2019 CAFA Graduation Season: Undergraduate Students’ Graduate Artwork Exhibition

  • Dates:2019-06-06 - 2019-06-25
  • Location:CAFA Art Museum, Multi-Function Hall, School History Exhibition Hall, The Amphitheater, Campus Exhibition Halls, Building No.7 Exhibition Hall
  • Opening:2019-06-06 09:30

Details

The theme of 2019 CAFA Graduation Season is “Archaeologies of the Future”.

Preface

Foreword for 2019 CAFA Undergraduate Students’ Graduate Artwork Exhibition

The 2019 CAFA Undergraduate Students’ Graduate Artwork Exhibition opens in the midsummer time. From June 6 to 25, CAFA will showcase the all-round achievements of the 893 students from School of Chinese Painting, School of Plastic Arts, School of Experimental Art, School of Humanities, School of Design, School of Architecture, School of Urban Design, Institute of Arts Administration and Education.

In recent years, adhering to the CAFA’s motto of “To reach the broad and great while penetrating the subtle and minute(尽精微 致广大)”, the academy has enhanced the educational reform, and improved all majors’ pedagogic goals and measures to better suit the society’s development. Especially in undergraduate teaching, the academy lays emphasis on mutual learning of teachers and students, and focuses more on students’ thinking and innovation during their art practices. The graduate artworks are a summary of the undergraduate students’ accomplishments in art studies and practices, a reflection of what they have learned and felt, and an embodiment of their techniques, thoughts, aesthetic consciousness and art taste. This year’s undergraduate students have made new breakthroughs in media, forms and art languages of their works, which display both the academic characteristics of their respective majors and the open-minded, brave-in-exploration passion of the youths. The “specialized” and “cross-boundary”, “integration” and “communication” qualities illustrative of our time are also conspicuously shown in their works, manifesting CAFA students’ distinct personalities and determination to make progress.

A journey of a thousand miles begins with a single step. The Undergraduate Students’ Graduate Artwork Exhibition is a goal to the students’ campus learning, and a starting point to the next stage of their life. I hope this exhibition will be a beginning of CAFA students’ pursuit in art and a beautiful life. I hope you stay true to your original self, always stay hungry for knowledge, stay in awe of the academic learning, and contribute yourself to the world of new era in the future.

Central Academy of Fine Arts

Su Xinping

May 2019

Foreword for 2019 CAFA Undergraduate Students’ Graduate Artwork Exhibition

The 2019 CAFA Undergraduate Students’ Graduate Artwork Exhibition opens in the midsummer time. From June 6 to 25, CAFA will showcase the all-round achievements of the 893 students from School of Chinese Painting, School of Plastic Arts, School of Experimental Art, School of Humanities, School of Design, School of Architecture, School of Urban Design, Institute of Arts Administration and Education.

In recent years, adhering to the CAFA’s motto of “To reach the broad and great while penetrating the subtle and minute(尽精微 致广大)”, the academy has enhanced the educational reform, and improved all majors’ pedagogic goals and measures to better suit the society’s development. Especially in undergraduate teaching, the academy lays emphasis on mutual learning of teachers and students, and focuses more on students’ thinking and innovation during their art practices. The graduate artworks are a summary of the undergraduate students’ accomplishments in art studies and practices, a reflection of what they have learned and felt, and an embodiment of their techniques, thoughts, aesthetic consciousness and art taste. This year’s undergraduate students have made new breakthroughs in media, forms and art languages of their works, which display both the academic characteristics of their respective majors and the open-minded, brave-in-exploration passion of the youths. The “specialized” and “cross-boundary”, “integration” and “communication” qualities illustrative of our time are also conspicuously shown in their works, manifesting CAFA students’ distinct personalities and determination to make progress.

A journey of a thousand miles begins with a single step. The Undergraduate Students’ Graduate Artwork Exhibition is a goal to the students’ campus learning, and a starting point to the next stage of their life. I hope this exhibition will be a beginning of CAFA students’ pursuit in art and a beautiful life. I hope you stay true to your original self, always stay hungry for knowledge, stay in awe of the academic learning, and contribute yourself to the world of new era in the future.

Central Academy of Fine Arts

Su Xinping

May 2019

Photographs

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—没有坚韧不拔的毅力,就没有持之以恒的蓄积,进而也没有充满生机的活力更没有应运而生、乘机而为的能力。丨综合班丨毕业生:刘田睿,陈诸葛,李畅,刘赢心,赵无云,杨喜,王章程,李柯霖,史弼朱(按学号排序)刘田睿姓名:刘田睿出生年份:1995年出生地:黑龙江省哈尔滨市邮箱:310118099@qq.com毕业作品:《鉴古图》指导教师:(按姓名拼音排序)陈平,李洋,廖勤作品通过描绘观众在博物馆观赏品鉴青铜器文物的情景,希望表达当代人在快节奏的生活的同时,思古,阅古,鉴古,追古的情景。两件青铜器分别为武王征商簋和青铜鬶。陈诸葛姓名:陈诸葛出生年份:1995年出生地:湖北省荆州市邮箱:9351796333@qq.com毕业作品:《脚下之地》指导老师:(按姓名拼音排序)陈平,廖勤本次毕业展我的作品是《脚下之地》。主要希望借助国画的材料和媒介表达自然科学所带来的新的视觉经验。脚下之地可以从字面意思来理解为我们站立的土地,以及土地之下的空间和物质。因为我个人对于艺术品的喜好比较广泛,而且对于西方分离派的作品颇感兴趣,其中克里姆特和席勒的构成式全景风景画对我触动极大,这也是我创作图示和构成的图像灵感来源。而本身四年经过了国画传统的学习,也形成了我对于传统国画材料和媒介的偏好。并且最终借助于此完成了这副作品。李畅姓名:李畅出生日期:1996年8月17日出生地:河北省邮箱:675687173@qq.com毕业作品:《玳瑁》指导老师:(按姓名拼音排序)陈平,廖勤玳瑁是一种有机宝石。汉代的著名诗篇《孔雀东南飞》中就有“足下蹑丝履,头上玳瑁光。”的诗句。但过度的捕捞使玳瑁已经成为濒危物种,在中国近海也几乎绝迹。我们应该以史为鉴——秦人不暇自哀,而后人哀之;后人哀之而不鉴之,亦使后人而复哀后人也。刘赢心姓名:刘赢心出生年份:1994年出生地:山东省邮箱:13261271712@163.com毕业作品:《共生》系列组画指导老师:(按姓名拼音排序)陈平,廖勤人不是一个孤独的物种,它早已与自然形成了不可分割的共生关系,人类在自身发展的同时应该对自然保持原始时期所拥有的畏惧、热爱、崇敬。自然能够孕育生命也能够夺走生命。赵无云姓名:赵无云出生日期:1997年1月28日出生地:江苏省镇江市邮箱:873183582@qq.com毕业作品:《九号楼》指导老师:(按姓名拼音排序)陈平,刘金贵,廖勤从“宿舍”这一角度描绘我所处的大学生活。无论是门外看见门内,还是门内看见门外,亦或是紧闭的一扇门。我想从大家最自由,最自然的状态中反映我们确定的一件事:“生活就是眼前。”姓名:杨喜出生年份:1989年出生地:山东省潍坊市邮箱:963364661@qq.com毕业作品:《雨后重山》尺寸:画芯150x160cm材料:生宣,水墨指导老师:陈平 廖勤诗文:雨过润苍峰,卷舒云影浓。小村人寂寂,激石响流淙。(有正)己亥四月作雨后重山   杨喜自制印章:杨喜;杨;尽心则悦;世外此作品名为《雨后重山》,写山中雨后之意象。戊戌六月,余独一人入豫太行写生月余。观山中之气象变幻,朝露落霞,骄阳瀑雨,变化万千。而雨后山中之景最合己意。其景烟云缭绕,巨峦隐现,万木葱茏,人闲村静。赋诗曰:雨过润苍峰,卷舒云影浓。小村人寂寂,激石响流淙。此作为余心相之照,亦此时之感怀。王章程姓名:王章程出生日期:1995年12月1日出生地:山西长治市邮箱:1378972764@qq.com毕业作品:《梅枝清影》指导老师:(按姓名拼音排序)陈平,廖勤中国文化从大自然纷繁品类中淘汰筛选,以上乘智慧格出”梅兰竹菊“四品以类”君子“这一理想人格,是我们民族两千多年的智者的慧心投射,背后定有深意,梅的精神永驻在我们的民族血液之中,梅的淡雅高格也是我毕生的理想追求,故心怀敬畏以手追之。李柯霖姓名:李柯霖出生日期:1997年2月17日出生地:重庆市垫江县邮箱:likelin741@qq.com毕业作品:《川西茶馆》指导老师:陈平,李洋,廖勤我生于重庆,茶馆一直伴随我的儿时记忆,和重庆的天一样给人感觉永远灰蒙蒙黑乎乎,总有一种说不尽看不透的滋味。这是祖祖辈辈的生活方式,但今天这种地域文化正在迅速消失……史弼朱姓名:史弼朱出生年份:1996年1月18日出生地:韩国首尔邮箱:sasaboo96@hanmail.net毕业作品:《夜和猎豹》指导老师:(按姓名拼音排序)陈平,廖勤,岳黔山我是在城市出生长大的,与古人不同,对我来说,花和动物在植物园和动物园的样子更熟悉。与严肃生活快节奏的城市氛围不同,晚上的动物园铁笼里的动物充满了生命力和野性。两种情况相互对比,反而是人们像被关在铁笼里一样,人们只顾着向前走,内心却是模糊不清的。在现代社会中,由于诸多外部势力的刺激,人们逐渐失去了自己内心最重要的东西。在铁笼里的动物,它们本质上充满了生命力,我们也要强调内心本质的人性恢复。丨山水专业丨班主任:刘荣毕业生:张鹏,杜若馨,柴梦原,李泽,徐艺超,邓元初,储嘉(按学号排序) 张鹏籍贯:湖南新化邮箱:1607494380@qq.com《山乡古寺》 材料:绢本 尺寸:1600mm.2500mm《山乡古寺》主要描绘家乡早晨烟雨朦胧之景。古寺隐于山林,院墙横卧山底,云雾断于山腰,僧侣晨归。我想通过传统笔墨语言再现儿时所见所闻,着力表现一种虚朦、清新、空灵的山乡境地。杜若馨省份:山东邮箱:duruoxin@126.com《潜》绢本重彩 171x260cm中国画的视角是散点的、移动的。我想打破常规左右移动,以包容的水元素为媒介,移步换景。视线达不到的地方,精神可以遨游,想象力可以触及每一个角落。生命轮回就像下潜。遂月而出的伊始,浪漫而有冲突的过程,最终一死生而平静,周而复始,生生不息。故分段构图,取出生,繁荣,寂灭之意。 柴梦原出生地:江苏省连云港市邮箱:cmy9654@163.com毕业作品:《Terra Incognita 未知之地》指导教师:刘荣、陈平、丘挺、边凯这里的元气四处弥散,在尘埃落定之时塑造了荒漠、山川与大陆阶梯。这是某一个宇宙的起源,这里是我们所有人的“未知之地”。p.s. 图中的地名签注均为创作者本人基于三十余种语言的元素编辑而成李泽籍贯:辽宁铁岭邮箱:243342602@qq.com 拓迹•秦汉魂,287cmx190cm 纸本设色 2019年指导老师:刘荣、陈平、丘挺、边凯我想表达的是把汉画像石拓片融入画面的感觉。作品采用丰碑式构图,表达长城的雄伟与永恒,颜色加以商周青铜器颜色的感觉,体现秦汉长城的古拙大气。无论怎么萧条残破,却依然屹立悍然。徐艺超邮箱:18811702737@163.com作品名称:《众妙之门》年份:2019材质:纸本综合材料尺寸:251cm×196cm指导教师:刘荣 陈平 丘挺 边凯“众妙之门”出子老子《道德经》第一卷“玄之又玄,众妙之门”。  “玄”意为深黑色,是深远玄妙的意思。作品中的深黑色背景,即为玄,它是通往四维空间的大门。我所想表达的是一种现在仙境视角俯瞰思维空间状态。作品虽名为“众妙之门”,但并无具体门的形态,我用类似极光夜空的闪烁象征四维空间,象征“门”。整个画面的色彩搭配上,我选择了象征吉祥如意的红,黄,蓝,绿,白,寓意祥瑞美好。作品中的山,云,植物的形态,来自《山海经•南山经》中的“招摇之山”“多桂,多金玉”。整个作品的构图上,我保留了传统中国画山水的图式,对于山的处理,我其实也是在摸索阶段,试图打造出介于传统中国画皴法和抽象艺术之间的一种状态。所以在山的处理中,可以看到范宽《溪山行旅图》的皴法,也将董源,巨然等人的披麻皴加以变形。在植物上,可以看到传统山水中的树木的元素,同样可以看到图案化,秩序化的元素,如果问我这些植物的来由,也许我的回答有些许忐忑,对于植物的处理我是天马行空的。但是有一点是值得肯定的,我做的一切,为的是传递美的秩序。这种美的秩序,就是靠不停的建立,打破,再重组,如此循环往复。邓元初出生:四川邮箱:dengyuanchu@sina.com 作品题目:《无题》 材料:纸本水墨 尺寸:348cm*195cm高原上的一座野山,在午睡后,静静地等待阴影将它全部覆盖。 储嘉1995年生山东青岛人作品名称:《藐姑射》作品尺寸:268cm~158cm材料:绢本水墨设色世人道:“无类此山者。”庄周《逍遥游》有言:“藐姑射之山,有神人居焉;肌肤若冰雪,淖约若处子;不食五谷,吸风饮露;乘云气,御飞龙,而游乎四海之外。”藐姑射神人,御龙而飞,似在山、与云、与海之中,亦不在山、与云、与海之中,是世外之人。藐姑射山,不见其顶,深不见渊,是世外之山。所谓世人,正是你我。丨写意人物专业丨班主任:林彬毕业生:马千叶、苑晓琪、田伟宏、邓淳月、郝鲲鹏、苏仲尧(按照学号排序)马千叶姓名:马千叶出生地:浙江温州邮箱:maqy312@sina.com毕业作品:《生》指导教师:邸超、廖勤、林彬、刘庆和、唐凝、王晓辉破败的贫民窟与现代化的高楼同存于一个场景之中,这种充满差异的社会现实在印度随处可见。黑色背景衬托出明亮的人物,暗示了贫民窟恶劣的生存状态,也是希望的表达。在他们心中,财富的对象不尽相同,可以是金钱,可以是母子间的爱。是有形的实体,也是无形的精神。社会在变,丑恶终会散去。新生、生存、生活、生命不息……苑晓琪姓名:苑晓琪出生地;山东省潍坊市安丘邮箱;952867002@qq.com(请横屏观看)毕业作品:《五岁》指导教师:林彬,刘庆和,王晓辉,唐凝,廖勤,邸超《五岁》取材于生活中的成长的小孩儿,他们排排列的前行,尽是天真可爱和对世界的好奇,正如长大了的我们。田伟宏姓名:田伟宏出生地:湖南邮箱:602280458@qq.com毕业作品:《遇见》指导教师:邸超、廖勤、林彬、刘庆和、唐凝、王晓辉《遇见》是描绘了我心中对于在不同时间、空间,我所遇见的任何人的既视感的交错和重现。是我对于这个世界既熟悉又陌生的人群环境的感受。邓淳月姓名: 邓淳月出生地:四平邮箱:1209162074@qq.com毕业作品:《宓境》指导教师:邸超、廖勤、林彬、刘庆和、唐凝、王晓辉《宓境》这组作品想表现的是生活在繁忙的都市之中,停下脚步,放空心情,寻找一片静谧美妙的世界。通过少女与花的恬静和美好,在画面中呈现出一种平和之感。郝鲲鹏姓名:郝鲲鹏出生地:河南省周口市郸城县邮箱:2951127031@qq.com毕业作品:《六月》指导教师:邸超 刘庆和 林彬 廖勤 唐凝 王晓辉小时候的六月,最深的记忆不是儿童节,而是“麦假”。正值酷暑的六月,小麦的丰收,气候的多变,赶在下雨之前,一家人会忙着将麦子收割晾晒,满眼是金色的视觉。每年的回家探亲,情景依旧。苏仲尧姓名:苏仲尧出生地:福建泉州邮箱:992046583@qq.com毕业作品:《荒园》指导教师:邸超,林彬,刘庆和,廖勤,唐凝,王晓辉我在我的作品中建立起一个虚构的世界,其中的荒诞造物一看就出自人的想象,而他们此刻定格在某个瞬间,等待被另一个维度的智慧生命安排接下来的命运。我从许多当今为人所熟知的电影、电视剧中吸收视觉经验,比如《星际穿越》和《西部世界》,也从我老家的提线木偶戏吸取灵感,同时景观社会理论从世界观上对我创作的影响也是潜移默化的。我希望我的作品能加入到这个时代对科技的讨论当中,传达某种不安和期待并存的情绪,绘制一幅未来的想象草图。丨书法专业丨毕业生:堐雪莹、王硕、刘大成、史子朝、石静琪、姜文龙、付淑蓉、牟韵婷、刘九成、隋若松(按学号排序)堐雪莹姓名:    堐雪莹出生地:  山西运城邮箱:    1186892870@qq.com毕业作品:《篆刻四组》;《喜雨亭记》楷书条幅;《千字文》小楷五篇指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞A. 《篆刻四组》  材质:纸本、木框  尺寸:内文16.5cm*22cm   整体(含框)33cm*33cm1、左:《幽棲不作红尘客》 材质:青田 ;尺寸:2.0cm*2.0cm*5.0cm    右:《山水方滋》 材质:青田 ; 尺寸:1.0cm*1.0cm*5.0cm2、 左:《烟波江上使人愁》 材质:青田 ;尺寸:1.0cm*5.0cm*1.0cm    右:《浑厚华滋》 材质:青田 ; 尺寸:1.0cm*1.0cm*5.0cm3、 左:《向之所欣》 材质:青田 ; 尺寸:2.5cm*2.5cm*5.0cm        右:《三人行》   材质:青田 ; 尺寸:2.0cm*2.0cm*4.0cmB.《千字文》小楷五篇材质:纸本、木框尺寸:整体(含框)28cm*28cm《千字文》由南北朝时期梁朝散骑侍郎、给事中周兴嗣编纂一千个汉字组成的韵文。C.《喜雨亭记》楷书条幅  材质:纸本、木框尺寸:内文61cm*210cm  整体(含框)80cm*245cm《喜雨亭记》出自《苏东坡全集》,为北宋文学家苏轼所作散文,从该亭命名的缘由写起,记述建亭经过,表达人们久旱逢雨时的喜悦心情。王硕姓名:王硕出生地:山东淄博邮箱:782963291@qq.com毕业作品:《楷书缶翁诗》《行书创作》《拟金农书》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞《楷书缶翁诗》:以赵孟頫楷书为切入点,结合古人楷书创作的特点与自己的理解相结合进行楷书创作。《拟金农书》:拟金农行书创作。《行书创作》:以王铎、米芾字形为参考进行行书创作。刘大成姓名:刘大成出生地:天津市邮箱:jackldc@163.com毕业作品:《留侯论》《把酒问月》《赠孟浩然》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞楷书《留侯论》参照了唐楷欧阳询《九成宫》的字形和用笔,在保持字帖大体风格的同时有增加了个人的书写特点。隶书《把酒问月》参照了汉隶《曹全碑》的字形与用笔,在模仿原字帖的基础上进行了一些变化和夸张。行书《赠孟浩然》主要参照了米芾行书的字形笔法与章法。以李白诗篇为内容进行创作。史子朝姓名:史子朝出生地:北京市邮箱:374525071@qq.com毕业作品:《杨万里诗一首》 《白居易抄诗》  《篆刻十品》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞行书《杨万里诗一首》米芾等宋人的尺牍指法精熟,用笔精湛,丰富多彩。而明清王铎,倪元璐等人的条轴大气磅礴,挥洒自如。今试将此二者结合来进行创作,搭配南宋著名诗人杨万里的《散》这首诗的内容与意境更相得益彰。楷书《白居易抄诗》白居易的诗歌题材广泛,形式多样,语言平易通俗,有“诗魔”和“诗王”之称。其代表作《长恨歌》语言明白晓畅而又精纯确当,无不达之隐,无稍晦之词。唐人写经中的楷书结体整齐缜密,运笔精到,字体遒健饱满,融雄劲与清逸为一体而元代赵孟頫书风遒媚、秀逸,结体严整、笔法圆熟。今尝试结合此两家的特点抄录白居易自咏诗四首与经典名作《长恨歌》以追乐天先生风采。篆刻十品汉印文字的点画比秦篆简略、明快、热烈,形体变秦篆的长形与汉隶的扁形,多呈方形。其中汉“将军印”和“满白文”,布局方正平直,无板滞、乖缪、纤巧的习气,历来为篆刻家所重。唐宋以来,印章尺寸明显增大,且改用朱文,开始用印色直接钤盖于纸上,由于尺寸扩大,唐宋印往往釆用屈曲盘绕等方法布局,篆法拙朴,又不失精巧另有风格,印文盘曲明显增加,印文笔画牵连交织,构思巧妙。今参考汉印与唐宋印此二者的特点创作了这一组共十方的篆刻作品。石婧琪姓名:石婧琪出生地:山东省潍坊市临朐县邮箱:1309544832@qq.com毕业作品:《録古人诗七首行书创作》《古诗两首楷书创作》《行书五品》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞《録古人诗七首行书创作》作品取法金农早期行草书的一些特点,做出字字独立,参差错落的小信札。《古诗两首楷书创作》将雁塔圣教序与阴符经相结合,通过清晰的笔势将楷书特点稍加突出。《行书五品》作品以仿清代书家的形式加以呈现,使每张之间相互呼应。姜文龙姓名:姜文龙出生地:山东青岛邮箱:603082393@qq.com毕业作品:《篆书杜甫诗一首》《楷书元曲选》《篆刻十品》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞《篆书杜甫诗一首》以秦汉篆书结构为主体,略参汉代官印结体。《楷书元曲选》以唐代楷书碑帖作为参考,线条用笔力求简洁。《篆刻十品》以秦汉印章为主要参考,另有古玺等创作形式。 付淑蓉姓名:付淑蓉出生地:河北省承德市邮箱:1282549652@qq.com毕业作品:《行书条幅》《楷书杜甫诗一首》《篆刻八品》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞行书条幅参王觉斯笔意,以杜甫诗为创作内容进行创作。楷书杜甫诗一首参褚遂良《倪宽赞》笔意,学习唐代楷书中的稳定又不失变化。篆刻八品仿古代玺印进行创作。牟韵婷姓名:牟韵婷 出生地:山东省邮箱:1417946801@qq.com毕业作品:《菜根谭》楷书条屏、《菜根谭》简牍系列九品、行书小品、云亭印迹指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞几件作品尝试以不同风格与表现行式,但其之间存在着时代演变过程中所带来的内在联系。长篇小楷及简牍系列九品以《雅尚斋遵生八笺》中的《菜根谭》为文本,楷书以唐人写经、国诠·善见律为基调;另一件则以九种不同的简书风貌进行形式组合并呈现出来。这不仅仅是一次新形式下的尝试,更珍贵的是去感受不同于作画的一次性完成的书写体验所保存的书法形式上的精微。这种尝试也是一种“意外”,帮助我从中感受即时状态的独特与艺术个性表现的深度。刘九成姓名:刘九成出生地:衡水市邮箱:2544383244@qq.com毕业作品:《行草书八品》《楷书秋兴八首》《九成篆刻》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞借鉴魏晋时期的名家名帖,并参照其章法、结构、用笔等诸多要素来进行全新文本的书写与创作。以秦汉印为基调进行的篆刻创作。以《秋兴八首》为文本进行的楷书创作,以展现唐楷的飘逸俊秀之美。隋若松姓名:隋若松出生地:山东邮箱:harry96@163.com毕业作品:《行书录古人诗九品》《篆刻三品》《楷书曹操诗》指导老师:徐海 刘彦湖 蔡梦霞 祖彦飞《行书录古人诗九品》参照唐宋时期、明清时期优秀书法家的创作风格进行临创转换,加入自己的想法进行创作。《篆刻三品》采用十公分的青田石大印,运用凿刻的手法进行创作,参考汉代印风、隋唐官印。《楷书曹操诗》取法唐代书法家虞世南,取其淡雅之风,加入个人理解进行创作。 More

毕业季丨微展厅·2019届本科毕业作品展——造型学院壁画系 ...

2019-06-27

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!