Hundred Years of Glory · CAFA Masters | Standing on the Frontline of Life: Art and Archives of Hu Yichuan

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Hundred Years of Glory · CAFA Masters

Guangzhou Academy of Fine Arts · Commemorating Hu Yichuan's 110th Birthday


Standing on the Frontline of Life:

Hu Yichuan Art and Archives Exhibition 


Organizer: Central Academy of Fine Arts, Guangzhou Academy of Fine Arts

Undertaker: CAFA Art Museum, Art Museum of Guangzhou Academy of Fine Arts

Supporter: National Museum of China, China Artists Association, National Art Museum of China


Time: 2020.11.18 - 12.23

Venue: CAFAM Gallery 2B


Opening Time: 2020.11.23, 10:30 am

Venue: CAFAM Lecture Hall


Seminar: Hu Yichuan and Art Education in China

Time: 2020.11.23 2:00 pm


Note: Entry to CAFA Art Museum is by real-name advance ticket and capacity is limited. The opening hours are 9:30 - 17:00 (closed on Mondays). Tickets must be reserved online and wil not be available at the museum. Visitors will enter the museum by the reservation information and ID card. Reservation is open two days in advance. Tickets are available on first come, first served basis.


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Scan the QR code to reserve tickets


The exhibition "Standing on the Frontline of Life: Art and Archives of Hu Yichuan" is co-organized by Central Academy of Fine Arts and Guangzhou Academy of Fine Arts, and undertaken jointly by the CAFA Art Museum and the Art Museum of Guangzhou Academy of Fine Arts. It is part of the "Hundred Years of Glory · CAFA Masters" exhibition program, and one of the Guangzhou Academy of Fine Arts' commemoration programs of Hu Yichuan's 110th birthday.

Hu Yichuan is an important artist and art educator of the 20th century in China. His works, Going to the Frontline, Breaking of the Chains, The Eve, have become an icon of the 20th century Chinese fine art. The exhibition focuses on the excellent life and art of Hu Yichuan. Divided into five parts, it tries to elaborate on Hu's life from his oral history, artworks, archives of his art education and his life choices, showcasing his life pursuit of "running towards the frontline of time as a flag-bearer". The exhibition will showcase around 500 pieces of artworks and documents that represent Hu's life. Many archives are shown for the first time.

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Going to the Frontline, Hu Yichuan, 1932, Shanghai, monochrome woodcut, 25 x 33cm, collection of Shanghai Lu Xun Museum

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The Eve (organizing the guerilla team to develop widespread guerilla forces), Hu Yichuan, 1939, Shanxi, monochrome woodcut, 11.5 x 11.7cm, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts

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The Eve, Hu Yichuan, 1961, Guangzhou, oil on canvas, 140 x 181.5cm, collection of the National Art Museum of China

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Breaking of the Chains, Hu Yichuan, 1950, Beijing, oil on canvs, 174 x 244cm, collection of the National Museum of China

The exhibition is the first retrospective exhibition of Hu Yichuan at the Central Academy of Fine Arts. It received great support from Hu Yichuan's family, the National Museum of China, the National Art Museum of China and China Artists Association.



About Hu Yichuan

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Hu Yichuan is a well-known Chinese artist, art activist and art educator.

Hu was born in 1910 the Wuzi House in Zhongchuan Village, Yongding County in Fujian Province. He enrolled in Xiamen Jimei School when he came back to China from Indonesia in 1925. He entered Hangzhou National Art College in 1929, and participated in the "One Eight Art Society", one of the earliest art revolutionary groups in China. In the summer of 1930, he answered to Lu Xun's New Woodcut Movement, and became a founder of the left-wing group “Mei Lian”. Hu went to Yan'an in 1937, became a teacher at the Yan'an Lu Xun College of Art, and organized the "Lu Xun College of Art Woodcut Working Group" in the rear area of the war. He was invited to the "Yan'an Art and Literature Forum" in 1942. After New China was founded, Hu established the Central Academy of Fine Arts together with Xu Beihong, and became the first party committee secretary and one of the first professors of CAFA. In 1953, he was assigned by the Ministry of Culture to establish the Zhongnan Art Institute in southern China, and became its first director. In 1958, the institute moved to Guangzhou, and changed its name to "Guangzhou Academy of Fine Arts". Hu was its first party committee secretary and director. He was elected a committee member of the China Federation of Literary and Art Circles, executive member of the council of the China Artists Association, deputy director of Guangdong Artists Association and committee member of the Guangdong Federation of Literary and Art Circles. He was a judge of the World Festival of Youth and Students in Moscow, counselor of the China Artists Association, counselor of the Guangzhou Academy of Fine Arts, counselor of the Guangdong Art Institute, consultant of the academic committee of the Guangdong Art Museum, and lifetime professor at the Guangzhou Academy of Fine Arts.

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Group photo of some members of the "One Eight Art Society" before its dissolution, at Hangzhou National Art College in 1931.

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Group photo of the Lu Xun College of Art Woodcut Working Group In January 1939, at their exhibition in the Tongchuan Middle School in Qin County in Shanxi Province. 

(From left to right: Yanhan, Huashan, Hu Yichuan, Luo Gongliu. Hu was the head of the working group. They went to rear areas such as east and west Shanxi, south of Hebei to promote woodcut.)

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In September 1949, Hu Yichuan and Xu Beihong co-established Central Academy of Fine Arts. Xu became the academy's director, and Hu became the party committee secretary.

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Group photo with leaders of the Guangdong Artists Association. Hu went to Guangzhou in 1957 to arrange the moving of the Zhongnan Art Institute to Guangzhou. There he received warm welcome from the art circle of Guangdong Province. (From right to left: Huang Xinbo, Yang Taiyang, Huang Junshan, Hu Yichuan, Guan Shanyue, Huang Duwei.)

With his great passion for art, strong humanistic sympathies, rough and vigorous art style, Hu Yichuan has created many woodcut works full of characteristics of time and his unique style. He is no doubt an important pioneer artist of the New Woodcut Movement in China.

Professor Hu Yichuan is also an outstanding contributor to China's oil painting art. His oil painting, either about figures or landscapes, all reflect the beauty of broadness and honesty. His simple composition, liberal brushstrokes, distinct themes, rich and accurate color language, and calm and magnificent spirit, all had great impact on contemporary Chinese art history. Hu's printmaking works such as Going to the Frontline, Farm Labor-exchange Teams and oil painting works Breaking of the Chains, Digging the Tunnel, South China Sea Oil Rig are classics of New China art. His thoughts on art education also deeply influenced generations of artists. His excellent contributions in the fields of art activities and education have also made history.

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Manuscript of Hu Yichuan's speech at the founding ceremony of Central Academy of Fine Arts on April 1 1950.

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CAFA's letter of appointment to Hu Yichuan for the post of professor and department director, 1951.

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Letter of appointment to Hu Yichuan for the post of director of Zhongnan Art Institute, issued by Yang Xiufeng, minister of the Senior Ministry of Education of PRC, 1954.

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Letter of appointment to Hu Yichuan for the post of director of Guangzhou Academy of Fine Arts, issued by Chen Yu, president of the Guangdong People's Committee, 1959.


Selected Exhibits

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Laborers under the Demon, Hu Yichuan, 1938, Yan'an, monochrome woodcut, 8.25 × 10.5cm, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts

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Civil-military cooperation, Hu Yichuan, 1940, Shanxi, water-print color-matching woodcut, 36.8 × 32.3cm, collection of the National Museum of China

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Farm Labor-exchange Teams, Hu Yichuan, 1943, Yan'an, color-matching woodcut, 11.7 x 19cm, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts

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Don't Let the Enemies Through, Hu Yichuan, 1943, Yan'an, color-matching woodcut, 9.5 x 11.25 cm, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts

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Nan'ao Island, Hu Yichuan, 1962, Guangdong, oil on wove paper, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts

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Digging the Tunnel, Hu Yichuan, 1974, Guangzhou, oil on canvas, 146 x 112cm, collection of Art Museum of Guangzhou Academy of Fine Arts

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On the Eve of the Turning Point, Hu Yichuan, 1977, Guangzhou, oil on canvas, 131 x 170cm, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts

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My Hometown, Hu Yichuan, 1983, Zhongchuan Village, Yongding County, Fujian Province, oil on wove paper, 52.8 x 73.5cm, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts

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Discovering Mine, Hu Yichuan, 1994, Guangzhou, oil on canvas, 140 x 186cm, collection of Hu Yichuan Research Institute of Guangzhou Academy of Fine Arts


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Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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