Round and Develop: Academic Invitation Exhibition of Comprehensive Material Painting

  • Dates:2021-04-09 - 2021-04-30
  • Location:1st Floor & Gallery 2A, CAFAM
  • Opening:2021-04-09 09:30
  • Director: China National Arts Fund
  • Organizer: Central Academy of Fine Arts
  • Undertaker: CAFA Art Museum CAFA Yanjiao Campus Administrative Office
  • Academic Director: Fan Di'an
  • Curator: Xiao Huang Wan Shaojun
  • Producer: Wu Shoufeng

Details

2019 Promotion Programme of China National Arts FundRound and Develop: Academic Invitation Exhibition of Comprehensive Material Painting(Beijing Tour)Time: 2021/04/09 - 04/30Location: 1st Floor & Gallery 2A, CAFAMOpening Time: 2021/04/23, 2pmScan the QR code to make an appointmentThe "Round and Develop: Academic Invitation Exhibition of Comprehensive Material Painting (Beijing Tour)" exhibition, proposed and organized by Central Academy of Fine Arts, and sponsored by China National Arts Fund as the wrap-up exhibition of its 2019 Promotion Programme, is on display at CAFA Art Museum as the sixth stop of its tour exhibition from April 9 to 30. The closing ceremony of the exhibition is to be held between 2pm and 6pm on April 23, 2021 along with a symposium on the theme "Subjective Spirit of the Language of Comprehensive Material Painting".Shen Xiaoyu, Outside the Window, 140x200cm, comprehensive material, 2019, Chongqing Normal University College of Fine ArtsCao Jigang, Transsient as a Fleeting Cloud, 200x240cm, triptych, 2015The exhibition is academically directed by Fan Di'an, curated by Xiaohuang and Wan Shaojun, and produced by Wu Shoufeng. As a tour exhibition, it was exhibited at Jilin University of Arts Art Museum (Jun 2019), Shanghai Institute of Visual Arts Art Museum (Oct 2019), Chongqing Art Gallery (Nov 2019), Shenzhen University Art Museum (Dec 2019) and Fine Art Museum at Xi'an Academy of Fine Arts (Mar 2021), before it arrived at CAFA Art Museum in April 2021.Ding Fang, Ode to the Mountain, 150x300cm, 2008The name of the exhibition "Round and Develop" implies the evolution of painting, as well as the laws that underline the way things work in the world. The physical and spiritual aspects of everything, in the time and space dimensions, develop into the inherent mechanism and language rules of art, which is non-stoppingly changing, going round and round and developing throughout the process. "Round and Develop" breaks the traditional linear narrative pattern, and adopts systematic research that focuses on the ontological order of the language of painting. Through the historical evolution of language, it ponders on the contemporary evolution of the spirit of the time and cultural value, and discusses the cultural mission and social value of the language of painting. "Round and Develop" is not only a platform for national communication over comprehensive material painting, but also an academic review of the development of comprehensive material painting. The exhibition explains the contextual background of contemporary painting, and provides a route for observation and analysis of the language of comprehensive material painting in contemporary China. It also discusses the evolution pattern of the language ontology of painting, and relationship between artistic spirit of the time and contemporary aesthetics, in order to provide a macroscopic perspective to the history, and to analyze the significance of comprehensive material painting to art creation and university education in the long run.Feng Jincao, The Evenks, 194x173cmThe "Round and Develop" exhibition is mainly composed of two parts: Outstanding works that represent the research and education of the material studio of CAFA since its establishment in 1995; and outstanding comprehensive material paintings created in the recent two decades. The exhibition features over 100 comprehensive material paintings created by Chinese artists, including Pan Shixun, Hu Wei, Hu Mingzhe, Zhang Yuan, Ding Fang, Wang Huangsheng, Yang Jinsong, Wang Shujie, Li Yaolin, Li Xiangming, Yue Haibo, Feng Bin, Zhu Jinhui, Liu Gang, Meng Luding, Chen Shuxia, Tang Chenghua, Cao Jigang, Song Ke, Xiao Gu, Song Xuezhi, Wu Jian'an, Ren Xiaojun, Chen Yan, Hu Qinwu, Qu Qianmei, Li Gang, Wei Qingji, Wu Shoufeng, Li Qiang, Dang Zhaoyang, Feng Jincao, Guo Zhigang and Zhao Shijie. They are all representative artists and academic leaders in the field, and at the same time art education practitioners from top Chinese academic instutitions. The exhibition begins from a systematic review of CAFA's teaching, research and creative practices, and is finalized as a significant exhibition and communication platform for the latest development of contemporary comprehensive material painting in China.Gao Zhenbin, After Snow, 180x150cmCAFA has a significant academic stand and social influence in the comprehensive material painting field. As the initiator of the programme, it attaches great importance to the academic research, and hopes to comprehensively display the latest development and achievements of comprehensive material painting in China by showcasing results of research and education over comprehensive material painting in Chinese universities over the past decades, and works by representative artists of the field. The last tour of the "Round and Develop" exhibition in Beijing is not only a high-quality academic communication between Chinese universities, but also a successful experiment of building an academic platform, or even a cultural system of the new era, a new and sustainable road for the development of easel painting in China, together with other outstanding institutions and artists, with the help of the National Arts Fund. The exhibition receives great support from CAFA, and is undertaken by CAFA Art Museum and CAFA Yanjiao Campus Administrative Office.Hu Mingzhe, The Vicissitudes of City, 200x250cm, 2011The success of the "Round and Develop" exhibition's Beijing tour also means the success of the exhibition program supported by the China National Arts Fund. CAFA has the plan to publish an academic catalogue of the exhibition, which includes not only works of the participating artists, but also unique thinking and theoretical explorations of scholars of the field. The "Round and Develop" exhibition is expected to stimulate new ideas of contemporary Chinese painting, and reversely support the development of university art education in China. In a time of economic globalization and the resulting massive cultural interactions, the development of Chinese contemporary painting should also have a global vision, and connect with the language system of the international art world. The development of culture and art may strengthen the soft power of a nation, and we hope for the Chinese cultural spirit to be widely appreciated by the world one day.Huang Keyi, NO 2017001, 150×110cm, 2017Li Kexia, Trace 19417, 160×140cm, 2019Song Xuezhi, Shadow, 180×200cm, 2019Wang Peili, Hongmeng, 230x200cm, 2021Tang Chenghua, The Cloud Faraway, 117x80cm, 2015Wu Shoufeng, Shi Hui, 90x180cm, 2002Zhang Chun, These are the stones picked up from Li Bai's house, 180x270cm

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196006109865.jpg

2019 Promotion Programme of China National Arts Fund

Round and Develop: Academic Invitation Exhibition of Comprehensive Material Painting

(Beijing Tour)


Time: 2021/04/09 - 04/30

Location: 1st Floor & Gallery 2A, CAFAM

Opening Time: 2021/04/23, 2pm


Scan the QR code to make an appointment

1618196046650961.jpg

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196066136123.jpg

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196075492696.jpg

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196082669383.jpg

The "Round and Develop: Academic Invitation Exhibition of Comprehensive Material Painting (Beijing Tour)" exhibition, proposed and organized by Central Academy of Fine Arts, and sponsored by China National Arts Fund as the wrap-up exhibition of its 2019 Promotion Programme, is on display at CAFA Art Museum as the sixth stop of its tour exhibition from April 9 to 30. The closing ceremony of the exhibition is to be held between 2pm and 6pm on April 23, 2021 along with a symposium on the theme "Subjective Spirit of the Language of Comprehensive Material Painting".

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196106541627.jpg

Shen Xiaoyu, Outside the Window, 140x200cm, comprehensive material, 2019, Chongqing Normal University College of Fine Arts

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196120245733.jpg

Cao Jigang, Transsient as a Fleeting Cloud, 200x240cm, triptych, 2015

The exhibition is academically directed by Fan Di'an, curated by Xiaohuang and Wan Shaojun, and produced by Wu Shoufeng. As a tour exhibition, it was exhibited at Jilin University of Arts Art Museum (Jun 2019), Shanghai Institute of Visual Arts Art Museum (Oct 2019), Chongqing Art Gallery (Nov 2019), Shenzhen University Art Museum (Dec 2019) and Fine Art Museum at Xi'an Academy of Fine Arts (Mar 2021), before it arrived at CAFA Art Museum in April 2021.

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196135258637.jpg

Ding Fang, Ode to the Mountain, 150x300cm, 2008

The name of the exhibition "Round and Develop" implies the evolution of painting, as well as the laws that underline the way things work in the world. The physical and spiritual aspects of everything, in the time and space dimensions, develop into the inherent mechanism and language rules of art, which is non-stoppingly changing, going round and round and developing throughout the process. "Round and Develop" breaks the traditional linear narrative pattern, and adopts systematic research that focuses on the ontological order of the language of painting. Through the historical evolution of language, it ponders on the contemporary evolution of the spirit of the time and cultural value, and discusses the cultural mission and social value of the language of painting. "Round and Develop" is not only a platform for national communication over comprehensive material painting, but also an academic review of the development of comprehensive material painting. The exhibition explains the contextual background of contemporary painting, and provides a route for observation and analysis of the language of comprehensive material painting in contemporary China. It also discusses the evolution pattern of the language ontology of painting, and relationship between artistic spirit of the time and contemporary aesthetics, in order to provide a macroscopic perspective to the history, and to analyze the significance of comprehensive material painting to art creation and university education in the long run.

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196149266760.jpg

Feng Jincao, The Evenks, 194x173cm

The "Round and Develop" exhibition is mainly composed of two parts: Outstanding works that represent the research and education of the material studio of CAFA since its establishment in 1995; and outstanding comprehensive material paintings created in the recent two decades. The exhibition features over 100 comprehensive material paintings created by Chinese artists, including Pan Shixun, Hu Wei, Hu Mingzhe, Zhang Yuan, Ding Fang, Wang Huangsheng, Yang Jinsong, Wang Shujie, Li Yaolin, Li Xiangming, Yue Haibo, Feng Bin, Zhu Jinhui, Liu Gang, Meng Luding, Chen Shuxia, Tang Chenghua, Cao Jigang, Song Ke, Xiao Gu, Song Xuezhi, Wu Jian'an, Ren Xiaojun, Chen Yan, Hu Qinwu, Qu Qianmei, Li Gang, Wei Qingji, Wu Shoufeng, Li Qiang, Dang Zhaoyang, Feng Jincao, Guo Zhigang and Zhao Shijie. They are all representative artists and academic leaders in the field, and at the same time art education practitioners from top Chinese academic instutitions. The exhibition begins from a systematic review of CAFA's teaching, research and creative practices, and is finalized as a significant exhibition and communication platform for the latest development of contemporary comprehensive material painting in China.

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196162907416.jpg

Gao Zhenbin, After Snow, 180x150cm

CAFA has a significant academic stand and social influence in the comprehensive material painting field. As the initiator of the programme, it attaches great importance to the academic research, and hopes to comprehensively display the latest development and achievements of comprehensive material painting in China by showcasing results of research and education over comprehensive material painting in Chinese universities over the past decades, and works by representative artists of the field. The last tour of the "Round and Develop" exhibition in Beijing is not only a high-quality academic communication between Chinese universities, but also a successful experiment of building an academic platform, or even a cultural system of the new era, a new and sustainable road for the development of easel painting in China, together with other outstanding institutions and artists, with the help of the National Arts Fund. The exhibition receives great support from CAFA, and is undertaken by CAFA Art Museum and CAFA Yanjiao Campus Administrative Office.

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196176818529.jpg

Hu Mingzhe, The Vicissitudes of City, 200x250cm, 2011

The success of the "Round and Develop" exhibition's Beijing tour also means the success of the exhibition program supported by the China National Arts Fund. CAFA has the plan to publish an academic catalogue of the exhibition, which includes not only works of the participating artists, but also unique thinking and theoretical explorations of scholars of the field. The "Round and Develop" exhibition is expected to stimulate new ideas of contemporary Chinese painting, and reversely support the development of university art education in China. In a time of economic globalization and the resulting massive cultural interactions, the development of Chinese contemporary painting should also have a global vision, and connect with the language system of the international art world. The development of culture and art may strengthen the soft power of a nation, and we hope for the Chinese cultural spirit to be widely appreciated by the world one day.

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196192555938.jpg

Huang Keyi, NO 2017001, 150×110cm, 2017

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196198277029.jpg

Li Kexia, Trace 19417, 160×140cm, 2019

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196204941335.jpg

Song Xuezhi, Shadow, 180×200cm, 2019

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196355933680.jpg

Wang Peili, Hongmeng, 230x200cm, 2021

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196365292380.jpg

Tang Chenghua, The Cloud Faraway, 117x80cm, 2015

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196371715069.jpg

Wu Shoufeng, Shi Hui, 90x180cm, 2002

https://static.cafamuseum.org/museum-image/image/202104/sy_1618196378336594.jpg

Zhang Chun, These are the stones picked up from Li Bai's house, 180x270cm


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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

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Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

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Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

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Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

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During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

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Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!