当艺术的边界在实验中消融,当故事的肌理被重新编织,中央美术学院实验艺术与科技艺术学院的年轻创作者用跨维度的实践,诠释了实验艺术对当代语境的深度回应。
那么,什么才是央美的“实验艺术”呢?展厅中“实验”二字被反复解绑又重组,在这里能看到他们关于媒介创新、叙事解构、跨界融合和社会镜像的探索。这场以多元叙事为表象的展出,实则是关于艺术本质的哲学追问。也许,真正的实验性永远存在于过程中,以唤醒观众对不确定的觉知。
| 温馨提示 |
“中央美术学院本科生毕业作品展”
即将于5月20开展,
精彩不容错过!
01
媒介创新
CAFAM@ 2025
李湘宜《双城记》340*340*300cm
偶戏表演 表演时长12min
双城记是一出讲述医疗游民境遇的偶戏表演。父亲带着女儿来到城里看病,女儿在住院,而父亲只能在城里四处寻找落脚处。在这一天中,父亲接连与不同角色相遇,他们丑态百出又解囊相助,在白天与黑夜中展现出千差万别的面孔。
作者以表演行为艺术为媒介,讲述了一个沉重的医疗议题。小小的身躯直击现实,展现了社会百态与人情冷暖,内涵深刻,引发了许多观众的共鸣。
Mady Cheng《五福四海》200*245*235cm 综合材料
全球化曾是某种必然,一种历史叙事的方向。对于成长于90年代末至2010年国际学校的作者而言,世界的连结性并非抽象概念,而是一种日常经验——不同语言中交错,饮食习惯在餐桌上交融,身份流动在对话之间展开。“地球村”不仅是经济与文化的框架,更是他早年世界观的基石。
然而,今日的现实指向另一条轨迹。去全球化正在成为主导趋势,国家间的壁垒再度强化,区域性的文化与经济格局加深分裂。在这样的背景下,《五福四海》试图借助味觉的媒介,重构全球经验,召唤那些曾经共存、彼此滋养的关系。菜肴不仅是物理性的混合,更是社会记忆的沉淀,承载着过往的理想,也折射出当下的矛盾。
在这场宴席之中,食物超越其生理功能,成为文化的隐喻、历史的载体和情感的出口。一桌菜,既是一次回溯,也是一次提问:当全球化不再是共识,我们该如何重新理解彼此?
02
叙事解构
CAFAM@ 2025
罗厚麟《流浪艺人》300*300*300cm
漫画、瓦楞纸板
这件作品截取自作者的漫画《南方蟑螂》中未完成的第四章“流浪艺人”,故事以90年代虚构的南方县城为背景,当流浪马戏团闯入这座潮湿的南方小镇,帐篷里每天都在上演着不同的奇幻剧场。
罗厚麟《流浪艺人》300*300*300cm
漫画、瓦楞纸板
这件作品截取自作者的漫画《南方蟑螂》中未完成的第四章“流浪艺人”,故事以90年代虚构的南方县城为背景,当流浪马戏团闯入这座潮湿的南方小镇,帐篷里每天都在上演着不同的奇幻剧场。
观众创作的故事
赵祎彤《声域地理》尺寸可变
影像、公共电话机、开发板、串口屏幕
《声域地理》作品由影像及改装公共电话构成。公共电话作为载体,承载着不同语境下的通话画面:影像通过电话屏幕进行播放,声音通过电话手柄内部播放,观众需拿起听筒才能接收对话内容。由此构建起个体与装置之间的私密互动场域,呈现出多种情绪状态及其背后的情感模式与流动轨迹。
影像分为视频和音频两个部分。视频部分拍摄周围处于不同人生阶段的人的通话,通话内容自然发生,内容大致围绕:成长、未来、反叛、心动、距离......与此同时邀请来自不同国家的朋友针对上述主题展开通话。对话者在听不懂彼此语言的情况下,使用各自母语进行对话,通过语气或表情来感知彼此的情绪。以此创造陌生通话者之间自然微妙的谈话氛围,激发原始而直接的交流。
最后用这些跨文化对话替换了视频原声,创造出时空交错的交流体验。
03
跨界融合
CAFAM@ 2025
王典《艺术市场:从西红柿到艺术》2.4x2.4m
AI生成的大量西红柿的艺术阐释、1/4块西红柿
作者想通过这次作品去做一个当代艺术的确立性实验,利用AI技术去为西红柿赋予艺术内涵。作品整体以镜面装置形式呈现,在空间中利用墙体90度夹角的位置放置两块镜面,去构建出一个虚实结合的视觉空间。
镜面上密密麻麻的文字,是AI根据一颗西红柿所生成的各个角度的艺术阐释,如同艺术世界里纷繁复杂的观点与话语,在镜面的互相反射下延伸,形成了一个看似没有尽头的文字迷宫。
底部的西红柿,以其鲜艳的色彩和真实的存在,打破了文字的抽象,成为这个迷思空间中的现实锚点。所有AI生成的各个角度的艺术阐释从上至下由疏至密呈倒三角形排列,镜面上的文字与现实空间虚实结合将西红柿一切为四,不完整的西红柿通过镜面的映像却又完整成一体。使西红柿的真实存在与镜面上虚幻的文字形成对比,想去对艺术界纷繁话语做一个幽默、戏谑地回应。
当观众驻足作品前,不仅能看见镜子里无限延伸的文字,还能目睹自己也交织其中,仿佛自身也融入了这场艺术探讨。这件作品期望通过这种视觉与概念的双重碰撞,邀请观众走进这个空间,在文字的反射与西红柿的真实之间,来寻找属于自己的艺术答案。
04
社会镜像
CAFAM@ 2025
牟韵婷《达奇茨方糖工厂》
280cm*280cm*350cm
不锈钢、传送机械、方糖、宣纸、矿物颜料
《达奇茨方糖工厂》取自捷克⼩镇达奇茨的⽅糖⼯⼚。1843年,世界上第⼀块⼯业化生产的⽅糖诞⽣于此。从这⾥开始,⽅糖便成为了西方社会现代化和工业化进程中的重要符号。同时,糖也是西方殖民活动向殖民地掠夺的重要目标资源之一。在结构上,这件作品化用了老彼得·勃鲁盖尔的《巴别塔》一画中的图像,以金属结构制作,包含一个螺旋滑梯,一条上下循环的传送带,和一个可以自转的圆盘底座。
在内容上,这件作品以两种国际主义的隐喻构成了一对二元化的对比关系,在滑轨上不断下滑的、带有达奇茨方糖工厂标志的盒装方糖指代基于殖民活动的资本主义全球化扩张,以及其所倡导的虚伪的国际主义现正不断下坠。
这个世界破破烂烂,但总有⼈在缝缝补补。⽆论是作为个体还是民族,总有人呈现出与命运抗争的姿态,从巴别塔到第三国际纪念塔,从天下⼤同到国际主义,虽然像梦幻彩⾊的泡泡⼀般脆弱易碎,但⼈类互相理解和联合的梦从未停⽌,我们从未放弃向更⾼处攀⾏。
曹嘉巍《证词:一座静默的山》
240x200x300cm
餐桌椅、现成品、气球、电视屏幕
这件作品以家庭餐桌为场域,堆积起家庭演变史的地层切片,构成一场关于家庭规训与代际创伤的隐喻剧场。作品在家庭中话题最多的餐桌上进行,其上方有一座家庭史的地层脉络结构。
几大地层叙述着一个中国普通家庭的变迁。在地层切片的最上层,则是被这个家庭经营好的和谐景观,在这和谐之下,是诸多的家庭物象被挤压埋藏的不安,餐桌之上共同构建起一座静默的大山。
当观者面对面入座其中,面前被厚重的大山所阻挡。这是家庭长期堆砌的琐物挤压埋藏,层层叠嶂,逐渐遮挡住餐桌两边家庭个体间的的视线,横亘眼前的已非传统意义上的用餐空间,而是一座由代际规训构筑的情感褶皱山系。个体间的沟通受到阻碍,家庭成员一起在餐桌上用餐,变为了一场无声静默的剧场。餐桌不再承载共食的温情,在这里,个体的证词被埋入地下。
这件作品未做单向批判,而是由装置影像甚至于观者共同来构成关于情感羁绊的动态隐喻——我们既是家族谱系的继承者,也是代际创伤的考古人,在挣脱与回溯的永恒博弈中,完成对亲情本质的重新勘测。
在这个艺术场域里,我们都将获得属于自己的叙事版本——实验艺术永远在颠覆与重建的循环中,等待被重新定义。从这个意义上讲,毕业生作品给出的不是定义,而是一份开放问答——邀请每个凝视作品的观众共同续写关于”实验艺术“的未完成答卷。
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.
CAFA Art Museum Publication Authorization Agreement
I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.
CAFA Art Museum Event Safety Disclaimer
Article I
This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.
Article II
Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.
Article III
Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.
Article IV
Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.
Article V
During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.
Article VI
Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.
CAFA Art Museum Portraiture Rights Licensing Agreement
According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):
I. General Provisions
(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.
(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.
(3) Party B will photograph all CAFA Public Education Department events for Party A.
II. Content, Forms of Use, and Geographical Scope of Use
(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.
(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.
(3) Geographical Scope of Use
The applicable geographic scope is global.
The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).
III. Term of Portraiture Rights Use
Use in perpetuity.
IV. Licensing Fees
The fees for images bearing Party A’s likeness will be undertaken by Party B.
After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.
Additional Terms
(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.
(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.
(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.
Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.
I have carefully read and agree to the above provisions.