Exhibitions and Events-News- CAFA Art Museum

Exhibitions and Events－News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

: CAFAM公教活动回顾｜“小导览员”走进美术馆

2024-09-06

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: CAFAM Collections | Classic Reproduction, The Serene Beauty of Li Shutong's Half-Naked Woman

2024-09-03

Li Shutong was the earliest Chinese student who went to Japan to study art, and was the pioneer of modern Chinese art, creating a new chapter in the history of modern Chinese art. This work is a representative work of oil painting he created during his study in Japan, and is the only human body oil painting among the three surviving oil paintings of Li Shutong, which is of high artistic value and historical significance.>>>>Portrait of a Half-Naked Woman, Li Shutong, circa 1909, oil on canvas, 90.5x116cm, Collection of CAFA Art MuseumIn the painting, an oriental woman in her prime, half-naked, leaning on the back of a chair. Her eyes are slightly closed, her right hand is holding a fan, her left hand is hanging down on the side of the chair, and her long black hair is scattered on the soft cushion, as if she has already entered into a deep sleep. On the wooden platform on the right side of the picture stood a black vase, placing a blooming white flower. The whole painting is brightly colored, serene and beautiful. The oil painting technique used in the painting makes the skin texture clear and the characters vivid.The circulation experience of "Half-Naked Woman" also adds a unique story to the work. Half-naked Woman" has long been categorized as an anonymous Western oil painting in the library, until 2011, when our museum organized the collection, after a series of argumentation and research and scientific testing, restoration and other work, it was confirmed that this "Half-naked Woman" is the oil painting "Woman" by Li Shutong published in 1920 in the magazine "Aesthetic Education", and this masterpiece, which has been sealed up for a long time in the library, finally came back to the light of the day.>>>>Collection Of CAFA Art Museum——Modern Chinese ArtExhibition period: from July 23, 2024Exhibition Venue: Central Academy of Fine Arts Art Museum, 2nd Floor, Gallery BExhibition Specialty Lighting Sponsor:AKZUConsultant in architectural design of exhibition spaces:China Academy of Building ResearchChief Editor / He YishaEditor/ Du Yinzhu
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: Public Guided Tours at the Central Academy of Fine Arts (September 3 - September 8) | Volunteers Wanted

2024-09-02

In order to popularize and disseminate art more widely, the museum will provide the public with a volunteer public service of guided tours at regular intervals. Reservation is not required for this service. Visitors are requested to go on time and wait at the "public service guide sign" in front of the exhibition preface wall at the entrance of the corresponding exhibition hall.The Museum of Fine Arts continues to recruit volunteers for guided tours，Art enthusiasts and lecturers are welcome to join!Enrollment method(1) Click on "Read the original text" or visit the link: https://www.cafamuseum.org/gallery/volunteer, click on "Join Volunteer", fill out the "Central Academy of Fine Arts Please fill in the "Central Academy of Fine Arts Volunteer Enrollment Form" and indicate the position you would like to declare when you enroll;(2) Enrollment time: valid for a long time;Enrollment consultation time: Tuesday to Sunday 09:30-12:30 am 13:30-17:30 pm, enrollment consultation phone: 010-64771575;(3) those who wish to register through the network and other means, by the Central Academy of Fine Arts Art Museum audit qualified, unified to participate in interviews, interviews on merit, qualified persons to participate in pre-service training of volunteers. After training, assessment and qualified, will be able to officially become the Central Academy of Fine Arts Museum volunteers;(4) Volunteers have the right to apply for withdrawal from volunteer service. Applicants should inform the Ministry of Public Education one month in advance and return the volunteer documents in time.On displayCollection Of CAFA Art Museum——Modern Chinese ArtExhibition period: from July 23, 2024Exhibition Venue: Central Academy of Fine Arts Art Museum, 2nd Floor, Gallery B主编 / 何一沙责编 /杜隐珠
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: CAFAM Conversation Preview | Discussions from the Arts: Technology, Knowledge and Imagination

2024-08-30

“Blueprint Productive Force-- Future Sense In The Expression of Art”SeriesDiscussions from the Arts: Technology, Knowledge and ImaginationSponsor：CAFA Art MuseumsDialogue time: August 31 (Saturday) 14:00-16:00Venue: Conference Room, CAFA Art Museum This dialogue is one of the series activities of "Blueprint Productivity - The Expression of Future Sense in Art", which focuses on the anticipation and imagination of art on the construction of human civilization, and the feedback of artists' perception on the unknown boundaries and the future world. As one of the series of activities of this exhibition, the Dialogue will invite young and middle-aged scholars and artists with different academic backgrounds and research directions to discuss how artistic and literary creation can narrate and imagine social production, technological evolution and scientific knowledge from the perspectives of art history research, art theory, cultural research, media theory, science fiction creation, contemporary art, and so on.| Moderator |YiYueDeputy Director and curator of the Curatorial Research Department of the Art Museum of the Central Academy of Fine Arts. He has curated exhibitions in China and abroad, including "Blueprint Productivity: The Expression of Futuristic Sense in Art" (2024), "Holding the Pen for the Era--Wei Qimei's Centennial Birthday He has curated domestic and international contemporary art exhibitions including "Blueprint Productivity - Expression of Futurity in Art" (2024), "Holding the Pen for the Times - The Centennial of Wei Qimei's Birthday" (2023), "The Realm of the Void: Leandro Ehrlich" (2019), and other domestic and international contemporary art exhibitions.| Interlocutor |Che ZhixinD. in Chinese from Peking University, Boya Postdoctoral Fellow at the School of Journalism and Communication of Peking University, Visiting Scholar at the University of California, Berkeley, and Assistant Researcher at the Institute of Foreign Literature of Beijing Foreign Studies University. His research interests include media history, media theory and cultural studies.Ren DongmeiScience fiction researcher and critic. D. in Literature from Beijing Normal University. Now he is an associate researcher at the Taiwan Research Institute of the Chinese Academy of Social Sciences. He is a member of the Science Fiction Specialized Committee of the Chinese Science Writers Association and a member of the World Chinese Science Fiction Association. His monograph "Fantasy Culture and the Literary Image of Modern China", review "Comparison of the Image of Future China in Science Fiction of the Late Qing Dynasty and Republic of China", "Interpretation of The Beijing Folding from the Point of View of Science Fiction Realism", and "History of Twentieth-Century Chinese Science Fiction", which he co-authored with Wu Yan, etc., have won various prizes of the Nebula Award and the Nebula Prize. He has also won many awards for "Nebula Award" for "History of Chinese Science Fiction in the Twentieth Century".Xu ChongbaoHe is a researcher of Taikang Art Museum in Beijing, and a doctoral student at the School of Humanities, Central Academy of Fine Arts (Visual Culture Research). She has researched and curated nearly twenty exhibitions, including "In the Vault of Heaven: Jiang Zhaoho's Art Document Exhibition" (2024) and "Natural View: Art and Water Conservancy Project in the Seventeen Years" (2020). His research interests include cross-media practices, local paths and international exchanges of Chinese contemporary art since the 20th century.Zhang WenchaoArtist. He is currently a lecturer at the School of Design of the Central Academy of Fine Arts (CAFA) and a researcher at the Institute of Science and Technology Art of CAFA. His creations originate from human experience, behavior and imagination in the media environment. His works and projects involve images, interactive programs, datasets and algorithmic generative art, games and virtual worlds, and other art languages based on emerging technologies.Zhao YanAssociate Professor of the Central Academy of Fine Arts (CAFA), Master's Degree Tutor, and Editor of World Art Magazine. He is engaged in research on Western art history, art theory and contemporary art, and is also involved in contemporary art criticism practice and exhibition planning. He has published monographs, Surreal Art Criticism - André Breton and Surrealist Art (Hebei Fine Arts Publishing House, 2019), Plato's Vision - Imitation and Ancient Greek Art (Guangxi Fine Arts Press, 2018), and Lin Fengmian (Higher Education Press, 2017).Gan HaoyuHe graduated from the Central Academy of Fine Arts, the Sculpture Department of the Central Academy of Fine Arts, and the School of Design of the Central Academy of Fine Arts. The work "Sand Counting" is a solar-powered ceramic robot art installation using earthworms as bionic objects, utilizing natural materials, handmade craftsmanship, and combining the sun's concentrated light and robotics to explore a primitive and rough technological aesthetics.ParticipationNo need to register in advance for on-campus visitors, just show up and participate!For off-campus visitors, please scan the QR code below to make a reservation in advance.Ministry of Culture and Tourism 2024 National Art MuseumsYoung Curators Support Program Selected ProjectsBlueprint Productive Force-- Future Sense In The Expression of ArtOrganizer: Art Museum of the Central Academy of Fine ArtsExhibition Period: July 19 to September 1, 2024Venue: Gallery A, 3F, CAFA Art Museum 主编 / 何一沙责编 /杜隐珠
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: “Cultivating On The Earth -- CAFA Art Museum Collection Printmaking Exhibition" and "Meeting in Yangquan Playing in Tune--Printmaking Exhibition between Jin and Taiwan" Opened

2024-08-28

On August 22, “Cultivating On The Earth -- CAFA Art Museum Collection Printmaking Exhibition" and "Meeting in Yangquan Playing in Tune--Printmaking Exhibition between Jin and Taiwan" guided by the Liaison Department of the Central Committee of the Revolutionary Committee of the Chinese Kuomintang and sponsored by the Taiwan Affairs Office of Shanxi Province, the Shanxi Provincial Committee of the Revolutionary Committee of the Chinese Kuomintang and the Central Academy of Fine Arts was grandly opened at the Exhibition Hall (Art Museum) of Yangquan City, Shanxi Province.The opening ceremony was presided over by the vice mayor of Yangquan City, Mr. Juru Aiyun. Chen Jiguang, full-time vice-chairman of the Provincial Committee of the Democratic Revolution, member of the National Committee of the Chinese People's Political Consultative Conference (CPPCC), President of the Central Academy of Fine Arts, Lin Mao, the founding president of the Ten Youth Printmaking Association (Taiwan), Zhong Youhui, Yangquan Municipal Party Committee, Municipal Party Committee Secretary General, Minister of the United Front Work Department, Li Wenbing, respectively, delivered speeches; Yangquan Municipal Party Committee, deputy secretary of the Political and Legal Committee Secretary Shi Xuming announced the opening of the exhibition.Opening Ceremony SiteVice Mayor of Yangquan City, Mr. Jou Aiyun, presided over the opening ceremony.Speech by Chen Jiguang, Full-time Vice Chairman of the Provincial Committee of the Democratic Revolutionary PartyLin Mao, a member of the National Committee of the Chinese People's Political Consultative Conference and the president of the Central Academy of Fine Arts, delivered a speech.Speech by Mr. Chung You-hui, Founding President of Ten Green Printmaking Association (Taiwan)Speech by Li Wenbing, Member of the Standing Committee of Yangquan Municipal Committee, Secretary General of Municipal Committee and Minister of United Front Work DepartmentShi Xuming, Deputy Secretary of Yangquan Municipal Party Committee and Secretary of the Political and Legal Committee, announced the opening of the exhibitionGuests attending the opening ceremony included Hao Wenjie, Deputy Director of the Provincial Taiwan Affairs Office; Zhao Suqing, Deputy Chairman of the Shanxi Provincial Committee of the Democratic Revolution, Deputy Director of the Standing Committee of the Yangquan People's Congress and Chairman of the Yangquan Municipal Committee of the Democratic Revolution; Tan Guorong, Secretary General of the Shanxi Provincial Committee of the Democratic Revolution; Zhang Lijun, Vice Chairman of the CPPCC Yangquan Municipal Committee of Yangquan Municipal Committee of the Agricultural and Workers' Party of the People's Republic of China, Director of the Printmaking Committee of the Chinese Artists' Association, and Deputy Secretary of the CPC Committee of the Guangzhou Academy of Fine Arts Song Guangzhi, Deputy Director of the Printmaking Committee of the Chinese Artists Association and Deputy Party Secretary of the Tianjin Academy of Fine Arts Kou Jianghui, Vice President of Tianjin Academy of Fine Arts, Kong Liang, Director and Secretary of Printmaking Department of the Central Academy of Fine Arts, Wang Shu, Director of Development Planning Department of the Central Academy of Fine Arts, Han Wenchao, Secretary of the Immediate Party Branch of Art Museum of the Central Academy of Fine Arts, and Gao Gao, Deputy Director of the Central Academy of Fine Arts; in addition to the Museum of Fine Arts of the Central Academy of Fine Arts, the Department of Printmaking of the Central Academy of Fine Arts, and the Taiwan Federation of Youths, the Association of Cross-Strait Marriage and Family Exchanges of China, Taiwan, Shanxi University School of Fine Arts, Shanxi Democratic Revolution Zhongshan Painting and Calligraphy Academy of guests, as well as experts, scholars and artists in the printmaking industry from all over the country.Opening Ceremony Site"Cultivation on the earth" Central Academy of Fine Arts Museum Collection of printmaking special exhibition displayed a total of 90 pieces (sets) of 104 collection of fine prints. These works are from the four perspectives of "land, cultivation, construction and contemplation", which are the thoughts, feelings and creations of several generations of artists on the land. Inheriting the people's nature and epochal nature of emerging printmaking, and integrating lyricism and aesthetics into the narrative, they compose the ode to the motherland and people's life in the new era with romantic and poetic artistic language.Exhibition spaceCurator Li Yaochen gave an on-site guided tourDuring the same period of the exhibition, a symposium was held on "One Version, Different Performances", which is a cross-strait forum for the exchange of contemporary development trends of printmaking. The symposium was co-chaired by Li Yaochen, Director of the Collection Department of the Art Museum of the Central Academy of Fine Arts, and Zhang Tongyuan, Vice Dean of the School of Fine Arts of Shanxi University.Scene Of The SymposiumThe panelists were Kou Jianghui, Vice President of Tianjin Academy of Fine Arts, Song Guangzhi, Director of Printmaking Art Committee of China Artists Association, Kong Liang, Director and Secretary of Printmaking Department of Central Academy of Fine Arts, Gao Gao, Deputy Director of Art Museum of Central Academy of Fine Arts, Sha Yonghui, Director of Printmaking Institute of China National Academy of Painting, Luo Zhongwei, Member of Printmaking Art Committee of China Artists Association, and Wang Chao, Vice President and Deputy Secretary of Party Committee, School of Painting and Art of China Academy of Fine Arts, Wang Hua, Secretary of the International Printmaking Research Institute of the Central Academy of Fine Arts; Liu Caijun, Vice Chairman of the Shanxi Artists Association; Wang Yongsheng, Director of the Woodblock Studio of the Printmaking Department of the Academy of Fine Arts of Shanxi University; Qiao Bin, Director of the Printmaking Crafts Teaching and Research Department of the Datong Academy of Fine Arts of Shanxi Province; Wang Yusheng, a veteran artist of Yangquan Workers' Paintings in the seventies; Ma Jun, Deputy Director of the Cultural Center of Yangquan (Yangquan Academy of Fine Arts); Yue Xiaohong, Associate Professor of Fine Arts, Yangquan Teachers' Higher Colleges, Shanxi Province. Yue Xiaohong, Associate Professor of Fine Arts, and guests from Taiwan included Zhong Youhui, Founding President of Ten Green Printmaking Association (Taiwan), Liao Junli, Teacher of Printmaking Department, School of Plastic Arts, Sichuan Fine Arts Institute, Pan Jinrui, President of Ten Green Printmaking Association, Huang Yurwen, National Middle School Art Teacher, Huang Decheng, High School Art Teacher, and Zhong Yiyi, Doctoral Student of the Central Academy of Fine Arts, and so on.Zhang Tongyuan, Vice Dean of the School of Fine Arts, Shanxi University, and Li Yaochen, Director of the Collection Department of CAFA Art MuseumSymposium ParticipantsThe experts, scholars and exhibiting artists spoke and exchanged views on the history and current status of printmaking in Jin and Taiwan, as well as creative techniques, and discussed from their different perspectives, with a strong academic atmosphere. Academic exchanges are of far-reaching significance to the development of printmaking art, and at the same time, printmaking art has an important role to play in the promotion of social aesthetic cultivation and popularization of aesthetic education. As important organizers, Zhao Suqing, Vice Chairman of the Shanxi Provincial Committee of the Democratic Revolution, and Zhang Lijuan, Director of the Yangquan Taiwan, Hong Kong and Macao Affairs Office, also reviewed the exhibition and symposium from their respective perspectives, and looked forward to their significance. Finally, the moderator, Li Yaochen, made a concluding speech on the symposium and expressed his gratitude to the participating experts and audience.Scene Of The SymposiumGroup Photo of GuestsExhibition Working GroupExhibiton Director：Jin Jun, Han Wenchao, Kong LiangExhibiton Coordinator：Wang Chunchen, Gao Gao, Zhu JianlingCurator：Liu Xiyan, Li YaochenExhibiton Coordination：Wang Jing, Xu Xinchen, Wen JixiangExhibiton Assistant：Chen Guanshi, Sun XiaopingDesign Coordinator：Ji YujieExhibiton Design：Jia Da DesignExhibiton Management：Wu Peng, Guo Zhongwei, Guo ZichaoCollection Management：Xu Yan, Wang Chunling, Ma Liang, Cui Ranran, Dou Tianwei, Li WeiMedia Publicity：He YIsha, Wu Jing, Du YinzhuChief Editor / He YishaEditor / Du Yinzhu
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: Volunteer Guided Tour Arrangement of CAFA Art Museum (August 27th-September 1st)｜Volunteer Recruitment is Ongoing

2024-08-28

In order to popularize and disseminate art more widely, the museum will provide the public with a volunteer public service of guided tours at regular intervals. Reservation is not required for this service. Visitors are requested to go on time and wait at the "public service guide sign" in front of the exhibition preface wall at the entrance of the corresponding exhibition hall.美术馆导览志愿者持续招募中，欢迎广大艺术爱好者、讲解爱好者加入！报名方式（1）点击“阅读原文”或访问链接：https://www.cafamuseum.org/gallery/volunteer，点击“加入志愿者”，填写《中央美术学院美术馆志愿者报名表》，报名时请注明申报岗位；（2）报名时间：长期有效；报名咨询时间：每周二至周日上午09：30—12：30 下午13：30—17：30，报名咨询电话：010-64771575；（3）有意愿者通过网络报名等方式，经中央美术学院美术馆审核合格后，统一参加面试，面试择优录用，合格者参加志愿者岗前培训。经培训、考核合格后，将能正式成为中央美术学院美术馆志愿者；（4）志愿者有申请退出志愿服务的权利。申请者应提前一个月告知公共教育部并及时交还志愿者证件。正在展出那是光照进来的地方：斯特凡·杰罗夫斯基的艺术（1925-2022）展览时间：2024年7月10日至9月1日展览地点：中央美术学院美术馆四层展厅蓝图生产力——未来感在艺术中的表达展览时间：2024年7月19日至9月1日展览地点：中央美术学院美术馆三层A展厅中央美术学院美术馆藏陈列——现代中国美术展览时间：2024年7月23日起展览地点：中央美术学院美术馆二层B展厅主编 / 何一沙责编 /杜隐珠
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: CAFAM Upcoming Events | Exhibition as a Mode of Production: Dialogue between Young Curators of Art Museums

2024-08-27

“蓝图生产力——未来感在艺术中的表达”系列活动展览作为生产方式：美术馆青年策展人对谈活动主办：中央美术学院美术馆活动时间：8月30日（周五）14:00-17:00活动地点：中央美术学院美术馆会议室美术馆策展人是为美术馆学术建设而进行展览策划等工作。在梳理、整合、建构和呈现的循环中，展览不仅被视为阶段性的成果，更是作为生产方式推动一次又一次的学术积累，由此构成美术馆学术体系的年轮。在此过程中，美术馆策展人最为重要的任务之一是，将原有学术积累引向更为多样的研究方向，并再转化为不断出新且多面貌的展览。本次对谈是“蓝图生产力——未来感在艺术中的表达”系列活动之一，展览旨在以策展推进美术馆过往学术积累的转化和馆藏作品的研究。对谈将邀请多位美术馆的青年策展人，从其所在美术馆的机构定位、学术方向、藏品情况和展览序列等出发，以具体的案例、方法和策略回应“展览作为生产方式”这一主题，不仅是为发生在美术馆的策展工作提供可借鉴的有效实践，更为重要的是针对所面对的共同问题拓展可行的路径。| 学术召集人 |靳军教授、博士生导师，中央美术学院美术馆馆长| 评议人 |高敬中华世纪坛艺术馆策划总监，中国美术家协会策展委员会办公室主任| 主持人 |刘希言副研究员，中央美术学院美术馆策划研究部主任| 青年策展人 |张楠北京画院理论研究部副研究员，北京美术家协会策展委员会副秘书长易玥中央美术学院美术馆策划研究部副主任李颖天津美术馆副馆长谢蕊江苏省美术馆展览策划与研究部策展人张卓然安徽省美术馆展览部策展人刘自川江西省美术馆展览部策展人张士昊宁夏美术馆策展人参与方式校内观众无需报名或提前预约，到场参与即可校外观众请扫描以下二维码，提前预约入校文化和旅游部2024年全国美术馆青年策展人扶持计划入选项目蓝图生产力——未来感在艺术中的表达主办：中央美术学院美术馆展览时间：2024年7月19日至9月1日展览地点：中央美术学院美术馆3层A展厅主编 / 何一沙责编/ 杜隐珠
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: 公众招募 | CAFAM馆藏陈列之“Flowers of the Times--Blend of Artistic Languages Between China and the West” Work

2024-08-23

2024年7月23日，中央美术学院美术馆正式推出馆藏长期陈列，“现代中国美术”以200余件馆藏经典作品呈现20世纪中国美术史发展的重要时期。在社会巨变、思想碰撞激烈的时代背景下，艺术家以包容的心态兼收并蓄，找寻到属于自己的艺术旷野，或充满张力振奋人心、或新颖脱俗、或充满生活细节动人心弦。为深化公众对展览的理解与体验，我们将于8月24日举办一场别开生面的工作坊活动，参与者不仅能近距离观赏这些艺术珍品，更将有机会在专业导师的引导下，通过互动讨论、艺术创作实践等形式，深入挖掘作品背后的故事与情感，感受艺术家们如何在社会巨变的洪流中，坚守艺术初心的优秀品质。工作坊简介《半裸女像李叔同》约1909年布面油彩 116x90.5厘米中央美术学院美术馆藏《怒吼吧，中国》李桦 1935年黑白木刻 27.5×18.7cm 中央美术学院美术馆藏《立马》徐悲鸿 1947年纸本水墨 109x53.3cm 中央美术学院美术馆藏中西艺术语言的碰撞，会开出怎样的花，是“叛逆”的人体写生？是继往开来的中国画？是铿锵有力的版画？这条路他们走的很冒险，但是异彩纷呈。本次课程导师将带领大家走进展览作品的“细节”，体会中西绘画艺术语言的独特魅力，围绕“中西艺术语言的交融”，从跨媒介、跨题材、跨形式的角度创作兼具中西艺术语言特色的作品。工作坊报名工作坊时间：8月25日（周日）14:00-16:00工作坊地点：美术馆展厅及会议室招募对象：18岁以上成人招募人数：15人报名方式：请添加微信13910187193（姚老师），标注“工作坊+真实姓名+电话+职业”发送申请，名额有限，报满为止。报名成功后，将收到微信回复。请勿重复提交报名。注：1.工作坊全程免费参与。2.活动最终解释权归中央美术学院美术馆所有。工作坊导师丘梦凡中央美术学院人文学院艺术学理论专业在读研究生。研究方向为中国古代书画史与鉴定研究。曾参与嘉德藏书的风雅展览讲解、故宫乾隆花园修复活动。主编 / 何一沙责编 / 杜隐珠
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: CAFAM Recruitment | CAFAM's "Little Docent" Public Benefit Program will start soon!

2024-08-17

中央美术学院美术馆诚挚邀请热爱艺术的小朋友们报名参加“小导览员”公益课程。此次活动旨在培养青少年对艺术的兴趣和热情，提升他们的沟通表达能力和公众演讲技巧，同时让更多的孩子们了解并传播艺术。课程安排课程时间： 8月22日9：30-12：008月23日 9：30-12：00考核时间： 8月27日9：30-12：00特别提示：8月23日至8月27日开馆时间（周一闭馆），小导览员均可在美术馆学习、练习。课程设置本次课程共设三次课，每次3课时第一次课：展览内容讲授展览、展品相关知识，了解美术馆的展览背景和主要展品的艺术价值。第二次课：导览技巧讲授导览要领并进行实际练习，帮助小导览员们掌握有效的沟通和表达技巧。第三次课：考核对前两次课的学习内容进行考核，确保每位小导览员都能独立完成导览任务。报名信息报名对象：年龄在9-15岁之间的青少年儿童招募人数：20人报名截止日期：8月20日报名方式：请填写报名表发送至wangjun@cafa.edu.cn，报名成功会收到邮件回复。报名表百度网盘下载链接：https://pan.baidu.com/s/1VkE-DVAwikz9byBINz8Wvw?pwd=2AYq 提取码：2AYq考核与上岗：考核通过并实际导览2天的同学，将获得由中央美术学院美术馆颁发的“小导览员”证书。课程意义· 通过专业培训，提升孩子们的艺术素养，培养他们对美术的兴趣和热爱。· 锻炼孩子们的公众演讲能力和沟通技巧，增强自信心和语言表达能力。· 通过实际导览活动，让孩子们在实践中成长，积累宝贵的社会服务经验。我们期待看到更多热爱艺术的小朋友们积极参与到本次“小导览员”公益课程中来，一起在艺术的世界里成长、进步！主编 / 何一沙责编 / 杜隐珠
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: "Sailing: Invitational Exhibition of Graduates' Works of the Central Academy of Fine Arts Opens at Beijing City Library

2024-08-15

8月13日上午，“启航——中央美术学院毕业生作品邀请展”在北京市城市图书馆B1展厅开幕。本次展览由中央美术学院主办，首都图书馆承办。中央美术学院副院长吕品晶、首都图书馆馆长毛雅君、中央美术学院美术馆馆长靳军、中央美术学院美术馆直属党支部书记韩文超、中央美术学院美术馆副馆长高高等领导出席活动。首都图书馆副馆长刘朝主持活动开幕式。开幕式致辞中，中央美术学院副院长吕品晶表示，这次展览是中央美术学院与首都图书馆携手合作的成果，展现了双方对艺术与文化事业的共同热爱和追求，并对首都图书馆为央美学子提供的支持表达了感谢。首都图书馆馆长毛雅君表示，展览得以成功举办，得益于中央美术学院和首都图书馆的共同努力和精诚合作，并表达了双方携手，共同推动北京市公共图书馆文化艺术事业蓬勃发展的美好祝愿。中央美术学院副院长吕品晶首都图书馆馆长毛雅君首都图书馆副馆长刘朝随后，首都图书馆与中央美术学院签订了战略合作协议，以期结合双方资源优势，开展多方位的艺术交流合作，共同构建艺术交流合作展示的平台，推动首都文化服务的不断进步。签约仪式结束后，中央美术学院美术馆馆长靳军宣布展览开幕。首都图书馆与中央美术学院签订战略合作协议中央美术学院美术馆馆长靳军展览分为“交互·共感”“媒介·变奏”“影画·交织”和“绘声·绘色”四个板块，以集中展示中央美术学院2024届优秀毕业生创作成果，参展的近50件优秀作品形式多元、互动性强，呈现出中央美术学院毕业生在艺术创作上的多样性和独特视角，展现青年一代艺术创作者蓬勃的创造力。观众通过与作品的互动，可以深入理解艺术家的创作理念和情感表达，激发自身对艺术的兴趣和思考。“交互·共感”板块关注观众与艺术作品之间的互动关系。在该板块中，艺术家通过利用现代科技和互动设计，创造了能够与观众进行实时互动的艺术作品。通过传感器、触摸屏、AR/VR技术等手段，艺术作品能够实时响应观众的指令，在为观众提供沉浸式体验之余，也使观众的主动参与，成为艺术作品的一部分，从而打破了传统艺术中观众与艺术家的界限。“媒介·变奏”板块着重于艺术家对不同媒介和材料的创新使用。艺术家们使用非传统的材料（如回收物品、自然元素等），探讨这些材料在艺术创作中的表现力和意义。运用3D打印等技术扩展艺术创作的边界，创造出新的艺术语言和表现形式。“影画·交织”板块中，动画创作作为一个重要的展示领域，结合绘画与动态影像，探索静态绘画与动态影像之间的融合，展示如何通过动画这一艺术形式实现传统与现代的交融。毕业生们在动画创作中应用多种艺术风格，包括传统的手绘风格、数字化绘画风格、以及实验性的视觉效果。“绘声·绘色”板块则集中呈现中央美术学院毕业生绘本创作的优秀作品，绘本作为艺术创作形式之一，将图像和文字融合在一起，创造了一种独特的叙事形式。置入图书馆这样的文化空间之中，在视觉艺术和文学创作之间架起了一座桥梁。首都图书馆是城市记忆的保护与传承机构，中央美术学院具备广泛而活跃的艺术创造力，通过“阅读+艺术”的形式，必将为公众提供更丰富、可感知的艺术体验，推动首都文化事业的创新发展。主编 / 何一沙责编 /杜隐珠
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Child Public Education Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

CAFA Art Museum Event Safety Disclaimer

Article I

Article II

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Article V

Article VI

CAFA Art Museum Portraiture Rights Licensing Agreement

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

I have carefully read and agree to the above provisions.