Jin Jun: The Integration Of The Virtual And The Real And Symbiotic Development Of Art Museums In The Post-digital Era | 2025 CAFAM Academic Series

1745717903491323.jpg

1745718031833903.jpg

Jin Jun, Director of CAFA Art Museum

In today's era, the rapid development of technology is profoundly transforming every aspect of our lives, and the field of art is no exception. Recently, at the "Cultural Engine —— International Art Museum Summit Forum of the Central Academy of Fine Arts", Jin Jun, the director of CAFA Art Museum, delivered a keynote speech. With the theme of "The Integration and Symbiotic Development of the Virtual and the Real in Art Museums in the Post-digital Era", he deeply explored how art museums can achieve the integration of tradition and modernity, as well as the integration of the physical and the virtual under the impetus of the wave of technology. He also discussed the far-reaching impact of such integration on the development of art and the public's art experience.

01.

Empowered by Technology

Traditional and Classic Art


Jin Jun first pointed out that traditional art museums, as spaces for the collection and display of art treasures, provide the public with an important venue to be influenced by art and understand different cultures. However, in the development of the art field, there are differences in the development speed among different regions and fields. The advancement of technology, especially the emergence of new media technology, has brought new possibilities for the display of traditional artworks, enabling them to break through the limitations of time and space and present themselves to the public in a brand-new look.


1745718174874267.jpg

The presentation of traditional art in an immersive digital virtual way is a typical practice of technology empowering traditional art. Through immersive digital means, audiences can experience artworks in the environment of a specific art museum in different places and feel the overall scale and details of the artworks in space. This new way of presentation not only gives the audience a more intuitive understanding of the artworks but also endows traditional art with new vitality. For example, with regard to the painting Listening to the Qin by the Song Dynasty in China, through the digital virtual method, the audience can interactively feel the humanistic thoughts and the humanistic spirit based on nature at that time, thus obtaining a deeper new experience. In addition, the re-creation of Chinese traditional artworks in a digital way has also been an important direction of exploration in recent years. This kind of re-creation incorporates modern cognitive understanding. Taking some traditional Chinese landscape paintings as examples, the presentation in a digital dynamic way makes these ancient paintings radiate new vitality and brings the audience a brand-new visual enjoyment.


1745718205876883.jpg

1745718223538098.jpg


02.

Digital Art under the Support of Technology

New Forms


1745718258410384.jpg

With the continuous development of technology, new art forms are constantly emerging. Jin Jun mentioned that digitalization, the transformation of pixelated forms, colors, and new interpretations of tradition are all directions for the exploration of new art forms. For example, the digital dynamic sculptures created by Turkish artists, through digital means, enable the sculptures to show their unique charm in motion and bring new changes to the daily space. This digital dynamic art form not only presents a new look in the space of art museums but also plays an important role in public spaces.


1745718290315046.jpg

The advancement of technology has also brought new ways to interpret art forms. For example, by combining traditional machinery with digital sensing technology, novel art forms such as human-machine dance have been created. In the Beijing Media Art Biennale once held at CAFA Art Museum, European artists transformed human nerve commands through programming, enabling machinery to drive the human body into a dancing state. This unique artistic experience has given the audience a deeper understanding of the integration of art and technology.


1745718309848224.jpg

In addition, the integration of technology and art is also reflected in the combination of biological themes and dynamic art. In the Media Art Biennale in 2023, works related to ecological integration demonstrated the combination of technology and art through dynamic techniques, triggering people's ethical reflections on technological progress. At the same time, artists are also exploring participatory interactions between technology and traditional art, real-time rendering, and the construction of online exhibitions of traditional ancient art, etc., enabling the audience to appreciate the charm of traditional art through online platforms.


1745718351952475.jpg


03.

From the Physical Space 

to the Digital Ecological Entity


Jin Jun further elaborated on the transformation trend of art museums from physical spaces to digital ecological entities. The development of digital technology has made it possible for a global art network to take shape. For example, the National Portrait Gallery in Washington presents the appearance of its museum through digital means, and Google Arts & Culture has created digital exhibition halls, allowing audiences to appreciate artworks from all over the world via the Internet. The construction of this digital ecological entity not only breaks the limitations of the physical space of traditional art museums but also provides a broader platform for the dissemination and exchange of art.


1745718401410219.jpg

1745718638320086.jpg

Jin Jun further elaborated on the transformation trend of art museums from physical spaces to digital ecological entities. The development of digital technology has made it possible for a global art network to take shape. For example, the National Portrait Gallery in Washington presents the appearance of its museum through digital means, and Google Arts & Culture has created digital exhibition halls, allowing audiences to appreciate artworks from all over the world via the Internet. The construction of this digital ecological entity not only breaks the limitations of the physical space of traditional art museums but also provides a broader platform for the dissemination and exchange of art.


1745718710799387.jpg

1745718749838183.jpg

In addition, digital technology is also used to enhance the audience's experience. For example, the application of VR technology enables the audience to experience artworks in a brand-new way. Director Jin Jun is leading the disciplinary team to cooperate with multiple institutions to explore how to use new spatial methods to construct a digital twin art museum space. This digital twin art museum space will take the physical art museum as the carrier and create a virtual space corresponding to the physical art museum through digital means, bringing the audience an art experience of the integration and symbiosis of online and offline.


1745718946693789.jpg

1745718964865842.jpg

1745718984262087.jpg


04.                                                                                                                                                                                                                                                          The Integration of the Virtual and the Real

The Present and the Future

                          

1745719060645920.jpg

Finally, Jin Jun emphasized the importance of the integration of the virtual and the real. He mentioned that the integrated development of the original artworks and dynamic video works in the exhibition space of "Dreams in the Mortal World" is a typical case of the integration of the virtual and the real. In addition, in the VR display in the 798 Art Zone, visitors can walk around the zone while wearing VR glasses and experience the appearance of the digital space. This way of integrating the virtual and the real not only provides the audience with more options when appreciating artworks but also offers new ideas for the future development of art museums.


1745719094542621.jpg

In the post-digital era, the integration of technology and art has become an irreversible trend. Technology not only provides new means for the display and dissemination of traditional art but also gives birth to new art forms and artistic experiences. The transformation from the physical space to the digital ecological entity, as well as the direction of the integration of the virtual and the real, all paint a beautiful blueprint for the future development of art museums. We have every reason to believe that with the help of technology, art museums will be able to better fulfill their functions of cultural dissemination and art education, enabling more members of the public to appreciate the charm of art and feel the profound cultural heritage.


1745719131916451.jpg


Introduction of the Guest Speaker

●●●●●●●●●●●●


1745733573140763.jpg

Jin Jun


Director of CAFA Art Museum, Professor, Doctoral Supervisor; Dean of the School of Design and Arts, Beijing Institute of Technology. He has presided over a number of major design projects, including the design of the dynamic sports icons for the 2022 Beijing Winter Olympics. He has organized and planned more than 40 series of special art exhibitions under the theme of "Looking Back and Reflecting · Rereading the Classics", including the "Invitation Exhibition of Famous Chinese Painters in the 20th Century", etc. Recently, he has completed the creation and planning of digital immersive artworks, such as the "Equal Views in the Digital Realm: Exhibition on Traditional Art and Technological Research", as well as the planning of the "Immersive Art Design Exhibition of the National Centre for the Performing Arts: Art in Life" and the "Beijing Media Art Biennale", etc.



1745719244174110.png


Chief Editor / He Yisha

 Editor / Du Yinzhu

Text Arrangement / Xu Xi

On-site Photos / He Yifei



Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
Quick loginAccount login
  • Mobile phone number will be your login ID
  •  
Use Artron membership to login