矶崎新:一个世界公民眼中的中国

  • Dates:2025-07-15 - 2025-08-24
  • Opening:2025-07-15
  • 主办: 中央美术学院
  • 承办: 中央美术学院美术馆 中央美术学院教育学院
  • 协办: 矶崎新+胡倩工作室
  • 总召集人: 潘公凯
  • 学术顾问: 吕品晶
  • 策展人: 朱涛 崔冬晖
  • 学术主持: 胡倩
  • 展览统筹: 史洋
  • 展览执行: 霍盼旺 孟庆锋
  • 展陈设计: 朱涛建筑工作室

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Two Exhibitions In One Day | "Arata Isozaki: China Through the Eyes of a World Citizen" and "Upstreaming: Young Architectural from CAFA" Open Simultaneously

2025-07-16

"Arata Isozaki: China Through the Eyes of a World Citizen"& "Upstreaming: Young Architectural from CAFA"Exhibition DurationJuly 15 – August 24, 2025Exhibition VenueFirst-Floor Exhibition Hall and Side Hall, CAFA Art MuseumTwo Exhibitions in One Day: Hosted by the Central Academy of Fine Arts, "Arata Isozaki: China Through the Eyes of a World Citizen" and "Upstreaming: Young Architectural From CAFA" opened on July 15 at the First-Floor Exhibition Hall of the CAFA Art Museum."Arata Isozaki: China Through The Eyes Of A World Citizen" Exhibition SitePart.1Arata Isozaki: China Through The Eyes Of A World CitizenFirst-Floor Exhibition Hall, CAFAM"Arata Isozaki: China Through the Eyes of a World Citizen", this exhibition selects ten architectural and urban design projects from the numerous works completed in China by renowned architectural master Arata Isozaki over the past nearly three decades. Each work is infused with a profound sense of history, rich contemporary significance, active dialogue between China and the world, and a powerful spatial language. Currently, Arata Isozaki’s works in China have formed a stunning "archipelago". It is hoped that through this exhibition, visitors will be invited to explore each "island" one by one, appreciate the uniqueness of each, and "sail" between them to feel the distant echoes and mutual resonance among the "islands".Arata Isozaki,CAFA MuseumCourtesy of ISOZAKI+HuQian PartnersArata Isozaki,CAFA MuseumCourtesy of ISOZAKI+HuQian PartnersArata Isozaki,Shenzhen Cultural CenterCourtesy of ISOZAKI+HuQian Partners Arata Isozaki, National Grand Theater Limited CompetitionCourtesy of ISOZAKI+HuQian PartnersArata Isozaki, Zhengdong New District Longhu SubCBD, MasterplanCourtesy of ISOZAKI+HuQian PartnersPart.2Upstreaming: Young Architectural from CAFASide Hall CAFA MuseumThe 17 participants from 15 design institutions in the exhibition "Upstream: Young Architectural from CAFA" are all outstanding alumni trained by the architectural education program of the Central Academy of Fine Arts. Their works embody the professional qualities and social concern shaped by CAFA's unique architectural education environment, uphold the core value of architecture as a humanities and art discipline, and have attracted widespread attention both domestically and internationally."Upstreaming: Young Architectural from CAFA" Exhibition Site"Arata Isozaki: China Through the Eyes of a World Citizen"& "Upstreaming: Young Architectural from CAFA"Exhibition DurationJuly 15 – August 24, 2025Exhibition VenueFirst-Floor Exhibition Hall and Side Hall, CAFA Art MuseumChief Editor / He Yisha Responsible Editor / Du YinzhuOn-site Photos / Lu Baiyun
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从矶崎新眼中看中国 & 从央美建筑新锐中见未来

2025-07-18

7月15日,由中央美术学院主办的“矶崎新:一个世界公民眼中的中国”展览和“溯流而上:央美建筑青年创作展”在中央美术学院美术馆正式拉开帷幕。中央美术学院院长林茂,副院长吕品晶出席活动并致辞,中央美术学院原院长潘公凯先生、老教授张宝玮先生,以及相关部门负责同志、师生代表、校友代表参加活动。“矶崎新:一个世界公民眼中的中国”   展览继成都展之后,回到了矶崎新设计的中央美术学院美术馆,展览精选了建筑大师矶崎新于过去近三十年间,在中国的众多作品中所做的十个建筑和城市设计项目。每个作品都饱含深刻的历史意识、丰富的当下意义、积极的中外对话和有力的空间语言。致敬矶崎新先生在这片土地上留下国际视野与本土关怀的印记一同践行“如何让建筑扎根文化、连接未来”的探索精神策展人中央美术学院建筑学院副院长崔冬晖教授介绍了展览的机缘及核心内容,同时回忆了矶崎新先生从21年前至现在“回家”的点滴,策展人香港大学建筑系副教授朱涛、矶崎新+胡倩工作室联合创始人兼主持建筑师胡倩就展览作品进行了导览与交流学术研讨“矶崎新:一个世界公民眼中的中国”圆桌论坛,围绕“矶崎新与央美”“建筑与艺术”“矶崎新与当下”等议题进行深入研讨。中央美术学院建筑学院史洋副教授主持论坛。中央美术学院原院长潘公凯先生回顾了中央美术学院美术馆建设过程,强调正是基于对矶崎新的高度信任,才促成这场跨越制度与文化的深度合作与成就。希望中央美术学院建筑学院继续把握好“培养具有艺术家素养的建筑师”的办学理念,特别是建筑应具有文化自觉与美学判断,坚持区别于传统工科路径的独特方向。策展人、香港大学朱涛教授谈到,矶崎新以“世界公民之眼”审视中国建筑,融合传统与未来,回应快速城市化中的文化张力;时任中央美术学院美术馆工程负责人、中国国家画院原副院长谢小凡教授分享了“由信任支撑起的责任”这一思考;中央美术学院程启明教授则从“格物”到“格空间”的思辨出发,解读矶崎新设计背后的哲学内核;北京服装学院艺术设计学院院长车飞教授与矶崎新+胡倩工作室联合创始人胡倩教授分别从交往经历出发,强调矶崎新在“矛盾中构建生命力”与“技术中融合情感”的人文姿态。“溯流而上:央美建筑青年创作展”  展览参展的15家设计机构的17位参展人均为中央美术学院建筑教育培养的杰出校友,他们的作品体现出中央美术学院建筑学院独特的教育环境塑造的专业素养和社会关怀,守护了建筑作为人文艺术的核心价值,受到国内外的普遍关注。策展人中央美术学院建筑学院党总支书记傅祎教授和北京建筑大学金秋野教授介绍了本次展览的缘起、目的和学术主张,各位参展校友依次介绍了自己的展览作品学术研讨“溯流而上”青年创作论坛,从建筑与艺术的关系角度切入,聚焦中央美院建筑教育的独特路径。中央美术学院建筑学院党总支副书记李琳教授主持论坛。中央美术学院副院长吕品晶教授回顾中央美院建筑教育体系建设历程,强调“艺术家精神”始终是中央美院建筑的核心;《时代建筑》主编支文军教授指出,中央美院培养的建筑师群体已成规模,应从“个案”走向“系统叙述”;策展人、中央美术学院建筑学院党总支书记傅祎教授谈到此次展览是对中央美院建筑教育人才培养成果的一次检阅,是矶崎新先生和中央美院建筑设计后生一起“回家”;策展人、北京建筑大学金秋野教授谈到展览主题就是关于“逆向思考”与“源头重溯”的精神探索,作为艺术的建筑是从不在顺流中重复自己;参展校友代表就“央美”身份的认同与思考发表了感想,也集体性的呈现了 “艺术直觉”与“技术理性”平衡的共性特点。展览资讯“矶崎新:一个世界公民眼中的中国”展“溯流而上:央美建筑青年创作展”主办:中央美术学院承办:中央美术学院建筑学院   中央美术学院美术馆展览时间:2025年7月15日—8月24日展览地点:中央美术学院美术馆一层展厅、一层侧厅主编 / 何一沙责编  / 杜隐珠
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Homecoming: "Arata Isozaki: China In The Eyes Of A Global Citizen"

2025-08-09

On the afternoon of July 15, 2025, the exhibition "Arata Isozaki: China in the Eyes of a Global Citizen" opened in the hall on the first floor of the CAFA Art Museum. Following its showing in Chengdu, the exhibition has returned to the CAFA Art Museum, a building designed by Arata Isozaki. The exhibition features ten selected architectural and urban design projects from among the many works created by the renowned architect Arata Isozaki in China over the past nearly 30 years. Each work is imbued with a profound sense of history, rich contemporary significance, active Sino-foreign dialogue, and a powerful spatial language.Homecoming: "Arata Isozaki: China in the Eyes of a Global Citizen" (Group Photo at the Exhibition Opening)This exhibition selects ten architectural and urban design projects from the numerous works created by renowned architect Arata Isozaki in China over the past nearly 30 years. Each work is full of profound historical awareness, rich contemporary significance, active Sino-foreign dialogue and powerful spatial language.The exhibition title contains two key words:One is "China" – the exhibition reviews Arata Isozaki's practical experiences in China and how they have connected with China's historical and contemporary social and cultural contexts.Arata Isozaki had a lifelong love for traditional Chinese culture and continuously paid attention to the changes in China's modern and contemporary society. He started his practice in China in 1994, when China was embarking on a rapid urbanization process. Over the subsequent nearly 30 years, for each project, whether located in the heart of an ancient city or in an empty new urban area, Isozaki strived to use innovative spatial language to respond to China's traditions and current drastic changes, while exploring future possibilities.The second is "world citizen" – the exhibition explores how Arata Isozaki examined Chinese issues from a global perspective.Arata Isozaki is a "world citizen architect" who transcends national and ethnic boundaries. In his practices in China, he always incorporates Chinese issues into the global context for discussion and integrates various world cultural resources into Chinese projects.Another implication of "world citizen" is that in many of his Chinese projects, Arata Isozaki consistently incorporated several spatial themes that he had been pondering throughout his life and that hold universal significance. This exhibition specifically highlights two of them:Theme 1: "Technology and Ruins"On the one hand, Arata Isozaki continuously and passionately explored how various new technologies—such as long-span spatial grids, megastructural urban infrastructure, cybernetics, robots, and the Internet—could bring about the liberation of human space. On the other hand, however, he often expressed a pessimistic judgment about technology and the future of cities. From a developmentalist perspective, ancient ruins can always "hatch" new cities; conversely, no matter how advanced and magnificent a new city may be, it will inevitably collapse and become ruins in the future.Theme 2: "Decentralized Archipelago"In the classical definition, the role of architecture has always been associated with maintaining power, hierarchy, centers, and order. However, Arata Isozaki, who began his practice in the 1960s when the "postmodern" trend emerged, frequently attempted to resist the sole and absolute "center" through various spatial means. Sometimes, he directly subverted the "center" by using ironic techniques such as inverting and reversing classics and fragmenting them into ruins; at other times, he tried to indirectly dismantle the center by creating a decentralized and networked "archipelago."For the display of individual design works, in addition to using relatively conventional media such as models, architectural drawings, conceptual sketches, and photographs, we have also specially created a set of "spatial sections" and a set of "thinking island diagrams" for each project."Spatial Sections" highlight the foreground, aiming to summarize the architectural value of each project. In my view, Isozaki's spatial concepts are concentrated in his distinctively personalized yet deeply classical "syllogistic" spatial configuration—pedestal, wall body, and roof. Therefore, vertically cutting through his buildings and presenting them in the form of "sections" seems to be a most appropriate approach."Thinking Island Diagrams" lay out the background, attempting to sort out the historical context and ideological origins of each project. Combining the display of archaeological fragments with the drawing style of ancient nautical charts, we seek to demonstrate how, in each project, Isozaki navigated through such "fragments" or "archipelagos" as the contemporary context, technological innovation, traditional inheritance, and the evolution of architecture itself; how he wove ideas and refined languages; and how he ultimately added his own fragments and islands to the vast sea of human civilization.After nearly three decades of unremitting efforts, Arata Isozaki's works in China have formed a splendid archipelago. We are fortunate to invite you to visit each island one by one through this exhibition, appreciate the wonders of each island, and navigate between them to experience the distant echoes among the archipelago.The distant echoes among the archipelago collectively reveal China in the eyes of a world citizen: a pluralistic, open country that cherishes traditions, looks to the future, and actively interacts with the world. — Curator: Zhu TaoSketch of the facade and conceptual plan of Shenzhen Cultural Center, 1997, provided by Arata Isozaki + Hu Qian StudioAerial rendering and elevation of Shanghai Expo Performing Arts Center, 2006, provided by Arata Isozaki + Hu Qian StudioHomecoming: At the opening ceremony of the exhibition "Arata Isozaki: China Through the Eyes of a World Citizen", Professor Cui Donghui from the School of Architecture, Central Academy of Fine Arts, co-curator of the exhibition, introduced the 机缘 (origins) and core content of the exhibition. Meanwhile, she recalled the little moments of Mr. Arata Isozaki's "returning home" from 21 years ago to the present. Afterwards, President Lin Mao of the Central Academy of Fine Arts delivered a speech, paying tribute to Mr. Arata Isozaki for leaving the marks of international vision and local care on this land, and encouraging young people to learn from his persistent exploration spirit of "how to make architecture take root in culture and connect with the future". Finally, Professor Zhu Tao, the curator, and Ms. Hu Qian jointly guided everyone through the exhibition works and communicated with them.After the opening ceremony, the guests moved to the academic lecture hall of the art museum for the academic seminar session.The roundtable forum themed "Arata Isozaki: China Through the Eyes of a World Citizen" was hosted by Associate Professor Shi Yang from the School of Architecture, Central Academy of Fine Arts. Centering on topics such as "Arata Isozaki and CAFA", "Architecture and Art", and "Arata Isozaki and the Present", Professor Zhu Tao from the University of Hong Kong, one of the curators, pointed out that Arata Isozaki examined Chinese architecture with the "perspective of a world citizen", integrated tradition and future, and responded to the cultural tensions in the process of rapid urbanization.Mr. Pan Gongkai, former president of the Central Academy of Fine Arts, fondly recalled the construction process of the CAFA Art Museum. He emphasized that it was precisely based on the high trust in Arata Isozaki that this in-depth cooperation and achievement transcending systems and cultures was made possible. He once again underscored the educational philosophy of CAFA's architectural education, which is to "cultivate architects with artistic literacy", emphasizing that architecture should possess cultural awareness and aesthetic judgment, and adhere to a unique path different from the traditional engineering discipline.Professor Xie Xiaofan, who was then in charge of the CAFA Art Museum project and former vice president of the China National Academy of Painting, shared his insights on "the responsibility supported by trust" and emphasized that respect for the original work should not be ignored. Professor Cheng Qiming from the Central Academy of Fine Arts, starting from the philosophical thinking of "studying things" to "studying space", interpreted the philosophical core behind Arata Isozaki's designs.Professor Che Fei, Dean of the School of Art and Design at Beijing Institute of Fashion Technology, and Professor Hu Qian, co-founder of Arata Isozaki + Hu Qian Studio, respectively, starting from their communication experiences, emphasized Arata Isozaki's humanistic stance of "constructing vitality amid contradictions" and "integrating emotions into technology".Exhibition site.————————————————————————————Exhibition information.————————————————————————————Chief Convener: Pan GongkaiAcademic Advisor: Lü PinjingCurators: Zhu Tao, Cui DonghuiAcademic Host: Hu QianExhibition Coordinator: Shi YangExhibition Design: Zhu Tao Architecture StudioExhibition Execution: Huo Panwang, Meng QingfengHost: Central Academy of Fine ArtsOrganizer: CAFA Art MuseumCo-organizers: Arata Isozaki + Hu Qian Studio, Red Seal Art CenterExhibition Period: July 15 - August 24, 2025Venue: 1st Floor Hall, CAFA Art MuseumChief Editor / He Yisha Editor / Du YinzhuEditor / Zhu Jingyi
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

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This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

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Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

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Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

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Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!