Lecture Info | Arata Isozaki: Third Space IKI+SHIMA

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CAFAa Lecture Series

The CAFAa Lecture Series was initiated by the CAFA School of Architecture in 2018. Based in the front of academic architecture, it invites prestigious scholars, educators, architects and artists to take part in a variety of activities including discussions, lectures and conferences, to jointly construct international architectural platform that is critical, comprehensive and open.

Combination of keynote speech and relevant seminar is the highlight of this academic lecture series. CAFA has hosted Rem Koolhaas (Pritzker Architecture Prize Winner, Honorary Professor of School of Architecture at CAFA)'s "Recent Preoccupations" lecture and "Generic Village" seminar, Mosen Mostafavi (Former Dean of Graduate School of Design at Harvard University, Honorary Professor of School of Architecture at CAFA)'s "Architecture and Situation" lecture and "Post Bauhaus: Intellectuals, Architecture and Social Regeneration" seminar, Cao Xun (pretigious landscape architect, professor at Beijing University of Civil Engineering and Architecture, Special-term Professor of School of Archaeology and Museology at Peking University)'s three lectures “Chinese Art of Gardening”, "Chinese Landscape Masters" and "Gardening Master Zhang Nanyuan", and "Inheriting the Sage's Knowledge: Seminar on Cao Xun's Academic Thinking" seminar. On October 29, 2019, internationally prestigious architect, the 2019 Pritzker Architecture Prize Winner Arata Isozaki will give the fourth lecture of this academic series at CAFA - "Arata Isozaki: Third Space | IKI+SHIMA".

CAFA invites Mr. Isozaki to be the keynote speaker, not only because he's this year's Pritzker Architecture Prize Winner, or because of his twenty-year friendship with CAFA, but because of his many key practices that has transcended traditional planning and architecture since the 1960s, his critical thinking brimmed with poetic charisma, and the unique characters of his time refracted in his thinking. Like the "Arata Isozaki: Third Space" Oita exhibition revealed, the uniqueness likes in the experimental works in terms of "information collection, art cooperation and installations", in the "intercrossing" cultural activities in fields like "art, design, music and theater", and in the idea practices in fields like "thinking, fine arts, design and cultural criticism". In this lecture, Mr. Isozaki will elaborate on his cross-cultural experience since 1960s in microscopic narrative, using his 2019 Oita exhibition as a thread, and the postcolonial theorist Homi K. Bhabha's "Third Space" concept as a theoretical frame, to bring us the cultural and thinking practices that way transcend architecture itself, and to review and refelct on the many architectural movements he has encountered, triggered, got involved or intervened. Meanwhile, we are also very honored to invite some important history theorist, practical architects, intellectual artists to gather in CAFA in this autumn, take part in three discussions themed "The Architectural Movements since 1960s", "Arata Isozaki and China" and "Arata Isozaki and Contemporary Art", and discuss the complexity and energy of the time in Arata Isozaki's architectural ideas, cross-cultural practices and art criticisms from various perspectives. The scholars will also take the Chinese modernistic context as a foundation, the global course of history as a vision, the contemporary issues as an entry point, their individual experience and diverse practices as angle, to discuss the dialectical relationship between architectural movements and their times in a multi-cultural context - it will be both a reflection of history and a projection into future.


| About the Activity |

CAFAa Lecture Series Ⅳ


 Lecture 

Arata Isozaki: Third Space | IKI+SHIMA


Speaker

Arata Isozaki, internationally renowned architect and 2019 Pritzker Prize Winner


Presenter

Zhu Pei, professor and dean of School of Architecture at CAFA


Time

2019.10.29  14:30-16:00


Place

CAFA Lecture Hall


*The lecture does not require appointment.




 Seminar 

The Architectural Movements since 1960s

Part 1: The Architectural Movements since 1960s

Part 2: Arata Isozaki and China

Part 3: Arata Isozaki and Contemporary Art


Presenter

Zhu Pei, professor and dean of School of Architecture at CAFA


Participating Architects

Zhang Yonghe, renowned artist, architecture educator, professor of School of Architecture at Tongji University, founder and chief architect of Atelier FCJZ

Wang Mingxian, architecture and art history scholar at Chinese National Academy of Arts, expert at CAFA Visual Art Innovation Institute

Liu Jiakun, renowned architect, founder and chief architect of jiakun arc, expert at CAFA Visual Art Innovation Institute

Shi Jian, renowned architecture critic, curator, partner of Archi Position

Zhou Rong, renowned architecture critic, architecture scholar, associate professor of School of Architecture at Tsinghua University, expert at CAFA Visual Art Innovation Institute

Zhang Li, professor and deputy dean of Tsinghua University, chief editor of World Architecture magazine

Zhang Lufeng, professor at Center of Architecture Research and Design at University of Chinese Acadey of Sciences

Li Xinggang, chief architect at China Architecture Design & Research Group, chief executive of Li Xinggang Architecture Studio

Wang Hui, renowned architect, founder and chief architect of URBANUS

Tong Ming, renowned architect, professor of Department of Urban Planning at Tongji University, founder and chief architect of TM STUDIO

Hua Li, renowned architect, founder and chief architect of TAO



Participating Artists

Liu Xiaodong, renowned artist and professor of School of Plastic Arts at CAFA

Zhang Zikang, director of CAFA Art Museum

Qiu Ting, renowned artist, professor and dean of Department of Landscape, School of Chinese Painting, CAFA


Time

2019.10.29 16:15-17:45


Place

CAFA Lecture Hall



| About the Speaker |

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Arata Isozaki

Born 1931 in Oita City, Japan. In 1954 graduated from the Department of Architecture in the Faculty of Engineering at the University of Tokyo. In 1963 established Arata Isozaki & Associates, the base from which he has continued to work ever since. From his 1960s work such as Oita Prfectural Library, to his 1990s work in locations such as far afield as Barcelona, Orlando, Krakow, Nagi in Okayama Prfecture, Kyoto, Nara and Berlin, to his 21st century work in the Middle East, China, Central Asia and elsewhere, Isozaki has created an architecture so personal in its ideas and spaces that it defies characterization in any single school of thought.


Academic Presenter

Fan Di'an, Lv Pinjing, Zhu Pei


Key Planners

Zhu Pei, Han Tao, Wang Zigeng, Hou Xiaolei, Liu Yanchen, Huang Liangfu, Liu Siyong, Zhang Qian


Poster Designers

Wang Zigeng, Gong Yi


Organizer

CAFA School of Architecture


Co-organizers

CAFA Visual Art Innovation Institute

CAFA Art Museum

CAFA Art Info



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The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

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Use in perpetuity.

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The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

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(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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and Statement

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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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