“Blueprint Productive Force-- Future Sense In The Expression of Art”Series
Discussions from the Arts: Technology, Knowledge and Imagination
Sponsor:CAFA Art Museums
Dialogue time: August 31 (Saturday) 14:00-16:00
Venue: Conference Room, CAFA Art Museum
This dialogue is one of the series activities of "Blueprint Productivity - The Expression of Future Sense in Art", which focuses on the anticipation and imagination of art on the construction of human civilization, and the feedback of artists' perception on the unknown boundaries and the future world. As one of the series of activities of this exhibition, the Dialogue will invite young and middle-aged scholars and artists with different academic backgrounds and research directions to discuss how artistic and literary creation can narrate and imagine social production, technological evolution and scientific knowledge from the perspectives of art history research, art theory, cultural research, media theory, science fiction creation, contemporary art, and so on.
| Moderator |
YiYue
Deputy Director and curator of the Curatorial Research Department of the Art Museum of the Central Academy of Fine Arts. He has curated exhibitions in China and abroad, including "Blueprint Productivity: The Expression of Futuristic Sense in Art" (2024), "Holding the Pen for the Era--Wei Qimei's Centennial Birthday He has curated domestic and international contemporary art exhibitions including "Blueprint Productivity - Expression of Futurity in Art" (2024), "Holding the Pen for the Times - The Centennial of Wei Qimei's Birthday" (2023), "The Realm of the Void: Leandro Ehrlich" (2019), and other domestic and international contemporary art exhibitions.
| Interlocutor |
Che Zhixin
D. in Chinese from Peking University, Boya Postdoctoral Fellow at the School of Journalism and Communication of Peking University, Visiting Scholar at the University of California, Berkeley, and Assistant Researcher at the Institute of Foreign Literature of Beijing Foreign Studies University. His research interests include media history, media theory and cultural studies.
Ren Dongmei
Science fiction researcher and critic. D. in Literature from Beijing Normal University. Now he is an associate researcher at the Taiwan Research Institute of the Chinese Academy of Social Sciences. He is a member of the Science Fiction Specialized Committee of the Chinese Science Writers Association and a member of the World Chinese Science Fiction Association. His monograph "Fantasy Culture and the Literary Image of Modern China", review "Comparison of the Image of Future China in Science Fiction of the Late Qing Dynasty and Republic of China", "Interpretation of The Beijing Folding from the Point of View of Science Fiction Realism", and "History of Twentieth-Century Chinese Science Fiction", which he co-authored with Wu Yan, etc., have won various prizes of the Nebula Award and the Nebula Prize. He has also won many awards for "Nebula Award" for "History of Chinese Science Fiction in the Twentieth Century".
Xu Chongbao
He is a researcher of Taikang Art Museum in Beijing, and a doctoral student at the School of Humanities, Central Academy of Fine Arts (Visual Culture Research). She has researched and curated nearly twenty exhibitions, including "In the Vault of Heaven: Jiang Zhaoho's Art Document Exhibition" (2024) and "Natural View: Art and Water Conservancy Project in the Seventeen Years" (2020). His research interests include cross-media practices, local paths and international exchanges of Chinese contemporary art since the 20th century.
Zhang Wenchao
Artist. He is currently a lecturer at the School of Design of the Central Academy of Fine Arts (CAFA) and a researcher at the Institute of Science and Technology Art of CAFA. His creations originate from human experience, behavior and imagination in the media environment. His works and projects involve images, interactive programs, datasets and algorithmic generative art, games and virtual worlds, and other art languages based on emerging technologies.
Zhao Yan
Associate Professor of the Central Academy of Fine Arts (CAFA), Master's Degree Tutor, and Editor of World Art Magazine. He is engaged in research on Western art history, art theory and contemporary art, and is also involved in contemporary art criticism practice and exhibition planning. He has published monographs, Surreal Art Criticism - André Breton and Surrealist Art (Hebei Fine Arts Publishing House, 2019), Plato's Vision - Imitation and Ancient Greek Art (Guangxi Fine Arts Press, 2018), and Lin Fengmian (Higher Education Press, 2017).
Gan Haoyu
He graduated from the Central Academy of Fine Arts, the Sculpture Department of the Central Academy of Fine Arts, and the School of Design of the Central Academy of Fine Arts. The work "Sand Counting" is a solar-powered ceramic robot art installation using earthworms as bionic objects, utilizing natural materials, handmade craftsmanship, and combining the sun's concentrated light and robotics to explore a primitive and rough technological aesthetics.
Participation
No need to register in advance for on-campus visitors, just show up and participate!
For off-campus visitors, please scan the QR code below to make a reservation in advance.
Ministry of Culture and Tourism 2024 National Art Museums
Young Curators Support Program Selected Projects
Blueprint Productive Force
-- Future Sense In The Expression of Art
Organizer: Art Museum of the Central Academy of Fine Arts
Exhibition Period: July 19 to September 1, 2024
Venue: Gallery A, 3F, CAFA Art Museum
主编 / 何一沙
责编 /杜隐珠