“Tides of the Century: 2020 Ocean Flower Island International Exhibition” Holds Press Conference

Trailer of the "Tides of the Century: 2020 Ocean Flower Island International Exhibition"

The opening exhibition of the Ocean Flower Island Museum in Hainan, Tides of the Century: 2020 Ocean Flower Island International Exhibition, held its press conference at CAFA Art Museum in CAFA Art Museum on December 22, 2020.

The exhibition is academically supported by the CAFA Art Museum, organized by the China Arts and Entertainment Group, Ltd. and the Evergrande Group, and co-organized by the China International Exhibition Agency, Ltd., the Ocean Flower Island Museum and the CAFA Silk Road Art Research and Creativity Center. The exhibition will showcase over 140 works by more than 80 artists from 23 countries around the world. While the whole world is battling the coronavirus pandemic, the exhibition at the Ocean Flower Island Museum supported by artists from five continents reflects the common wish of supporting each other to overcome the difficult times.

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The exhibition’s academic board is led by Fan Di’an, and composed of scholars including Zhang Zikang, Sui Jianguo, Wang Duanting, Zhu Qingsheng, Adrian George, Caitlin DOherty, Paul Gladston, Nanjo Fumio, Shigeo Chiba and Akira Tatehata. The deputy director of CAFAM Wang Chunchen is the head curator of the exhibition. Dr. Katerina Koskina, former director of the Greek National Museum of Contemporary Art is the guest of honor curator for Greek art. Yue Jieqiong, deputy director of the CAFA Silk Road Art Research and Creativity Center, and Xu Jialing, curator from the China International Exhibition Agency, Ltd., are also taking part in the exhibition as curators.

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One of the highlights of the exhibition is the participation of Greece as guest of honor. Greek art is an important component of the exhibition. Dr. Katerina Koskina curates the exhibition based on the Socratic elenchus, which features the unity of opposites in perception. It is both the foundation of Greek philosophy and the origin of modern western philosophy, and at the same time it echoes with the dialectic thinking in China which both honors the history and keeps pace with the time.

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Dr. Katerina Koskina

The Greek art unit is supported by the Greek Embassy in China and the Ministry of Culture and Tourism of China. The exhibition will showcase influential artworks created by over 20 Greek artists since the 1970s. Many exhibits are from the collection of the Greek National Museum of Contemporary Art. Some were exhibited at international exhibitions including the Venice Biennale and the Documenta.

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Aemilia Papaphilippou, Chess Continuum

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Costas Varotsos, Horizons

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Marianna Strapatsaki, Invisible Places - The Vast White (2008)

The exhibition can be seen as a miniature of the Greek contemporary art. It features artists including Takis, George Zongolopoulos, Costas Varotsos, Amelia Papaphilippou and Theo Triantafyllidis, and presents the latest edition of the Athens Digital Arts Festival. The Greek art unit not only shows the picture of Greek contemporary art in a clear, multi-dimensional structure, but also responds to the exchange between Chinese and Greek civilizations.

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George Zongolopoulos, Tel-Neant (1997)

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Theo Triantafyllidis, Nike (2018)

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Theodoulos, Aftofota-Eterofota (1996)

Like professor Fan Di’an said in his speech: “Having invited Greece as the exhibition’s guest of honor, it initiates a new dialogue between the two lands where two of the most ancient civilizations was born. Greece, as a maritime nation, could also form a dialogue that links the history and the present with the Hainan Island. It is important for the economic, political and cultural exchange between Greece and China as well.”

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Fan Di’an, president of China Artists Association, director of CAFA

The exhibition was originally planned to open at the end of 2020. Due to the influence of the pandemic, the opening date is postponed to February 2021, yet the exhibition continues to keep the time 2020 in its name. By doing so, the organizers hope to highlight the cooperative spirit that makes the exhibition happen despite the difficulties caused by the pandemic.

The head curator Wang Chunchen said that the title “tides of the century” means a closer exchange of not only merchandise, but also thoughts, emotions, culture and art in the globalized 21st century. The need for connection is especially strong amid the pandemic.

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Wang Chunchen

Apart from the Greek art, the exhibition also features artists from other parts of the world, including Tony Cragg, Marc Quinn, Xu Bing, Tatsuo Miyajima, Leandro Erlich and Loris Cecchini. Artists like Gabriel Dawe and Kedgar Volta will also showcase their work in China for the first time in this exhibition. Gabriel Dawe will also create a new edition of his work Rainbow for the exhibition.

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Past exhibition of Gabriel Dawe’s Rainbow. Courtesy of the artist.

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Kedgar Volta, The Fragility of the Promise (2019). Courtesy of the artist.

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Park Lisa, LUMA (2015). Courtesy of the artist.

To bring some site-specific tactile experience to the audience, French artist Céleste Boursier-Mougenot will also present her installation work, which uses Danzhou diaosheng as its core element. Artists Wang Jianwei, Song Dong, Choi Jeong-Hwa, Sinta Tantra and Liu Jiayu also creates new works for the exhibition.

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Sinta Tantra, Horizon to Horizon (2018). Courtesy of the artist.

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 Miu Xiaochun, Restart. Courtesy of the artist.

Six artists Cai Yaling, Yue Yanna, Li Linlin, Hu Qingyan, Tian Xiaolei and Li Yuanchen have created works during their residency at the Ocean Flower Island Museum. The works to be exhibited show their reflection upon issues such as marine environmental protection, life and consumerism.

The “An Azure Rendez-vou” unit, curated by Yue Jieqiong, includes works by artists from Venezuela, the US, and Austria. This unit is linked by artist Lu Zhengyuan’s installation “seawater”, to show the concept that mankind is a community linked by the ocean.

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Sui Jianguo, Cloud Garden, Handprint 3#, Photopolymer 3D printing and steel frame, 700×300×600cm, 2019. Courtesy of the artist.

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Xu Bing, Background Story: Thousand Li of River and Mountain, 450x932x30cm, 2014. Courtesy of the artist studio.

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Zhang Xiaogang, The Drawer of Time, 2018. Courtesy of the artist studio.

The Ocean Flower Island Museum is located in Danzhou, where Chinese poet Su Shi was banished in his twilight years. The culture of Hainan also began from the incident. Based on the theme of “oriental poetry”, curator Xu Jialing invited poets and artists Adunis, Lv De’an, Cheqianzi, Dai Guangyu, He Canbo, Tian Wei, Jia Qiuyu and Fu Xiaotong to create works responding to the contemporary development of oriental poetry.

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Georgios Iliopoulos, Ambassador of Greece to China, delivers a speech via the video.

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At the press conference, guests and the press exchanged ideas around the two main background issues behind the exhibition, the establishment of the Hainan Free Trade Port and the development of the Maritime Silk Road, and topics such as the exhibition’s influence on the art and culture of Hainan, and how contemporary art could blend into the local culture of Danzhou.

The exhibition will be held from February 8 to December 8, 2021.


Photos and Chinese text by CAFA Art Info



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Tides of the Century: 2020 Ocean Flower Island International Exhibition


Academic supporter: CAFA

Organizer: China Arts and Entertainment Group, Ltd., Evergrande Group

Undertaker: China International Exhibition Agency, Ltd., Ocean Flower Island Museum and 

Co-organizer: CAFA Silk Road Art Research and Creativity Center

Media support: CAFA Art Info


Time: 2021/02/08 - 12/08

Location: Ocean Flower Island Museum, Danzhou, Hainan


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I. General Provisions

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(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

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(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

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I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

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