“冉冉晨城：中央美术学院美术馆藏北京主题作品展”正在首都图书馆（华威桥馆）B座第二展厅展出。本次展览聚焦中国现当代美术史中北京城市形象的艺术叙事，通过系统性梳理中央美术学院美术馆典藏的北京题材艺术作品，深入探讨不同历史时期艺术创作与社会语境的互动关系。展览以“晨起”“蓬勃”“更新”“择中”四个板块为叙事线索，精选60件艺术作品，呈现了不同代际艺术家在都市景观描绘与人文精神诠释中的风格流变轨迹。本文带领大家走进展览，解读作品背后的艺术故事，诚邀观众亲临首都图书馆展厅，在书香画意中感受艺术魅力，共赴这场艺术与人文的对话。
艾中信，《紫禁城残雪》，1947年，38cm×70cm，木板油彩，中央美术学院美术馆藏
1947年冬，青年画家艾中信踏雪登高，在凛冽寒风中完成了此件写生油画作品《紫禁城残雪》。画布之上，皑皑残雪覆盖的紫禁城宛如沉睡的巨龙，沿中轴线次第展开的三大殿（太和、中和、保和）与后三宫（乾清、交泰、坤宁）构成规整宏大的建筑群。画家以横向延展的全景式构图，将这座昔日皇城从容纳入画框。前景虬曲的柏树枝干如墨色波涛，深郁的冷色调中跳跃着斑驳亮色，巧妙营造出树冠与中景的空间纵深感。远景朱墙金顶在澄碧苍穹下渐次浮现，与天际浅橙的云霞遥相呼应，恰似在冰封的历史记忆中透出春意萌动的生机。
艾中信是20世纪中国第二代油画家的杰出代表之一，尤其致力于推进写实主义油画创作。早年师从徐悲鸿，1940年留校后又受徐悲鸿之邀在北平艺专教学，解放后历任中央美术学院教授、油画系主任、副院长。
邵声朗，《北京风景之二：西城朝晖》《北京风景之八：景山秋雨》，1961年，65cm×34cm，纸本设色，中央美术学院美术馆藏
邵声朗在1961年创作的一套八件中国画作品《北京风景》，将传统“燕京八景”转化为具有新中国气息的城市景观。无论是对“风景”的选择，亦或是“风景”的形式与语言，艺术家意在以“新国画”构建起新中国山水画的美学范式。八景均是以俯瞰视角呈现北京城廓，西式焦点透视替代了传统山水“三远法”，并与水墨皴擦奇妙共生。画家巧妙运用屋脊的纵深排列、道路的线性延伸，营造出立体空间感，使观者仿佛置身高处俯瞰“风景”。与此同时，光感也成为这组作品着力表现的重点，特别是在《北京风景之二：西城朝晖》中可以清晰的识别出沐浴在橘红色的城市是处在清晨的特定时间段。八幅风景犹如打开的折叠城市，在收放之间凝固了古都向现代首都蜕变的决定性瞬间。
邵声朗于1956年夏考入中央美术学院中国画系，师承于叶浅予、蒋兆和、李可染、李苦禅等大师门下，1961年至湖北艺术学院（现湖北美术学院）美术系任教，被誉为誉为湖北画坛学院派的代表。历任湖北艺术学院美术系副主任、副教授，湖北美术学院教授、研究生导师、湖北书画院副院长等。
王琦，《大街上的旋律组画之立体交叉》《“大街上的旋律”组画之平地青云》，1987年，40.2cm×28cm，木版单色，中央美术学院美术馆藏
在改革开放的浪潮中，80年代的中国城市涌动着现代性觉醒的脉搏。王琦于此时创作的系列版画《大街上的旋律》，以黑白木刻的独特语言，强烈地表现了城市走向未来的现代气息与活力：纵横的直线构筑建筑纲领，崛起的高楼与交错的街道构成视觉五线谱，往来汽车、行人与门户犹如跃动的音符。其中，《立体交叉》以现代桥梁的曲直线条分割画面，画面下方嵌入了1981年北京地铁开创的中国首条城市轨道交通。当《立体交叉》登上大英博物馆馆刊首页时，世界不仅注视着中国版画的艺术突破，更见证了改革开放时代中国城市化进程的蓬勃生命力。王琦的刻刀犹如时间之梭，既保持了木刻艺术的筋骨之力，又暗合现代都市速度感的审美特质。
王琦是中央美术学院教授、著名版画艺术家、美术理论家，历任中国美术家协会副主席、分党组书记、顾问，曾任中国版画家协会主席，在美术创作、研究和组织工作上取得了卓越成就，影响深远 。
瞿广慈，《王府井》，1994年，40cm×35cm×118cm、50cm×65cm×116cm、50cm×43cm×106cm，玻璃钢着色，中央美术学院美术馆藏
瞿广慈创作于上世纪90年代的雕塑《王府井》，塑造了三位不同的对象，即手握小旗、维持秩序的老年妇女、大步奔走的青年女子和伫立等待的青年男子，共同构成了公交车站附近的市民百态缩影。作品以独特的现实主义视角凝固了朝气活跃的市井图景，将北京最具活力的商业街解构为充满哲学隐喻的视觉剧场，使市井百态升华为转型期社会的集体精神肖像，在个体叙事中折射出城市化进程中的文化张力，延续了央美雕塑学派对社会现实的敏锐观察。
瞿广慈是中国当代著名雕塑家，1997年毕业于中央美院雕塑系，获硕士学位。《王府井》是瞿广慈于1994年完成的本科毕业创作，并获得第八届全国美展大奖。
缪晓春，《立》，2007年，253cm×444cm，收藏级艺术微喷，中央美术学院美术馆藏
缪晓春自进入新世纪后便开始关注城市的加速更新，用相机记录北京新形象的建立过程。缪晓春于2007年完成的摄影作品《立》是此阶段的代表作之一，它以独特视角重构了北京奥运时代的城市生长史。艺术家持续追踪鸟巢、水立方等标志性建筑的施工进程，经长达数月的定点拍摄，并通过精密计算的光影衔接，将不同时间维度的建设影像拼合成单幅作品——脚手架林立的工地与渐显轮廓的奥运场馆共处同一画面，形成现实与超现实交织的视觉档案。有别于传统摄影的瞬间定格，《立》刻意模糊了时间的线性逻辑。画面中既有地基开挖的原始场景，也有钢结构焊接的火花飞溅，甚至捕捉到穹顶收尾时工人如蚁的细节。这种时空叠合手法打破了摄影的瞬时性，使建设过程本身成为叙事主体。
缪晓春现为中央美术学院设计学院教授，作品包括摄影、绘画和基于软件创作的三维电脑动画，算法绘画和雕塑，并在国际上广泛展出。
周吉荣，《景观——鼓楼》，2013年，60cm×75cm，丝网套色，中央美术学院美术馆藏
周吉荣的《景观》系列版画以独特的视觉考古学视角，解构了北京中轴线的时空密码。艺术家选取了中轴线上的12座典型建筑，包括永定门、祈年殿、箭楼、天安门、太和殿、乾清宫、鼓楼、钟楼、景山和鸟巢，从南向北推移的顺序进行表现，通过180度多角度拍摄获取上千张素材，经数字合成与25层以上丝网套印，使凝固的建筑在画面上产生时间性的虚像叠变。这种"层"的美学建构，既是技术革新更是观念突破。每增加一个印刷层，建筑的实体轮廓便向历史纵深退隐一分，最终呈现的虚像恰如城市记忆的显影。艺术家通过综合版画的复数性特质，将中轴线从地理坐标升华为文明演进的视觉年轮。
周吉荣现为中央美术学院二级教授，硕士生、博士生导师，国际版画研究院第一副院长，国际学院版画联盟秘书长，中国美术家协会会员。
| 关于北京文化艺术基金 |
北京文化艺术基金是由北京市文化和旅游局发起设立的公益性基金，重点围绕舞台艺术创作、文化传播交流和艺术人才培养三大领域开展资助。基金面向社会接受申报、资助过程受社会监督、资助成果由社会共享，最大限度调动社会参与文化建设积极性，搭建了一个开放平等、公开透明的艺术资助体系，充分发挥全国文化中心的示范引领作用。
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北京文化艺术基金2024年度资助项目
冉冉晨城：中央美术学院美术馆藏北京主题作品展
展览时间：4月18日-5月18日
展览地点：首都图书馆（华威桥馆）B座第二展厅
主办：中央美术学院
协办：中央美术学院美术馆 首都图书馆
支持：中央美术学院科研处
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CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
