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青年实验项目空间 | “结晶:不确定的生成——张晓雪个人作品展”今日开幕

2023-03-03

主办中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心筹备组总顾问:苏新平、邱志杰总策划:张子康、韩文超、傅怡静特聘专家:吴洪亮、彭锋统筹:王春辰、高高、郁飞、扈学婷、李彦君执行策划:刘希言、李垚辰、李金朋、易玥、胡晓岚、金简如、闵志伊展览地点:中央美术学院美术馆2C展厅温馨提示观众需通过“中央美术学院美术馆”微信公众号,“北京文博”微信公众号或“北京博物馆云”小程序进行参观预约,在中央美术学院北门处扫二维码成功核销参观预约并刷身份证后,方可入校进馆参观。“青年实验项目空间”于2022年初启动第一期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,由美术馆与党委教师工作部(人事处)、教师发展中心联合,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。第一期“青年实验项目空间”选定5份展览方案落地实施。张晓雪与赵炎的第三回展览“结晶:不确定的生成——张晓雪个人作品展”于3月2日在中央美术学院美术馆2层C展厅开幕。青年实验项目空间的筹备组成员美术馆馆长张子康馆长、美术馆直属党支部书记韩文超、教师工作部部长兼人事处处长傅怡静、教师工作部副部长兼人事处副处长扈学婷、教师工作部副部长李彦君;人文学院副院长邵亦杨、科研处处长于洋、学术委员会副秘书长汤宇、艺讯网执行主编朱莉、中国人民大学文学院教授夏可君、中国人民大学艺术学院副教授李笑男、青年策展人段少锋,美中文化交流委员会主席凯文李、中国诗歌学会副秘书长雁西、第13届哈瓦那中国单元的策展人张思永等出席开幕式。美术馆学术部主任刘希言担任开幕式主持人。中央美术学院美术馆馆长张子康致辞中央美术学院美术馆馆长张子康在致辞中首先感谢了青年策展人和青年艺术家为美术馆注入鲜活的学术力量。随后他表示,“青年实验项目空间”得到了学校与社会各个层面的关注和支持,说明其在学术研究和展览实验上给大家带来了一些新的思考。最后他代表美术馆对青年实验项目空间的未来发展表示了期待,希望更多有想法、有创意、有实验、有探索的作品与策展理念在这落地实施,美术馆也将为这些方案做好支持工作。中央美术学院教师工作部部长兼人事处处长傅怡静致辞中央美术学院教师工作部部长兼人事处处长傅怡静在致辞中感谢了校内外嘉宾的到来,她认为,关于策展人赵炎谈及艺术家的作品中所呈现出来的那种刚硬与柔软共存的矛盾,值得观察思考。同时,她也介绍了“青年实验项目空间”接下来的计划和安排。这一持续进行的项目将迎来新的方案实施和方案征集,欢迎学校青年教师关注并积极参与。本次展览策展人赵炎致辞本次展览策展人赵炎首先感谢学院人事处及美术馆对青年实验项目空间的支持;其次感谢参加研讨会的老师们给这次展览提供了非常多深入细致的、具有开拓性思维的意见;最后,他希望大家能够对这个展览提出中肯的建议,可以让其在理论研究和艺术批评方面有更多的进步。艺术家张晓雪致辞艺术家张晓雪分享了自己的创作体会。她认为,在这个变动的时代,艺术家的主题在不确定性和确定性之间来回思考。这次呈现的作品大部分是以女性的视角切入,但更多的还是尝试表达人与人之间的共通性,以及对生物的社会属性的探讨。不同媒介的表达方式,贯穿着她的创作理念。嘉宾合影展览现场展览前言赵炎这个展览以张晓雪近期集中创作的系列作品为样本,试图探讨的是当下艺术创作中知觉图像在处理和生成过程中所涉及到的复杂性。当代图像的生成并非是循着某种确定意象的单向建构,而是一种如德勒兹所言的块茎式的生长,是艺术家主体的客观经验、生活记忆、历史印记、技术加工、数据编码、展示方式等多重因素共同作用而形成的结晶。“结晶”是一种隐喻,表面上象征着作品最终呈现出来的结果,但是我们似乎永远也无法确定思维的溶液最终究竟会以何种形式析出何种形态的结晶。在展览中,结晶的意象以红色钻石的形态显露出来,但最值得关注的并不在于它的形态、大小或为何出现,相反,这个象征性符号最有魅力的地方在于其生成过程那种混杂的不确定性,这在某种意义上构成了对当代人存在环境的一种隐喻。展览现场在梅洛-庞蒂对身体的研究中他强调了身体知觉的特殊性和客体性,当今天的人的生存和存在方式已经极大地依赖于各种技术手段之时,无论是人物质的身体还是身体的知觉都已经不可避免地经由技术的途径得以表达,或者更极端地来说经由数据化得以确证的时候,这种在知觉、意识与技术之间展开表达和思维的方式也就构成了当代艺术创作中的普遍趋势。“结晶:不确定的生成”正是对这种知觉、意识与技术的混杂语境碰撞的一种演绎,展览内外不同空间的关联性暗示,既是对知觉意象在主客体和技术手段的影响之下最终生成图像的一种模拟,同时也是一次(在艺术史意义上)对于艺术创作历史进程的回溯式的追忆和象征:从装置到架上、从当下到过去、从客体世界到内在心境。部分展览作品《结晶—不确定的生成》,绘画装置等综合材料,350cm×400cm,2022年《低烧》,织物、机械装置等综合材料、尺寸可变,2022年《震颤》(局部),雁皮纸等综合材料,140cm×10cm×20cm,2019年艺术家:张晓雪张晓雪的创作擅长以版画的重复性实验动作“刻”与“印”切入,同时以女性特有的施力方式及身体介入式的观看方式渗透到每件作品中。她的作品具有相对多元的面貌,但无论是其版画作品,还是丝绢作品,或是影像作品,都是力图以身体的在场和触动来探讨身体的诸多性质,并形成新感知和思考,不断地同时聚焦在“人”这个“反应体”上来探讨周遭语境与时代的变化及反思。策展人:赵炎赵炎为中央美术学院副研究员、《世界美术》杂志编辑。从事西方艺术史、艺术理论和当代艺术等方面的研究,同时参与当代艺术批评实践和展览策划等工作,近期专注于当代科技艺术等方向的研究。已出版专著:《超现实的艺术批评——安德烈•布勒东与超现实主义艺术》《柏拉图的眼光——模仿与古希腊艺术》《林风眠》。参与翻译译著:《视觉文化:图像与阐释》《绿色律令》《1985年以来的当代艺术理论》等。展览信息:结晶:不确定的生成——张晓雪个人作品展展览时间:2023年3月2日至3月24日展览地点:中央美术学院美术馆2层C展厅主办:中央美术学院美术馆、中央美术学院党委教师工作部(人事处)、中央美术学院教师发展中心策展人:赵炎展览协调:刘希言、李樱妮设计统筹:纪玉洁展览设计:王冰展览管理:吴鹏、马亮
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开馆公告

2023-02-27

在这个万物复苏、生机盎然的美好时节,中央美术学院美术馆自2023年2月28日起面向社会恢复开馆啦!开放时间为每周周二至周日。观众请通过“中央美术学院美术馆”微信公众号或官方网站,“北京文博”微信公众号或“北京博物馆云”小程序进行参观预约,在中央美术学院北门处扫二维码成功核销参观预约并刷身份证后,即可入校进馆参观。当前展览“第三届‘新动力’中央美术学院青年教师作品展”         展览时间:2023.2.26-3.23展览地点:3A展厅“文本、代码与感知的回声——艺术实践中的三种媒介视角”,展览时间:2023.2.26-3.23展览地点:4层展厅欢迎广大观众前来参观!中央美术学院美术馆2023年2月27日
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讲座综述|李雪涛:作为方法论的全球史与跨文化研究

2023-01-26

北京外国语大学历史学院院长/全球史研究院院长李雪涛教授首讲,讲座主题为“作为方法论的全球史与跨文化研究”
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讲座综述|李雪涛:作为方法论的全球史与跨文化研究

2023-01-26

北京外国语大学历史学院院长/全球史研究院院长李雪涛教授首讲,讲座主题为“作为方法论的全球史与跨文化研究”
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讲座综述|李雪涛:作为方法论的全球史与跨文化研究

2023-01-26

北京外国语大学历史学院院长/全球史研究院院长李雪涛教授首讲,讲座主题为“作为方法论的全球史与跨文化研究”
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方案征集 | 2023年度中央美术学院美术馆“青年实验项目空间”

2023-01-14

秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,美术馆与学院教师工作部(人事处)、教师发展中心合作,在美术馆打造“青年实验项目空间”,使其成为青年教师创作研展、展览策划、藏品研究的一块实验田。
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全景数字展览 | “全国高等美术院校附中校藏速写巡回展•北京站”上线

2023-01-06

由国家艺术基金、中央美术学院主办的《全国高等美术院校附中校藏速写巡回展》,在历经近一年的国内六站巡展后回到北京中央美术学院。作为该巡展的收官之站,北京站由中央美术学院附中、中央美术学院美术馆共同承办,2023年1月5日以全景数字展览的形式正式向公众开放。
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深切缅怀矶崎新先生!

2022-12-31

日本后现代主义建筑大师、2019年度普利兹克建筑奖获得者矶崎新先生因病于2022年12月29日去世,享年91岁。
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“图示新探”系列学术讲座 第二讲 | 杨灿伟:开辟新路——鲁艺木刻工作团的活动维度及相关问题

2022-12-27

12月28日,《美术》杂志责任编辑、艺术学博士后杨灿伟将开启本系列学术讲座的第二讲,主题为“开辟新路——鲁艺木刻工作团的活动维度及相关问题”,此次讲座为中央美术学院美术馆与中央美术学院版画系直属党支部联合主办。
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版块二“耕耘” | 走进“耕耘在大地上——中央美术学院美术馆藏版画专题展”

2022-12-27

耕耘在大地上中央美术学院美术馆藏版画专题展展览日期:2022年10月29日-12月29日展览地点:中央美术学院陶溪川美术馆主办:中央美术学院、景德镇陶文旅控股集团承办:中央美术学院美术馆、景德镇陶邑文化发展有限公司、中央美术学院陶溪川美术馆参展艺术家(按出生年份排序):李桦 陈晓南 彦涵 王琦 古元 黄永玉 伍必端 梁栋 杨先让 杨澧 李宏仁 宋源文 郝俊明 赵瑞椿 张耀君 耿玉琨 高临安 萨因章 谭权书 李问汉 张顺清 周建夫 广军 曲章富 刘开业 郑叔方 郑炘 胡抗 陈晋镕 赵晓沫 张桂林 史济鸿 吴长江 陈文骥 陈强 周至禹 苏新平 谭平 张广慧 刘丽萍 孙振杰 周吉荣 贺昆 陈琦 张秀菊 李帆 祝彦春 董梦阳 武宏 康剑飞 寇疆晖 黄洋 廖峻立 孔亮 付斌 纪人萍 唐培焱第二版块 耕耘王琦《晚归》 17×24.3cm 木版套色 1955年 中央美术学院美术馆藏古元《秋收》 17×19.7cm 木版套色 1947年 中央美术学院美术馆藏开垦土地是人与大地最为直接且感性的沟通方式。土地孕育种子、土地播撒希望、土地结出果实、土地围成家园,人与土地相互馈赠。时至今日,农业用地依然是中国土地最重要的利用方式之一。黄永玉《大伙儿的食堂》 27×32cm 木版套色 1960年 中央美术学院美术馆藏李帆《盖新窑》 39×45cm 石版套色 1992年 中央美术学院美术馆藏此版块围绕对土地的农业耕耘展开,展示了艺术家从不同角度记录下的,中国人民在种植业、渔业、畜牧业上的勤劳与智慧。农民在春夏播种、在秋冬收获,遵循土地天时;李桦《山区生产》 40.3×30cm 木板单色 1957年 中央美术学院美术馆藏曲章富《新手》 31×48cm 石版单色 1963年 中央美术学院美术馆藏李问汉《小杨树林》 40×47cm 水印木刻 1963年 中央美术学院美术馆藏郑叔方《碧波万顷》 37×62cm 木版套色 1964年 中央美术学院美术馆藏郑炘《成长》 68×51cm 木版套色 1964年 中央美术学院美术馆藏宋源文《春曲》 28×49cm 木板套色 1979年 中央美术学院美术馆藏谭权书《收获季节》 16×19.5cm 木版套色 1957年 中央美术学院美术馆藏伍必端《收获季节》 30.5×80cm 麻胶版套色 1958年 中央美术学院美术馆藏耿玉琨《洞庭湖畔打草肥》 34×41cm 石版套色 1960年 中央美术学院美术馆藏周建夫《家山秋暮》 30×35cm 木板套色 1962年 中央美术学院美术馆藏刘开业《碾场》 54×37cm 木版单色 1963年 中央美术学院美术馆藏胡抗《稻香了!》 52×52cm 木版套色 1964年 中央美术学院美术馆藏赵瑞椿《陕南陕北是一家》 31×36cm 木版套色 1958年 中央美术学院美术馆藏张耀君《丰收悦》 42×56cm 木版套色 1964年 中央美术学院美术馆藏渔民在湖海应季拉网打鱼,注重土地休养;高临安《洞庭渔舟》 27×42cm 铜版蚀刻 1960年 中央美术学院美术馆藏 陈文骥《沧海好汉》 53.8×42cm 木版单色 1978年 中央美术学院美术馆藏牧民在广袤的高原与草场上饲养牛羊、放牧山下,发挥土地之利。彦涵《老羊倌》 50×44cm 木版单色 1957年 中央美术学院美术馆藏萨因章《公社挤奶员》 56×56cm 木版单色 1964年 中央美术学院美术馆藏广军《牧马图》 23×30cm 木版单色 1987年 中央美术学院美术馆藏陈强《向远方》 44.5×71.5cm 铜版单色 1984年 中央美术学院美术馆藏董梦阳《牧女》 39.7×39.8cm 铜版蚀刻、飞尘 1992年 中央美术学院美术馆藏吴长江《高原之子》 40×51cm 铜版干刻 1994年 中央美术学院美术馆藏如莫言所说,“一切来自土地的都将回归土地”。艺术家笔下所记录的土地耕耘,不仅是对土地真挚的情感,也包含土地赋予中国人独有的耕耘之道。在此,土地是热情的,是旺盛的,也是可持续发展的。向上滑动阅览第二版块 参展艺术家简介(按出生年份排序)李桦 彦涵 王琦 古元 黄永玉 伍必端 宋源文 赵瑞椿 张耀君 耿玉琨 高临安 萨因章 谭权书 李问汉 周建夫 广军 曲章富 刘开业 郑叔方 郑炘 胡抗 吴长江 陈文骥 陈强 李帆 董梦阳李桦生于广州。曾用名浪沙、小泉。1927年,广州市市立美术学校毕业。1930年,自费留日,入东京川端美术学校学习。1932年,任广州市市立美术学校西画讲师。1934年,在广州组织“广州现代版画会”,从事新兴木刻运动。抗战期间,投军参加抗战,并举办多次画展,出版《木刻教程》。1947年,任国立北平艺术专科学校副教授。1954年,任中央美术学院版画系系主任。1980年,中国版画家协会成立,当选为主席。彦涵生于江苏东海。原名刘宝森。1935年,入国立杭州艺术专科学校学习。1938年,毕业于延安鲁迅文学艺术院美术系。1939年参加鲁艺木刻工作团赴太行敌后抗日根据地,并在晋东南鲁艺分校任教。1943年至1949年,先后任延安鲁迅艺术文学院美术系、华北大学美术科教员。1949年后,曾任教于中央美术学院华东分院、中央美术学院、北京艺术学院。王琦生于重庆。1937年,毕业于上海美术专科学校,1938年,在延安鲁迅文学艺术院美术系学习。其后在国统区从事革命文艺活动。曾在郭沫若主持的政治部第三厅和文化工作委员会工作,又在陶行知主持的育才学校任教。1949年后,先后任教于上海行知艺术学校、中央美术学院。曾任《美术》杂志、《版画》杂志主编。古元生于广东中山。1938年赴延安,先后在陕北公学、鲁迅文学艺术院学习。1946年任华北联合大学文艺学院美术系教员。1947年到东北解放区,先后任职于哈尔滨松江文工团、东北画报社。1950年起,先后任中央新闻摄影局美术研究室副主任、人民美术出版社创作室主任。1959年,调中央美术学院任教。历任版画系教研室主任、副院长、院长。黄永玉生于湖南常德。1947年,到上海参加中国全国木刻协会领导的木刻运动。1953年后,任教于中央美术学院版画科、版画系。伍必端生于江苏南京。1939年,被保育院选送到人民教育家陶行知先生创办的育才学校绘画组学习。1946年,赴晋察冀解放区华北联合大学文艺学院美术系学习。1948年,毕业后随联大美术宣传队参加解放石家庄、太原、天津等战地宣传工作,随解放军进入天津,任《天津画报》美术编辑。1950年,任教于中央美术学院。1956年,赴苏联美术学院版画系进修。1959年,归国后于中央美术学院任教。曾任中央美术学院版画系主任。宋源文生于辽宁新余。1948年,入辽南白山艺术学校学习美术。1949年,后在辽宁省文工团、辽宁省文联、辽宁通俗出版社、辽宁人民出版社从事美术创作。1961年,毕业于中央美术学院版画系,并留校任教。曾任中央美术学院版画系主任。赵瑞椿生于浙江温州。1959年,毕业于中央美术学院。1959年至1971年,任教于广州美术学院。1980年至1982年,任教于中央美术学院。1984年起,任职于广州画院。张耀君生于天津。1964年,毕业于中央美术学院版画系古元工作室。耿玉琨生于河北宁晋。1960年毕业中央美术学院。曾工作于北京画院。高临安生于杭州。1960年,毕业于中央美术学院版画系。任教于云南艺术学院。萨因章生于内蒙古郭尔勒斯后旗。1959年,毕业于中央美术学院附中。1964年,毕业于中央美术学院版画系古元工作室。谭权书生于内蒙古包头。1957年,毕业于中央美术学院附中。1962年,毕业于中央美术学院版画系,毕业后留中央美术学院附中任教。1976年,调入版画系任教。曾任中央美术学院版画系主任。李问汉生于安徽天长。1958年,毕业于中央美术学院附中1963年,毕业于中央美术学院版画系。1963年入伍,于福州军区政治部任美术制作员,后调入北京画院。周建夫生于山西阳高。1957年,考入中央美术学院,毕业后留校任教。曾任中央美术学院教务处处长。广军生于辽宁沈阳。1959年,毕业于中央美术学院附中。1964年,毕业于中央美术学院版画系。1980年,毕业于中央美术学院版画系研究生班,并留校任教。曾任中央美术学院版画系主任。曲章富生于山东蓬莱。1963年,毕业于中央美术学院版画系。曾任职于上海书画出版社。刘开业生于新疆伊宁。1954年,考入中央美术学院附中。1963年,毕业于中央美术学院版画系。郑叔方生于浙江宁波。1959年,考入中央美术学院版画系。1964年,中央美术学院版画系,分配至新华社从事美术工作。郑炘生于浙江温州。1964年,毕业于中央美术学院版画系。曾任职于外文出版社、温州师范学院美术系。胡抗生于香港。1964年,毕业于中央美术学院版画系。曾工作于《文艺生活》杂志、广州师范学校。吴长江,生于天津。1976年,毕业于天津艺术学院工艺美术系,并留校任教。1982年,毕业于中央美术学院版画系,并留校任教。陈文骥,生于上海。1978年,毕业于中央美术学院版画系,留校任教。曾任教于中央美术学院民间美术系、壁画系。陈强,生于浙江。1984年,毕业于中央美术学院版画系。曾任教于中央美术学院版画系。李帆,生于北京。1992年,毕业于中央美术学院版画系,并留校任教。现任教于中央美术学院版画系。董梦阳,生于辽宁沈阳。1992年,毕业于中央美术学院版画系。2006年,创办艺术北京博览会。耕耘在大地上——中央美术学院美术馆藏版画专题展艺术总监:张子康 吕品昌 韩文超展览统筹:高高 黄镇 谭斌策 展 人:刘希言 李垚辰策展助理:陈冠石 李远逵 金雪滢 李一诺 冯亦楠公共教育:任蕊展览设计:加大设计展览管理:马亮
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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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