The Art of Grand Beauty: The Central Academy of Fine Arts' Influence on Art Creation and Education

  • Dates:2019-08-30 - 2019-10-07
  • Location:Gallery 3B, CAFAM
  • Opening:2019-08-29 15:30
  • Organizer(s): CAFA
  • Chief Curator: Fan Di'an
  • Co-organizer: Xu Beihong Memorial Hall
  • Art Director: Su Xinping Zhang Zikang
  • Curator: Wang Chunchen
  • Assistant Curator: Li Yaochen
  • Chief Designer: Ji Yujie

Details

One year after President Xi Jinping replied the letter of senior professors of CAFA, the academy presents the exhibition of "The Art of Grand Beauty: The Central Academy of Fine Arts' Influence on Art Creation and Education". For the first time, it organizes the art achievements of CAFA in the last... More
One year after President Xi Jinping replied the letter of senior professors of CAFA, the academy presents the exhibition of "The Art of Grand Beauty: The Central Academy of Fine Arts' Influence on Art Creation and Education". For the first time, it organizes the art achievements of CAFA in the last century from the perspective of art education, and manifests the rich meaning and value of "Art of Grand Beauty". The Chinese society underwent a grand development during the last century. The revolutionary path twists and turns. It is at this time that CAFA teachers and students carried the cultural mission of the people on their shoulders, responded to the society's aesthetic expectations, created a great number of outstanding artworks that show the Chinese people's yearning for things of beauty, life of beauty and state of beauty, and manifested positive influence on the society and art education. Many works have now become modern Chinese classic art, collected by museums and galleries, exhibited in the public space, and are playing a positive role in building social and cultural atmosphere, meeting people's cultural needs and raising the public's aesthetic level. This exhibition looks back on CAFA's creation in the past hundred years, accumulates a large number of classic works by CAFA teachers and students, and for the first time categorizes and organizes CAFA's classic art practice and influence on art education. The exhibition is divided into six sections: The Beauty of Cultural Enlightenment; The Beauty of Righteous Resistance; The Beauty of the Orient; The Beauty of Labor; The Beauty of Nature and The Beauty of the New Era. It shows the "Art of Grand Beauty" created by CAFAM in multiple dimensions. Meanwhile, there is also a large format catalogue by the same name being published.

Preface

At the 100th anniversary of Central Academy of Fine Arts, President Xi Jinping replied the letter of CAFA’s senior professors. In the letter, he spoke highly of the devotion of the old generation of art masters and educators in art creation and education, pointed out that art education is an important component of aesthetic education, raised the idea that we should further strengthen the aesthetic educational spirit, and indicated the direction for art education in the new era.

The road of CAFA in the past century, as well as the road of Chinese art education and creation, is also a century-old road of aesthetic education. In the radically changing 20th century Chinese society, the ideal of beauty, creation of beauty, dissemination of beauty and acceptance of beauty always carry the cultural mission of Chinese artists and aesthetic expectations of the people, embody Chinese people’s yearning for things of beauty, life of beauty and state of beauty, and become the representation of the artworks’ social function and artistic value.

In 1918, the founding of the former CAFA - the National Beiping Art College - marks the birth of modern art education, and brewed the environment for aesthetic education and its promotion; in 1938 the Lu Xun Academy in Yan’an was founded. The revolutionary art opened a new route of art serving the people, which led to the further development of aesthetic education. From that time to today, CAFA has seen a great number of art masters, who have created plenty of excellent artworks. Generations of teachers and students’ art creation not only has pushed Chinese art forward in the past century, but also provided nourishment for the mind for the society, and played an important role of influencing and encouraging people.

The Reform and Opening-up has opened a new bridge that connects Chinese art to the world. As CAFA is a significant platform for the exchange of Chinese and international art, its teachers and students have always had a broad horizon and dynamic ideas. They stand in the forefront of the academic world while adhering to rational research, carry on promoting the excellent Chinese cultural tradition and spirit of Chinese aesthetic education, positively explore new art languages and new aesthetic space, and show creative vigor of the fine art academy with new creative concepts and methods.

As the Socialism with Chinese Characteristics has now entered a new era, the development of society is expecting more of aesthetics. CAFA has taken the opportunity to adjust its majors, form new disciplinary structure, make the four disciplines plastic arts, design, architecture and humanities mutually complementary, and bring their advantage into full play in terms of serving the development of economy and society. From the creation of works with grand themes, to the representation of life of the times, from urban design to architecture design, from visual communication design to public product design, from the study of aesthetic history to the construction of art theories, there are constantly new achievements, as well as new contributions in the dissemination of beautiful art.

In the past century, many works created by CAFA teachers and students, especially the grand masters, have become the classic art of modern China, collected by museums and galleries, exhibited in the public space, and are playing a positive role in building social and cultural atmosphere, meeting people's cultural needs and raising the public's aesthetic level. It is proved that only in the people’s appreciation that an excellent artwork could last long.

Looking back on art practice’s social benefits and cultural value from the perspective of aesthetic education, we stand even more firmly about the direction of Chinese art and art education in new era. Like what President Xi has said in his reply: We should carry forward the good tradition of loving the country and serving the people, upholding virtue and appreciating art, to educate the students with a heart of big love, and create works with the art of grand beauty, to keep in step with the times, to focus on the people, to serve the people with great works, to lead the trend with enlightened ideas and moral deeds, and to make new contribution to the development of aesthetic education in China with the cultivation of art talents and the creation of art.

Fan Di'an, President of CAFA

August 2019

At the 100th anniversary of Central Academy of Fine Arts, President Xi Jinping replied the letter of CAFA’s senior professors. In the letter, he spoke highly of the devotion of the old generation of art masters and educators in art creation and education, pointed out that art education is an important component of aesthetic education, raised the idea that we should further strengthen the aesthetic educational spirit, and indicated the direction for art education in the new era.

The road of CAFA in the past century, as well as the road of Chinese art education and creation, is also a century-old road of aesthetic education. In the radically changing 20th century Chinese society, the ideal of beauty, creation of beauty, dissemination of beauty and acceptance of beauty always carry the cultural mission of Chinese artists and aesthetic expectations of the people, embody Chinese people’s yearning for things of beauty, life of beauty and state of beauty, and become the representation of the artworks’ social function and artistic value.

In 1918, the founding of the former CAFA - the National Beiping Art College - marks the birth of modern art education, and brewed the environment for aesthetic education and its promotion; in 1938 the Lu Xun Academy in Yan’an was founded. The revolutionary art opened a new route of art serving the people, which led to the further development of aesthetic education. From that time to today, CAFA has seen a great number of art masters, who have created plenty of excellent artworks. Generations of teachers and students’ art creation not only has pushed Chinese art forward in the past century, but also provided nourishment for the mind for the society, and played an important role of influencing and encouraging people.

The Reform and Opening-up has opened a new bridge that connects Chinese art to the world. As CAFA is a significant platform for the exchange of Chinese and international art, its teachers and students have always had a broad horizon and dynamic ideas. They stand in the forefront of the academic world while adhering to rational research, carry on promoting the excellent Chinese cultural tradition and spirit of Chinese aesthetic education, positively explore new art languages and new aesthetic space, and show creative vigor of the fine art academy with new creative concepts and methods.

As the Socialism with Chinese Characteristics has now entered a new era, the development of society is expecting more of aesthetics. CAFA has taken the opportunity to adjust its majors, form new disciplinary structure, make the four disciplines plastic arts, design, architecture and humanities mutually complementary, and bring their advantage into full play in terms of serving the development of economy and society. From the creation of works with grand themes, to the representation of life of the times, from urban design to architecture design, from visual communication design to public product design, from the study of aesthetic history to the construction of art theories, there are constantly new achievements, as well as new contributions in the dissemination of beautiful art.

In the past century, many works created by CAFA teachers and students, especially the grand masters, have become the classic art of modern China, collected by museums and galleries, exhibited in the public space, and are playing a positive role in building social and cultural atmosphere, meeting people's cultural needs and raising the public's aesthetic level. It is proved that only in the people’s appreciation that an excellent artwork could last long.

Looking back on art practice’s social benefits and cultural value from the perspective of aesthetic education, we stand even more firmly about the direction of Chinese art and art education in new era. Like what President Xi has said in his reply: We should carry forward the good tradition of loving the country and serving the people, upholding virtue and appreciating art, to educate the students with a heart of big love, and create works with the art of grand beauty, to keep in step with the times, to focus on the people, to serve the people with great works, to lead the trend with enlightened ideas and moral deeds, and to make new contribution to the development of aesthetic education in China with the cultivation of art talents and the creation of art.

Fan Di'an, President of CAFA

August 2019

Artworks

Photographs

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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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