年6月8日面报截止时间:2026年6月8日函报截止时间:2026年6月8日(以到达邮戳为准)报名要求:自费留学生(持有外国护照的外籍学生)除提交所需专业材料外,还需到留学生办公室提交护照首页、签证页、《留学生入学申请表》(附下载链接)以及其他身份信息材料(留学生咨询办公电话:64771019,邮箱:lxs@cafa.edu.cn)。电子邮件报名时需提交下列材料:①填写完整的《中央美术学院非学历教育项目报名表》电子版(附下载链接)并附个人电子版证件照。②身份证(正反面)扫描件。要求:JPEG格式,文件大小不小于1M。③最高学历证明扫描件一份。要求:jpeg格式,文件大小不小于1M。面报函报时需提交下列材料:①填写完整的《中央美术学院非学历教育项目报名表》(附下载链接)并贴好照片。②身份证复印件(正反面)。③最高学历证明复印件一份。要求:A4规格注意事项:① 将报名材料与报名表一起包装邮寄,需写清本人联系电话和地址,封面注明“报考美术馆/文创IP设计运营与管理研修班”字样,材料不齐备者不予办理,报名材料一律不退。② 报考人员提交的报名材料不得弄虚作假,入学后进行复核。如发现考生报名时所交材料与本人实际情况不符,则予以退学处理,并永久取消其报考我院的资格。邮寄地址:北京市朝阳区花家地南街8号中央美术学院美术馆,邮编:100102录取根据提交报名材料择优录取。中央美术学院美术馆有权根据实际情况,对课程进行调整。由于不可抗原因导致的停课或者延期开课,中央美术学院美术馆有权根据实际情况对教学内容作出适当调整。本招生简章解释权归中央美术学院美术馆所有。(考生可上网查询录取情况,查询网址:http://www.cafa.edu.cn/——招生——普通进修)。通信地址:北京市朝阳区花家地南街8号中央美术学院美术馆咨询电话:010-64771687电子邮件报名邮箱:liuxingling@cafa.edu.cn点击文末“阅读原文”获取“文创IP设计运营与管理研修班”招生简章。2026中央美院毕业季文创产品CAFAM・2026马头摆件福禄寿“马训班”复古疯马皮帆布包主编 / 何一沙责编 / 杜隐珠
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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