Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

CAFAM Exhibition | Various Shapes and Colors Relationship -- Zhou Ting's Color Instinct

2024-12-18

Young Experiment Project SpaceorganizeArt Museum of the Central Academy of Fine Arts“广角°青年实验项目空间”于2022年初启动首期,我馆秉承推动中央美术学院青年教师在策展与创作方面多维探索的理念,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。目前已完成三期方案的征集、评选(现有十八个展览方案入选)形形色色色色形周亭的色彩直觉展览时间2024年12月15日-2025年1月12日开幕专场2024年12月25日14:00展览地点中央美术学院美术馆2层C展厅“广角°青年实验项目空间”第三期第三个展览“形形色色色色形——周亭的色彩直觉”于12月15日在中央美术学院美术馆2层C展厅开展。本次展览为中央美术学院附中副教授周亭的个人作品展。展览由设计师、策展人孙华及中央美术学院雕塑系副教授柳青担任策展人。展览开幕专场将于12月25日(周三)下午14:00在中央美术学院美术馆2层C展厅举办。画家周亭,一直画画,从美院附中一路读到美院油画系研究生,又留校任教。不喜讲大道理,不在乎很多事,爱直觉地活,爱直觉地画。周亭的绘画畅快淋漓,尤其色彩倍受赞誉。周亭已将形与色的关系化为自我直觉的发展法。形与色的绘画直觉,离不了天生自带,离不了学院培养的肌肉记忆,也离不了自我意识的觉醒。越是像今天艺术样式发展到“如火如荼”,越是值得观察研究视觉基本单元的“形”与“色”如何在个体艺术家身上萌发和生长。这次展览特别展现三样事:一是周亭摆的色彩教学静物,既是美院附中经典体系的传承,又是学画者最熟悉的记忆,要让大家看到共同经验与个性塑造的相生关系;二是周亭爱反复的两个细节,即画布打底色的习惯和调色的感觉,因为观察一位画家要尽可能见她深藏不露的一面;三是周亭在画作旁写出她画画时的敏感点,那些或隐或现的动机成为打开绘画密码锁的钥匙。既是欣赏周亭,也是将周亭作为艺术状态的一类案例,通过提取的三样“切片”,观察其或相似、或独特、或顺境、或困境的艺术家成长现象,因为艺术世界有很多同路人,需要彼此照见,三思互助而行。《奥兰多的环球影城》 布面油画 170cm×130cm 2022年《Da Da Da Da Da Da Da》 布面油画 40cm×50cm 2024 年《最近滑雪上头了》 布面油画 160cm×130cm 2022 年《Albert 的神游记系列》 布面油画 170cm×130cm 2022 年《Albert 和我在 New Hampshire 州划船》 布面油画 90cm×120cm 2022 年《匡威鞋》 布面油画 50cm×110cm 2009 年《灯红酒绿》 布面油画 60cm×90cm 2022 年艺术家介绍周亭艺术家、中央美术学院副教授学习经历:1996—2000年,就读于中央美术学院附中;2001—2005年,就读于中央美术学院造型学院油画系第四工作室,获学士学位;2006—2009年,就读于中央美术学院造型学院油画系第四工作室,获硕士学位并留校任教;2017—2018年,入选教育部“2017年度艺术类人才培养项目”,由国家留学基金委公派到美国常青藤学院DARTHMOUTH COLLEGE留学一年;2023—2024年,《艺术创作背后的实验性》入选教育部“2023年度艺术类人才培养特别项目”,由留学基金委资助到英国BIRMINGHAM CITY;UNIVERSITY(SCHOOL OF ART)进行六个月的学术交流。个展及部分群展:2020年  “亭”,北京三里屯田地艺术中心。2018年  “RAIN.IMPRESSION”,美国AVA画廊。2016年  “换位——别样的世界”,北京798。2009年  “波比”,北京798。2021年  参加北京靳尚谊艺术基金会及中国油画学会主办的“艺术与自然——意大利考察创作汇报展”。2019年  入选“靳尚谊艺术基金会”青年艺术家意大利交流项目,到佛罗伦萨美术学院及意大利TIAC进行学术交流及创作。2019年  作品《记忆的味道之环铁》参加西班牙巴塞罗那MEAM现代艺术博物馆“超越语言——具象绘画在中国”展览。2016年  《以变化和模糊为手段的绘画性研究——记忆的味道》系列创作获评首届国家艺术基金2016年度美术,书法,摄影创作人才优秀资助项目作品,并被国家艺术基金收藏。策展人介绍
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Invite You To enjoy more than 220 wonderful works of art | Focus on "20th Anniversary Exhibition of Chinese Realistic Painting School"

2024-12-16

中国写实画派二十周年展主办单位:中央美术学院 中国写实画派承办单位:中央美术学院美术馆 北京东轩艺术发展有限公司支持单位:中国艺术研究院油画院 北京靳尚谊艺术基金会 北京渥德艺术中心 北京全素科技展览时间:2024年12月17日-2025年1月5日开幕时间:2024年12月19日15:00展览地点:中央美术学院美术馆三层展厅展览前言 回望二十年前,由靳尚谊、艾轩、杨飞云、王沂东领衔的北京写实画派在中国美术馆举行了首次展览,次年因陈逸飞等几位京外艺术家的加入更名为“中国写实画派”。二十年后的今天,“中国写实画派”已汇聚国内具有雄厚实力的代表性艺术家三十多位,并不断涌现出众多带有经典性的优秀艺术作品。他们秉承传统,勇于创新,不仅赢得了社会各界的广泛关注与支持,更在中国油画界树立起了一面鲜明的旗帜。二十年坚持不懈地努力,“中国写实画派”声名日隆,影响日甚。自意大利传教士利玛窦在明万历年间把油画带到中国,经过四百余年的根植发展,油画已经成长为中国本土重要的艺术表现形式。19世纪末20世纪初,随着国人留学欧洲,西洋油画及其教学模式也迅速被引进并在中国发展起来。冯钢白、李铁夫、徐悲鸿等艺术大师,系统地学习了欧美及法国学院派写实油画的理念和技法,建立起中国写实油画的雏形。1949年新中国成立后,俄罗斯巡回画派和苏联的油画成为中国写实油画的主导力量。马克西莫夫在中央美术学院成立“马训班”,引进契斯恰科夫教学体系,在写实油画造型、色彩以及主题性绘画的创作上,创造出了一大批具有相当影响力的艺术作品。此后中国写实油画先后产生“革命现实主义”、“新古典主义”、“乡土现实主义”、“新学院派”等各种风格与流派,百家争鸣精彩纷呈。新时期以来,在改革开放的背景下,“85新潮”使中国美术从“革命现实主义”一枝独秀的格局裂变为向传统与现代等面向的探索。而“中国写实画派”的成立作为回归经典、回归技艺、回归大众,坚持从油画语言的“本源”和油画内涵的“本质”的代表,吸收西方油画精华,融入本土深厚的文化内涵,成长为根深叶茂的一脉。“中国写实画派”在成立之初就发表了自己的宣言,明确提出画派的目标是建立高水准的中国当代写实油画学派,尊重传统文化,强调人文和理性精神,追求画面完美品质。秉持这一理念,“中国写实画派”紧随当代社会的变革和发展,不断丰富着自己的语言形式,适应新的社会审美需求,以东方的视角审视生命和自然,以持之以恒的艺术实践来证明写实主义在理性、道德和审美的恒久价值。并在新时代主题性绘画创作上,作出杰出的贡献,表现出广阔的发展前景和蓬勃的生机。二十年前的一个夜晚,一群画家在中央美术学院城市设计学院的一间办公室里着手筹划这个写实油画的团体。二十年后的今天,站在新的历史起点上,“中国写实画派”将继续秉承“尽精微,致广大”的艺术理念,不断探索和创新,为中国的艺术事业贡献更多的力量。林茂中央美术学院院长特邀参展艺术家  靳尚谊 潘世勋 孙为民 高天雄 胡建成 林茂 靳尚谊1934年12月生于河南焦作。1953年毕业于中央美术学院绘画系。1957年结业于马克西莫夫油画训练班,并留校任教。曾任全国政协常委、中国文学艺术界联合会副主席、中国美术家协会主席、中央美术学院院长。现任中国美术家协会名誉主席、中央文史研究馆馆员、中国国家画院顾问、院委,中央美术学院教授、北京靳尚谊艺术基金会顾问。  鉴于靳尚谊先生在艺术创作及教学方面的突出贡献,国务院授予其国家级专家称号,享受政府特殊津贴。油画作品《塔吉克新娘》《青年歌手》《狱中瞿秋白》《医生》《八大山人》《晚年黄宾虹》等成为中国当代油画的代表,得到了广泛传播。他是中国近代极具影响力的艺术家、教育家、慈善家,是中国当代油画的代表人物。靳尚谊《穿红裙的祁艳》布面油画 90cm×82cm 2022年靳尚谊《杨门女将》布面油画 91cm×72cm 2024年潘世勋1934年生于吉林省吉林市。20世纪50年代在沈阳军区政治部美术组从事创作与编辑工作。1955年考入中央美术学院油画系,先后师从吴作人、王式廓、董希文、艾中信等教授。1960年以优异成绩毕业于中央美院油画系吴作人工作室(后更名为第一工作室)并留校任教。1984-1986年由国家文化部选派到法国巴黎美术学院进修。中央美术学院油画系教授,曾任油画系主任、技法材料工作室主任等职。现为中国美术家协会会员,中国油画学会理事,享有国务院颁发特殊贡献津贴荣誉。潘世勋的创作以油画为主,多高原题材,代表作包括《翻身曲》《我们走在大路上》《红日初升》《雅江藏女》等,出版有《潘世勋油画集》《潘世勋西藏画册》等画集。潘世勋在国内外举办过多次展览,作品为中国国家博物馆、中国美术馆、中央美术学院美术馆等国内外机构收藏。他在西方绘画技法材料领域潜心研究多年,是将西方油画技法材料等相关课程引入新中国现代油画教学的第一人,出版有《欧洲传统绘画技法演进三百图》等研究专著。潘世勋《背影的高原》布面油画 120x120cm 2004年孙为民孙为民,1946年生,黑龙江人,1967年毕业于中央美术学院附中,1987年毕业于中央美术学院油画系,硕士。曾任:中央美术学院副院长、中央美术学院油画系主任、中央美术学院油画系第一工作室主任、中央美术学院学术委员会副主任、中央美术学院教授,博士生导师。孙为民《绿荫》布面油画 120cm×80cm 2010年孙为民《温暖的阳光》布面油画 130x80cm 2021年高天雄中央美术学院教授,1953年出生于北京,1984—1986年就读于解放军艺术学院美术系,1990—1992年就读于中央美术学院油画系,曾任中央美术学院附中教师,中央美术学院造型基础部教师、油画系一画室教师。高天雄《小寇》布面油画 80cm×40cm 2010年高天雄 布面油画 2014年胡建成1982年毕业于鲁迅美术学院,获学士学位。1988年研究生毕业,获硕士学位。1993年调入中央美术学院。胡建成《放大现实》布面油画 200cm×85cm  2000年胡建成《无题》布面油画 165x45㎝  2001年林茂1975年出生于四川省广安市岳池县。现任中央美术学院院长,教授,博士生导师,十四届全国政协委员,文化和旅游部优秀专家,中央统战部党外知识分子建言献策专家组成员,中国美术馆收藏委员会专家委员。1992年考入中央美术学院附中,1996年以全国第二名的成绩考入中央美术学院油画系,2000年毕业创作《状态》获中央美术学院“王嘉廉奖学金”优秀毕业创作奖。  先后担任文化部中外博艺美术馆馆长、中国艺术研究院油画院学术秘书长、中国当代艺术院院长助理、《中国艺术时空》杂志社社长。2017年任文化部艺术发展中心副主任。2022年任中央美术学院副院长。2023年6月任中央美术学院院长。2018年油画风景作品《润土》荣获第36届意大利佛罗伦萨国际视觉艺术奖银奖。林茂《暖阳》布面油画 50cm×80cm 2024年林茂《山脊》布面油画 60cm×80cm 2021年参展艺术家  艾轩 杨飞云 王沂东 陈衍宁 徐芒耀 何多苓 刘孔喜 袁正阳 郭润文 王宏剑 朝戈 张利 龙力游 夏星 李士进 徐唯辛 翁伟 庞茂琨 冷军 殷雄 李贵君 何红舟 马琳 张义波 朱春林 徐青峰 常磊 吴成伟 来源 于明 王子骄 陈逸飞 郑艺 忻东旺 王少伦艾轩现为中国美术家协会会员,国家一级美术师,中国油画学会常务理事,北京市政府高级文艺职称评审委员会委员。2004年与王沂东、杨飞云等共同发起成立“北京写实画派”。2005年由陈逸飞先生提议改称“中国写实画派”。2008年和杨飞云、王沂东组织“中国写实画派”成员集体创作《热血五月·2008》,公益拍卖 3350万元全部捐给汶川地震灾区。2015年获欧洲议会颁发的欧洲之星奖章和国际和平艺术家联盟东方骑士勋章。美国《华尔街日报》整版报道艾轩其人。艾轩《风干了的小河谷》布面油画 130cm×110cm 2020年杨飞云中国艺术研究院油画院名誉院长,中国美术家协会油画艺术委员会名誉主任,中国油画学会理事,中央美术学院客座教授,意大利佛罗伦萨造型艺术研究院通讯院士,俄罗斯列宾美术学院客座教授。杨飞云《美育之门》布面油画 250×160cm 2019年杨飞云《春阳》布面油画 220cm×193cm 2024年王沂东1955年生于山东省蓬莱县,1975年毕业于山东艺术学校美术系留校任教,1982年毕业于中央美术学院油画系留校任教,中央美术学院教授。2004年起任北京画院专业画家。国家一级美术师。中国国家画院研究员。中国油画学会理事。王沂东《轻风海棠图》布面油画 80×60cm 2018年王沂东 《太行喜事》180x350cm 2010-2014 布面油彩陈衍宁1945年出生于广州市,1959年入广州美术学院附中,1965年毕业于广州美术学院舞台美术班,曾为广东画院画家,中国美协广东分会常务理事,作品曾多次参加全国美展。1986年赴美留学,毕业于美国奥克拉荷马市立大学,1991年获英国艺术家协会主办肖像比赛大奖,曾在纽约举办两次个人画展,作品曾参加1987年纽约“中国当代油画展”,1998年纽约古根汉博物馆“中国5000年艺术展”等,1999年应邀为英国女王画肖像,作品被中国美术馆、苏格兰国立美术馆、英国皇家所属协会博物馆等机构和私人收藏。陈衍宁《风影》布面油画 167cm×122cm 2015年
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“时代鸿图——中央美术学院美术馆典藏作品展”即将在国家大剧院呈现

2024-12-14

时代鸿图中央美术学院美术馆典藏作品展展览时间2024年12月17日—2025年3月15日开幕时间2024年12月16日下午3点展览地点国家大剧院艺术馆(东厅) 主办国家大剧院 中央美术学院承办国家大剧院艺术品部 中央美术学院美术馆时值中华人民共和国成立75周年之际,国家大剧院与中央美术学院联袂推出“时代鸿图——中央美术学院美术馆典藏作品展”。此次展览不仅是一场视觉盛宴,更是对现当代中国时代命题的艺术诠释与深刻回应。现代化建设,作为贯穿现当代中国的重要命题,以其日新月异的发展态势深刻重塑了新中国的面貌与气质。在这场波澜壮阔的历史进程中,艺术家们以高度的文化自觉性积极地参与其中,他们紧扣时代脉搏,以独特的艺术语言创作出一件件与时代命题紧密契合、深受人民喜爱的艺术佳作。本次展览集中展示了中央美术学院美术馆典藏的七十余件(套)精品力作,以“筚路蓝缕”“天地新颜”“山河壮丽”“新质创想”四大主题板块为叙事线索,向观众徐徐展开中国式现代化的宏伟画卷。部分展出作品靳尚谊,《拄棍的老人王大爷》 ,76.1×61.3cm,纸上铅笔,1955年,中央美术学院美术馆藏王式廓,《十三陵水库工地之三》,60×120cm,布面油彩,1958年,中央美术学院美术馆藏艾中信,《紫禁城残雪》,38×70cm,板面油彩,1947年,中央美术学院美术馆藏戴泽,《在海洋上(渔船)》,74×93cm,布面油彩,1961年,中央美术学院美术馆藏马常利,《春潮》,110×120cm,布面油彩,2012年,中央美术学院美术馆藏苏高礼,《阳光(家乡组画之三)》,97×130.3cm,布面油彩,1988年,中央美术学院美术馆藏王沂东,《扫盲之二》,117×182cm,布面油彩,1982年,中央美术学院美术馆藏赵培智,《相马图》,210×300cm,布面丙烯和油彩,2017年,中央美术学院美术馆藏马晓腾,《春和景明》,146×240cm,布面油彩,2011年,中央美术学院美术馆藏白晓刚 ,《雄安——工地午餐》,200×280cm,布面油彩,2020年,中央美术学院美术馆藏龙瑞,《葛洲坝锁江图》,139×159cm,纸本设色,1981年,中央美术学院美术馆藏王琦,《“大街上的旋律”组画之立体交叉》,40.2×28cm,木版单色,1987年,中央美术学院美术馆藏缪晓春,《立》,253×444cm,收藏级艺术微喷,2007年,中央美术学院美术馆藏郭公望,《植物旅程》,数字艺术,2023年,4分45秒,中央美术学院美术馆藏主编 / 何一沙 责编 / 杜隐珠
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《纸上海洋》——感悟诗歌的张力与版画的诗意

2024-12-13

诗歌/版画国际交流展●  纸  ●   海  ●●  上  ●   洋  ●展览时间:2024年12月10日-2025年1月5日展览地点:中央美术学院美术馆四层展厅
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CAFAM馆藏陈列 | 伍必端、靳尚谊《毛主席和亚非拉人民在一起》——共筑友谊的桥梁

2024-12-12

>>>>《毛主席和亚非拉人民在一起》 伍必瑞、靳尚谊 1961年 纸本水粉 143×156cm 中央美术学院美术馆藏《毛主席和亚非拉人民在一起》由伍必端和靳尚谊合作创作,描绘了毛泽东主席与亚非拉人民代表相聚在一起的情景。此幅作品正在“中央美术学院美术馆藏陈列——现代中国美术”展览中展出。作品题材取自真实事件,即1960年5月,毛主席与非洲12个国家和地区的外宾会面的场景。反映了当时中国与亚洲、非洲、拉丁美洲等广大发展中国家建立友好合作关系、维护世界和平的诸多努力。从作品构图上来看,画面呈水平方向展开,同时向中心汇聚,所有人的目光聚焦在位于中心位置的领导人毛泽东身上,他们的目光充满着期盼、欣慰、喜悦和信任。而围绕在他身边的亚非拉朋友,虽然来自不同的国家、拥有不同的肤色和文化背景,但他们肩并肩、手挽手地站在一起,这种友好交往的精神令人动容。作品无论是人物的安排还是色彩的运用,都错落有致,富有节奏和音乐感。整幅画端庄雅正,十多个人物既从容不迫地展开,又和谐统一地团结在一起。>>>>中央美术学院美术馆藏陈列——现代中国美术展览时间:2024年7月23日起展览地点:中央美术学院美术馆2层B展厅展览专业照明赞助:AKZU(深圳市埃克苏照明系统有限公司)展览空间建筑设计顾问:中国建筑科学研究院主编 / 何一沙 责编 / 杜隐珠
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CAFAM展览| 国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展

2024-12-10

“国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展”共展出全国文史研究馆馆员、特约研究员书画作品151幅。其中,中央文史研究馆13位资深馆员、12位馆员、5位特约研究员作品参展。
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“崇高” ——探讨都市化进程的独特景观 | 罗马尼亚艺术家达尼·盖尔卡摄影展开幕

2024-12-06

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今日大雪

2024-12-06

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中轴之像——“北京中轴线文化主题摄影创作人才培训”结课展 开幕

2024-12-05

2024年11月30日,“中轴之像——北京中轴线文化主题摄影创作人才培训”结课展开幕式在中央美术学院美术馆举行。嘉宾、学员及观众近百人参与。中国美术家协会主席范迪安、中央美术学院院长林茂一早赴现场认真观展,并给予高度赞许。以不同形式参与开幕环节的还有中央美术学院副院长吕品晶、美术馆馆长靳军、设计学院副院长张欣荣、教务处副处长周岚、中轴线基金会专委会宋慰祖、遗产影像学专家周梅生、人民画报社中国专题图库总编辑吴亮、中国人民大学哲学院教授张旭、山东艺术学院传媒学院摄影系主任张博晨等。中央美术学院设计学院摄影方向主任、项目负责人林彤教授主持开幕式。习近平总书记在文化传承发展座谈会上的重要讲话中强调,在新的起点上继续推动文化繁荣、建设文化强国是我们在新时代新的文化使命。中央美术学院获批的国家艺术基金2024年度艺术人才培训资助项目《北京中轴线文化主题摄影创作人才培训》,将北京中轴线文化主题摄影的创作为导入,以影像展现北京文化整体风貌的摄影创作为案例,组织业界资深专家和学员面对面交流,实地考察拍摄。旨在让学员将文化地理的表述转换为摄影媒介的方式观察和思考。该项目已于2024年夏季完成集中培训,来自全国18个省区市的30名学员,在酷暑中完成培训和自由创作。参加此次培训项目的学员们的佳作成果汇聚在中央美术学院美术馆举办展览,以此向“北京中轴线”申遗成功献礼。美协主席范迪安先生对于“中轴之像”的展览策展表示肯定,并对影像作品的丰富性、多元性、当代性给予认可,鼓励学员们在创意之轴、时空之轴、民生之轴的理念下,持续挖掘和创作。林茂院长参观《中轴之像》展览林茂院长参观《中轴之像》展览林茂院长强调:“在此谨向国家艺术基金管理中心表示衷心的感谢!正是有了你们的支持和信任,我们才能够有机会开展这样一项具有重要意义的艺术人才培训项目。同时,我也要向参与本项目的各位专家学者、老师表示崇高的敬意。从创作实践成果来看,本次参加培训的学员们优质完成了既定任务,达到了培训目的。学员们以摄影为媒介,深入探索北京中轴线的每一个角落,用镜头捕捉那些被时光雕琢的建筑细节,记录那些在中轴线上生生不息的市井生活,定格那些转瞬即逝的光影变化。他们的作品不仅展现了高超的摄影技艺,更深刻地揭示了北京中轴线的独特韵味。”吕品晶副院长的致辞中指出:“科研是艺术创新的重要支撑,也是推动文化传承与发展的关键力量。我们将继续秉持‘尽精微、致广大’的理念,加强科研教学与理论研究的深度融合,推动艺术创作与理论研究的协调发展。林彤教授及其团队的严谨治学使得项目进展顺利,并推动摄影教育在央美科研的画卷中书写了浓墨重彩的一笔,这是双向奔赴的大好事。” 靳军馆长谈到:“展览中的摄影作品,具有非常深入的学术研究和新的当代思考,以艺术的方式对于北京中轴线做出既有经典传统内容又有现代生活场景的影像表达,是城市文化的新景观。在中轴之像的主题下,构成了古今对话不同凡响的创作探索。”宋慰祖先生说:“通过这些精彩的作品,我们不仅认知了北京城,更解了这个城市厚重的历史文化,也能看到建筑文化的艺术表达。作品为北京中轴线的文化传播,以及国际交流提供了良好的平台。”靳军馆长在《中轴之像》展览开幕式上致辞宋慰祖先生在《中轴之像》展览开幕式上致辞“北京中轴线申遗成功的消息,无疑是对中轴线文化价值的最高肯定,也彰显了此次培训项目的重要意义。我们向中轴线申遗成功表示最热烈的祝贺,同时大家也对为此贡献一份力量而深感荣幸。”来自山东省高校领域的学员代表张博晨对记者说。学员代表张博晨在《中轴之像》展览开幕式上发表感言中央美术学院设计学院摄影方向主任、项目负责人林彤教授在开幕式中表示,这不仅是一次展览,更是学员们对中轴线文化深刻理解和艺术感悟的集中展现。通过本次展览,可以看到学员们不仅在摄影技艺上得到了提升,更在摄影过程中经历了一场心灵的触碰与文化的洗礼,在影像艺术创作上实现了自我突破和成长。”林彤教授主持《中轴之像》展览开幕式并致辞“一根长达8公里,全世界最长,也最伟大的南北中轴线穿过全城。北京独有的壮美秩序就由这条中轴的建立而产生。前后起伏、左右对称的体形或空间的分配都是以这中轴线为依据的;气魄之雄伟就在这个南北引申、一贯到底的规模。”中国著名建筑学家梁思成先生曾感叹。北京中轴线,作为古都北京的文化象征和城市名片,它不仅是城市空间布局的核心,更是中国传统文化和现代文明的交汇点。北京中轴线向北向南伸展几十公里,挺起21世纪中国首都的“脊梁”。中轴线既体现了政权统一、政令贯通的政治理念,也反映了中正顺畅、平衡和谐的社会理想。中央美术学院作为当代中国艺术教育领域的先驱者和领导者,百年来都致力于打破各门类艺术间的藩篱,培养综合型艺术人才。我们培训的人才除具备过硬的影像技术外,更在项目内提升影像哲学、影像思辨、影像批评以及影像策展能力,完成全方位影像人才塑造。做坚持与时代同步,坚持以人民为中心,坚持以精品奉献人民,坚持用明德引领风尚的艺术工作者。文化源远流长,文明博大精深。只有全面深入了解中华文明的历史,才能更有效地推动优秀传统文化创造性转化、创新性发展。在这条贯穿南北的中轴线上,每一个学员都仿佛成了一位历史的见证者,用镜头捕捉那些被时光遗忘的角落,用光影讲述那些沉默不语的故事。他们并非在简单地拍摄影像,而是在用心地感受古都厚重的文化,用情与历史对话和进行艺术创作。他们的作品中蕴含着对中轴线文化的理解与热爱。影像中的城砖在轻声细语,讲述着它千年的沧桑与辉煌。古老的建筑、繁忙的胡同、宁静的公园......在学员们的镜头下,它们谱写出一曲关于时间、空间与文化的交响乐。当代影像教育是年轻的,具备当代影像精神的高端人才供不应求。推动社会创新的需求迫在眉睫,新时代呼唤杰出的艺术创作者,央美的新百年计划更是期望通过美育教育培养更多具有文化理想和创造能力的艺术创作实践人才。以影像方式塑造出充满象征意味的空间意象——走向复兴的中国更加开放、自信。
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“国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展” 如期开幕

2024-12-04

11月30日上午,由国务院参事室、中央文史研究馆、中央美术学院共同主办的“国魂铸梦 翰墨华章——2024年全国文史研究馆馆员书画新作展”在中央美术学院美术馆开幕。国务院参事室党组书记、主任高雨在开幕式上讲话并宣布展览开幕。
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Child Public Education Reservation Form

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Adult Public Education Event Reservation Form

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Group Public Education Event Reservation Form

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Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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