Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

CAFAM展览预告|“团体作为方法——中央美术学院艺术团体研究与抽样展”即将开展

2023-07-10

此次展览即以“团体”作为切入以中央美术学院为坐标的中国美术史研究的一条线索,尝试梳理和展示中央美术学院百年发展史中各时期自组织艺术团体的文献,并抽取其中有历史代表性的若干团体作为样本进行剖析式的具体展示,故展览名为“研究与抽样展”。
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首届全国大学生虚拟策展大赛“CAFAM赛道”特等奖——WEB2.5固态储存”将于7月8日开展 | CAFAM展览预告

2023-07-07

“CAFAM赛道”特等奖方案“WEB2.5固态储存”展览将于2023年7月12日在2层C展厅开幕。
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CAFAM展览预告 | “动见——国际动态设计展”即将开展

2023-07-07

屏幕时代和无纸化时代的到来,打破了“平面”的传统定义,媒体技术的发展和信息传播方式的迭代,不断推动着“设计”的自我更新和转型。在此语境下,裹挟鲜明时代特征与智识创新意识的产物——动态平面(Motion Graphic)在全球范围内获得飞速发展,已然成为当代设计领域最具潜力和能量的趋势之一。由中央美术学院美术馆主办,北京创意品项协办的“动见——国际动态设计展”将于2023年7月8日在中央美术学院美术馆2层A展厅拉开帷幕,展览由刘钢、纪玉洁、罗伊·特霍斯特(Roy Terhorst)联合策展,比利时Barco独家提供艺术投影设备支持。《动态研究》 罗布和罗宾Rob en RobinStudies in Motion动态平面区别于影像艺术、动画、平面设计、新媒体交互设计等带给人们的清晰印象,它被独立提出来讨论,在国内仍然是一个新兴话题。本次展览以“动见”为主题,选取了来自中国、荷兰、瑞士、美国、英国、西班牙、韩国、日本等8个国家的16位/组顶尖设计师、设计团体的近60件作品。一方面希冀透过精彩纷呈的动态视觉为观众提供从多个维度走近和认知动态平面的契机,以及来自创意思维的启迪。另一方面,更重要的是通过洞察国际动态平面的创作生态,探讨当代设计的未来所趋。《动态城市》 登贝设计Studio Dumbar, Cities in Motion《荷兰艺术节系列》 托尼克Thonik, Holland Festival事实上,动态平面早以短视频、品牌广告、海报、导视、标识等多种形式悄然参与到人们的日常生活之中。从3G到5G网络、从台机到便携式平板和手机的时代,人们在短短十几年内经历了从“慢阅读”到“快浏览”的节奏改变。技术的进步潜移默化地改变了人们的视觉习惯,这也促使平面设计师开始思考如何打破思维惯性、突破专业固化去探索和创造新的视觉语言与表达方式。屏幕成为一种无限的容器,让视觉叙事有了动态发展和变换的可能性;文本可以脱离既定网格的限定,变化为律动有趣的信息传递;海报不再是二维的静态传达,而成为带有时间属性的运动视觉;设计师的日记本也更换为以制图工具和图形软件记录动态日常。动态平面是一种多元性的实验,它带来的不只是夺目的视觉现象,更重要的是启发思维、激发想象与创新的动能。《火柴棒》 冈崎智弘Tomohiro Okazaki, Matches《形状研究系列》 德克·科伊Dirk Koy Shape Study Series参展艺术家(按英文名称首字母排序):another design(中国)、塞西莉亚·埃利希(Cecilia Erlich,西班牙)、康纳·坎贝尔(Connor Campbell,英国)、德克·科伊(Dirk Koy,瑞士)、埃里希·布雷希布勒(Erich Brechbuhl,瑞士)、罗布和罗宾(Rob en Robin,荷兰)、登贝设计(Studio Dumbar,荷兰)、菲克森独立设计工作室(Studio Feixen,瑞士)、立入禁止(Studio NA.EO,中国)、冈崎智弘(Tomohiro Okazaki,日本)、托尼克(Thonik,荷兰)、非白工作室(Transwhite Studio,中国)、泽维尔·蒙尼(Xavier Monney,瑞士)、宋艺焕(Yehwan Song,韩国)、扎克·莱伯曼(Zach Lieberman,美国)、4aC design(中国)展览信息:动见 ——国际动态设计展展览时间:2023年7月8日~8月20日展览地点:中央美术学院美术馆2层A展厅主办机构:中央美术学院美术馆协办机构:北京创意品项艺术投影设备:Barco学术主持:邱志杰   学术顾问:靳  军    展览总监:张子康、韩文超展览统筹:王春辰、高  高策 展 人: 刘  钢、纪玉洁、罗伊·特霍斯特策展助理:喻湘洁视觉设计:税洋珊、庄海超空间设计:赵囡囡、孙文萍、赵鑫鑫
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CAFAM展览预告 | 一场聚焦于“感性”的馆藏女艺术家作品展即将启幕

2023-07-06

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你与盛夏差一次央美毕业展

2023-07-04

央美「潮」潮流文化第三季正式启幕!大明湖畔「白盒子」又搞事情啦!今年,中央美术学院毕业展回归线下,据报道「从5月初起,央美北门外每天不到9点半,前来看毕业展的观众就已经排起了长龙」,作为近年规模最大的毕业展再次火爆全网!这个盛夏,「央美毕业展」精彩作品将首次走出校园,与济南相遇!欢迎全国各地的艺术爱好者前来交流,看美院学子献给青春最好的礼物,沉浸享受这一年一度不容错过的精神盛宴。《央美“潮”蔚然生长》展览现场2023年6月27日,央美「潮」·蔚然生长——潮流文化第三季·毕业季篇在中央美术学院山东艺术教育中心信尚美术馆盛大启幕。此次展览由中央美术学院主办、 中央美术学院美术馆及中央美术学院继续教育学院承办、山东文旅投资集团有限公司协办。目前,中央美术学院毕业季系列展览已于6月20日正式落下帷幕,央美「潮」·蔚然生长——潮流文化第三季·毕业季篇作为「央美毕业展」精品展,现场精选部分创意出彩、灵感爆棚、火爆全网的佳作,力图全方位展现中国艺术新兴力量们的多彩创作。展品涵盖央美专升本、本、硕、博毕业生临别校园的真诚创作,覆盖雕塑、绘画、装置、多媒体等不同媒介形式,总数超百余件。前言纵观艺术史的发展,青年艺术都是时代最新鲜,最直接,最鲜活的,很多伟大的作品都是艺术家青年时代的代表之作。很多划时代的艺术变化最初都蕴含在青涩的青年艺术之中。今年初夏,中央美术学院的2023年「毕业季·蔚然生长」再次归来,青年艺术的活力迅速在京城掀起了一股观展热潮,成为一个现象级的展览。展览如清晨的一片露珠,如初夏的一抹新绿,带给人们心灵清新、纯粹的感动。本次展览是积蓄多年的「中央美术学院毕业季」品牌力量的一次爆发,更是几百位毕业生集体力量的爆发,富有前沿思考、多维表达并深度耕耘的优秀作品吸引了观众。今年的作品大都准备充分,创作中投入了巨大心血。每一位毕业生都将自己所学、所知的最好的一面展现给社会。作品的交互体验更加丰富、直接,观众参与度更高。选题、构思视角新颖,表现手法多样而富有活力,充分体现出当代青年丰富的审美层次和独特的观察视角。同时,新的技术和材料,也为毕业生的创作带来了更多的可能性。很多作品都从现实生活和自身情感出发,讨论艺术的意义,拓展艺术语言的边界,创造出新的视觉形象。为了将展览中的优秀作品搬到泉城济南,中央美术学院美术馆和继续教育学院首次深度合作,继续「央美‘潮’·潮流文化艺术季」品牌,主要挑选了本次毕业季中具有鲜明艺术特色和创新意识,富有青春创造力的毕业作品,策划推出央美「潮」的第三季——「蔚然生长」毕业季篇。展览见证青年艺术家的「蔚然生长」,为新一代青年才俊的成长助力,将蓬勃的艺术朝气带到生机盎然的大明湖畔,持续为城市文化生态赋能。策展人:李垚辰、李砚辞亮点释出,一睹为快! ► ► ► 爷青回,童年回忆杀 ► ► ► 呜!暴露年龄系列......《“小学课本研究创作计划”》 黄鸿作品展览现场哪一本,藏着你的校园回忆? ► ► ►与蛇共舞? ► ► ►基于基因行为的雕塑《基于基因行为的雕塑》冉华明作品展览现场每一个褶皱,都是它行走过的痕迹 ► ► ► 什么,在美术馆越野?► ► ►即刻启程!《远视系列》李佩浩作品展览现场骑上我心爱的小摩托~ ► ► ► 微缩王国,演绎经典 ► ► ►你能发现哪些大师的名作?《蚊艺复兴》仟禧作品展览现场穿越时空,遇见「蚊」艺复兴? ► ► ► 色彩碰撞,无羁表达 ► ► ►艺术青苗蔚然生长《双子星》李泉颖作品展览现场因为未知,所以敬畏,所以求索《苹果》黄伊婷作品展览现场自信、自由、独立《人间更迭-春生》蒋壁莹作品展览现场有关生命的周而复始成长与羁绊的紧密相连《Lollipop 系列》张炜炜作品展览现追忆童年,探究原始快乐《娱乐天空》赖镇乾作品展览现《腌臜之地》连润璘作品展览现场《心有冥契》赵子钰作品展览现场《冷脸子系列》韩冷作品展览现场《XSCI-40》张青作品展览现场是一眼心动的「多巴胺」色彩也是值得回味的灵感之旅《母体机器》王涵作品展览现场《聚·散》陈戈霖作品展览现场关于人的思考 ► ► ► 光影之中,自有精彩 ► ► ►驻足此地,解锁精彩发现《漫长的白日梦》朱玉洁作品展览现场飘摇之中的审视光影下的漫长白日梦《皮格马利翁的眼镜》侯帅作品展览现场《人机关系:审判》崔青洲作品展览现场,时长00:13《对面的楼》钱如琢作品展览现场打开不一样的观展方式 ► ► ► 黑与白相遇,只有无趣? ► ► ►根!本!不!可!能!《茫》向昱作品展览现场「前路未知,茫然无措」由文字转换的抽象实体《坛》戴淑慧作品展览现场符号?图腾?汽车零件?一场神秘的仪式在此举行《相骨》李佳卿作品展览现场《新预言》系列王英杰作品展览现场《La Vita e Bella 生命万岁》张玥达作品展览现场《突变》王心妍作品展览现场黑白之中,尽显艺术功底《百分之六十黑》杜露希作品展览现场纯粹黑白调也可以灵动表达领导~找到您要的「五彩斑斓的黑」咯 ► ► ► 真假虚实,过去的事► ► ►那些即将被我们忘记的...《拾物》傅旭航作品展览现场拾物,拾取日常之物一眼看到麦麦跟我喊:麦门永存《药盒——这两年》尹继红作品展览现场《我怀念的》系列王骥宇作品展览现场《生产》尚友录作品展览现场《午后》张安作品展览现场《何处是吾乡》单禹瀚作品展览现场《边·际》组画黄珍作品展览现场《车站》曾文昊作品展览现场《造星》《阜通西大街》刘宏超作品展览现场谁还不是个「怀旧」宝宝睹物思人,大概是这个意思《万籁和鸣》王康作品展览现场那些被你忽视的任意组合就可以天马行空《工具人》系列蔡勤萧作品展览现场工具人,工具与人,时长02:05央美“潮”潮流文化艺术季宣传片丨展览名称丨央美潮·蔚然生长——潮流文化第三季·毕业季篇丨展览时间丨2023年6月27日—9月24日丨展览地点丨中央美术学院山东艺术教育中心信尚美术馆丨主办单位丨中央美术学院 丨承办单位丨中央美术学院美术馆、中央美术学院继续教育学院丨协办单位丨山东文旅投资集团有限公司丨开放时间丨每周周二至周日开放,周一为闭馆时间展览期间每日10:00AM-6:00PM为开放时间,最后入场时间5:30PM。 注意事项:1.本次展览需购票参观,门票一经出售,概不退换;2.未经许可,请勿使用三脚架、自拍杆和闪光灯等专业拍摄设备进行拍摄;3.未经许可,请勿在展厅内进行任何网络直播行为,不得从事任何商业类的拍摄活动;4.双肩包、直径大于40cm的箱包、婴儿手推车等需按规寄存,宠物不得入内;5.请勿携带危险物品或有特殊刺激性气味物品进入场馆;6.请勿在展厅内和指定区域外饮食,醉酒者谢绝入馆,全馆禁烟;7.文明观展,请勿触摸展品,请勿喧哗、追逐、打闹;8.1米以下儿童儿童请在家长的陪同下入馆参观;9.本馆在参观人流高峰期间将实行分时段、限流参观,请予以配合和谅解;10.参观本馆持军官证、老年证、医护证、残疾证等免票入内,学生持学生证半价优惠,一米以下儿童在监护人陪同下可以免费参观,1米以上儿童需购买学生票入内。票务团购电话:18612102368(赵老师)长按扫码,即可购票!中央美术学院山东艺术教育中心信尚美术馆成立于2020年。信尚美术馆以中央美术学院作为学术建构基础,依托山东文旅集团,以展览、教育与文化创意产业全面融合的创新方式,建立具有学术研究与教育传播功能的当代美术馆。除艺术展览之外,信尚美术馆还将定期面向公众开展系列论坛讲座、艺术活动等公共教育项目,推动艺术在公众中的普及与传播。
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王春辰:数字化美术馆的未来就是现在

2023-07-04

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作品回顾 |艺术城市——城市视觉设计工作室 |2023中央美院本科生毕业展

2023-06-29

城市视觉设计工作室包含了品牌识别系统,品牌战略,品牌传播与推广等在城市各个空间中的视觉符号表达。工作室通过研究当下城市视觉形象设计现状,深入发掘“城市视觉形象”的美学价值,在城市未来发展的愿景之上对城市形象进行设计分析,提出对城市形象设计的可持续发展的方法,运用核心品牌策略和视觉研究理论对视觉符号,图形,文字信息等在城市空间中的传播展开思考与设计,塑造具有鲜活生命力的城市品牌形象。|指导教师||参展学生|
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揭晓!2023第二届全球大学生虚拟策展大赛获奖名单公示

2023-06-25

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作品回顾 · 实验动画工作室 |2023中央美院本科生毕业展

2023-06-25

温馨提示“2023中央美院毕业季”已经落下帷幕,感谢大家的关注与支持。因布撤展需要,我馆自2023年6月21日起闭馆,开馆时间请关注中央美院美术馆公众号通知,由此给您带来的不便敬请谅解。值此佳节之际,祝您端午安康。学生作品展示       通过表达过去与现在的意向画面,描绘时间演化的变迁。       短片创作最初源于回农村老家发现很多房子落锁,年轻人逐渐搬到城里,老人零散聚在一起。因为时间,万物不可避免更新迭代,进化或遗弃。在感情的驱使下,遗憾,怅然或是无感成为人类思想的触动引线。在时间演变驱使下的一个个体,一个物种,一个时代的诞生与陨灭,痕迹交错编织细线成网,构建与我们每个人息息相关的命运共同体。    我们每一次的选择,都将映射在我们的未来,时长03:21,时长03:212023学生作品展示     以现代年轻人视角深入现实生活着眼于当下城市人文面貌,从自身所感出发,以英国画家L. S. Lowry的系列绘画作品作为载体,加以改编和创作,将现代动态艺术与传统架上绘画相结合所进行的视听语言的探索。短片内容描绘的是城市中人们的生活面貌和环境面貌,展现了一个孤独又忙碌的城市,反映了城市生活的沉闷以及人与人的疏离隔阂这一社会问题,表达了作者对当下社会人文风气的关注和担忧,对城市病的探讨。在创作时现实主义精神和浪漫主义情怀相结合,发挥主观能动性。将名画与自身的思想相结合,希望实现作品的思想性,艺术性的有机统一。,时长05:132023学生作品展示    短片以故障艺术的手法来制作实验动画,故障艺术有非固定形式的美,且非常适合表现失衡感和混乱感,并且加入高饱和的颜色,给观者更加强烈的视觉刺激感,与恐惧感给人的深刻印象相呼应。,时长01:492023学生作品展示    毕设短片以逛超市为背景,穿插着母亲对于过去的回忆和幻想。在这部短片里,我尝试去探究母女之间的爱与被爱的一种双向的亲密关系。希望可以从一个更加真实的角度去诠释母女之间的爱。并且赋予了动画短片一些幽默感在里面,让动画短片在讲述故事的期间也可以更轻松把我想表达的情感传达给观众。,时长02:502023学生作品展示   短片《迷失》希望可以通过黑白动画的形式来展现当代人的精神困境。影像中的超现实空间暗示了现代人与城市生活的关系,巨大悬浮的商品隐喻着当代人内心的欲望,荒诞的场景象征着人们精神的虚无。影片或许如生活的荒唐一样刺痛着我们:我们似乎一直在追逐什么,最后却一无所有。2023学生作品展示     故事主要讲述了未来地球遭遇危机,人类不断地开发月球导致其千疮百孔,月球忍受不了这种苦痛于是逃离了公转轨迹,飞往宇宙深处。该故事的主题探讨的是假设月球有情感,他会对人类的扩张开发有什么样反应。同时把人类对自然环境过度开采的行为进行批判,让观众思考人类与自然的关系。2023学生作品展示     作品风格采用黑与白,象征世间万物本应黑白平衡,然而未知的选择将影响并决定主人公的一生。带着对未知世界的好奇,主人公小白开启了它的冒险旅程。2023学生作品展示    《绿衣服》是一部二维手绘风格的实验动画短片,故事中的主角都是衣服,主要讲述了主角的家长送给主人公一件绿衣服,身着红衣服的主角讨厌这件衣服竭尽全力想要摆脱绿衣服,在主角一次次任性与家长一次次包容之中,主角意识到了自己对家长的伤害,于是接受了绿色的衣服。《绿衣服》用夸张的戏剧冲突讲述了一件非常平常的小事,故事的主题在于爱与理解,即亲情的珍贵和深刻。2023学生作品展示    《蕈》是一部以扁平色块风格为主的二维动画作品,主要内容为主角走出城市的喧闹,融入自然的过程中治愈了自己。动画中大量使用了“蘑菇”这一意象,借以表达奇幻而富有生命力的大自然,而动画内容在从“现实”转变为“幻想”的过程也是通过主角释放了对自然的热爱与向往后化作了“蘑菇人”,从在城市中的无精打采到在丛林中的自由跳跃、奔跑、探索来体现的。2023学生作品展示    《晚安》根据我的亲身经历改编,主要讲述我与已经过世的父亲温暖回忆的亲情故事。影片将父亲的形象通过声音可视化的形式表现出来,与现实世界的我进行跨越时空的对话。将父亲的形象运用二维线性的方式表达,将我的形象运用二维构成的方式,暗示我与父亲已不在同一个时空。制作影片的初衷是希望我和关心我的家人们可以从我的动画中得到一些慰藉,同时也是让我的爸爸知道,我和妈妈现在过得很好,也很想他。希望我们都能向前看,生活里不能只有泪水和思念,我们知道他一直在我们身边。2023学生作品展示     本片以猫的视角切入人类社会,试图以第三人称视角探讨人类社会欲望的终点,借由猫咪从被收养到放归自然,唤起女孩与猫的回忆,也是主人公自我救赎的一场奇妙冒险。2023学生作品展示    身患焦虑症的主角总是过度在意他人对自己的评价,无法接受“不完美”的自己。从小到大,主角似乎一直为了成为他人眼中完美的形象而活,儿时的梦想早已被自己埋葬。偶然的一次流星雨,让主角回想起自己儿时的梦想与爱好。她翻找出儿时的画作和日记,内心中被压抑许久的那个“小女孩”终于跑了出来,在宇宙中遨游。主角在那晚的流星夜中感受到了久违的平静与快乐。原来最完美的状态,是接纳“不完美的”自己、接纳那个真正的自己。2023学生作品展示     在未来世界,人类为了高效率的生产和发展,大规模的创造了AI机器人,他们跟人类的执行力相差无几,甚至可以不休息一直工作,AI在不断的模仿学习下诞生了自我意识,开始逃离人类社会。本片描述了AI与人类在未来的相处模式,假定AI成为了高智慧生命体之后,人类应该如何与之相处,人类社会的发展是否真的需要过度发展AI这样的工具。2023学生作品展示“微风起来,四面都是灰土。另外有几个人各自走路。”     本片是以鲁迅先生的散文诗《求乞者》为原型创作的动画,讲述主角路遇孩童求乞而不布施,进而引发对人性与社会的思考。何为灰土、缘何虚无?或许是灰般的人性的冷漠,或许是时代下视野的约束,人人对此都有不同的理解。而为了看清灰土、走出灰土,我辈仍应不断求索、砥砺前行。2023展览现场中央美术学院美术馆三层A展区中央美术学院城市设计学院实验动画工作室CAFA动画中心发布文章属于原创。若转载请注明来源并标明本平台联系方式:animation_center@cafa.edu.cn2 0 2 3 图文 中央美术学院城市设计学院实验动画工作室
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作品回顾 · 人居环境系统·艺术研究工作室 |2023中央美院本科生毕业展

2023-06-24

01戴夏力《麻峪房村——览野“乡”识》向右滑动查看更多图片“觅野乡识”为主题的麻峪房品牌形象提升设计,即寻觅山乡野趣,了解麻峪房,记住麻峪房。通过对空间品牌的形象定位以及结合亲子研学定制的方式来提升麻峪房村的形象。02易鹏《记忆的色彩》从色彩的角度分析了,北京四个时间段下的时代色彩的变化规律,以城市、社会、个人和物件的色彩变化为例进行分析。四面装置墙体,更具分析出的色彩和时代的技术特点,采用不同的色彩体系以及交互方式,与所代表的时代相互对应。让乘客在北京站候车厅经历一场从上世纪50年代到本世纪20年代的时光之旅,追忆那些年的模糊记忆,传承时代的奋斗精神。03都芳琪《寻找浪潮中的灯塔》借“萤”为喻,诗意而浪漫的生命体为副中心图书馆空间设计的内核,置身于森林中寻找人们心中所向,这既是归宿又是灯塔,既是梦幻又是现实,彼非此彼。设计上基于多维感官体验的视角,从人与人、人与空间、人与景观的三重互动性空间设计的角度解析,探寻新时代语境下数字化多维互动性阅读空间设计的更多可能性,实现阅读空间给予人情感上的共鸣以及主题价值的重构升华。04罗心敏《松弛序列》该方案是基于泰康口腔诊所的空间再设计,“松弛序列”这一主题涵盖了去医疗化理念、当代松弛感追求、以及对诊室空间形态与功能的探索,意在营造一个让人们感受当代松弛感氛围的口腔诊所空间,同时结合模块化设计理念,对现代口腔诊所空间形态进行思考与探索。05刘沐溪《游——明十三陵乡村品牌提升设计研究》后疫情时代为积极推动麻峪房地区的乡村建设,课题设计麻峪房村乡村品牌,实现乡村产业提升。品牌以乡村自然空间为核心点建立主题空间,打造乡野自然空间,主旨“观‘遊’林野,神‘游’乡村”的理念,推动麻峪房村乡村振兴。06陈蕾《明漪之间》在当今快节奏生活中,为了提升住客的生活体验和品质,在民宿空间中打造了一个冥想空间和住宿功能相辅相成,以健康为主题理念,让客人在享受健康的同时获得放松,这是与都市快节奏的生活方式截然不同的体验。阳光每日洒在这片山水交融的土地上,波光粼粼的水面令人心旷神怡。利用空间变化调动人的情绪,旨在打造一个宁静祥和的康养生活空间,从而形成一种情感共鸣。07张曼婷《寻隐》寻隐,意味着寻找乡愁,隐入山林。主题隐入山林产生了将院子的地形还原成山脉的想法,采用依山而建顺势而为的设计思路,将入口,庭院和内部空间基于地形的变化而变化。创造了层层叠叠的视觉印象。在上山道路上设置了屋顶休憩平台,能够更好的远眺四周山景。将庭院 ,水景与远山遥相呼应。民宿保留了正房古老的梁柱结构,形成民宿老建筑和新建茶室一新一旧的融合,模糊了室内外的边界。卧室设计上,大面积开窗,引入周边的自然环境,采用木材,暖光,柔润的布料来创造归属感。民宿采用当地材料和本地植物。还为客人安排组织村里的各种活动,让客人能够与村民相互了解,更好的感受麻峪房村民的热情与古朴。08田佳鑫《幕前幕后》通过北京火车站商业空间再设计来探讨高铁枢纽站商业空间与体验式经济的结合可行性。数字化、智能化和新消费模式结合的手段提供更多的创新购物和社交体验。让消费者能够在商业空间中获得更多的感官体验和情感价值。09赖智霖《北京火车站文献展》我们的记忆如同逐渐风化的石头,历史的碎片变成抽象的符号揉杂在我们的血液中。北京站文献展以游客的体温为媒介,创造一种当下与过去的链接,尝试通过游客的亲身触摸重新唤起“风化”的记忆。探索历史建筑与观看者之间新的互动形式。10徐彬洋《像素云》由于现代社会的压力增大特别是后疫情时期,人们需要温馨,解压,人性化的空间,而云则会让人感到有温度,想去接近的感觉。而在云计算中,云的象征意义和实际技术特点紧密结合,形成了一个新的数字时代的概念符号。通过前期调研生成“像素云”的概念,“像素云”象征的云雾森林代表了环境友好图书馆,云端科技代表了数字智慧图书馆,三维点云则代表了公共服务图书馆。11石盈科《“织”愈》以“织”愈这一概念为主题的牙科诊所空间设计。目的是探索疗愈艺术对于医疗室内空间所带来的人文关怀的提升满足人们对医疗室内空间的疗愈功能需求。“织”这一概念是指织物带来的温暖感与亲切感。具体通过织物装置的使用和轻快与简洁的空间色彩来表达。12林岱青《重·塑》项目主体中国雕塑学会艺术馆是一个位于芜湖市中心区域神山雕塑公园内的艺术文化建筑,在雕塑公园的大氛围与“芜湖模式”的城市基调下,作者试图让环境和艺术及建筑同等的相互重香、相互融合,期待运用艺术手法给附近街道及园区带来活力。艺术馆通过色调及水面及材质的运用,营造出一个开放的展览和活动可以在户外展开的空间,形成一种全新的建筑与人与雕塑玉环的关心。13李思意《濮院古镇茶民宿》濮院古镇景区响应文化遗产保护政策而生,茶民宿浅藏于这江南古镇之中。在空间设计时茶禅结合,吸取茶道的诧寂美学精神,崇尚自然,化繁为简,让游客深度参与茶道和禅修体验,在纷乱冗杂的信息化时代为心灵寻找一隅安宁。同时空间中融入江南文化风俗,创造独特的禅茶文化之旅。温馨提示“2023中央美院毕业季”已经落下帷幕,感谢大家的关注与支持。因布撤展需要,我馆自2023年6月21日起闭馆,开馆时间请关注中央美院美术馆公众号通知,由此给您带来的不便敬请谅解。
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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