盘点:中央美术学院美术馆的2013

中央美术学院美术馆的2013

很快就要迎来中国的新年,在此之前集合了中央美术学院美术馆学术部、典藏部和公共教育部提供的资料,一起回顾和盘点我们的2013。

•2013重要展览
1.“时间!时间设计、设计时间”展览(2013年3月7日——4月10日)是美术馆在2013新学年初打响的“头炮”,展览从“时间”的概念谈起,探讨其与艺术的关系。展出来自米兰三年展作品68件(组),包括达明·赫斯特、米歇尔·桑斯等国际著名艺术家的作品。展品涉及的领域不仅限于美术、设计,还包括有音乐家约翰·凯奇的经典作品《4分33秒》等。


2.“社会雕塑:博伊斯在中国”展览 (2013年9月7日——11月15日)
展览展出了博伊斯在20世纪70至80年代创作的作品,包括实物、手稿,素描、照片,行为艺术影像等近300件。作为博伊斯的首次中国个展,本次展览由中国策展人与学者独立策划、组织并实施,体现了中国机构及学者参与国际重要艺术家个案研究的学术能力及组织能力,对改变中国美术馆界被动接受国际展览的常规做法是一次挑战。


3.“安迪•沃霍尔:十五分钟的永恒”回顾展”展览(2013年9月29日——11月15日)
展览是在亚洲地区对安迪•沃霍尔毕生作品的首次大规模展示,呈现了安迪·沃霍尔各个创作时期的艺术作品及创作档案共101组,从绘画、版画、摄影、装置、电影电视等多个角度,系统而全面地展现了安迪•沃霍尔耀眼绚烂而又不时惊诧世人的艺术人生。所有展品均由美国匹兹堡市的安迪·沃霍尔博物馆提供。


4.“灵光与后灵光:首届北京国际摄影双年展” (2013年10月24日——12月7日)
展览是中华人民共和国文化部、北京市政府主办的“北京国际摄影周2013”的主要项目,意在观察当代国际摄影交流中,作为一种艺术、应用和不断自我更新的媒介——摄影——是如何成为一个有效载体,从而不断参与到当代文化艺术的国际交往和新秩序与新格局的建构之中;旨在探寻、讨论和鼓励摄影的语言探索与观念推进,并以带有未来性的眼光和方式发现并扶持富有天赋和潜质的中国青年摄影师,推广和提升中国当代摄影在国际艺术界的影响力和认知度,引进西方经典和当下前沿的摄影资源,促进中西方摄影间的学术交流,进而推动中国当代摄影发展。


5.“2012—2013中央美术学院毕业生优秀作品收藏展”(2013年10月4日——11月22日)
展览地点:美国费城德累塞尔大学美术馆
此展览进一步推动我院与国外知名美术学院的交流与合作,这是我馆积极进行国际展览交流,双向合作的体现,扩大了对我馆藏品认知的同时,日渐建立起与国际同行美术馆的业务合作和交往,继续深化着中央美术学院美术馆在国际美术界的地位和品牌塑造。

6.青春万岁:中央美术学院美术馆藏“新中国美术的青年时代”作品专题展(2013年1月18日——2月26日)
展览地点:中国美术馆
此次学术展览即是对新中国以来至世纪之交近半个世纪里,中央美院美术馆藏的中央美院历任教师青年时期作品,以及历届优秀毕业生创作留校精品的梳理和研究。


7.“芳草长亭——李叔同油画珍品研究展”(2013年3月1日——4月25日)
展览围绕在美术馆藏品库内发现的李叔同先生《半裸女像》及另一件李叔同先生的自画像两件珍贵油画作品展开,结合文字与图片资料,探讨历史作品收藏保护、文献资料整理。以科学严谨的学术态度,展现了艺术品重新发现的历程,为这段历史提供了更为清晰的面貌。


8.“中央美术学院美术馆藏北平艺专精品陈列(中国画部分)”(2013年6月6日——9月21日)是
对“艺专”历史继续进行梳理、对“艺专”时期的重要学者、艺术家和师生进行研究,旨在发现、完整和再现“艺专”时期的史实和重要事件,美术教育思想、教学结构和艺术作品的历史价值和现实意义。展览展出近40件作品,创作年代自1917年至1949年,贯穿国立北平艺专发展的各个重要时期;其中包括国立北平艺专各个时期重要的中国画教学骨干郑锦、陈师曾、徐悲鸿、林风眠、齐白石、张大千、黄宾虹、溥心畬、李可染、李苦禅等等国画大家。


9.CAFA教师——中央美术学院教师创作特展·2013(2013年11月22日-12月15日)
所有参展艺术家均为我院专业教师,参展人数达到280余人。作品涵盖和包括了所有的视觉艺术门类和形式。全面而直观地展示出当下学院教师的创作实力,深入而客观地呈现他们在各自领域中的学术水准,以及对艺术探索的始终坚守和永不停歇的精神,散发出中央美术学院充盈蓬勃的内在能量。

10.桃李不言——中央美术学院造型学院油画系第一工作室教学研究展(2013年12月17日——2014年2月16日)
油画系第一工作室是美院最早成立的工作室之一,标志着中国艺术院校向现代化的转变。在中央美术学院目前的105个专业工作室中,造型学院油画系第一工作室堪称中国现代油画史和现代美术教育史上的一个典型案例。展览梳理了美院造型学院油画系第一工作室的教学沿革情况,展出历任师生油画、素描作品共计六十余件,其中不乏吴作人《旅顺港内》,艾中信《紫禁城雪》,靳尚谊《青年女歌手》等名作,另外还展示了教学档案、历史文献等。


11.一九七八――中央美术学院恢复高考后第一届油画系同学毕业三十年展
1978年是新中国美术承前启后的年份,“文革”美术告终,美术之“道”也开始以更加丰富多元的样式出现。此次展览的主旨在于,透过中央美术学院1978级油画系学生作品的集体展示,既微观到每位艺术家个体的艺术坚守和探索、突破;也宏观折射出35年来,美院油画教学的思想以及由美院延伸出去的中国油画艺术之“道”的多彩纷呈。


12. 中央美术学院造型艺术年度提名•2013:选择——央美的六个案例
本届中央美术学院造型艺术年度提名展2013共提名六名教师(康剑飞、陆亮、唐晖、王郁洋、袁元、张伟)参展,展览以“选择”为名,即表明一种新时代的姿态:从事艺术,是一生的选择;从事自己喜爱的艺术,是自我的心性选择。而在一生的创作中,时时面对艺术进行思考,一次次思考即意味着对艺术的不断选择和调整。


2013其它重要展览列表

卡洛斯·克鲁兹-迭斯艺术展:色彩环境与模糊2013年中国校园巡展

2013年3月9日至4月10日

镜像·韩家英设计展

2013年4月5日至4月25日

《另眼识家珍》—山西省百处古代壁画遗址掇英展

2013年5月19日至25日

大地之美——余本写生作品展

2013年5月23日至6月19日

赤子之心-纪念阿里吉·沙梭诞辰100周年回顾展

2013年5月24日至6月18日

直面——对全球气候变化的文化回应

2013年5月28日至6月19日

记录时代是我的追求:翁乃强捐赠作品展

2013年5月31日至6月19日

韦启美的素描课

2013年9月3日至9月22日

庆祝中央美术学院建院95周年 笔墨传承——张立辰教学四十年

 

2013年9月29日至10月16日


 2013典藏工作
2013年是美术馆收藏工作丰收的一年,今年我馆共完成收藏15批次,共有443件/套,928幅的新藏品入藏,为近年之最。本年度收藏作品不仅数量多,种类丰富,而且作品质量都很高,许多都是艺术家的代表作品。

翁乃强先生的毛主席检阅红卫兵文革系列摄影,李宏仁先生的石版画作品《赵一曼像》,蒋采蘋先生的工笔重彩作品《叶浅予先生》等。并且,今年,首次尝试与家属签订协议,长期保存李毅士先生的七件珍贵作品。

今年在常规藏品管理工作之外,我馆馆藏品的自主研究与展示的工作也很丰富。典藏部主要承担、配合完成展览11项。其中馆内藏品陈列展5项,针对馆藏品的不同主题、专题,组织策划了包括“馆藏国立北平艺专精品陈列(西画部分)”,“馆藏北平艺专精品陈列(中国画部分)”、“青春万岁——新中国美术的青年时代”(中国美术馆,武汉美术馆,石家庄美术馆)、“芳草长亭——李叔同油画珍品研究展”、 “高卧阔游:馆藏明清联屏画特展”、“记录时代是我的追求——翁乃强捐赠作品展”。

另外,在2013年我馆藏品共参加馆外展览25次442件,出版藏品图像二百余件。其中,今年国内重要的学术展览“留学到苏联”、“时代肖像”、“写生——在时代的现场”、“国风——中国20世纪油画语言研究展”等展览都有我馆多件重要藏品参展。另外,积极配合老艺术家的回顾展举行,鼓励年轻艺术家的作品参加高水平的展览。例如:苏高礼、钟涵先生在中国油画院的展览,秦宣夫先生、金鸿钧、钟涵先生在中国美术馆的回顾展、冯真先生在炎黄艺术馆的回顾展,年轻教师廖勤的作品展、应届毕业生谭斐、刘恺等参加罗中立奖学金、曾竹韶奖学金等。


•2013重要公共教育活动
一、论坛与讲座
1.“山高水长——艺专的先生们”系列讲习会,2013年恰逢中央美术学院95周年校庆,结合我馆展过的馆藏北平艺专精品陈列(西画部分及中国画部分), 由我馆馆长王璜生和人文学院美术史系副主任曹庆晖共同策划,邀请了在京老中青美术史专家和学者郎绍君、刘曦林、潘公凯、朱青生、王鲁湘、宋晓霞、华天雪、杭春晓、曹庆晖、吴洪亮,以专题的形式分别讲述北平艺专历史上重要画家的艺术人生与实践。

2.当代学术开放系列讲堂:由我馆和中央美术学院学术委员会及人文学院联合主办、由刘小东、王璜生、尹吉男任总策划、宋晓霞任学术主持,邀请国内人文艺术领域的顶尖学者,设定一月一讲,每讲拟定一个主题,邀请业内专家和学者与青年学子和社会公众共同讨论学术问题,试图将美术馆的学术报告厅打造成一个学术开放的公共空间。

3.直面名师之院长论坛:由我馆和中央美术学院学生会联合主办,特别邀请中央美术学院的潘公凯院长、徐冰副院长、谭平副院长与全院师生和社会公众探讨艺术创作问题,创造了与大师直接对话的平台。

4.国际校长论坛:由中央美术学院院长潘公凯教授、美国芝加哥艺术学院校长托尼·琼斯教授发起并担任联席会议主席的“国际艺术学院院长网络(IPAM)研讨会”在我院举行。研讨会邀请全球众多著名艺术院校校长围绕“全球化趋势下的多元化艺术教育”话题展开讨论。

5.“社会雕塑:博伊斯在中国”展览系列学术讲座:共举办七场系列学术讲座,邀请了本次展览的策展人朱青生和易英教授、德方策展人庸现和蓝静女士、德国收藏家米歇尔·博格先生、丹麦著名当代艺术家比扬·诺格、德国汉堡火车站美术馆馆长奥根·布鲁姆、中国艺术研究院美术研究所研究员李黎阳、我馆学术部主任王春辰等分别从不同角度来对博伊斯的艺术进行阐释。

6.由我馆发起的“博物馆与新应用技术”北京论坛暨工作坊Museums and the Web(简称美国博物馆与网络协会)2013年国际研讨会于2013年12月14日至15日在我馆举办,邀请国内业界同仁展开交流与研讨。此次会议汇集了世界顶尖学者、艺术家及博物馆美术馆专业从业人员,讨论数字文化遗产、创意实践、交互设计、混合媒体及新兴科技等课题。

7.“信息新浪潮:英国信息可视化艺术设计展”展览、论坛及系列工作坊活动


二、主要活动与工作坊
1.在“安迪·沃霍尔:十五分钟的永恒”回顾展展出期间,我馆一层艺术品商店对面呈现CAFAM一拍成名——波普艺术互动体验空间,通过ipad对参与者人脸进行拍照并且进行波普化呈现,并根据参与观众喜好制作成徽章、T-恤、杯子等衍生品并可将此带回家,此次活动历时47天,互动性强,参与性高,吸引多家媒体报道。

2.“社会雕塑:博伊斯在中国”展览为基础的当代舞及戏剧的跨界演出
活动分为“关注”当代舞和对博伊斯作品的思索和实验戏剧——《无形的片段》两个部分。当代舞的表演者是来自破界艺术创作团队及十几位身心障碍者和志愿者,通过跨领域方式交流与呈现不同的人对展览的反响和灵感并转化为舞蹈肢体动作,见证博伊斯的思想艺术的个人治疗和社会变化。

3.“美术馆之夜”艺术节旨在促进热爱艺术的大学生、艺术爱好者以及相关艺术从业人员之间的交流与友谊,励志建立“中国IN、最鲜活的艺术欢聚盛会”,迄今已举办六届,每年两届。第五季美术馆之夜——暨 “第十三届相约北京之拉美艺术季”闭幕式于2013年6月2日在我馆举行,第六季美术馆之夜暨“博伊斯与沃霍尔共舞”于2013年10月19日举办,邀请全国的艺术青年们与热爱艺术的人士在美术馆这个艺术天地相聚。

4.CAFAM绘本季系列活动是引导成年人、孩子和家长从视觉出发进行思考、培养艺术兴趣的公共教育项目。系列活动包括“‘观看思维,广于世界——绘本的魅力’——捷克插画师瑞娜塔·弗奇科娃绘本工作坊”、“宝宝看珍品-给孩子第一套艺术鉴赏书——与绘本书一起参观国立北平艺专展览及與孩子们一起画插画”、“讲座:被图画书改变的人生”、“绘本分享会:绘我所思”、“自然、艺术与儿童——日本著名图画书作家岩村和朗创作谈”。


三、在社会合作与推广方面,我馆与多方重要机构合作,如K11、中华青年精英基金会、时代地产、上海雪佛兰汽车、京港地铁、雅昌集体及白马广告公司等。

2014年,我们期待着收获更多,积累成长更多,让美术馆的人气继续上升……



何一沙\编
董慧萍、全晶\图

Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
Quick loginAccount login
  • Mobile phone number will be your login ID
  •  
Use Artron membership to login