2020年，适逢胡先生诞辰110周年，中央美术学院与广州美术学院共同主办“站在人生的前线——胡一川艺术与文献展”，通过展示其珍贵的作品、手稿，以及大量口述史和文献资料，来纪念这位深刻影响了中国20世纪美术走向的大家。展览于11月23日开幕，并举行了学术研讨会，业已引起艺术界的广泛关注，不少从事20世纪中国美术史研究的学者通过观展以及阅读相关资料对于胡一川研究有了进一步的认识。在临近展览闭幕之际，我们再次组织专题研讨会，从叙事、媒介以及跨文化语境等角度对胡一川这一重要个案进行深入细致的探讨，并总结展览的经验，以为下一阶段的研究及展示奠定坚实的基础。
主持人：
胡斌（广州美术学院美术馆常务副馆长、教授）
曹庆晖（中央美术学院美术史系教授）
主题发言：
1、对“胡一川艺术与文献展”主题与实现的检讨
曹庆晖（中央美术学院美术史系教授，本次展览策展人）
2、在胡一川研究中如何“重返历史语境”？
李公明（广州美术学院艺术与人文学院教授）
3、胡一川时期：迟轲的艺术批评、艺术史写作
樊林（广州美术学院艺术与人文学院教授）
4、“席箱”和《马赛曲》：克罗多、斋藤佳三与胡一川早期现代艺术经验的形成
蔡涛（广州美术学院艺术与人文学院副教授）
5、胡一川和西盖罗斯的1932
于渺（研究者、策展人）
6、从平民意识到革命意识——胡一川早期版画创作中的现实主义（1930—1937）
魏祥奇（中国美术馆副研究馆员、策展人）
7、木刻与宣传：胡一川的1930年代
艾姝（中山大学历史学系助理教授，四川大学历史文化学院博士，中央美术学院博士后）
8、胡一川、鲁迅与“新兴木刻”的诞生——以《征轮》为视角
曾小凤（艺术学博士，中央美术学院国家主题性美术创作研究中心助理研究员）
9、个人还是集体？——胡一川在鲁艺木刻工作团的表现转向及其背后策略
杨灿伟（《美术》杂志责任编辑，美术学博士，艺术学博士后）
10、大众的色彩：胡一川1940年代的套色木刻与民族形式建构
郝斌（重庆大学艺术学院讲师、共和国研究中心研究员、中央美术学院博士，中国文艺评论家协会会员）
11、宣传战中的新年画 ：探析鲁艺木刻工作团1940年的新年画创作实践
冷俊岐（中央美术学院 硕士研究生）
12、从“缺失”到“重现”：胡一川《轰炸敌舰》及其意图转换
李惠子（西安美术学院史论系讲师、新中国美术研究所助理研究员）
13、牛犋变工队：马歇尔背后的画
盛葳（《美术》杂志编审、副主编）
14、塑造"大生产：胡一川《牛犋变工队》的集体叙事
邹佳睿（中央美院人文学院博士在读）
15、历史转折中的艺术变奏——胡一川《攻城》作品相关问题刍议
郑石如（中央美术学院博士、中国艺术研究院创作管理处）
16、象征的踪迹——胡一川的“城楼”及其变动的意义
丁澜翔（深圳市关山月美术馆副研究馆员、中央美术学院博士研究生）
17、新艺苑与旧战场——观胡一川1982年风景写生作品后感
刘鼎（艺术家、策展人）
18、现实与理想之间——胡一川风景油画初探
巴音娜（中央美术学院 硕士研究生）
19、突破规则与建构秩序——“胡一川艺术与文献展”的展览设计语法
纪玉洁（设计学博士，中央美术学院美术馆设计部主任／总监，中央美术学院美术博物馆虚拟策展实验室设计顾问）
对谈嘉宾：
杨小彦（中山大学传播与设计学院教授）
吴雪杉（中央美术学院教授）
周博（中央美术学院设计学院副教授）
蔡萌（中央美术学院美术馆影像艺术中心主任）
董冰峰（中国美院跨媒体艺术学院研究员）
郑梓煜（中山大学传播与设计学院副研究员）
01
胡一川先生简介
胡一川是中国当代著名艺术家、美术活动家、美术教育家。
胡一川1910年生于福建永定中川务滋楼。1925年从印尼回国入厦门集美学校，1929年入杭州国立艺专，参加并组织最早革命美术团体杭州“一八艺社”。1930年夏，响应鲁迅先生倡导的新兴木刻运动，是左翼“美联”发起人之一。1937年赴延安，任延安鲁艺教员，组织“鲁艺木刻工作团”到敌后。1942年被邀请参加“延安文艺座谈会”。新中国成立后，与徐悲鸿先生共同领导组建中央美术学院，为第一任党组书记、教授。1953年受中央文化部委派，到南方组建中南美专为第一任校长。1958年学校迁至广州更名为“广州美术学院”，任党委第一书记兼院长。被选为全国文联委员、中国美术家协会常务理事、广东美术家协会副主席、广东省文联委员，广东省人大第四、第五届常务委员。曾任莫斯科世界青年联欢节美术评委、中国美术家协会顾问、广州美术学院顾问、广东画院艺术顾问，广东美术馆学术委员会顾问、广东省文化艺术界咨询委员会委员、广州美术学院终身教授。
胡一川教授在艺术上以饱满的激情、鲜明的爱憎、强烈的人道情怀与粗犷、浑厚的气韵笔力，创作了大量富有时代特色和个人风格的木刻作品，成为我国新兴木刻运动史上重要的开拓者和艺术家。
胡一川教授还是我国油画艺术的突出贡献者，他的油画艺术，无论人物或风景，都襟怀坦荡，质扑挚诚，在单纯、浑穆、粗壮中透彻着文质相映的魄力。尤其是简洁的构图、酣畅的笔意、鲜明的主题、丰富而高度概括的色彩语言，浸渍着沉雄博大的非凡气度，在当代中国美术史上具有重大的影响。胡一川的版画《到前线去》《牛犋变工队》等作品和油画《开镣》《挖地道》《南海油田》等已列入新中国美术的经典性作品。他的美术教育思想深深地影响了几代艺术家，其艺术活动和教育方面的卓越贡献，已载入史册。
1931年下半年，杭州一八艺社未解散前部分成员合影于西湖边的国立艺专
1953年胡一川南下前，中央美院同事为他送行后留影
1940年，朱德组织的晋东南文艺座谈会
1942年5月，延安文艺座谈会
1949年2月22日，文献报刊《北平新民报：艺术工作者大汇合——记一次不平凡的座谈会》
1939年，华北新华日报总编辑何云聘请胡一川为本报木刻记者聘书
《 关于年画》，胡一川为延安解放日报写的文章（1944年1月15日于延安）
02
胡一川先生代表作品（部分）
《开镣》，胡一川，1950年，北京，布面油画，174cmx244cm，中国国家博物馆藏
《开镣》局部
《南澳岛》，胡一川，1962年，广东，布纹纸油画，35cm×49cm，广州美术学院提供
《挖地道》，胡一川，1974年，广州，布面油画，146cm×112cm，广州美术学院美术馆藏
《转折前夕》，胡一川，1977年，广州，布面油画，131cm×170cm，广州美术学院提供
《饥民》，胡一川，1930年，杭州，黑白木刻，尺寸不详，刊于《一八艺社1931年习作展览画会画册》
《到前线去》，胡一川，1932年，上海，黑白木刻，25X33cm，上海鲁迅纪念馆藏
专题研讨会地点：
中央美术学院美术馆会议室
专题研讨会时间：
2020年12月22日 9:00——18:00
*本次研讨会为内部会议，暂不对外开放。
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
