流动的艺域——中央美术学院美术馆藏国际艺术交流研究展 CAFA Art Museum

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: 跨越三个世纪的133位全球艺术家的作品集结｜“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”开幕

2025-07-20

7月18日，“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”在中央美术学院美术馆开幕。该展览凭借其学术价值和独特的文化视角，大量重要艺术作品为首次展出，涉及133位全球艺术家的244件（组）精彩作品。本展览入选文化和旅游部“2025年全国美术馆馆藏精品展出季”项目。上级单位领导、以及校外艺术机构的代表：教育部留学服务中心来华处处长马赟、清华大学艺术博物馆副馆长段江飞、清华大学奥林匹克艺术研究中心副主任宿志鹏、影易艺术空间负责人李欣、中国对外艺术展览公司负责人尹鹏、今日美术馆执行馆长晏燕、X美术馆馆长尤洋；从事外国美术史论研究的校外专家、学者：清华大学美术学院教授张敢，独立策展人、艺术史研究者苏伟，独立策展人、北京大学艺术学院研究员、西方艺术理论研究学者董丽慧；校内教学科研部门和职能部门嘉宾：南海美术学院院长、中央美术学院教授金日龙、国际合作和交流处处长王川和副处长杨曦、艺术管理与教育学院院长余丁和党总支副书记康俐、党委宣传部部长徐新立和副部长吴琼、建筑学院党总支书记傅祎、人文学院副院长邵亦杨、版画系副主任杨宏伟、图书馆直属党支部副书记安永欣、教务处副处长周岚、姚璐教授、曹庆辉教授，以及美术馆领导班子成员馆长靳军、直属党支部书记韩文超、副馆长高高、副馆长海军，学校相关部门负责人、老师等嘉宾参加开幕式。中央美术学院美术馆副馆长高高担任主持人。中央美术学院美术馆馆长靳军中央美术学院美术馆馆长靳军在致辞中表示，“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”是我馆首次系统性呈现丰富而珍贵的国际艺术收藏。其中，两百余件国际馆藏作品汇聚于此，每一件作品都承载着独特的时代记忆与艺术价值，共同勾勒出中央美术学院美术馆收藏体系视野下的国际艺术轮廓，生动反映了中央美院在国际美术教育与交流中积淀的深厚历史成果。同时，本次展览入选了文化和旅游部2025年全国美术馆馆藏精品展出季项目。希望观众沉浸于这场跨越时空与地域的艺术对话。中央美术学院人文学院副院长邵亦杨中央美术学院人文学院副院长邵亦杨表示，此次展览精彩呈现了中央美院从库尔贝到马克·奎恩等国际大师的珍贵收藏，跨越古典至当代艺术。策展以"中国看世界"和"世界看中国"双视角展开，启发我们以全球视野思考艺术发展。这些展品不仅展现了央美的国际交流历程，更折射出不同时期收藏对中国艺术发展的深远影响。正如"他山之石，可以攻玉"的智慧，国际展览让我们通过世界反观自身，推动艺术进步。这是一次极具学术价值的成功展览，期待未来更多这样的艺术盛宴。美术馆策划研究部项目主管胡晓岚美术馆策划研究部项目主管胡晓岚博士作为策展团队代表谈到，开放、包容和接纳的态度与中央美术学院美术馆建构国际收藏体系的视野和格局是一致的。对于此次馆藏国际艺术展的策划，离不开我们的原点和根本思考点，那就是中央美术学院，那就是中国，因此展览分为"国际艺珍"和"中国镜像"两个单元，从“看世界”与“看中国”的双向视角展开，试图从一个侧面呈现世界艺术相互作用，生长变化的动态图景。特别感谢藏家、艺术家及国际友人的支持，让这些来自世界各地的作品汇聚央美美术馆。感谢在展览落实的过程中提供过帮助的老师们和支持者，希望通过展览激发更多的学术讨论，活化馆藏研究。中央美术学院美术馆副馆长高高担任主持人此次展览是中央美术学院美术馆历史上首次系统梳理并公开展示其国际艺术收藏，是中央美术学院美术馆持续挖掘藏品价值，扩展学术视野，促进藏品高质量利用，促进美术馆高质量发展的重要项目。展品时间跨越三个世纪，从19世纪欧洲古典油画延伸至21世纪的全球当代艺术，地域范围涵盖五大洲。这些馆藏作品不仅体现了不同时代、不同地区的艺术特征，也是从中国视角对于全球美术史的一次关注，同时这次展览更是记录了中央美术学院自1930年代开始，近百年来的国际艺术收藏的积累历程，包括早期欧洲油画收藏、1950年代的系统购藏、捐赠，以及矶崎新设计的中央美术学院美术馆新馆2008年建成开放后的进一步拓展。展览分为“国际艺珍”和“中国镜像”两个单元。“国际艺珍”以文化多样性、历史发展的双重线索，呈现馆藏体系的构建过程，展示了众多珍品。展品包括中国近代第一批公立机构的国际艺术收藏——19世纪欧洲古典主义、现实主义油画序列的首次系统展出（如古斯塔夫·库尔贝的《妇女头像》），也有反映特定时期艺术交流的东欧版画收藏，以及新馆时期入藏的国际艺术名家，如德国约瑟夫·博伊斯、爱尔兰肖恩·斯库利、丹麦比扬·诺格、智利何塞·万图勒里、韩国河东哲、日裔美籍小野洋子、瑞士罗曼·西格纳的当代绘画、雕塑、影像和装置作品。“中国镜像”单元则聚焦日本矢崎千代二、法国阿涅斯·瓦尔达、法国马克·吕布、日本久保田博二四位国际艺术家的创作，展示他们如何观察并艺术化地呈现中国的社会变迁、人文景观和文化特质。这些作品提供了外部视角对中国复杂形象的解读。“国际艺珍”与“中国镜像”两个单元形成了一种双向的观察：既展示对世界艺术的收藏与研究（由内而外），也呈现外国艺术家眼中的中国（由外而内），旨在探讨艺术跨越边界的流动以及文化交流互鉴的意义。展览还设立特别单元，回顾了中央美术学院美术馆2008年新馆落成之后至今的国际艺术展览项目，通过书籍与海报、地图的展示，探讨新时代中国的美术馆与全球艺术的深刻关系。作为入选文旅部精品展出季的项目，“流动的艺域”的举办，既是对中央美术学院美术馆长期国际收藏与研究工作的阶段性呈现，也反映了中央美术学院积极参与国际艺术交流与对话的姿态。同时这次展览也是中国美术馆界的一次重要尝试，首次以自有馆藏向社会公众呈现一个梳理世界艺术史的展览项目，也是展示了美术馆高质量发展的信心。展览将持续为公众提供一个了解世界艺术多样性与文化交流实践的平台。随着该展览的开幕，中央美术学院美术馆将呈现“中央美术学院美术馆藏陈列：古代中国艺术”、“中央美术学院美术馆藏精品展出季：现代中国美术”和“流动的艺域——中央美术学院美术馆藏国际艺术交流研究展”三展联动态势，多角度地向社会奉献中央美术学院美术馆古今中外艺术收藏的成果。本次展览在中央美术学院美术馆的三层展出，展览将持续到2025年8月24日。期待您的到来！ / 部分参展作品 /妇女头像，古斯塔夫·库尔贝，19世纪，46×38cm，布面油彩，中央美术学院美术馆藏，Head of a Woman，Gustave Courbet，19th century，46×38cm，Oil on canvas，CAFAM Collection枪炮与鲜花，华盛顿特区，美国，马克·吕布，1967年，50×60cm，明胶银盐照片，中央美术学院美术馆藏，Flower,Washington DC,USA，Marc Riboud，1967，50×60cm，Gelatin silver print，CAFAM Collection采集者，何塞•万徒勒里，1982年，98x68cm，布面丙烯，中央美术学院美术馆藏，A Gatherer José Venturelli，1982，98x68cm，Acrylic on canvas，CAFAM Collection“7000 棵橡树”玄武石之一，约瑟夫·博伊斯，1982年，40×40cm×140cm，玄武石，中央美术学院美术馆藏，One of the Basalt Stones from _7000 Oaks_，Joseph Beuys，1982，40×40cm×140cm Basalt stone，CAFAM Collection妇女头像，古斯塔夫·库尔贝，19世纪，46×38cm，布面油彩，中央美术学院美术馆藏，Head of a Woman，Gustave Courbet，19th century，46×38cm，Oil on canvas，CAFAM Collection妇女头像，古斯塔夫·库尔贝，19世纪，46×38cm，布面油彩，中央美术学院美术馆藏，Head of a Woman，Gustave Courbet，19th century，46×38cm，Oil on canvas，CAFAM Collection妇女头像，古斯塔夫·库尔贝，19世纪，46×38cm，布面油彩，中央美术学院美术馆藏，Head of a Woman，Gustave Courbet，19th century，46×38cm，Oil on canvas，CAFAM Collection歧路之园，马克·奎恩，2019年，220×120cm，铜，中央美术学院美术馆藏，The Garden of Forking Paths，Marc Quinn，2019 ，220×120cm，Bronze，CAFAM Collection
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: International Collection Focus | "Opening" The Video Experience of Roman Signer

2025-07-31

From 19th-century European oil paintings to contemporary art, spanning three centuries; from the Americas to Oceania, connecting five continents. More than 200 international art collections gather here and now, meeting us in the present. This exhibition marks the first overall appearance of the international artworks in the collection of the CAFA Art Museum, presented in two parallel sections: "International Art Treasures" and "Chinese Mirrors". The "International Art Treasures" section sorts out the collections from the perspective of cultural diversity, demonstrating the international vision and diverse pattern in the construction of the museum's collection system. The "Chinese Mirrors" section, taking the works created in China by four foreign artists with China as the theme as samples, presents the images of China from a foreign perspective.Many of these works once lay silent in storage, yet each bears distinct imprints of its era and inherent artistic value. Piece by piece, batch after batch, the enrichment and accumulation of international art collections not only reflect the development course of the art museum, the achievements of art education and international exchanges at the Central Academy of Fine Arts, but also outline, from a side angle, the cultural exchanges between China and foreign countries as well as the global art ecosystem.The international collection of CAFA Art Museum dates back to the 1930s. The European oil paintings from the former collection of the Beiping Research Institute and the individual collection of Yasaki Chiyo formed the initial foundation. Starting from the 1950s, the Academy systematically purchased and collected European and Soviet works during the construction of its exhibition hall. Supplemented by donations from teachers and gifts from international artists, the scale of the collection gradually took shape. Works by renowned artists such as the Soviet Union's Kravchenko and Japan's Kazuyama Matazo, donated by embassies in China and international friends, are all precious relics of their era.The art museum designed by Arata Isozaki was completed in 2008, marking a new stage in the development of the international collection. Significant contemporary artworks have entered the collection through donations from collectors, institutions, and embassies: including the conceptual art of Joseph Beuys from Germany and Yoko Ono, a Japanese-American; paintings by Sean Scully from Ireland and Ha Dong-joo from South Korea; sculptures by Bjørn Nørgaard from Denmark; video works by Roman Signer from Switzerland; photographs by Agnès Varda and Marc Riboud from France; as well as works by other international art masters such as A.R. Penck from Germany and Roberto Matta from Chile. Together, they weave a network of international art.Open, Roman Signer, 2014, 1 minute and 42 seconds, video, Collection of CAFAM, Start, Roman SignerRoman Signer was born in Switzerland in 1938. Since 1972, he has participated in major exhibitions including the Venice Biennale in 1976 and 1999, as well as Documenta Kassel in 1987. Aktion vor der Orangerie (Action in Front of the Orangerie) at the closing ceremony of Documenta Kassel has become a classic project. Roman Signer has established himself as one of the most significant artists in the fields of explosive actions, activism, time-based sculpture, and video art.Roman Signer has a long-standing connection with China. He first visited China in 1981, returned in 2011, and from October 23 to November 23, 2014, an exhibition entitled "Roman Signer: Videos and Films 1975-1989 and Now" was held at the Art Museum of the Central Academy of Fine Arts. Roman Signer spoke of his works in this way: "Most of my creations are personal. All my initial attempts were for my own experience. Later, through video dissemination, others invited me to carry out small-scale, public on-site actions. But these are not creations like performance art; they are without audience awareness."Related exhibitions.Click "Read Original Text" to view the details of the exhibition.On display.文化和旅游部“2025年全国美术馆馆藏精品展出季”项目2025 National Exhibition Season of Art Museums' Brilliant Collections Organized by the Ministry of Culture and Tourism流动的艺域——中央美术学院美术馆藏国际艺术交流研究展Interflowing Artscapes: CAFAM International Exchange Research Exhibition from the Collection主办：中央美术学院美术馆Organizer: CAFA Art Museum展览时间：2025年7月18日-8月24日Duration: July 18 - August 24, 2025展览地点：中央美术学院美术馆 3A和3B展厅Venue: 3A & 3B Gallery, CAFA Art MuseumEditor-in-Chief / He Yisha Editor / Du Yinzhu
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: Marc Riboud's Photography | Focus On International Collections

2025-08-15

"The China Mirror" Unit"The China Mirror" presents the "China" in the hearts of four foreign artists through their eyes. These works are not curiosity-driven captures of oriental charm by outsiders, but rather profound observations and sincere expressions by the artists on this ancient yet rapidly changing land of China, leveraging their unique cultural backgrounds, artistic languages, and individual perceptions. They are "China images" reflected through "foreign eyes," forming another dimension in this exhibition that echoes with "International Art Treasures."In the face of China's social reality, humanistic landscapes, and spiritual core, the works of these four artists—Chiyo Yasaki, Agnès Varda, Marc Riboud, and Hiroji Kubota—have become precious samples for exploring how the "perspective of the other" understands, interprets, and even reconstructs the complex cultural image of "China." Their gaze goes beyond simple landscape depiction and photography, delving deeper into the exploration of cultural textures, social pulses, historical accumulations, and contemporary transformations. With their keen perception and personalized artistic techniques, the artists have transformed the image of China into a unique chapter in their artistic language. This process of transformation itself contains rich cultural collisions, understandings, and dialogues.The "China Mirror" unit offers a "from the outside in" cultural gaze, inviting audience friends to temporarily step out of their accustomed local perspectives and try to re-examine the China they are familiar with or think they are familiar with through the lenses and drawing papers of others. This reflection of the "mirror" is not only the result of individual creations by foreign artists, but also the product of cultural exchanges and interactions between China and foreign countries. It reveals the two-way nature of cultural exchanges: when China is regarded as an object, the influence of its culture, the complexity of its image, and its open attitude towards the external world are all clearly visible.This recommendation — Marc RiboudMarc Riboud (1923–2016) was a renowned French photographer, famous for his humanistic care, keen observation, and poetic lens language. His photographic style combines documentary and lyrical elements, excelling at capturing emotions and tensions in everyday moments. He joined Magnum Photos in 1953 and was the first Western photographer permitted to enter China for shooting in the 1950s.At the end of December 1956, Marc Riboud arrived in Hong Kong. On January 1, 1957, he traveled from Hong Kong to Beijing, starting a three-month journey that took him to many cities and villages including the Northeast China, Shanghai, Hangzhou, Chongqing, and Lanzhou. This visit left him with rich image records and marked the beginning of his decades-long journey in China. He came to China more than 20 times, capturing numerous moments full of the spirit of the times, leaving a large number of precious images, and witnessing the profound transformation and tremendous changes of Chinese society.In 2010, after holding a photography retrospective exhibition in Shanghai, Marc Riboud donated some of his important works to CAFA Art Museum. From March 6 to April 2, 2010, CAFA Art Museum held "Fleeting Moments of Intuition: Marc Riboud Photography Retrospective Exhibition", which centered on his documentary works shot in China over nearly half a century, and focused on presenting the rich figures, landscapes and social scenes captured through his lens."Beijing 1957" by Marc Riboud————————————————————————————————————Beijing 1957, Marc Riboud, 1957, 50×40cm, Gelatin Silver Print, Collection of CAFA Art Museum"Beijing 1957" by Marc Riboud————————————————————————————————————Beijing 1957, Marc Riboud, 1957, 50×40cm, Gelatin Silver Print, Collection of CAFA Art Museum"Yan'an 1965" by Marc Riboud————————————————————————————————————Yan'an 1965, Marc Riboud, 1965, 40×50cm, Gelatin Silver Print, Collection of CAFA Art Museum"Shanghai 1971" by Marc Riboud————————————————————————————————————Shanghai 1971, Marc Riboud, 1971, 50×40cm, Gelatin Silver Print, Collection of CAFA Art MuseumThe CAFA Art Museum has a collection of 30 works by Marc Riboud, some of which are also on display in the "International Art Treasures" unit of this exhibition."International Art Treasures" UnitThe international art collection of CAFA Art Museum has formed a unique cross-cultural narrative through its diverse sources and profound historical accumulation. Original 19th-century European oil paintings and their original frames were transferred to the collection through institutional allocation in the 1930s and 1950s. Initially collected for teaching and research purposes, these works, though mostly created by anonymous painters, cover a wide range of themes—from still lifes of flowers, urban life to labor scenes—presenting the true features of the times. They have become material examples for studying 19th-century art, among which Gustave Courbet's Head of a Woman is an outstanding treasure.The diverse collection of prints bears the imprint of socialist art exchanges. Wang Manshu, once Vice President of the Central Academy of Fine Arts, brought back prints created by teachers and students from the Kyiv State Academy of Fine Arts in Ukraine. The woodcut and copperplate techniques employed in these works integrate socialist themes with national customs and history. Meanwhile, Wu Biduan, former Director of the Printmaking Department, systematically collected 56 prints during his study in the Soviet Union, including works personally gifted by renowned artists such as Nikolai Nevrev, as well as precious cultural relics like exercises by his classmates.The global expansion during the new museum period has enriched the collection categories, ranging from a large number of international photography collections to paintings, sculptures, installations, and videos. It includes the humanistic spirit embodied in classic photographic works such as Marc Riboud's Guns and Flowers, as well as The Gatherers by Chilean painter Roberto Matta, which integrates ink-wash painting with Latin American mural styles. This diversified collection not only engages in dialogue with the 19th-century European tradition but also constructs a dynamic archive of international visual culture. With 19th-century oil paintings as the "source", prints as the "vein", and contemporary expansions as the "current", these international art treasures in the collection are not only fragments of art history but also practical testimonies of our participation in international art exchanges through collection, research, and transformation."The Painter on the Eiffel Tower" by Marc Riboud————————————————————————————————————————————————The Painter on the Eiffel Tower, France, Paris, Marc Riboud, 1953, 60×50cm, Gelatin Silver Print, Collection of CAFAM"Afghanistan" by Marc Riboud————————————————————————————————————Afghanistan, Marc Riboud, 1955, 40×50cm, Gelatin Silver Print, Collection of CAFA Art Museum"Guns and Flowers" by Marc Riboud————————————————————————————————————Guns and Flowers, USA, Washington D.C., Marc Riboud, 1967, 50×60cm, Gelatin Silver Print, Collection of CAFA Art Museum"Bratislava" by Marc Riboud————————————————————————————————————Bratislava, Slovakia, Marc Riboud, 1997, 50×60cm, Gelatin Silver Print, Collection of CAFA Art MuseumRelated exhibitions.From April 23 to June 6, 2010, the exhibition "Fleeting Moments of Intuition: A Retrospective of Marc Riboud's Photography" was held at CAFA Art Museum.Click "Read the Original Text" to view the exhibition details.Exhibition information.2025 National Exhibition Season of Art Museums' Brilliant Collections Organized by the Ministry of Culture and TourismInterflowing Artscapes: CAFAM International Exchange Research Exhibition from the CollectionOrganizer: CAFA Art MuseumDuration: July 18 - August 24, 2025Venue: 3A & 3B Gallery, CAFA Art MuseumChief Editor / He YishaResponsible Editor / duyinzhuEditor / Zhu Jingyi
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: Exhibition Highlights Focus | "Interflowing Artscapes - CAFAM International Exchange Research Exhibition from the Collection" Extended

2025-08-22

From 19th-century European oil paintings to contemporary art, spanning three centuries; from the Americas to Oceania, connecting five continents. More than 200 international art collections gather here and now, meeting us in the present.Many of these works once lay silent in storage, yet each bears distinct marks of its era and artistic value. One after another, batch after batch, the enrichment and accumulation of international art collections not only reflect the development of the art museum, the achievements of fine arts education and international exchanges at the Central Academy of Fine Arts, but also outline, from a side perspective, cultural exchanges between China and foreign countries and the global art ecosystem.The international collection of CAFA Art Museum began in the 1930s. The old collection of European oil paintings from the Beiping Research Institute and the individual collection of Chiyo Yazaki formed the initial foundation. Starting from the 1950s, the academy systematically purchased and collected European and Soviet works during the construction of the exhibition hall, supplemented by donations from teachers and gifts from international artists, gradually expanding the scale of the collection. Works by renowned artists such as the Soviet Union's Kravchenko and Japan's Matazo Kayama, donated by embassies in China and international friends, are all precious relics of their time.The art museum designed by Arata Isozaki was completed in 2008, marking a new stage in the development of its international collection. Important contemporary artworks have been added to the collection through donations from collectors, institutions, and embassies: conceptual art by Joseph Beuys from Germany and Yoko Ono, a Japanese-American; paintings by Sean Scully from Ireland and Ha Dong-joon from South Korea; sculptures by Bjørn Nørgaard from Denmark; videos by Roman Signer from Switzerland; photography by Agnès Varda and Marc Riboud from France; as well as works by international art masters such as A.R. Penck from Germany and Matta-Clark from Chile, all together weaving an international art network.This exhibition is the first comprehensive display of the international artworks in the collection of the CAFA Art Museum, presented in two juxtaposed sections: "International Art Treasures" and "Chinese Mirrors"."International Art Treasures" sorts out the collections from the perspective of cultural diversity, highlighting the international vision and diversified pattern in the construction of the art museum's collection system; "Chinese Mirror Image" takes the works created in China by four foreign artists with China as the theme as samples, showing the Chinese image from a foreign perspective."Viewing the World" and "Exploring China" consist of two units: one from the inside out and the other from the outside in. These two units form a two-way cultural gaze and dialogue, exploring the cross-border flow of art and striving to demonstrate the profound significance of cultural exchange and mutual learning. These two forces, like Tai Chi, circulate and interact with each other, reflecting the dynamic landscape of the continuous growth and change of world art."Woman's Head" Gustave Courbet————————————————————————————————————Portrait of a Woman, Gustave Courbet (French), 19th century, 46×38cm, oil on canvas, Collection of CAFAM"Sketch for the Mural of the Paris Opera" Isidore Alexandre Augustin Pils———————————————————————————————————————Mural Draft for the Paris Opera House, by Isidore Alexandre Augustin Pils (French), 19th century, 80×154cm, oil on canvas, Collection of CAFAM"Portrait of a Lady at Her Toilet" Florent Williams——————————————————————————————————————————————Woman at Her Toilette by Florent Willems (Belgium), 19th Century, 77×53 cm, Oil on Canvas, Collection of CAFAM"Female Nude" Андрей Андреевич Мыльников————————————————————————————————————Female Nude, Андрей Андреевич Мыльников（Soviet Union）, circa 1980, 53×63cm, oil on canvas, Collection of CAFAM"Self-Portrait" Käthe Kollwitz—————————————————————————————————Self-portrait, Kathe Kollwitz (Germany), 1924, 24×33cm, monochrome woodcut, collected of CAFAM"The Woman in a Headscarf" Т. Нелецкий—————————————————————————————————————————A Woman with a Headscarf, by Т. Нелецкий（Soviet Union）, 1958, 32.5×19cm, monochrome lithograph, Collection of CAFAMIllustrations for "Quiet Flows the Don" А.И.Кравченко———————————————————————————————————————Illustration of "And Quiet Flows the Don", by А.И.Кравченко（Soviet Union）, 1957, 7.5×9.5cm, monochrome woodblock print, collection of CAFAM"Woman Holding a Baby" Arthur C. Danto————————————————————————————————————————A Woman Holding a Baby, Arthur C. Danto (American), 1960s-1970s, 45×30cm, monochrome woodblock print, Collection of CAFAM"White Horse"Kayama Matazō————————————————————————White Horse, by Kayama Matazō (Japan), 1985, 49×46.5cm, color woodblock print, Collection of CAFAM"Painters on the Eiffel Tower" Marc Riboud————————————————————————————————————————Painter on the Eiffel Tower, France, Paris, Marc Riboud, 1953, 60×50cm, gelatin silver print, Collection of CAFAM"Joseph Beuys" Shigeo Anzai——————————————————————————————Joseph Beuys, Shigeo Anzai (Japan), 1984, 90.3×111.7cm, collection-grade art giclée print, Collection of CAFAM"Dead City Series 8-4" Gilad Ophir——————————————————————————————————Dead City Series 8-4, Gilad Ophir (Israel), 1998, 112.68×140cm, Collectible Fine Art Giclée Print, Collection of CAFAM"Portrait of Nam June Paik" Kevin Clark————————————————————————————————————————Portrait of Nam June Paik, by Kevin Clarke (American), 1999, 100×160cm, archival color print, Collection of CAFAM"Under the Power Lines" Roger Ballen——————————————————————————————————————Head Under the Power Line, Roger Ballen (South Africa), 1999, 40×40cm, Gelatin Silver Print, Collection of CAFAM"Stream" Kitaoka Fumio————————————————————————————Stream, Kitaoka Fumio (Japan), 1985, 190×50cm, Monochromatic Woodblock Print, Collection of CAFAM《Light 98-32》 Ha Dong Chul————————————————————————————————Light 98-32, Ha Dong Chul (South Korea), 1998, 125×250cm, Acrylic on Canvas, Collection of CAFAM"Songs of Tears" Sean Scully————————————————————————————————The Weeping Song, Sean Scully (Irish), 2015, 215.9×190.5cm, oil on aluminum plate, Collection of CAFAM"One of the Basalts from '7000 Oaks'" Joseph Beuys————————————————————————————————————————One of the basalt stones from "7000 Oaks", Joseph Beuys (Germany), 1982, 40×40cm×140cm, basalt, Collection of CAFAM"Action Painting" YOKO ONO————————————————————————————Action Painting (created at the CAFA Art Museum), Yoko Ono (Japanese-American), 2015, 200×100cm×7 pieces, 2 minutes and 46 seconds, ink on cloth, video, Collection of CAFAM"The Garden of Forking Paths" Marc Quinn————————————————————————————————————————————The Garden of Forking Paths by Marc Quinn (UK), 2019, 220×120 cm, Bronze, Collection of CAFAMSpecial reminder.The exhibition will be extended until September 3, 2025. Visitors are welcome to come and see the exhibition!Exhibition information.2025 National Exhibition Season of Art Museums' Brilliant Collections Organized by the Ministry of Culture and TourismInterflowing Artscapes: CAFAM International Exchange Research Exhibition from the CollectionOrganizer: CAFA Art MuseumDuration: July 18 - September 3, 2025Venue: 3A & 3B Gallery, CAFA Art MuseumChief Editor / He Yisha Responsible Editor / DU Yinzhu Editor / Zhu Jingyi
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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.