Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

Jin Shangyi: "There Is No Individuality Without The Nationalities Being Reflected In The Paintings" | Huang Binhong in His Late Years, CAFAM Collection

2025-01-11

>>>>Huang Binhong in His Late Years, Jin Shangyi, 1996, oil on canvas, 115×99cm, Collection of CAFA Art MuseumHuang Binhong in Late Years is a representative work of Jin Shangyi's peak period of oil painting, created in 1996. This work is now on display in the "Modern Chinese Art" collection of CAFA Art Museum.The picture depicts Huang Binhong, one of the Four Great Masters of Chinese Painting in his later years, sitting on a rattan chair in a long robe. The background is set off by Huang Binhong's ink and water landscape works, using mostly small brushstrokes, combining the chapped points of Chinese painting with the pointillism of oil painting. Black and gray are the main colors of the picture, embellished by Huang's face, hands, and a few small areas of bright yellow leaking out of the rattan chair.The brightest part of the painting is at the top right of the picture - Huang Binhong's white beard - which quickly focuses the viewer's attention. Jin Shangyi has carefully carved Huang Binhong's features and hands, the head with fine brushstrokes to create solid features, the tightly furrowed brow on the forehead to carve out a few wrinkles and grooves; each joint of the hand is clearly visible, the veins protruding, and the control of these details exquisitely embodies the subject's state of mind.The delicate strokes and the profound capture of the spirit of the characters allow the audience to feel the serenity and transcendence of Huang Binhong's philosophy of art, and at the same time, it also reflects Jin Shangyi's tribute to his artistic predecessors, and is a profound interpretation of the artistic concept of "both form and spirit".Jin Shangyi once said: "I painted this work to try to do the experiment of nationalization of oil painting, that is, the experiment of combining ink and oil painting. In this kind of experiment, I want to express the spirit of national culture in Chinese art", "Nationality is the biggest personality, and individuality is a small personality, and there is no personality if there is no nationality embodied in the painting". The nationalization of oil painting is an important subject of modern Chinese oil painting, and also an important exploration direction of Jin Shangyi's oil painting art. "Huang Binhong in Late Years" conveys the artistic realm of this painting master's vigor and freedom.>>>>Collection Of CAFA Art Museum-- Modern Chinese ArtExhibition Period: July 23, 2024 onwards Exhibition Venue: CAFA Art Museum, 2F, Gallery BExhibition Professional Lighting Sponsor: AKZU (Shenzhen EKZU Lighting System Co., Ltd.)Architectural Design Consultant for Exhibition Space: China Academy of Building ResearchEditor-in-Chief / He Yisha Editor / Du Yinzhu
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Art: The Expression of Life's Inspiration | On January 12th, Let's Visit CAFA Art Museum

2025-01-07

The exhibition "Collection of CAFA Art Museum - Modern Chinese Art" will reopen on January 12th. Composed of classic works from the museum's collection, this exhibition presents the historical development of Chinese art. It is an academic exploration to bring the museum's collections to life, and also serves to provide society with a rich cultural and historical panorama, aesthetic education resources, as well as the core values for art teaching and research.The 20th century was an important period for the development of Chinese art. The Central Academy of Fine Arts has been involved in this process from the very beginning and has played a positive role in promoting and leading the way. Its teachers and students have created a large number of classic works, which have had a huge impact on the history of modern Chinese art.This exhibition showcases over 200 Chinese artworks from the 20th century collected by the museum. Taking time as the main thread, it is divided into three sections: 1900 - 1949, 1950 - 1976, and 1977 - 2000, presenting the development context of the century-long plastic arts. Through this exhibition, visitors can experience the artistic pursuits and explorations of different periods, as well as the era features presented in the artworks. Here will introduce the main content of the third section of the exhibition, "1977 - 2000".The Third Section1977 - 2000The period from 1977 to 2000 witnessed that the reform and opening up brought about tremendous social changes that emancipated people's minds, and also ushered in a new stage of development for fine arts. Facing an open world and a relaxed environment, artists conducted in-depth reflections on history, culture, human nature, etc., and at the same time, looked forward to the future with full confidence. Artists paid attention to the development laws of art creation, carried out discussions and explorations, tried various breakthroughs, strived for diversification in aspects such as language, form and theme of their works, and gradually formed their own styles. The research on the essence and laws of art also advanced to a deeper level. The artworks from the collection of CAFA Art Museum of the Central Academy of Fine Arts also fully embody the changes and innovations of this period. The rise and fall of various artistic concepts, the aesthetic transformation of diverse genres, the inheritance and development of the integration of Chinese and Western elements, and the expression where form serves the connotation have endowed these artworks with a truly "independent life".From 1977 to the early 1980s, works such as The Young Man Resisting Illness, Tibetan Girl, Little Eighth Route Soldier and Girl Washing Hair demonstrated an attention to reality and reflections on human nature. The mid-1980s to the early 1990s was a golden age for the diversified development of art. Not only did people like Jin Shangyi explore neoclassicism and modern oil painting language, and Li Keran and others express the integration of Chinese painting and Western painting techniques, but also Yang Feiyun and others made contributions to realistic painting. Examples include Huang Binhong in His Later Years, The Hills Bathed in the Glow of the Setting Sun and Sisters (Buryat Ethnic Group). The Corridor of the Affiliated Middle School, Chuan, Charm of Snow and Under the Window after the Rain are good examples. Meanwhile, after going through restoration, reconstruction, as well as technological innovation during this period, the printmaking of the Central Academy of Fine Arts entered a more mature and in-depth development stage. Represented by Xu Bing and Su Xinping, prints became more diverse in themes and forms, such as Places with Mountains and The Quiet Town No.1.These works all showcase the rich artistic characteristics and the spirit of the times. The inspiration for art from life is multi-faceted, and hoped that this exhibition can touch the hearts of the audience and prompt them to think about life and human nature.>>>>The Third SectionSome of the artworks on displayThe Young Man Kangsheng by Su Gaoli, 1977, Oil on Paper, 78.5×54.5 cm, Collected by CAFA Art MuseumTibetan Girl by Sun Jingbo, 1979, Oil on Panel, 80×55 cm, Collected by CAFA Art MuseumThe Girl Washing Her Hair by Chen Danqing, 1980, Oil on Panel, 54×68 cm, Collected by CAFA Art MuseumMy Hometown Yimeng Mountain No.1: Bringing a Message to Mother by Wang Yidong, 1982, Oil on Canvas, 184×170 cm, Collected by CAFA Art MuseumSisters (Buryat Ethnic Group) by Yang Feiyun, 1982, Oil on Canvas, 140×118 cm, Collected by CAFA Art MuseumChuan by Yu Hong 1988 Oil on canvas 130×140cm Collection of CAFA Art MuseumThe Corridors of The Affiliated Middle School by Wei Qimei 1990 Oil on canvas 118x140cm Collection of CAFA Art MuseumQuiet Night (Portrait Series of Wen Yiduo No.3) by Wen Lipeng, 1991, oil on canvas, 132x162cm, Collection of CAFA Art MuseumThe Rising Moon by Ma Changli, 1992, oil on canvas, 60x73cm, Collection of CAFA Art MuseumHuang Binhong in Later Years by Jin Shangyi, 1996, oil on canvas, 115×99cm, Collection of CAFA Art MuseumUnder the Window after Rain by Dai Shihe, 1998, oil on canvas, 120×120 cm,Collection of CAFA Art MuseumSnow Rhyme by Hong Ling, 1999, oil on canvas, 97x145cm, Collection of CAFA Art MuseumRural Life by Xie Dongming in 1999, oil on canvas, sized 80×120cm, Collection of CAFA Art MuseumGreen Mountains in the Glow of the Setting Sun by Li Keran, 1980s, ink and color on paper, 70×46.5cm, collected by the CAFA Art MuseumDream of Dunhuang - Deep Affection between Mother and Child by Tang Yongli, 1995, ink and color on paper, 82x82cm, collected by CAFA Art Museum Little Eight Roads by Sun Zixi, 1977, lithograph, monochrome, 59×47cm, Collection of CAFA Art MuseumSpring Tides by Yan Han, 1978, monochromatic woodblock print, 35×40cm, collected by CAFA Art MuseumPlaces with Mountains by Xu Bing, 1988, monochromatic woodblock print, 53×72.5cm, collected by CAFA Art Museum Silent Town No.1 by Su Xinping, 1989, monochromatic lithograph, 53×68cm, collected by CAFA Art Museum>>>>Collection Of CAFA Art Museum-- Modern Chinese ArtExhibition Period: July 23, 2024 onwards Exhibition Venue: CAFA Art Museum, 2F, Gallery B Editor-in-chief / He Yisha Editor / Du Yinzhu
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Today's Minor Cold

2025-01-05

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National Social Science Fund Project | The 3rd Keynote Forum is About To Kick Off At ENNOVA Art Museum

2025-01-03

"Research on the Future Development Trend of China's Art Museums" (Approval No. 22AF011), is a key project approved by the National Social Science Foundation of China for Art in 2022. The project leader is Zhang Zikang, professor of the Central Academy of Fine Arts (former director of CAFA Art Museum, now director of ENNOVA Art Museum).The research phase of the project consists of four thematic forums, and the third thematic forum will be held on January 5, focusing on the "Current Situation and Reflections on the Development Trend of Intellectual Development of Art Museums". Through the sharing and exchanging of art museum practitioners and education researchers, the forum will discuss the reflections of art museums on the construction of intellectual space, the shaping of cultural understandings, the renewal of the education model, etc., and further analyze the initiatives around these reflections. Through the sharing and exchanges between art museum practitioners and education researchers, the forum discussed the thinking of art museums in constructing intellectual space, shaping cultural understanding, and renewing education models, and further analyzed the initiatives around these thoughts. The forum consists of two sub-themes: "Concept: From Knowledge Production to Intellectual Participation" and "Practice: From Museum Public Education to Museum Intellectual Learning".The initiator and keynote speaker of the forum is Zhang Zikang, the moderator of the forum is Gao Gao, a member of the project team, and the moderators of the sub-forums are Huang Guanghui and Liu Xiyan, members of the project team. The forum is planned to be co-organized with the New Interpretation Art Museum to cooperate on the social promotion and dissemination of the project's milestones.Forum InformationForum theme:“The Current Situation And Thoughts On The Development Trend Of Knowledge-Based Art Museums”Sponsor:CAFA Art MuseumCo-sponsor:ENNOVA Art MuseumTime:2025年1月5日9:00-17:00Venue:Conference Room of ENNOVA Art MuseumForum agendaForum ModeratorGao GaoDeputy Director of the CAFA Art MuseumProject team member主旨发言张子康中央美术学院教授新绎美术馆馆长项目负责人发言题目:美术馆智识型发展趋势的研究现状论坛上半场“概念:从知识生产到智识参与”论坛上半场主持人黄光辉澳门科技大学人文艺术学院副教授校学术及管理委员会委员项目组成员论坛发言嘉宾孙晓霞中国艺术研究院艺术学研究所副所长《艺术学研究》主编发言题目:近代西方艺术与科技互动的历史特征与当代启示蓝庆伟策展人、艺术批评家发言题目:智识与分众:美术馆之于观者的感受力关昕中国社会科学院中国历史研究院副研究馆员中国社会科学院大学历史学院副教授发言题目:文明性与人民性:民俗展览的知识表征分野孙骞谦现任教于中央美术学院人文学院发言题目:4E认知与空间互动高登科清华大学艺术博物馆博士后清华艺科院美育实验室学术委员会主任发言题目:数字美育:AIGC迎向窥见未来的灵光论坛下半场“实践:从美术馆公共教育到美术馆智识学习”论坛下半场主持人刘希言中央美术学院美术馆策划研究部主任项目组成员论坛发言嘉宾罗怡独立策展人、博物馆顾问中国文化艺术发展促进会学术委员社科院城市研究所文化与旅游委员会执行委员发言题目:美术馆的新角色:AI&人&艺术的智识共同体吴秀华前香港大学美术博物馆馆长发言题目:香港大学博物馆的教研使命裴少菲武汉美术馆副馆长发言题目:城市美术馆融合视域下的美育智识实践孟勐艺术学博士、在站博士后清华大学美术学院助理研究员发言题目:模仿与祛魅:科技如何成为公共教育的生产资料艺术教育小组(左:张滨 右:叶洪图)大连理工大学建筑与艺术学院教师艺术教育小组发起人发言题目:AI时代艺术教育项目的创作转型:以艺术教育小组的作品《个人史》为例孙天艺中央美术学院博士发言题目:从“泰特交换”看美术馆的“参与式”策略论坛闭幕总结高高
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Countdown 3 Days | Finding Peace and Depth in Realistic Slow Art

2025-01-02

As a traditional form of painting, realistic oil painting is particularly precious in the fast-paced and digitized modern society. The 20th Anniversary Exhibition of Chinese Realistic Painting School, which is now on display on the third floor of the Art Museum of the Central Academy of Fine Arts, allows viewers to calmly feel the emotions and connotations of the artists' brushstrokes, and to experience the spiritual core of truth and imagination. This aesthetic experience of "slow art" is a balance and supplement to the modern fast-food culture, allowing people to find a peace and depth in the impatience.Warm Tips: "China Realistic Painting School 20th Anniversary Exhibition" will be closed at 17:30 on January 5, friends who have not viewed the exhibition do not miss it~!
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New Year's Eve "Art" for the Future |In 2025, CAFA Art Museum Will Walk Hand In Hand With You!

2025-01-01

New Year's Eve "Art" for the Future  2025 CAFA Art Museum  We will continue to work together with you to paint a new chapter!
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CAFAM's Way of Opening The New Year's Eve

2024-12-31

Open up the New Year's Eve to 2025 in a way that belongs to CAFA Art Museum!
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New Year's Day Opening Announcement

2024-12-30

Honorable audience:The 2025 New Year's Day is coming soon. In order to meet the visiting needs of the general audience, our museum will open normally during the festival on January 1, 2025. The opening time is 9:30-17:30 (ticket check-in will stop at 17:00). We look forward to you make an appointment to see the exhibition!Important NoticeDear viewers:In order to enhance the viewing experience, the exhibition "Modern Chinese Art from the Collection of the Museum of Fine Arts of the Central Academy of Fine Arts" will be temporarily closed from December 26, 2024 to January 11, 2025 for gallery maintenance. We apologize for any inconvenience this may cause. Thank you for your understanding and support, and we look forward to presenting you with a richer exhibition experience after the maintenance.CAFA Art MuseumDecember 30, 2024Current ExhibitionsThe 20th Anniversary Exhibition of the Chinese School of Realistic PaintingExhibition Period: December 17, 2024 - January 5, 2025 Exhibition Venue: CAFA Art Museum, 3rd Floor GalleryOcean On PaperPoetry/Printmaking International ExhibitionExhibition Period: December 10, 2024 - January 5, 2025Exhibition Venue: CAFA Art Museum, 4th Floor GalleryVarious Shapes and Colors RelationshipZhou Ting's Color InstinctsExhibition Period: December 15, 2024 - January 12, 2025Exhibition Venue: CAFA Art Museum, 2nd Floor, Gallery CEditor-in-Chief / He YishaEditor / Du Yinzhu
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Statement on "Research and Practice Program on Youth Aesthetic Education at CAFA Art Museum"

2024-12-28

"Research and Practice Program on Youth Aesthetic Education at CAFA Art Museum" is an endowed scientific research project raised through the Education Development Foundation of the Central Academy of Fine Arts and approved by the Central Academy of Fine Arts. Adhering to the purpose of "doing a good job in aesthetic education and promoting the spirit of Chinese aesthetic education", the museum carefully researches aesthetic education programs and carries out related practical activities. The practical activities include four sections: (1) Summer Study Workshop for Teenagers; (2) Teacher's Workshop for Teenagers' Aesthetic Education; (3) Aesthetic Education Program Stage Achievement Reporting Exhibition; and (4) CAFAM Teenager's Art Appreciation (online free video). At present, the program has completed all offline practical activities.It is hereby solemnly declared that this project does not involve any grading examination, examination, enrollment, competition, solicitation and exhibition, etc. It is a serious infringement for any unit or individual to publish false propaganda in the name of the project in any form and on any platform, tamper with the official information of the project, and use the official website online video of the project for sale! The Office of Governing the School according to Law of the Central Academy of Fine Arts will pursue its legal responsibility through legal procedures and demand compensation for reputation and economic losses. Students and parents, please don't be deceived!CAFA Art MuseumDecember28, 2024Editor-in-Chief / He YishaEditor / Du Yinzhu
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Exploring Realistic Painting with Chang Lei and Yang Jiannong | CAFAM Live Preview

2024-12-27

Monday, February 30, 14:00On TikTok, WeChat Video, Xiaohongshu, BiliBiliFollow @ CAFA Art Museum official account"The 20th Anniversary Exhibition of Chinese Realistic Painting School" is on displaySpecial invitation for this live broadcastChang Lei, a member of China Realistic Painting SchoolYang Jiannong, founder of Xixi CultureExplore the world of realistic painting togetherC A F A MLive Streaming Introduction-------------------------------------------------------------| Live streaming guest |Chang LeiVice President of the Oil Painting Institute of the Chinese National Academy of ArtsMember of the Chinese Realist Painting School| Live streaming host |Yang JiannongFounder of Xixi CultureTiktok@CAFA Art MuseumXiao Hongshu@CAFA Art MuseumBiliBili@CAFA Art MuseumThe 20th Anniversary Exhibition of the Chinese School of Realistic Painting Exhibition Period: December 17, 2024 - January 5, 2025  Exhibition Venue: Central Academy of Fine Arts Art Museum, 3rd Floor Gallery Editor-in-Chief / He Yisha Editor / Du Yinzhu
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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