上海暑期必看展览 “青春万岁——新中国美术的青年时代”,正在西岸艺术中心N馆展出。
展览依托中央美术学院馆藏及特邀作品追溯新中国美术的发展历程,以“青春”为线索串联半个多世纪的创作灵光。总计展出100余位艺术家的近150件包含绘画、雕塑、装置等多种类型的作品。
,时长04:12
「青春万岁」展览纪录片
/教科书式地呈现
新中国美术发展的中坚力量/
“中央美术学院作为这批公办美术院校中至关重要的一所,其通过培养出一批批杰出的艺术家,以及他们所创作的经典作品,奠定了自身在新中国美术发展历程中不可替代的地位。绝大部分创造了新中国美术历史的艺术家都与中央美院密切相关。”
——潘公凯
此次的展览精选出部分的代表作品,构成了一个以央美历届毕业生的留校作品为样本的研究和展示专题的展览。通过解读这些大量著名艺术家发展历程中关键性的代表作或“成名作”,以一种教科书式的教学方式,系统性地把一幅新中国美术画卷呈现在眼前,具有重大的历史和教育意义。这些作品无疑构成了新中国以来美术史各阶段成果中不可或缺的组成部分。为现场观众带来一场教科书级的沉浸式展览体验,感受中国艺术的历史和未来,探求青春力量在艺术创作中的重要作用。
展览中精选的中央美术学院美术馆藏八十余件艺术家青年时期的代表作品,时间跨越20世纪下半叶至21世纪,展现出富有青春活力的时代画卷。其中不乏许多日后的成名艺术家将他们艺术发展历程中关键性的“代表作”或“成名作”留在了属于美院的一段青春岁月,为新中国美术史书写着“青春”注脚。
/经典作品介绍/
新中国美术史
尽在步履之间
*按出生年代顺序排列
侯一民
1930年生于河北高阳。著名油画家、美术家、美术教育家,国家级有突出贡献专家,中国壁画学会名誉会长,新中国第一代美术家、美术教育家,新壁画运动开拓者之一。
地下工作者
侯一民 布面油彩 210×176cm 1957 年
此画是侯一民在马克西莫夫油画训练班的结业创作,描绘的是解放前夕进步青年秘密印刷党的宣传刊物,迎接解放的真实事件,这也是画家本人亲身经历的真实事件,反映革命历史的大题材油画作品。
//
闻立鹏
1931年生于湖北,中国油画艺术家、美术评论家,曾任中央美术学院教授,中国美术家协会理事。
国际歌
闻立鹏 布面油彩 243×199cm 1963 年
《国际歌》是闻立鹏于1963在中央美术学院油画研究班的毕业创作,也是他艺术创作中重要代表作品。当时名称是《英特那雄耐尔一定要实现》,取自《国际歌》的最后一句,后来因为语言上的方便简称为《国际歌》。
//
詹建俊
1931年生于辽宁。詹建俊是中国油画界中早期对油画的现代性元素行进研究及探索的画家,是中国二十世纪美术史具代表性的人物。
起家
詹建俊 布面油彩 140×348cm 1957 年
此画是詹建俊在马克西莫夫油画训练班的创作,画面呈现的是暴风雨即将来临的时刻。《起家》抓住了我国20世纪50年代的时代脉搏之一:开拓北大荒。在那个年代,无数热血青年积极响应党和国家的号召,纷纷奔赴北大荒。这些青年通过辛勤劳动开拓荒野创造新的历史,表现出一种青春无悔的英雄主义情结和浪漫主义情怀。《起家》是中央美术学院美术馆重要馆藏之一,也是詹建俊的成名佳作。
//
靳尚谊
1934年生于河南,中国油画家,师从艾中信、罗工柳,被誉为中国油画新古典主义学派的创始人。是我国当代油画的代表人物之一。
拄棍的老人王大爷
靳尚谊 纸本铅笔 71.6×61.3cm 1956 年
画面表现的是一位北方乡下农民,拄着拐棍的侧面肖像。创作这幅作品时,靳尚谊21岁,刚从中央美院绘画系毕业,进入克西莫夫油画训练班学习油画。这是他较为满意的一幅早期作品。作品中的“王大爷” 是当时训练班请的模特。
//
潘世勋
1934年生于吉林省吉林市,现为中国美术家协会会员,中国油画学会理事。
红日初升
潘世勋 布面油彩 120×137.5cm 1960 年
此次展出的作品《红日初升》为潘世勋的代表作之一。作品为在他26岁时在中央美院任教时创作的作品。旨在对潘世勋的艺术创作进行研究与展示,带领观众认识他在中国现实主义油画道路上的卓越实践,以及他的艺术中所反映出的新中国美术教育的时代特点。
//
戴士和
1948年生于北京,1976年毕业于北京师范学院美术系,1981年毕业于中央美术学院油画系壁画研究生班。中央美术学院教授,中国美术家协会油画艺术委员会委员,中国油画学会理事。
正午组画之四草原上的云
戴士和 木板油彩 90.5×90.5cm 1985 年
此幅作品为戴士和37岁时在央美任教期间创作的作品。在这幅作品中,戴士和显然不是一个试图把“思想性”和“观念”摆在表面的艺术家,而是一位意欲建立表现与思想与观念之间内在的相关性和自然的联系性的艺术家。
//
杨飞云
1954年生于内蒙古,1982年毕业于中央美术学院油画系。曾任教于中央戏剧学院舞台美术系和中央美术学院油画系。
男人体
杨飞云 布面油彩 120×80cm 1981 年
本作品为杨飞云在27岁就读央美期间创作的作品,在这幅《男人体》中,杨飞云扎实的写实技巧一览无遗,人体的每一根细小曲线,每一条绷紧的肌肉,都体现着杨飞云扎实的写实技巧。一个年轻的男人体,在他的笔下,具有一种超越庸常的理想主义的完美。这是杨飞云艺术生涯中仅有的几幅男性人体习作之一。
//
徐冰
1955年生于四川重庆,中国当代艺术家,现居北京、纽约,师从詹建俊、罗尔纯和古元等名家,其为人所知的大部分作品皆与文字有关,如使用全新创造的“汉字”写成的“天书“。
有山的地方
徐冰 木版单色 53×73.5cm 1988 年
此次展出的作品为徐冰33岁在央美任教期间创作的作品。他将东方的哲学思维方式及文化导入到当代艺术创作中,作品对文字语言等沟通工具、艺术与文明的本质问题、不同物种与文化间的蕾丝与冲突等进行批判性的思考。
//
隋建国
1956年生于山东青岛。1984年山东艺术学院美术系本科毕业,1989年中央美术学院雕塑系硕士研究生毕业,曾任中央美术学院雕塑系主任。
失重
隋建国 石膏着色、铜 尺寸不一 /16 个 1988 /2012
这幅作品《失重》位隋建国33岁时在中央美术学院时期的作品。创作时逢上世纪中国80年代现代艺术运动的高潮期,这一时期以《平衡》、《失重》和《卫生肖像》三个系列为代表,突出了他运用各种现代主义雕塑语言进行“自我”、“生命意义”的哲理陈述和反省,挑战对象主要是古典主义学院传统。
//
苏新平
1960年生于内蒙古集宁市,1989年毕业于中央美术学院版画系,获得硕士学位,并留校任教。 现为中央美术学院副院长、教授、博士生导师,中国美术家协会版画艺术委员会主任。
寂静的小镇(之一)
苏新平 石版单色 53×68cm 1989 年
在上世纪80、90年代,中国兴起一股描绘边疆异域的艺术思潮,但大多流于表面,仅仅呈现了异域风情。来自内蒙草原的他对此持有不同的看法,因此在他的版画作品中,并没有停留在对草原风情的描绘,而是将他熟悉的草原生活内化为一种精神线索,成为贯穿于作品中的独特气质与艺术语言。正如在他作品中,反复出现的“白马”,已不单是草原风物的符号,而是成为艺术家切入当代社会的一个视角,与自我独立精神的化身。
//
方力钧
1963年生于河北,1989年毕业于中央美术学院版画系。他也是国际艺术领域中最具知名度的中国艺术家之一。
1995.13
方力钧 木版单色 92×63cm 1995 年
此幅作品为方力钧32岁时创作。自上世纪九十年代起,方力钧便开始展现出他强烈的表现主义风格绘画。这幅作品为木刻版画,即便站在百花争鸣的最中心,画中的人依旧愁眉苦脸,眼神空洞。作画强调人物内心的情感,象征着低落、忧愁的“人”在繁花中迷失自我。
//
刘小东
1963年生于辽宁,1988年毕业于中央美术学院油画系。现为中央美术学院油画系教授。
油漆工
刘小东 布面油彩 160×91cm 1991 年
此幅作品为刘小东28岁在中央美术学院附中任教时期创作的作品。刘小东感到世界上各种“主义”众多,而“现实主义”对于他来说具有纪实性和直接性,“我依托在这个基点上,心中感到实在。”即使在上世纪80年代后期现代艺术运动一统天下之时,刘小东仍旧坚持本分的写实主义,将目光聚焦于日常生活与熟悉人物。在那默默无闻的十多年中,刘小东仍旧坚守自身对于绘画的理念,着力表现普通人生存遭遇的独立与疏离,远离潮流与喧哗。
喻红
1966年出生,毕业于中央美术学院,中央美院油画系教师。
川
喻红 布面油彩 130×140cm 1988 年
这件作品是喻红本科毕业创作的《川》,画的是一组风华正茂的年轻人迎风而走的形态,其中最前面的一位女性,大概是喻红自己身影的写照。这件作品,除了色彩、造型、笔触等的成熟精彩外,这些年轻人的形象都被斜拉着并微微变形,身体的重心旁落,有些失衡,尚未走出校门的喻红似乎已经敏感地意识到她们这一代人走进社会可能面临的种种失衡和变形,画面有一种不安的扭曲的复杂情绪。
毛焰
1968年生于湖南湘潭,毕业于中央美术学院油画系,现居南京,任教于南京艺术学院美术系。
女子坐像
毛焰 布面油彩 128×95cm 1991 年
这件作品为作者23岁时在央美本科毕业时创作的作品。毛焰以肖像绘画为人所熟知。在毛焰看来,绘画是自身态度与信念的表现,若是通过客观媒介以观念出发建立作品是颠倒了艺术创作的主次顺序。他认为绘画的过程应该是把“自我”放入其中。
唐晖
1968年生于中国武汉, 1991年毕业于中国北京中央美术学院壁画系,同年留校任教,现任中央美术学院壁画系教授。
时空一击
唐晖 布面油彩 244×362cm 1991 年
《时空一击》为唐晖在23岁时央美的毕业作品,也是唐晖的代表作之一。作品《时空一击》,观念上表达了时间从过去到未来可跨越性;在空间建构上也融合了宏观到微观的表达。作品涉及到了强烈的多元文化表达。
展览信息
Exhibition Information
青春万岁 —— 新中国美术的青年时代
展览时间
2023.4.30—9.3
10:00—17:00
每周一闭馆,节假日另行通知
展览地点
西岸艺术中心N馆
(上海市徐汇区丰谷路35号)
购票方式
扫码购票
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.