There Is Always Poetry in Customs

  • Dates:2024-09-10 - 2024-10-08
  • Location:3A, CAFA Art Museum
  • Opening:2024-09-10 15:00
  • Organizer(s): CAFA Art Museum

Preface

This exhibition juxtaposes ancient genre paintings with modern images. It aims to guide the audience to understand more deeply the people-oriented nature and poetic sentiment in ancient genre paintings from the perspective of modern works. The exhibition is divided into two sections: "Praising the Peaceful Landscape" and "Capturing an Ordinary Moment", showing the artistic expressions in social etiquette and daily life. Artists explore the commonalities in picture presentation and emotional transmission of these two types of works through different treatment methods of macroscopic scenes and microscopic details. Among them, modern works are like a cone of light, illuminating the poetry in traditional genre paintings and projecting the figures of Chinese people living actively in different eras. The exhibition not only showcases the excellent genre paintings by ancient painters such as Qiu Ying, Luo Pin, and Qian Huian from the collection, but also includes the representative works from the collection of modern photographers such as Gao Fan, Weng Naiqiang, An Ge, Liu Xiangcheng, and Xu Peiwu, providing the audience with an artistic dialogue that transcends time and space.
This exhibition juxtaposes ancient genre paintings with modern images. It aims to guide the audience to understand more deeply the people-oriented nature and poetic sentiment in ancient genre paintings from the perspective of modern works. The exhibition is divided into two sections: "Praising the Peaceful Landscape" and "Capturing an Ordinary Moment", showing the artistic expressions in social etiquette and daily life. Artists explore the commonalities in picture presentation and emotional transmission of these two types of works through different treatment methods of macroscopic scenes and microscopic details. Among them, modern works are like a cone of light, illuminating the poetry in traditional genre paintings and projecting the figures of Chinese people living actively in different eras. The exhibition not only showcases the excellent genre paintings by ancient painters such as Qiu Ying, Luo Pin, and Qian Huian from the collection, but also includes the representative works from the collection of modern photographers such as Gao Fan, Weng Naiqiang, An Ge, Liu Xiangcheng, and Xu Peiwu, providing the audience with an artistic dialogue that transcends time and space.

Photographs

Photographs

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文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目“从来风俗亦有诗——馆藏作品中的古今人物风貌”展览研究工作坊时间:2024年9月-12月地点:中央美院美术馆会议室、报告厅、3A展厅、纸本修复室,中国画学院教室、版画系教室*报名方式详见文末展览宣传片展览研究工作坊介绍2024年9月10日,由中央美术学院美术馆主办的“从来风俗亦有诗——馆藏作品中的古今人物风貌”展览在中央美术学院美术馆3层A展厅正式开幕,本次展览将古代风俗画与现代影像并置,旨在通过现代作品的视角,引导观众更深刻地理解古代风俗画中的人民性与诗意情怀。作为文化和旅游部“2024 年全国美术馆馆藏精品展出季”的入选项目,秉承中央美术学院美术馆的教育职能,随着本次展览举办研究工作坊,旨在以新颖的模式鼓励年轻学子参与到与展览主题相关的科研项目中,尝试以浸入式教学让学员从展览前到展览中深入接触作品和展览,从多角度调动和激发青年学人对馆藏古代书画作品的深入研究以及探索艺术史研究新视角。研究工作坊内容本次工作坊全程免费分为三个阶段进行第一阶段为展览开幕后的系列公开讲座。该阶段将依托中央美术学院美术馆平台举办学术讲座,展现杰出学者的前沿成就,与校内外师生形成积极互动,推出学界原创性的独有思考成果,并为工作坊下一阶段拟定研究方向和题目提供帮助。时间:2024年9月、10月地点:中央美院美术馆学术报告厅第二阶段为工作坊内部授课。该阶段从多种角度进一步认识馆藏书画和摄影、确定研究题目与方向。授课方式为内部授课,将邀请策展团队及艺术史、中国画、版画与影像创作相关领域学者,带领学员从艺术史、中国文学和绘画技法等角度分析馆藏古代作品及同时代艺术。时间:2024年9月、10月地点:中央美院美术馆3A展厅、会议室、纸本修复室;中国画学院教室,中国画学院教室、版画系教室第三阶段为学员成果汇报。学员根据前两个阶段的课程学习,于2024年10月18日汇报选题,于2024年12月1日以PPT形式汇报研究成果,优秀论文将推荐发表。时间:2024年10-12月地点:中央美院美术馆会议室展览研究工作坊主持黄小峰(展览学术顾问,中央美术学院人文学院院长、教授)刘希言(展览策展人,中央美术学院美术馆副研究员)研究工作坊授课教师公开讲座部分黄小峰:从来风俗亦有诗(展览学术顾问,中央美术学院人文学院院长、教授)施含牧:中国古代风俗画漫谈(故宫博物院副研究馆员,“众生百态”人物画展览策展人)王璜生:美术馆与摄影及收藏(广州美术学院新美术馆学研究中心主任,中央美术学院教授)内部授课部分董梅(中央美术学院人文学院教授)姜鹏(国家博物馆副研究馆员)王子锟(中央美术学院中国画学院副教授、北京美协中国画艺委会委员)谭坦(中央美术学院版画系教师、北京美协版画艺委会委员)蔡萌(摄影研究学者、中央美术学院美术馆收藏委员会副主任)杨迪(中国传媒大学艺术研究院教师)窦天炜(中央美术学院美术馆纸本修复师)王若冰、陈冠石(展览策展团队)成果汇报部分郭怀宇(故宫博物院副研究馆员)郑弌(中央美术学院人文学院教授)万笑石(中央美术学院人文学院教师)李垚辰(展览策展人,中央美术学院美术馆副研究员)招募学员要求招募人数: 10人招募对象:美术史研究、中国画创作、当代艺术等方向,北京地区在读硕、博士,或已毕业硕、博士报名方式: 请于9月21日前发送简历到chenchenstone@163.com(标注“工作坊+姓名+电话”发送申请,简历包含学术背景、研究方向、手机号。最终将由主办方共同讨论决定参加人选,并以收到回复为准,请勿重复提交报名)文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目从来风俗亦有诗——馆藏作品中的古今人物风貌展览时间:2024年9月10日—10月8日展览地点:中央美术学院美术馆3层A展厅主办:中央美术学院美术馆支持:北京画院、首都图书馆、中国美术学院美术馆、广州美术学院美术馆赞助:020ART、北京鑫河艺博文化有限公司、北京飞行鱼文化发展有限公司、北京百展文化科技有限公司主编  / 何一沙责编 / 杜隐珠编辑 / 史泉悦
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CAFAM活动招募|古韵今景:古代绘画视角下的现代北京

2024-09-21

在“从来风俗亦有诗”展览期间,我们诚邀您亲临展厅,与艺术家缪晓春共赴一场视觉的诗意之旅,共赏《北京手卷》首次公开亮相。随着艺术家轻缓地展开三卷摄影手卷,古老的观看方式将在当下复现,每一位参与者都将感受到那古今交融的时光回响。在这场穿越时空的对话中,您将聆听艺术家讲述创作背后的点滴,细品传统与现代交织出的独特韵味,体会影像中隐含的历史温度与现代脉动。《北京手卷》自述缪晓春手卷不适合于公共展览,却很适合于私人观赏,慢慢打开,细细观看。历代手卷中最出名者莫过于《清明上河图》。在一幅高25厘米、宽529厘米的长卷上将一个城市描述得如此全面详尽而生动,后世无人能出其右者。我们已经无法再用这样的观察方式和描绘方式,用如此的细心和耐心来表现一个城市。或许也因为我们已经有了其他新的媒介和可能,这样的可能包括摄影、录相和计算机,如果用一种特殊的转机来拍摄,便能得到一个极长的画面,再经过后期电脑处理绘制和装裱后,我制作了一个手卷,能让我重又得到观赏手卷的乐趣。这样的手卷自然与传统手卷大相径庭,它没有那么宏观俯瞰,却很真实细致;它没有那么凝炼概括,以一挡十,却有可能做到面面俱到,卷帙浩繁,以百抵一。于是我下定决心,即使表现北京这样一个城市,也要做无数个手卷,以期能依稀比肩那一个曾让我无比感叹的手卷曾达到的全面详尽和生动。北京手卷,缪晓春,30cm×280cm×3卷,摄影,2007-2009【活动信息】活动时间:9月23日(周一) 17:00-19:00活动地点:中央美术学院美术馆3层A展厅体验对象:18岁以上成人人数:30人报名方式:请添加微信13910187193(姚老师),标注“工作坊+真实姓名+电话+职业”发送申请,名额有限,报满为止。报名成功者会收到短信回复,请勿重复提交报名。注:1.工作坊全程免费参与。2.活动最终解释权归中央美术学院美术馆所有。▲ ▲ ▲文化和旅游部“2024年全国美术馆馆藏精品展出季”入选项目从来风俗亦有诗——馆藏作品中的古今人物风貌展览时间:2024年9月10日—10月8日展览地点:中央美术学院美术馆3层A展厅主办:中央美术学院美术馆支持:北京画院、首都图书馆、中国美术学院美术馆、广州美术学院美术馆赞助:020ART、北京鑫河艺博文化有限公司、北京飞行鱼文化发展有限公司、北京百展文化科技有限公司主编  / 何一沙责编 / 杜隐珠
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CAFAM直播预告|我与古人,同赏一片明月,云游“馆藏作品中的古今人物风貌”

2024-09-23

9月24日(周二)10:00在抖音、微信视频号关注@中央美术学院美术馆 官方账号不见不散云体验古人在线po生活忆古思今,我与古人,同赏一片明月CAFAM直播介绍
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There is always poetry in customs. | Where does the word "poetry" come from?

2024-10-05

Selected project of "2024 National Fine Art Museum Collection Exhibition Season" of the Ministry of Culture and Tourism.There is always poetry in customs.—The styles and features of ancient and modern figures in the collection works.As a unique art form, ancient genre paintings not only have the educational function of "influencing subtly", but also show the social styles and cultural characteristics of various eras through vivid visual images. These works not only record moments in history, but also contain profound ideological connotations.This exhibition juxtaposes ancient genre paintings with modern images. Through the "poetic flavor" that runs through Chinese civilization, it shows the spiritual outlook of the Chinese people who advocate etiquette, are optimistic and open-minded, tenacious and full of cultural confidence, guiding the audience to understand more deeply the people's nature and poetic feelings in ancient genre paintings.From "This year on the night of the Lantern Festival, the moon and the lanterns are still the same" to "In July, the fire star descends. In August, the reeds are harvested." From "Thinking of the heyday of Bianjing. How many peaceful people went on spring outings." to "Catch fresh fish and go back early. Sell fish soup deep in the knotweed flowers." All endow real life with poetic imagination and emotional resonance."Poetry is an invisible painting. Painting is a tangible poem." As Zhang Shun, a writer in the Song Dynasty, said, poetry and painting in ancient culture are often closely linked. In this exhibition, we have specially made a correspondence between painting meaning and poetic lines.Now, please follow us to find the poetic lines and painting meanings in the exhibition hall.The first day of the first month is the beginning of the year. Works painted to celebrate the beginning of the new year are called "New Year's paintings". There are two common types of New Year's paintings: vase flower offerings and celebration scenes. One is still and the other is dynamic. Both are auspicious and full of good intentions. The main theme of the latter is children at play. During festivals, children play with fish lanterns, blow trumpets, set off firecrackers, pull elephant carts, play with spears, and paste door gods. This not only shows a lively and festive scene but also conveys New Year wishes such as having surplus every year and having peace and prosperity.Attributed to Qiu Ying. "New Year's Painting" (scroll). Color on silk. Ming Dynasty. Collected by the CAFA Art Museum .Gathering around the stove to offer tributes to the new year and assembling in Spring Studio. The room is filled with pepper cups and spicy dishes. Moreover, there are good friends crossing the small bridge. Letting the children make a commotion in the courtyard steps.—By Qianlong.Amidst the sound of firecrackers, the old year passes away. The spring breeze brings warmth and enters the Tu Su wine. On the day when thousands of households are bathed in bright sunlight, people always replace the old peachwood charms with new ones.—By Wang Anshi.
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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!