Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: CAFAM学术季｜青年论坛“钩沉与新解”即将开讲

2025-10-24

开场辞吕品晶中央美术学院副院长第一场古代中国艺术李捷副编审，任职于中央美术学院美术馆策划研究部发言人兰萌中央美术学院博士《沈周<云水行窝图>研究——兼论“图引”与同题集咏诗卷的关系》胡正源中央美术学院硕士研究生《金农的菖蒲图》汤彦之中央美术学院本科生《摹古与重构——詹巩<尧民击壤图>（册）初探》陈晗中央美术学院博士研究生《从绘到印——以<人物故事册页>为中心再探钱慧安风格与杨柳青年画的互动》张鹏中央美术学院博士研究生《笔端自有内烟云：从央美馆藏祁豸佳绘画管窥其白云红树绘画的知识层累与空间构建》陈冠石中央美术学院博士研究生《论展览史中的任伯年》马星孟同济大学博士研究生《图像叙事视阈下东汉舂米画像砖的叙事结构与文化编码》王颖中央美术学院硕士研究生《中央美术学院美术馆藏两件胡人持灯俑考》唐怡蕊中央美术学院硕士研究生《中央美术学院美术馆藏三彩镇墓兽研究——兼谈唐代人面镇墓兽的胡化现象》第二场：现代中国美术主持王静中央美术学院美术馆策划研究部副主任发言人杨庆宣中央美术学院硕士研究生《象征的引力与理想的光明——张安治<群力>及其抗战时期的创作观》王晨清华大学博士《庞薰琹供职中央博物院筹备处史事兼画史抉疑》芦丁元广州美术学院硕士研究生《彼岸与边缘：王少陵作品的藏研疏离与跨文化实验》嵇徐中央美术学院博士研究生《大众主义美术发展脉络探微——以中央美术学院美术馆藏新年画<群英会上的赵桂兰>为例》李泽卿清华大学美术学院博士研究生《从新年画到新工笔：<群英会上的赵桂兰>与工笔人物画语言转型》孙文中央美术学院博士研究生《深入新的生活：从典藏日记、手稿看李桦在建国初期的创作与生活》周纬萌中央美术学院博士研究生《壁画作为一种“中介”：叶浅予<北平解放>与1950年代民族美术遗产讨论》李佳薇中央美术学院硕士研究生《“画”与“舞”中的民族经验与艺术表达——论叶浅予人物画<荷花舞>》马奔宇中央美术学院硕士研究生《油田往事与版画新风：关于央美馆藏两幅大庆油田主题版画的梳理与思考》张新宜中央美术学院硕士研究生《爱德华·霍珀影响下韦启美“简约、诗意”风格的生成》郝锐昌中央美术学院博士研究生《“建构与转化”的版画实践：徐冰<有山的地方>对“过程作为观念”的早期实践》闭幕辞靳军中央美术学院美术馆馆长青年论坛征稿评审专家贺西林，浙江大学艺术与考古学院求是特聘教授、博士生导师，馆藏陈列学术指导张鹏，中央美术学院教授、中央美术学院《美术研究》杂志社社长、学报编辑部主任、丝绸之路艺术研究协同创新中心副主任、博士生导师，馆藏陈列学术指导于洋，中央美术学院教授、科研处处长、视觉艺术高精尖创新中心主任、博士生导师，馆藏陈列学术指导黄小峰，中央美术学院教授、人文学院院长、博士生导师，馆藏陈列学术指导曹庆晖，中央美术学院人文学院美术史系教授、博士生导师，馆藏陈列学术指导郑弌，中央美术学院人文学院美术史系教授、博士生导师，馆藏陈列学术指导郭怀宇，故宫博物院副研究馆员，曾任中国国家博物馆藏品定级专家（书画碑帖组），馆藏陈列学术指导耿朔，中央美术学院人文学院文化遗产学系副主任、美术考古研究中心副主任，馆藏陈列学术指导李垚辰，中央美术学院美术馆典藏部主任、副研究员，馆藏陈列执行策展刘希言，中央美术学院美术馆策划研究部主任、副研究员，馆藏陈列执行策展CAFAM学术季主编 / 何一沙责编 / 杜隐珠
More

: 许幸之与美术史论

2025-10-24

“雄歌一曲献中华——许幸之艺术成就回顾展”展览现场许幸之是中国现代美术史研究的重要奠基者。他早年即关注艺术与社会的关系，提出“新兴美术”的理论主张，强调艺术应服务民族解放与社会进步。20世纪30年代，他连续发表《新兴美术运动的任务》《中国美术运动的展望》等重要文章，并翻译多篇西方艺术理论文献，积极参与左翼美术思想的建构。1954年，许幸之主持并担任中央美术学院美术理论研究室主任，该研究室正是后来美术史系的前身，许幸之组织起了一支教师队伍，共同翻译资料、编写讲义，制定了一份经过文化部认可的教学大纲，并开设出《西洋美术史》《俄苏美术史》《艺术概论》等课程，为新中国第一个美术史系的诞生打下了坚实的基础。许幸之不仅是近代中国西方艺术史译介和教学领域中的重要学者，也是新中国建立之初研究外国美术史的领军人物，更因其为新中国美术史论事业的发展所做出的贡献，而成为新中国美术理论和外国美术史教学体系的开创者和奠基人，他所取得的成就和做出的贡献值得今天的美术史后学们铭记。——易英中央美术学院教授
More

: 今日霜降

2025-10-23

今日霜降
More

: 展览延期｜感受杜英奇作品中的所“相”之物和形之所“相”

2025-10-21

“广角°青年实验项目空间”第三期最后一个展览：“应物“相”形——杜英奇雕塑新作”将延期至2025年10月31日。本次展览为中央美术学院雕塑系教师杜英奇的个人作品展。杜英奇长期以来对自然的骨形感兴趣，且从中受到某种来自远古的启发，以及对现实处境的感应。这里呈现的作品，就是基于这样的观察感受完成的，希望观众能从这些雕塑新作中感受到所“相”之物和形之所“相”。空间剧本及其实施中央美术学院美术馆3层C展厅是广角°青年实验项目的实施地。由半开放的外部空间(A蓝色区域，以下称A空间）和相对封闭的内部空间(B红色区域，以下称B空间）两部分构成，如下图所示。A空间相对狭窄（宽3.4米）但具有高度（高8.5米），B空间之所以给人相对封闭的感觉主要因为入口相对较窄（宽1.4米）。半开放的A空间还有一个特点，就是每一个进入美术馆的观众，如果到楼上参观，无论乘坐电梯还是通过步行坡道，都会在美术馆一层大厅空间的最远端看到这里。所以，在项目实施之前，作者首先结合美术馆的空间特点假设了观众的观看动线——进入美术馆，无论观众是否上楼观展，都可能会在远处看到A空间，注意到这里有作品，接下来有可能走过二楼进入这个半开放的空间，最后进入B空间，完成观展。中央美术学院美术馆3层C展厅平面及展览作品布局图展览空间示意图从美术馆一层大厅远端看向3层C展厅A空间基于以上空间感受和对观看动线的想象，得出以下判断：A空间的作品必须体量巨大，掌控美术馆空间的制高点，让每一个观众在远处可以看到。这是视觉体验。由于A空间作品体量大，因此可以让到达此处的观众穿过雕塑内部。这是身体体验。B空间占地面积较小，但墙面空间相对充裕，因此选用浮雕，墙面作品在封闭空间将观众包裹。这是心理体验。以上判断构建起作者希望通过展览带给观众视觉、身体、心理的三重体验，也是本次展览整体的空间剧本。与之对应的是作者对本次展览标题《应物“相”形》的“非专业”翻译：object（物），telepathy（心灵感应），forms（形）。本次展览的作品就是在telepathy（心灵感应）的发动下所创造的object（物）与forms（形）的连接与转化。在美术馆大厅远端看《甲骨》作品01至09的编号即本次展览的观看顺序，对于它们位置的经营就是对整体空间剧本结构的细化。作品01 & 02作品01与02位于展厅入口，此处平面接近正方形，原计划制作一件高塔，使观众绕塔而行。实际呈现为由两座塔形成的“塔林”，主要原因是受制于现场搭建条件与作品材质的承压度，如此实施使位于展厅入口的作品间形成一条“夹缝”，或一道“窄门”，对观看路线形成一定“阻挡”。观众可以选择穿过一片由木方和工业金属F夹搭建后而失去自然生理弯曲的“脊椎塔林”，也可以选择离开。01 02无尽之塔泡沫、石膏纱布、木方、金属工业级重型F夹01：200×158×475cm02：177x178x3902025作品03作品03在现场搭建时决定让其悬空50厘米，一方面可以使它更加接近美术馆的天顶，一方面使雕塑本身的穹顶抬高，保证观众进入作品后的通过性，也使作品对展场空间进行更有效的切割，让悬空的巨物尽可能给观众的身体体验形成足够的“压制”。03甲骨泡沫、金属脚手架、纱布497×300×720cm2025作品04作品04是三件平面作品，本位于A空间尽头的墙面，形成三联组画（空白画布位于中间）。但实际A空间尽头墙面与观众观看的行进路线并非垂直，作者认为一道斜墙一定程度削弱了观众面对三联画本应感受到的庄严，因此将两幅有画面的画布悬挂于作品03附近的墙面，这两幅画面记录了作品03的三视图及其组装步骤，重叠印刷制成的画面也是作品不同视角和制作时间的叠压。空白画布的材料就是做前面雕塑所使用的石膏纱布，位于A空间尽头墙面，与前两幅画面共同构成了作品04，使观众于此地面对空白画布有所喘息。展览的整体节奏就此短暂停顿。转场。04三视石膏纱布、油墨、木方97×63cm×32025进入B空间，从作品05至09呈顺时针方向布局。由于墙面作品需要一定的后退观看距离，因此中间地面不能放置展台或更多地面作品，这是基本原则。作品05作品05是一个可以打开的匣子，匣子内装有——镜像、星座、负形。灯光从对面投射，不同打开状态的匣子会在墙面或地面形成投影，所以此作品所在墙面应该是空旷辽阔的。05幻戏石膏、木方、铅、铜丝、枯枝60×45×56cm2024作品06 & 07作品06与07是B空间占据地面的两件作品，一高一低，一白一黑。背后墙面倚立的木方与钢锯条并非还原工作室的工作场景，而与作品06的意义以及它在现场空间的构图有关。作品07被C型钳倾斜夹在木托一边，所以选择重色点状物——铅块——随机抛撒于木托之上，无序的抛撒契合了梦境的“蒙太奇”（作品07标题为《梦游者》）。06重建甲骨石膏、木方、金属工业级重型F夹158×160×390cm202207梦游者不锈钢、铅、木托80×60×40cm2025作品08作品08在项目方案阶段被设定摆放成一条线进行展示，强调其日常叙事特征。但作者在创作过程中对于手形的选择具有一定随机性，致使作品间的线性叙事特征并不强，且实地展线不足，因此改为矩阵式布局，占满B空间最大的墙面，观众对作品阅读变为散点式触发。作品08最后一件编号为32的“手”装在漂流瓶中，数量为399，除了墙面展示以外，如何延续到空间中并传递给观众，是布展过程中遇到的问题。需要强调的是，它不是展览的“衍生品”，它就是作品08最后一件编号为32的作品的399分之一，所以需要将它们与展厅中作品的展示逻辑衔接好，且必须随机传递给观众，其展示方式绝不能像售卖或赠予。在此设定下，作者把现场的木方斜向作品所在墙面，长短随机置于地面，使其形成一种“漂流木”的漂浮状态，契合了“漂流瓶”的概念，漂流瓶乱序摆放其上，观众自行弯腰拿取，且不易选择其所谓心仪的编号。并非作者不想讨好观众，原因是瓶内的“手”原型来自于叙利亚大马士革博物馆所藏“手印”，它是用于民主集会的“请柬”或“票证”，其中所蕴含的民主平等的理念是崇高且动人的。08三十二相石膏、铁丝、树脂多种尺寸2024—202508-32请柬石膏、麻绳、漂流瓶、热敏纸、玻璃、木方4×4×12cm×3992025作品09作品09，是展览中体量最小的一件作品，但对于作者个人，或本次展览，这是一座纪念碑（关于“纪念碑性”的论述，参见巫鸿《中国古代艺术与建筑中的“纪念碑性”》，上海人民出版社，2009年4月）。就作者个人的感受，这个展览空间更接近一个舞台，作品是舞台布景，作者的工作就是制作作品并构建其在空间中的关系，让观众既可以通过舞台“台口”远观，也可以进入其中。杜英奇2025年10月3日广角°青年实验项目空间主办中央美术学院美术馆“广角°青年实验项目空间”于2022年初启动首期，我馆秉承推动中央美术学院青年教师在策展与创作方面多维探索的理念，使美术馆三层C展厅的独立空间，成为青年教师创作研展、展览策划的一块实验田。目前已完成四期方案的征集、评选（现有22个展览方案入选）。应物“相”形——杜英奇雕塑新作主办：中央美术学院美术馆支持：中央美术学院雕塑系展览时间：2025年9月12日—10月31日展览地点：中央美术学院美术馆3层C展厅主编 / 何一沙责编 / 杜隐珠
More

: Recruitment for CAFAM Workshop | Pastel Painting Experience Of "Xu Xingzhi's Artistic Achievements"

2025-10-17

“雄歌一曲献中华——许幸之艺术成就回顾展”展览现场“A Heroic Ode To China--Xu Xingzhi's Artistic Achievements is Currently on Display. This exhibition is part of the "Century-long Glory · Renowned Artists" series hosted by the Central Academy of Fine Arts. As the largest and most comprehensive retrospective exhibition of Xu Xingzhi's artistic achievements to date, it showcases over 400 pieces/groups of his representative works and precious documents, many of which are being exhibited for the first time. The exhibition presents the artist's outstanding accomplishments in multiple fields – including painting, art history, literature, film, and theater – in an all-round, multi-dimensional, and in-depth manner.《黄山日出》许幸之 1981年砂纸色粉 22.5×27cm《玉屏暮色——黄山风景》许幸之 1981年纸本色粉 30.6×45.9cm《海恋——根据印度诗人泰戈尔诗意创作》许幸之 1984年纸本色粉 30.3×45.5cm许幸之先生晚年时期开始尝试色粉画创作，在各地写生期间陆续创作了《黄山夕照》《飞来峰之晨》《太湖之滨》《云海》等作品。在展览期间，我们特别策划了此次色粉绘画体验工作坊，带您从“欣赏者”变身“创作者”，在导师的带领下，深度了解许幸之先生独特的色粉创作方式，并从中获得灵感，完成属于自己的专属色粉作品。工作坊招募 01成人工作坊活动时间：2025年10月18日（周六）10:00—12:00（请于9:50在美术馆前台准时签到）活动地点：中央美术学院美术馆3层B展厅招募对象：18岁以上成人招募人数：20人报名方式：扫描下方二维码报名，名额有限请预约本次活动的公众自行购买美术馆门票名额有限，报满为止*报名后如不能参加请及时取消，年度内累计两次未取消且缺席者，将暂停本年度公教活动参与资格。| 工作坊导师 |迟明1984年生于山东烟台，2011年和2021年先后毕业于中央美术学院和伦敦艺术大学获得双硕士学位。现为中央美术学院油画系第三工作室青年教师。作品曾被中央美术学院美术馆、上海民生现代美术馆、澳大利亚悉尼白兔美术馆等机构收藏。02儿童工作坊活动时间：2025年10月18日（周六）14:00—16:00（请于13:50在美术馆前台准时签到）活动地点：中央美术学院美术馆3层B展厅招募对象：8—15岁招募人数：20人报名方式：扫描下方二维码报名请参与活动的青少年微信扫码，预约本次活动的家长或陪同人员请购买美术馆门票名额有限，报满为止*报名后如不能参加请及时取消，年度内累计两次未取消且缺席者，将暂停本年度公教活动参与资格。| 工作坊导师 |邝纯熙中央美术学院油画系第三工作室学生，曾获中央美术学院三等奖学金，造型学科基础部优秀学生奖等。参加成人和儿童工作坊的公众，请自备绘画材料：1.色粉Pastel（20色—30色，参考上图）2.色粉纸（尺寸：27.9×35.6cm或A3尺寸大小均可；纸张数量不限）3.画板（可根据个人情况准备，尺寸在半开以内即可）注：1. 该活动为公益项目，报名成功的公众可免费参与本次工作坊活动。2. 绘画材料需按照上文图示自备。3. 活动最终解释权归中央美术学院美术馆所有。百年辉煌·中央美术学院艺术名家雄歌一曲献中华——许幸之艺术成就回顾展展览时间：2025年9月18日—10月31日展览地点：中央美术学院美术馆3层B展厅主办单位：中国美术家协会、中央美术学院承办单位：中央美术学院党委宣传部、中央美术学院校史研究中心、中央美术学院美术馆、中央美术学院人文学院、中央美术学院油画系支持单位：中国人民抗日战争纪念馆、中国电影家协会、中国电影博物馆展览鸣谢：中国美术馆、龙美术馆、泰康保险集团股份有限公司、之已基金会、王薇、施俊兆、黄俊、董瑞主编 / 何一沙责编 / 杜隐珠
More

: Recruitment For CAFAM Workshop | Urban Imprint: A Dialogue with Beijing's Memories

2025-10-16

When it comes to memories of Beijing, what comes to mind? Is it the textured patterns cast by the sun on the weathered brick walls in hutongs, the fragmented morning light filtering through old window lattices, or the fascinating contrast between the crimson walls of the Forbidden City and modern skyscrapers? These urban details, tucked away in the passage of time, have been captured by artists with their paintbrushes. Now, we invite you to engage in a more "tactile" dialogue with Beijing — using carving tools as your brush and relief printing plates as your paper, to transcribe the city’s memories into tangible works of art that you can reach out and touch.Li Xiushi, Morning, 1961, 101cm × 301cm, Oil on Canvas, Collection of CAFAMWorkshop Theme “冉冉晨城——中央美术学院美术馆藏北京主题作品展”：城象心印——北京印象吹塑版画创作工作坊活动亮点1. 解锁感官感知力：通过色彩、肌理、旋律等艺术载体，唤醒对日常细节的敏锐觉察，能从晨光的色温、落叶的纹路中捕捉到曾被忽略的美，让生活充满诗意质感。2. 找到情绪出口与共鸣：在创作或赏析中，将压抑的情绪转化为画作、文字或旋律，既能释放内心压力，也能在经典作品中找到被理解的治愈感。3. 收获沉浸式心流体验：专注于笔触勾勒组合时，能暂时脱离生活琐事的干扰，进入全神贯注的心流状态，缓解焦虑，获得内心的宁静与充实。4. 拓宽情感共情边界：通过解读不同文化、时代的艺术作品，理解创作者背后的情感与故事，学会换位思考，对他人的经历与情绪产生更深层次的共情与包容。戴泽，《东方炼油厂之九》，1976年，27.5×39.5cm，纸本水彩，中央美术学院美术馆藏韦蓉，《麦当劳》，1997年，37.1×45.4cm，纸上水彩，家属提供在这里，吹塑版画会成为你的记忆载体，通过简单的刻制与拓印，可以把对北京的情感转化为独特画面。或许是胡同口那棵老槐树的年轮纹理，或许是地铁站里现代与复古交织的瞬间，甚至是你记忆里老北京小吃摊的暖黄色灯光。每一次油墨拓印，都是在将情感定格。我们为你准备了专业指导与全套材料，从认识吹塑版、掌握刻制技巧，到选择油墨颜色完成拓印，全程手把手带你解锁创作乐趣。工作坊报名活动时间：2025年10月19日（周日）10:00-12:00活动地点：中央美术学院美术馆1层西门公教区适合人群：8-18岁参与人数：20人报名方式：扫描下方二维码报名*请参与活动的青少年微信扫码，预约本次活动的家长或陪同人员请购买美术馆门票名额有限，报满为止。*报名后如不能参加请及时取消，年度内累计两次未取消且缺席者，将暂停本年度公教活动参与资格。活动流程1.观展&导览（30分钟）专业导览员带领讲解，观看展览中描绘北京建筑纹理、街巷细节的作品，作为课程的初步理解。2.拓印认知、材料探索与技法传授（40分钟）介绍吹塑版、雕刻工具、拓印工具的特性与使用注意事项，展示不同拓印效果。3. DIY创作与展示分享（60 分钟）创作属于自己的“北京印象”吹塑版画作品，具体内容和时间把控依据现场情况而定。课程导师任子伊中央美术学院2024级艺术管理与教育专业研究生。曾参与多个美术馆公共教育项目的策划与执行，也积极投身艺术乡建与社区美育实践。王涵瑶中央美术学院2025级艺术管理学研究生，在艺术管理与文化创意领域深耕，始终饱含对艺术传播与美育的热情。庞韵熙中央美术学院2025级艺术管理与教育学院研究生，研究方向聚焦于美术馆管理研究与实践。●●●●工作坊策划与执行：中央美术学院美术馆公共教育部：肖宝珍、梁雯●●●●关于展览北京文化艺术基金2024年度资助项目冉冉晨城——中央美术学院美术馆藏北京主题作品展展览时间：2025年9月18日-10月19日展览地点：中央美术学院美术馆3层A展厅、4层展厅主办：中央美术学院协办：中央美术学院美术馆支持：中央美术学院科研处主编 / 何一沙责编 / 杜隐珠
More

: CAFAM Roundtable · Session 2 Preview | "New Discourses on Urban Context" Dialogue: How to Interpret a City?

2025-10-15

“Rising At Dawn：Beijing-Themed Artworks From CAFA Art Museum Collection”promotional video01— —Activity Introduction“Rising At Dawn：Beijing-Themed Artworks From CAFA Art Museum Collection” focuses on the artistic narration of Beijing’s urban image in the history of modern and contemporary Chinese art. It systematically sorts out Beijing-themed artworks from the collection of the CAFA Art Museum and invites a number of artists to exhibit their exquisite and representative works, so as to in-depth explore the interactive relationship between artistic creation and social context in different historical periods. During the exhibition, the museum will specially curate the second session of the "CAFAM Roundtable". It plans to invite Zhang Guilin and Ma Xiaoteng, the participating artists of this exhibition, Gao Gao, the curator, as well as Wang Jun, a senior expert in Beijing’s urban planning field, and Hou Xiaolei, a core scholar in the same field. They will conduct a vivid and in-depth dialogue around the observation, intervention and research of cities by humanities and art in the contemporary context.02 -Way to Participate03— —Guest ProfilesZhang GUIlinBorn in Beijing in 1951, he graduated from the Printmaking Department of the Central Academy of Fine Arts in 1978 and stayed on to teach there the same year. He once served as a professor in the Printmaking Department of CAFA and director of the First Studio of the former Printmaking Department, and is a member of the Chinese Artists Association. In the early 1980s, he participated in the establishment of the first screen printing studio on the Chinese mainland—the Screen Printing Studio of CAFA—and is one of the pioneers and forerunners of modern Chinese screen printing.Ma XiaotengBorn in Beijing in 1967, he graduated from the Oil Painting Department of the Central Academy of Fine Arts in 1993 and stayed on to teach at the academy upon graduation. Since the 1990s, he has created the "Beijing" series, which takes the urban landscapes of the 1970s and 1980s as the carrier. By combining memories with images, he explores the emotional details in social landscapes and presents Chinese-style experiences with direct and simple brushstrokes. Since 2007, his painting style has become more personalized, often adopting the technique of combining lines and colors to express the transformation of his personal experiences and the renewal of his artistic experiences. The slow and sustained progression of his works is particularly prominent.Wang JunHe graduated from the Journalism Department of Renmin University of China. He once served as a senior journalist at Xinhua News Agency and deputy editor-in-chief of Outlook Weekly, and currently holds the positions of research fellow at the Palace Museum and director of the Palace Museum Studies Institute. He has long been committed to research on Beijing’s urban history, Liang Sicheng’s academic thoughts, urban planning, and cultural heritage protection. His works include The Story of a City, Cities on My Interview Notes, The Virtues of Yao and Shun: The Planning Philosophy of Dadu and Ancient China, and Civilization Under Heaven: The Planning Philosophy of the Forbidden City and Ancient China. In 2016, he completed the special research project Research on the Protection of Beijing as a Famous Historical and Cultural City and Its Cultural Value for Beijing’s overall urban planning. The project traces the historical context of urban construction concepts in ancient Beijing, reveals the spatial-temporal pattern of the Forbidden City and Beijing in the Ming and Qing dynasties , and puts forward targeted and systematic strategies such as halting large-scale demolition and construction, and conducting overall protection of Beijing’s old city.Hou XiaoleiShe is a professor and Director of the Graduate Department at the School of Architecture, Central Academy of Fine Arts , and a doctoral supervisor. She also holds concurrent positions including: Expert Member of the Academic Committee for the Protection of Famous Historical and Cultural Cities under the Beijing Urban Planning Society, Deputy Director of the Urban Co-creation Special Committee, Expert Member of the Special Committee for Neighborhood Governance and Responsible Planners, Director of the Chinese Society of Landscape Architecture, Director of the Landscape Architecture Branch of the Architectural Society of China, and Secretary-General of the Chinese Women Landscape Architects Branch. Her main research directions include: micro-renewal design of cities and villages, neighborhood renewal and community development, landscape architecture planning and design, and environmental art design. She has presided over or participated in a number of national and provincial-level scientific research projects, including the National Social Science Fund of China (Art Category). The planning, design and research practices she led have won awards such as the Outstanding Award and Excellence Award in the Landscape Analysis and Planning Category of the International Federation of Landscape Architects (IFLA) Asia-Pacific Region Competition. She has been honored with titles including "National Young Talent" and "Beijing Excellent Responsible Planner".Gao GaoShe graduated from the Central Academy of Fine Arts with a major in Art Management. Since 2010, she has worked in the Academic Department of the CAFA Art Museum, and currently serves as the Deputy Director of the museum. She has planned, organized and implemented a number of the museum’s brand exhibitions and international art thematic research exhibitions, and participated in the editing and publishing of many exhibition catalogs and collection books, such as The Collection of Fine Works from CAFA Art Museum · Modern and Contemporary Sketch Volume.04- About The ExhibitionRising At Dawn：Beijing-Themed Artworks From CAFA Art Museum CollectionHost: Central Academy of Fine ArtsOrganizer: CAFA Art MuseumSupporter: Research Office of Central Academy of Fine ArtsExhibition DetailsExhibition Period: September 18 to October 19, 2025Venue: Hall A (3rd Floor) & 4th Floor Exhibition Halls, CAFA Art MuseumExhibition TeamChief Planners: Xu Yang, Lin MaoAcademic Advisor: Yu YangExhibition Directors: Jin Jun, Han WenchaoExhibition Coordinator: Hai JunCurators: Gao Gao, Yi YueCuratorial Assistants: Luo Fenglin, Huang YaoziExhibition Coordination: Liu XiyanDesign Coordination: Ji YujieExhibition & Visual Design: Sun TongExhibition Management: Su Shicun, Jing Peng, Lü ZhifaCollection Management: Li Yaochen, Xu Yan, Wang Chunling, Ma Liang, Cui Ranran, Dou Tianwei, Li WeiMedia & Publicity: He Yisha, Wu Jing, He Yifei, Du Yinzhu, Ding YiPublic Education: Xiao Baozhen, Geng Jinghua, Wang Jun, Yao Yiqun, Liang Wen, Xi HuaweiFinancial Affairs: Yang Liu, Men JingDevelopment & Promotion: Sun Wei, Yi Yi, Kou LeiAdministrative Support: Jiang Siyu, Yue Junyao, Zhang Qian, Guo Xu, Chen XiaohuaOrganized and curated by the Media Department of CAFA Art Museum, "CAFAM Roundtable" is a cultural talk show featuring multi-person dialogues. Your attention is greatly appreciated.Editor-in-Chief / He YishaEditor / Du Yinzhu
More

: 展览延期 | 共同感受许幸之永不停息的艺术探索

2025-10-14

点击图片查看展览详情百年辉煌·中央美术学院艺术名家雄歌一曲献中华——许幸之艺术成就回顾展展览时间：2025年9月18日—10月31日展览地点：中央美术学院美术馆3层B展厅主办单位：中国美术家协会、中央美术学院承办单位：中央美术学院党委宣传部、中央美术学院校史研究中心、中央美术学院美术馆、中央美术学院人文学院、中央美术学院油画系支持单位：中国人民抗日战争纪念馆、中国电影家协会、中国电影博物馆展览鸣谢：中国美术馆、龙美术馆、泰康保险集团股份有限公司、之已基金会、王薇、施俊兆、黄俊、董瑞主编 / 何一沙责编 / 杜隐珠
More

: Charge Up Tonight; See You at the Art Museum Tonight!10·15 CAFAM Energy Recharge Program

2025-10-14

As the city's lights come on one after another, do you also feel that the pace of life is too fast, and your inner "energy" is always running low? We are used to rushing about for everything, yet we forget that the one who needs to recharge the most is actually ourselves.Now, we extend a special invitation to you:Let go of the hustle and bustle of the day, and set aside the tiredness that clings to you. On this autumn night, step into the art museum—not as a bystander, but as a participant—and embark on a multi-dimensional sensory healing journey that belongs exclusively to you.On the evening of October 15th, we invite you to join the night tour event "Charge Up Tonight; See You at the Art Museum Tonight". Temporarily escape the daily routine, and in the glow of art, meet each other, and also meet the part of yourself that deserves more care.Please find attached the checklist for the art museum night tour:1.Receive your exclusive keepsake: Collect a free bouquet at the check-in desk and select an energy tag that represents your mood at this moment.2."View the exhibition with your body": Under the guidance of dancers, embark on an immersive physical and mental movement experience.3."Turn your heartbeat into a painting": At the "Color Resonance" workshop, translate your touching feelings onto paper with a brush.4.Play a "time-travel game": Join the immersive experience "Who is Xu Xingzhi?" and have a dialogue across time and space.5.Night-exclusive guided tour: In the quiet night-time art museum, listen to the stories behind the artworks.We are ready to spend a whole night of wonderful surprises,to prove to you the gentle power of art.|Event Time|Wednesday, October 15, 2025, 19:00 - 21:00 |Campus Reservation Method|Scan the QR code below to make a reservation for campus entry Note: Only the 2nd and 3rd sessions require separate registration. For registration methods, please refer to the following content. Each participant can only choose one session. Seats are limited and available on a first-come, first-served basis.A Night of Wonders: A Deep Healing Journey for Multi-Dimensional SensesWe integrate dance, painting, music and theater,turning every promise on the checklistinto every minute you can experience for yourself. Entry · Co-Planting & Co-ExistingNo one is an island.Co-planting and coexistence lie in breaking down heart walls and intertwining our shared destinies. Please pick up a personalized bouquet for free at the check-in area, and choose an 'Energy Tag' that best represents your current mood to attach to it. Let it be your identity mark for tonight and the beginning of our connection with each other.Location: Entrance of the 1st-floor hall of the CAFA Art Museum (no separate reservation required) Session 1: Prologue · Dance of Resonance19：00—19：20Tonight, we will empower you through movement. In the art museum hall, as the music rises and falls, dancers will use their bodies—transitioning from stillness to fluidity—to guide your gaze and emotions. Together, we will merge into a collective surge of energy, opening up your body and mind.Venue: 1F Hall of the CAFA Art Museum (No separate reservation required) Session 2: Energy Charging Station No.1[Color Resonance] Turn Your Heartbeat into a Painting19：30—20：00Please follow your intuition and select an Energy Charging Station for an in-depth experience:《蒙藏女子歌舞》孙宗慰Based on the results of an online emotional survey conducted among domestic college students prior to the event, we found that many college students experience varying degrees of anxiety, tension, and discomfort in social interactions. If you are eager to release these negative emotions and look forward to communicating through colors and your body...Drawing inspiration from Mongolian and Tibetan Women Singing and Dancing—a classic collection work by artist Sun Zongwei at the CAFA Art Museum—we will, under the guidance of dancers, help you stretch your body and engage in impromptu mirroring movements, creating a sense of "I am the figure in the painting, and the figure in the painting is me". Afterwards, you will collaborate with partners to outline the dancing postures on the canvas, and use colors to achieve a resonance that transitions from physical sensation to visual expression.Venue: Above the curved staircase on the 1st floor of the CAFA Art Museum and the Public Education AreaNumber of Recruits: 20 people (open to college students)Registration Method: Scan the QR code below to sign upSession 3: Energy Charging Station No.2[Echoes of the Era] "Who Is Xu Xingzhi?" Immersive Experience20：00—20：30《为俄国奥斯特洛夫斯基的话剧<大雷雨>所作的舞台设计》许幸之If you are fond of stories and wish to find resonance in the long river of history...This is an immersive experience taking place in the exhibition hall of "The Retrospective Exhibition of Xu Xingzhi's Artistic Achievements". Through three touching chapters—"Seek · Xingzhi", "Ignite · Roar" and "Love · Rose"—and amid music and narration, we will unfold the life scroll of this artist, who was also a warrior, a poet, and a seeker. Finally, please write a reply letter to "Mr. Xu" to complete a dialogue across time and space.Venue: Exhibition Hall on the 3rd Floor of the CAFA Art MuseumNumber of Recruits: 50 people (open to the general public)Registration Method: Scan the QR code below to sign upAftertaste · Free Exhibition Viewing20：30—21：00With your fully activated senses and rich emotions, enjoy a free exhibition viewing accompanied by a professional guide. On this quiet night, listen to the deeper stories behind the artworks. ……………… ……………… ……………… ……………… ●●●●●● ……………… ……………… ……………… ………………10月15日晚上19点，中央美术学院美术馆，不见不散！ ……………… ……………… ……………… ……………… ●●●●●● ……………… ……………… ……………… ………………主办单位：国家艺术基金管理中心、中央美术学院承办单位：中央美术学院艺术管理与教育学院支持单位：中央美术学院美术馆主编 / 何一沙责编 / 杜隐珠
More

: Exhibition Guide | Step into "Rising At Dawn" And Explore The "Central Axis" Principle Running Through Beijing

2025-10-11

"Rising At Dawn: Beijing-Themed Art Works from CAFA Art Museum Collection" focuses on the artistic narration of Beijing's urban image in the history of modern and contemporary Chinese art. By systematically sorting out Beijing-themed artworks in the collection of the CAFA Art Museum and inviting a number of artists to exhibit their fine and representative works, it in-depth explores the interactive relationship between artistic creation and social context in different historical periods.With "Morning Rise", "Vitality", "Renewal" and "Choosing the Center" as its narrative threads, the exhibition constructs an artistic dialogue field that transcends time and space: on the one hand, it presents the stylistic evolution of artists from different generations in their depiction of urban landscapes and interpretation of humanistic spirit; on the other hand, it focuses on artists' continuous exploration of urban themes and conceptual innovation in the contemporary context.Choosing the Center | 4th SectionBeijing's Central Axis is like a wordless historical book engraved on the city, with its grand narrative extending north-south, it interprets the Oriental wisdom of "choosing the center" in architecture. Artists reinterpret this temporal and spatial axis through diverse visual languages—not only to capture the sense of ritual that connects the past and the present, but more importantly, to transform the traditional philosophical thought of "achieving harmony through balance" into a tangible visual experience.萧淑芳，《北海溜冰》，1935年，46cm×30cm，布面油彩Ai Zhongxin, Remaining Snow on the Forbidden City, 1947, 38cm × 70cm, Oil on Wood PanelRemaining Snow on the Forbidden City is a lyrical sketch created by Ai Zhongxin after he began teaching at the Beiping School of Art, where he was deeply impressed by the vastness of snowscapes in northern China. The painting adopts an extended horizontal composition, resembling a miniature panoramic scroll. Although the scene depicted is in the depths of winter, the overall color palette exudes a subtle, rippling warmth. Ai Zhongxin was a representative artist of Chinese realistic oil painting in the 20th century. Xu Beihong highly praised his oil paintings for possessing "the brushwork charm of traditional Chinese painting." This work embodies the artist’s artistic achievements in integrating Chinese and Western artistic traditions and exploring native artistic conception.矢崎千代二 C. Yazaki，《北平午门》，20世纪，23.7×31cm，纸本色粉Meridian Gate of Beiping depicts the solemn outline and Oriental charm of this iconic ancient building in Beijing through delicate pastels. Under the artist’s brush, the majestic momentum of the Meridian Gate presents a unique "Eastern style." The work features warm colors with rich layers—it not only adopts the light and shadow treatment of Western realism but also incorporates the implicit artistic conception of Eastern painting. Chiyoji Yazaki was a renowned Japanese pastel artist. He settled in Beijing in 1938 and resided there until his passing in 1947. He donated all 1,008 pastel works he created in his lifetime to the education sector and was later hired by Xu Beihong as a lecturer at the National Beiping School of Art. The pastel-on-paper works with Beijing themes exhibited this time embody the affection this foreign artist held for the ancient city.文金扬，《前门、春节》，1955年，43cm×56.5cm，木板油画杨澧，《天安门西侧》，20世纪50年代，15cm×26.5cm，纸本水彩谭权书，《天安门》，1958年，25.5cm×35.5cm，木版单色邓华、傅真，《琴景》，2011年—2012年，3分28秒，影像Qin and Scene adopts a perspective overlooking the panoramic view of the Forbidden City from Jingshan Mountain, poetically combining the sound of guqin performance with the images of the ancient imperial capital. Every time the artist tightens the guqin’s tuning pegs to raise the pitch, the images of the Forbidden City jump and change accordingly; when the guqin reaches its highest pitch, the images of the palaces vanish suddenly at the moment the strings snap. Deng Hua and Fu Zhen have collaborated on creative works since 2008, focusing on the exploration of individual identity and collective memory. The guqin, ranking first among the four arts 'namely guqin, go, calligraphy, and painting' of the Chinese Scholar, is regarded as a symbol of elegance and virtue. Through the dialogue between the guqin and the Forbidden City, the work presents the tenacious vitality of traditional culture and reveals the complex and subtle relationship between traditional culture and contemporary society.王琦，《故宫楼角》，1985年，42cm×28cm，木版单色宋红雨，《北京胜境全景》，1992年199.5cm×199.5cm，布面油彩广军，《风情》，2007年，70cm×65cm，丝网套色Scenery and Atmosphere presents highly condensed imagery, vividly depicting a Beijing swallow kite floating in the blue sky above the Palace Museum. The work's colors and lines are concise and succinct yet brim with tension—echoing Guang Jun's consistent artistic style: relaxed and witty, achieving much with little, and rich in ideological connotation. Since the late 1970s, Guang Jun has been participating in and organizing various printmaking activities, and he is a pioneer of screen printing creation in China. Meanwhile, he is also an oil painter. Regardless of the form of artistic creation, his works integrate his personal ideals and reflections on humanity, exuding a sense of freedom, ease, and thought-provoking charm.Featured Artist: Zhou Jirong | 4th SectionZhou Jirong was born in Guizhou Province in 1962. He graduated from the Printmaking Department of the China Central Academy of Fine Arts in 1987 and pursued advanced studies at the Real Academia de Bellas Artes de San Fernando (Royal Academy of Fine Arts of San Fernando) in Spain in 1996. Currently, he serves as Associate Professor and Deputy Director of the Printmaking Department at CAFA, Head of the 2nd Studio of the Printmaking Department, and a member of the China Artists Association.His artistic practice explores the aesthetic significance of various printmaking impressions. Using a unique printmaking language, he depicts both the new and old aspects of Beijing, which is filled with humanistic concern.Zhou Jirong’s Landscape Series continues his long-standing focus on urban themes. Taking Beijing’s Central Axis as a starting point, this series unfolds reflections on Beijing—a city with profound historical deposits, yet in the midst of dramatic transformation. The series features over a dozen iconic and authoritative buildings from different eras along the Central Axis. When the Bird’s Nest, the Palace Museum, and the Arrow Tower are placed in juxtaposition, they seem to be detached from the bustle of the present moment and situated within the dimension of history. This grants viewers a calm sense of distance, as if looking back on the present from the future in the long river of time.Zhou Jirong, Landscape – Temple of Heaven, 2013, 60cm × 75cm, Comprehensive Printmaking周吉荣，《景观——鼓楼》，2013年，75cm×60cm，综合版画周吉荣，《景观——碑》，2013年，60cm×75cm，综合版画The Beijing Cultural and Art Fund is a public welfare fund initiated and established by the Beijing Municipal Bureau of Culture and Tourism. It focuses on providing support in three key areas: stage art creation, cultural communication and exchange, and art talent cultivation. The fund accepts applications from the public, its funding process is subject to social supervision, and the outcomes of its funded projects are shared with the public. This maximizes the enthusiasm of social forces to participate in cultural development, builds an open, equal, public, and transparent art funding system, and fully leverages the demonstration and leading role of Beijing as a national cultural center.2024 Funding Project of Beijing Cultural and Art FundRising At Dawn—Beijing-Themed Artworks from CAFA Art Museum CollectionExhibition Dates: September 18 – October 19, 2025Venue: 3A and 4th Floor Exhibition Hall , CAFA Art MuseumHost: Central Academy of Fine ArtsCo-organizer: CAFA Art MuseumSupporter: Office of Research Administration, Central Academy of Fine ArtsChief Editor / He Yisha Editor / Du Yinzhu
More

Child Public Education Reservation Form

*
Event name
*
Event time
*
Gender
Male

Female
*
*
*
*
*
*
Do you need any accessibility service?
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Submit

Adult Public Education Event Reservation Form

*
Event name
*
Event time
*
*
Gender
Male

Female
*
*
*
*
*
Do you need any accessibility service?
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Sumbit

Group Public Education Event Reservation Form

*
Event name
*
Event time
*
Group type
University

Institution

Group
*
*
*
*
Participating group type
Children

Youth

Adult

Seniors
*
*
Wheelchair service

Volunteer service

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.

Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.