Exhibitions and Events-News

Focusing on important exhibition and activity info of CAFA Art Museum, and updates the latest news of international museum industry.

志愿者招募公告 | 中央美术学院美术馆期待你的加入!

2026-04-14

■        中央美术学院美术馆■        志愿者招募2026年中央美术学院美术馆志愿者招新啦!你是否渴望工作在艺术殿堂中,被文明与艺术环绕?你是否向往穿梭于经典展品之间,把艺术的故事讲给更多人听?你是否愿意用热爱与热忱,成为连接艺术与大众的温暖桥梁?当中华两千多年古代艺术在此汇聚,当二十世纪百年美术历程在此铺展,当毕业季的青春浪潮即将奔涌而来 ——中央美术学院美术馆,正等待每一位心怀热爱、向往公益、渴望发光的你,加入这场与艺术同行的志愿之旅!志愿者在前台进行观众服务导览现场01工作内容1、导览,即为观众介绍展览、展品,带领观众看展;2、观众服务,包括但不限于前台咨询、展厅巡场、公教活动的策划执行与现场服务。02我们期待的你1、18-65周岁,具有完全民事行为能力的自然人,无违纪违法不良记录;2、善于沟通交流,语言表达能力强,英文流利者优先;3、热爱艺术,有较强的学习能力;4、有足够空余时间从事志愿工作,年志愿时长保证100小时,即平均每周一次2小时以上的志愿服务。03你的收获1、馆方组织的场馆及展览培训;2、志愿时长满100小时后可由馆方出具志愿者服务证明;3、与中央美院师生、艺术家、策展人面对面交流的机会;4、馆方组织的志愿者艺术大讲堂及工作坊;5、交流式参访友馆等馆外活动的机会;6、美术馆咖啡厅消费9折;7、每年评选出的优秀志愿者将获得美术馆家庭年票一张。报名方式1、点击“阅读原文”或访问链接:https://www.cafamuseum.org/gallery/volunteer,点击“加入志愿者”,填写《中央美术学院美术馆志愿者报名表》,报名时请注明申报岗位;2、报名时间:截止4月17日。报名咨询时间:每周二至周日上午09:30—12:30 、下午13:30—17:30。报名咨询电话:010-64771575。导览现场2024-2025年度优秀志愿者合影2025年志愿者见面会大合影我们将在筛选后尽快通过邮件给入选者发送面试通知,请注意及时查看邮箱。面试通过的志愿者将在参与培训后安排上岗。期待尽快见到你!主编 / 何一沙责编 / 杜隐珠
More

Temporal Weaving | The International Fashion Education Forum 2026 Is About To Open

2026-04-13

Fashion is the visible form of time.The "New Era Young Art Talent Development Program – Fashion 100" Youth Partnership Initiative, guided by the China Federation of Literary and Art Circles, organized by the Chinese Artists Association and hosted by Beijing Institute of Fashion Technology, is committed to revitalizing and renewing traditional cultural heritage within a global narrative. As an in-depth academic practice of internationalized teaching innovation at Beijing Institute of Fashion Technology, this forum, themed The Tapestry of Time, aims to explore how design education can reshape the future paradigm of cross-border collaboration between art and technology empowered by AIGC.At 13:30 on April 13, 2026, we invite you to gather at the CAFA Art Museum. In cross-institutional and cross-border dialogues, we will jointly outline the origin and future of fashion.Scan the QR code to register for the offline forumLimited seats available, first come, first servedTemporal Weaving: The Past, Present, and Future of FashionThe forum focuses on four core dimensions and unfolds multi-dimensional intellectual integration:Roots: Decoding traditional genes.Narrative: Cultural expression from a global perspective.Field: Physical aesthetics and mediated presentation.Synergy: Cross-border symbiosis between art and technology."Fashion 100": Art Cross-Border Integration and Talent Seed Project from a Global PerspectiveAs a "Seed Project" initiated by the Chinese Artists Association to nurture young design talents, this program is committed to promoting the "creative transformation and innovative development" of China's outstanding traditional costume culture, as well as discovering and cultivating leading talents with aesthetic confidence and the ability to express national soft power.Cross-Border Narrative of Fashion and Art: By exploring the mediated expressions from visual memory to field narrative, the forum seeks to break disciplinary boundaries and construct a new paradigm of fashion art based on the vision of "grand fine arts".From Academic Depth to Fashion Stage: This constitutes a complete closed loop from academic research to achievement transformation. The final achievements of the "Fashion 100" young designers in this session have been officially included in the official schedule of China Fashion Week. As the academic "tapestry" extends to the spotlight of professional runways, we are witnessing the value delivery of China's emerging design forces on a high-standard industry platform.Time: 13:30–16:30, April 13, 2026Venue: Academic Lecture Hall, CAFA Art MuseumGuided by:China Federation of Literary and Art CirclesOrganized by:China Artists AssociationUndertaken by:Beijing Institute of Fashion TechnologyAcademic Support: CAFA Art Museum, Royal Academy of Fine Arts Antwerp, Academy of Arts & Design, Tsinghua University, Beijing Dance AcademyOn the "Fashion 100" Youth Talent ProgramAs a "Seed Project" of the China Artists Association for cultivating young design talents, the program is committed to promoting the "creative transformation and innovative development" of China's outstanding traditional costume culture, and discovering and fostering leading talents with aesthetic confidence and expressive capabilities for national soft power.Editor-in-Chief / He YishaEditor / Du Yinzhu
More

CAFAM工作坊招募|峰高无坦途 墨韵润少年

2026-04-11

春和景明,墨香萦廊。在中央美术学院美术馆,「峰高无坦途 —— 李行简捐赠作品展」静静铺展着一位央美老学长的笔墨人生。李行简观看老师李可染作画李行简作为日本东洋美术学院客座教授,正在教授中国山水画他师承李可染先生,笃行临摹 — 写生 — 创作的治学之路,以三千速写、百幅丹青,践行 “峰高无坦途” 的艺术初心,用一生坚守告诉我们:水墨之美,始于根基,成于坚守。山水画承载着东方独特的审美意趣与笔墨精神,临摹经典更是学习国画的必经之路。本次中央美术学院美术馆特别推出山水临摹工作坊,以李行简先生经典国画作品为范本,系统讲授山水画基础技法,带领学员在笔墨实践中感受传统山水画的魅力。《井冈山的毛主席旧居等革命旧址》 李行简 1977年 纸本设色 46×45cm 中央美术学院美术馆藏《西班牙山城》 李行简 1990年 纸本墨笔 37.2×45cm 中央美术学院美术馆藏《绿荫白练》 李行简 1977年 纸本设色 97×60cm 中央美术学院美术馆藏工作坊活动亮点致敬前辈・走近李行简的水墨世界直面先生 260 余幅国画、3000 余幅速写真迹,读懂李家山水 “黑、满、崛、涩” 的笔墨风骨,感受 “苦学派” 踏实求真的艺术精神。真迹旁研学・沉浸式水墨体验告别枯燥课堂,近距离拆解山水笔墨、构图与意境,让传统技法活起来。央美博士亲授・专业又易懂专为青少年定制教学内容,不讲晦涩理论,只教实用方法,手把手带你掌握山水临摹、写生核心技巧。作品介绍本次工作坊选取李行简先生上世纪80年代(1981年)创作的经典之作《多少楼台烟雨中》为临摹范本。此作构图兼具三远之法,将舟楫、房舍、烟柳、石桥恰如其分地安置在纵深的空间内,树木葱茏,虚实相生,赋予画面幽深厚重的意境。工作坊将围绕山水画审美标准、用笔用墨、构图章法与色彩运用展开教学,解析作品中的线条勾勒、皴擦点染、浓淡干湿变化,讲解布局取景、虚实疏密的构图法则,以及设色与笔墨的协调关系。《多少楼台烟雨中》 李行简 1981年 纸本设色 98×60cm 中央美术学院美术馆藏正如清代王原祁在《雨窗漫笔》中所言:“学不师古,如夜行无烛。”李行简先生正是通过大量的临摹与写生,继承了李可染先生的绘画理念并融入自身独特的艺术语言。通过临摹实践与针对性指导,帮助学员夯实基础技法,建立正统山水审美认知,体会传统山水的气韵与意境,在临摹经典中掌握实用创作方法。本次工作坊将以深入浅出的方式,帮助学员迈出“师古人”的第一步,在临摹中感受经典,在笔墨中寻找自我。1. 观展导览跟着博士读懂李行简 “素描筑基、传统为根、写生为路、创作升华” 的治学脉络,看懂山水笔墨里的传承与创新。2. 水墨体验巩固线条、墨色基础,临摹先生经典山水片段,学习从自然中提炼艺术语言,完成专属水墨小作。3. 精神传承体悟 “不恃才,不躐等,困而知之” 的艺术态度,在一笔一画中,养成踏实、专注的创作初心。报名须知时间:4月12日10:00-12:00,9:50在美术馆前台签到集合,前往展厅欣赏作品地点:美术馆B1会议室招募对象:9-18周岁(需要一定的国画基础)招募人数:20人请扫码预约报名成功后自行购买美术馆门票入馆美术馆会员免票温馨提示本活动不包含入馆门票,请单独购买门票若超过两次爽约,将取消年度报名资格课程导师彭瑾慧1992年生于湖南,现居北京,自由艺术家,目前博士就读于中央美术学院美术学专业。先后于中央美术学院完成本科与硕士阶段学业,均主攻中国画山水方向,本科毕业作品曾获校级奖项并被中央美术学院美术馆收藏,2025年荣获博士研究生国家奖学金。近年持续参与国内外重要学术与展览活动,作品先后入选第十四届全国美展中国画作品展、第八届杭州中国画双年展等,并赴敦煌、印尼等地参与当代中国画邀请展与国际交流展览,始终致力于在传统山水脉络中探索当代表达。笔墨藏山河,少年承文脉。愿每一位爱水墨的孩子,都能在真迹旁遇见传统,在笔触间收获成长。名额有限,快和小伙伴一起赴这场山水之约吧。活动策划:肖宝珍工作坊执行:梁雯、杨婕、惠春艳同期展览文化和旅游部“2025年国家美术作品收藏和捐赠奖励项目”峰高无坦途——李行简捐赠作品展展览时间:2026年3月28日—4月19日展览地点:中央美术学院美术馆三层A展厅、四层展厅主编 / 何一沙责编 / 杜隐珠编辑  /  张妮
More

Talks by Industry Leaders & Simultaneous Online & Offshore Fashion Shows | Don’t Miss This Fashion Event at CAFA!

2026-04-10

Live broadcast time: 15:00 on Saturday, April 11Live broadcast guest speaker: Zou YouOffline show time: 16:00 on Saturday, April 11Participation method: Scan the QR code to register (see below for details)Guest Speaker0                                              Zou YouProfessor, doctoral advisor. Currently Vice President of Beijing Institute of Fashion Technology, he also serves as Director of the Fashion Design Art Committee of the Chinese Artists Association and Vice Chairman of the China Fashion Designers Association.Live broadcast channel0                                                                             stage performance works  Registration for the show venue | Show Time | 16:00, April 11th (Saturday) | Venue | Exhibition Hall 3B, CAFA Art Museum | Number of Recruits | 100 people| Registration Method | Please scan the code to fill in the registration application. Places are limited and will be allocated on a first-come, first-served basis. Successful registrants should collect their admission badges at the art gallery front desk from 15:00 to 15:30 with their registration QR code.| Friendly Reminder | Audience are required to purchase museum tickets in advance by themselvesParticipation in this activity is free of charge.3. The final right of interpretation of this activity belongs to the CAFA Art Museum.Schedule of the series of showsOutstanding Student Works Showcase - Session 4 and Session 5April 18, 14:00 and 16:00Outstanding Student Works Showcase - Session 6April 19, 16:00China Artists Association "Youth Art Talent Program" IN·Yin – The First Fashion 100 Concluding Achievements Exhibition & Series of ShowsExhibition Time: March 22, 2026 – April 19, 2026Venue: 1st Floor Hall / Gallery B on 3rd Floor, CAFA Art MuseumChief Editor / He YishaEditor / Du Yinzhu
More

Call for Proposals Countdown | Phase V “Wide-Angle ° Youth Experimental Project Space” Submission Deadline Approaching

2026-04-07

Wide-Angle ° Youth Experimental Project SpaceCentral Academy of Fine Arts Young Faculty Seed ProgramSupport ProjectOrganized byArt Museum, Central Academy of Fine ArtsFaculty Affairs Office (Human Resources Department), Central Academy of Fine ArtsFaculty Development Center, Central Academy of Fine ArtsThe Wide-Angle ° Youth Experimental Project Space serves as an experimental platform for young CAFA faculty to present their curatorial practices and creative works. Through diverse exhibition projects, it aims to support and encourage young faculty and students to actively engage with interdisciplinary collaboration, regional cultural research, and traditional Chinese culture.Jointly organized by the CAFA Art Museum, the Faculty Affairs Office (Human Resources Department), and the Faculty Development Center of Central Academy of Fine Arts, the project invites young teachers to propose and implement experimental exhibition programs. Over the past two years, Wide-Angle ° has completed four rounds of open calls and selections, with a total of 22 exhibition proposals selected.Group Photo of Selected Projects Representatives and Guests Wide‑Angle ° Phase IIIReview Session of Exhibition ProposalsWide‑Angle ° Youth Experimental Project Space, Phase IVThe name “Wide‑Angle °” carries two meanings. First, it echoes “Acute Angle”, another curatorial development program located in another public space on the ground floor of the Art Museum. It connects the two spaces within the museum through young curatorial practice, presenting the academy’s latest achievements in curatorial education and practice to the public.Second, it corresponds to the expanding intellectual breadth demonstrated by young faculty in their creation and teaching. Among the selected projects in the first four phases, many have expanded cross‑media practice, creative methodologies, and approaches to art education.In the Art Museum’s future development plan and the Faculty Affairs Office’s Young Faculty Seed Program, Wide‑Angle ° will serve as a starting point. It will extend along two paths: art education within the academy and dissemination of public art education to society. It will demonstrate the dialogue between youth and the contemporary context, activate connections between young people and traditional culture, and inspire encounters between youth and broader possibilities. We look forward to young CAFA faculty presenting their talent and creativity here through individual or group proposals.This project is open to all young faculty members of the Central Academy of Fine Arts. Two types of proposals are solicited, covering exhibition curation and artistic creation. We expect these proposals to reflect the spirit of collaboration, youthful creativity, and bold exploration in artistic language. Selected projects will receive a grant of 40,000 RMB for implementation.Basic Information of Exhibition Space C (3rd Floor)The space covers 100 square meters, consisting of an interior area and an exterior area. Space images and floor plans are detailed in Appendix 1.Description of the Two Types of ProposalsType 1: Group Projects·Experimental exhibition curation and implementation proposals developed by a team around a single theme (including faculty-student collaborative projects).·Submission materials include: Exhibition title; 800-word statement on exhibition content and concept; images and information of exhibited artworks; spatial planning proposal; academic/public education program proposal (priority given to public-oriented and off-campus activities); detailed budget breakdown; introductions of team members. (See Appendix 2 for details.)Type II: Individual Projects·Proposal for an exhibition of new or recent works by one young faculty member, which must include an exhibition curatorial plan conceived by another young faculty member serving as curator.·Submission materials include: Exhibition title; 800‑word statement on exhibition content and concept; images and information of exhibited artworks; spatial planning proposal; academic/public education program proposal (priority given to public-oriented and off-campus activities); detailed budget breakdown; biography of the artist and biography of the curator. (See Appendix 3 for details.)Notes on Additional Proposal Application·Applicants must be young faculty members of CAFA under the age of 45.·For further inquiries concerning proposal submission, please contact Teacher Yi at 15901351707 and Teacher Hu at 13810361926 (CAFA Art Museum).Appendices:Appendix 1: Exhibition Hall Floor PlanAppendix 2: Group Project Proposal Application FormAppendix 3: Individual Project Proposal Application FormAppendix Download Link:https://pan.baidu.com/s/1b6dahS-kRtS4eI2Y4jD_ig?pwd=cafa  Extraction code: cafaOrganized by:CAFA Art MuseumFaculty Affairs Office (Human Resources Department), Central Academy of Fine ArtsFaculty Development Center, Central Academy of Fine ArtsWide‑Angle ° Project Preparation TeamGeneral Advisors: Lin Mao, Xu Yang, Yu YangChief Curators: Jin Jun, Han Wenchao, Yang JieDistinguished Experts: Wu Hongliang, Peng Feng, Ji Pengcheng, Zhang PengCoordinators: Gao Gao, Hai Jun, Yu Fei, Liu JingExecutive Curators: Liu Xiyan, Yi Yue, Wang Jing, Zhou Zixu, Hu Xiaolan, Li Jie, Liu YuhanEditor-in-Chief / He YishaEditor / Du Yinzhu
More

Today Is Qingming Festival

2026-04-05

Today Is Qingming Festival.
More

Li Yaochen Appointed Deputy Secretary of The Directly Affiliated Party Branch of CAFA Art Museum

2026-04-03

On March 31, a meeting for announcing personnel appointments was held at the Academic Lecture Hall of the CAFA Art Museum. Li Yaochen was appointed Deputy Secretary of the Directly Affiliated Party Branch of the CAFA Art Museum.The leaders and guests attending the meeting include: Yu Yang, Member of the Standing Committee and Vice President of the Central Academy of Fine Arts; Lu Yingming, Director of the Organization (United Front Work) Department; Jin Jun, Director of the Art Museum; Han Wenchao, Secretary of the Directly Affiliated Party Branch of the CAFA Art Museum; Gao Gao and Hai Jun, Deputy Directors of the CAFA Art Museum, as well as relevant staff from the Organization (United Front Work) Department and the Art Museum of the university. Entrusted by the Party Committee of the Central Academy of Fine Arts, Lu Yingming, Director of the Organization (United Front Work) Department, read out the appointment notice.Speech by Yu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine ArtsYu Yang, Member of the Standing Committee of the Party Committee and Vice President of the Central Academy of Fine Arts, stated that the meeting announced the university’s appointment decision regarding Comrade Li Yaochen, reflecting the university’s high priority on the cadre development and institutional progress of the CAFA Art Museum. Li Yaochen has worked at the CAFA Art Museum for more than ten years with a diligent and pragmatic work attitude, which has been widely recognized by all. At present, the university is embracing a new momentum of development. As an important platform of the university, the Art Museum plays an irreplaceable role both academically and socially. Under the leadership of the University Party Committee, the Art Museum has achieved remarkable results in exhibiting its fine collections, organizing academic activities and other fields. It is not only the “name card” and “reception hall” of the university, but also an important window to showcase the university’s academic reputation. At this new developmental stage, it is hoped that after taking office, Li Yaochen will set strict demands on himself, set an example for others, and bravely undertake key responsibilities in Party building and disciplinary development. It is also expected that all colleagues of the Art Museum, under the leadership of the University Party Committee, will jointly promote the Art Museum’s various undertakings to reach new heights.Han Wenchao, Secretary of the Party Branch directly under the Art Museum, delivered a speechOn behalf of the leading group of the Art Museum, Han Wenchao, Secretary of the Party Branch directly under the Art Museum, stated: First, we firmly support the decisions, arrangements and personnel appointments of the Party Committee. Second, we sincerely thank the university's party and administrative leading groups for their consistent and firm support for the development of the Art Museum. Today's appointment meeting fully reflects the clear orientation of the university Party Committee in giving top priority to Party building. The CAFA Art Museum will take this opportunity to thoroughly study and implement the spirit of the Fourth Plenary Session of the 20th Central Committee of the Communist Party of China, fully align with the strategic plans for prospering and developing socialist culture outlined in the 15th Five-Year Plan, integrate Party leadership into the entire process of work, and advance development through high-quality Party building. Comrade Li Yaochen has been working at CAFA Art Museum since 2010, rooting himself at the frontline and dedicating himself silently for 16 years. This appointment is not only a recognition of him personally, but also the best affirmation for all colleagues who work diligently and fulfill their duties responsibly. It is hoped that after taking up his leading position, Comrade Li Yaochen will strictly demand himself with higher standards, actively cooperate with the work of the leading group, consciously accept supervision from colleagues, and make due contributions to elevating the development of the Art Museum to a new level.Speech by Li Yaochen, Deputy Secretary of the Directly Affiliated Party Branch of CAFA Art MuseumLi Yaochen, Deputy Secretary of the Directly Affiliated Party Branch of the CAFA Art Museum, expressed his gratitude in his inaugural speech to the trust and care from the university organization, as well as the support and assistance from his colleagues.He noted that CAFA Art Museum, as a lofty platform, has provided him with broad space for practice, enabling him to continuously improve and grow through his work. In his new position, he will devote himself to work with greater enthusiasm and a more pragmatic attitude, firmly uphold a correct view on performance, deliver tangible results through solid work, and live up to the great trust placed in him by the organization. He will remain true to his original aspiration and fulfill his mission, repaying the organization’s training and trust with concrete actions. He will strictly abide by the standards for cadres, earnestly perform his duties, actively cooperate with the overall work of the leading group, and contribute to the long-term development of the Art Museum.Lu Yingming, Director of the Department of Organization (United Front Work) of the Central Academy of Fine Arts, presided over the appointment meetingEditor-in-Chief / He YishaEditor / Du YinzhuOn-site Photos / He Yifei
More

Where to go for Qingming Festival? Come to CAFA and experience the fashion show with scenery-changing views at every step!

2026-04-03

China Artists Association “Youth Art Talent Program”— The 1st Fashion 100 Completion ExhibitionBringing together the design power of 100 young designers from 59 universities and renowned design institutionsThrough a dynamic opening showpaired with a static exhibition,this innovative interwoven formthree-dimensionally presents the creative landscape of young designers.What is particularly anticipatedis the bold breakthrough in spatial design and experience.Based on the unique architectural space of CAFA Art Museum,the linear constraints of the traditional runway are broken.Models move through the space with an extended, profound route,allowing dynamic fashion and static exhibitsto converse and echo each other within the spaceQingming Mini HolidayStep into the 2nd Session of the "CAFA Grand Show"Immerse yourself in the performanceand delicately perceive every ingenious designof the garments in terms of cutting, fabric and craftsmanshipFashion Show Works    Registration for the Show Venue  |Performance Time |Sunday, April 5, 16:00| Venue |Hall 3B, Art Museum of Central Academy of Fine Arts| Number of Participants |80 people|Registration Method |Please scan the code to fill in the registration application.Limited spots available, registration closes once full.Successful registrants should arrive between 14:30–15:30to collect an entry badge at the art gallery reception with your registration QR code(This QR code requires you to go to the "Shark Registration" Mini Program to complete the application.Please fill in the relevant information as required.)| Warm Reminder |Visitors are required to purchase museum tickets in advance by themselves.This activity is free of charge.The final right of interpretation of this activity belongs to CAFA Art Museum.After the three-level show ends on April 5th, a flash mob fashion show will continue in the lobby on the first floor of the art museum around 16:30. Audiences who missed the indoor show can look forward to an immersive viewing experience here. All audiences are sincerely invited to participate and pay attention! Schedule for Series Shows Outstanding Student Works Show – 3rd SessionApril 11, 16:00Outstanding Student Works Show – 4th & 5th SessionsApril 18, 14:00 & 16:00Outstanding Student Works Show – 6th SessionApril 19, 16:00中国美术家协会“青年伙伴计划”IN·因——首届时尚100结项成果展暨系列秀演展览时间:2026年3月22日—4月19日展览地点:中央美术学院美术馆 一层大厅/三层B展厅主编 / 何一沙责编 / 杜隐珠
More

Artistic Pursuit: "No Smooth Path to The Summit" | The Opening Ceremony of Li Xingjian Donation Exhibition

2026-04-02

≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒The opening ceremony of the exhibition "No Smooth Path to The Summit – The Exhibition of Works Donated by Li Xingjian" and the artwork donation ceremony were held on April 1, 2026, at the Academic Lecture Hall of the CAFA Art Museum. This donation project has been selected into the "2025 National Art Collection and Donation Award Program" by the Ministry of Culture and Tourism. As the Central Academy of Fine Arts celebrates its 108th anniversary, the century-old heritage of this prestigious institution and the lifelong artistic achievements of its devoted alumnus converge at this moment into a warm and touching picture of artistic inheritance.≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒   ≒This donation project features an extensive collection, including more than 260 traditional Chinese paintings and over 3,000 sketches by Mr. Li Xingjian, making it the largest acquisition project of the Central Academy of Fine Arts in the past decade. Thousands of works are not only the artist’s most sincere tribute to his alma mater, but also a vivid visual diary documenting the complete journey of this CAFA graduate: from a young student to an outstanding educator and distinguished artist. What is particularly moving is that Mr. Li Xingjian donated all his award funds back to the academy to establish the Li Xingjian Sketching Award. His pure spirit of “taking from art, giving back to education” is deeply inspiring, and his legacy will surely illuminate the artistic path of generations of students to come.Distinguished guests attending the opening ceremony included: Senior artists of CAFA: Cao Chunsheng, Lou Jiaben, Wen Guozhang, Sun Jingbo, Zhang Jiping, Cui Xiaodong, Wang Shujie; Yu Yang, Vice President of the Central Academy of Fine Arts; Li Geng, President of Li Keran Academy of Painting, and Wang Haikun, Executive Vice President; Huang Huasan, Professor, School of Arts, Renmin University of China; Du Yicai, Secretary of the Directly Affiliated Party Branch, School of Chinese Painting, CAFA;Wang Xiuling, Deputy Secretary; Xu Hai, Dean of the School of Calligraphy, CAFA; Li Ming, Deputy Secretary of its Directly Affiliated Party Branch; Yu Yue, Teacher; Wang Lei, Director of the Retirees Affairs Office; Zhou Yue, Secretary-General of the CAFA Education Development Foundation; Jin Jun, Director of CAFA Art Museum; Han Wenchao, Secretary of the Directly Affiliated Party Branch of CAFA Art Museum; Hai Jun and Gao Gao, Deputy Directors of CAFA Art Museum; as well as leaders, faculty and students from various schools, departments and administrative divisions of the Central Academy of Fine Arts.Yu Yang, Member of the Standing Committee of the CPC Committee and Vice President of the Central Academy of Fine Arts, delivered an addressYu Yang, Vice President of CAFA, stated that the opening of the exhibition "No Smooth Path to The Summit – The Exhibition of Works Donated by Li Xingjian" carries special significance as CAFA celebrates its 108th anniversary. Since its founding in 1918, the Central Academy of Fine Arts has upheld its motto "Seek Refinement in Detail, Reach Grandeur in Vision", remained committed to fostering virtue through education, and cultivated generations of outstanding art talents with profound artistic accomplishments and deep patriotism, composing a magnificent chapter in modern Chinese art and art education. Mr. Li Xingjian has been closely connected with CAFA for more than 60 years. Grounded in diligence and persistent study and guided by the spirit of sketching from life, he traveled across China’s famous mountains and great rivers and around the world, integrating traditional Chinese landscape brush and ink with contemporary aesthetics. In his artistic exploration of "borrowing scenery, depicting scenery, and creating scenery", he achieved a sublimation from "physical form" to "mental image", forming a unique artistic language characterized by "small scene yet vast realm, concise form yet profound meaning". Throughout his teaching career, Mr. Li has stayed at the forefront of education, devoting himself to nurturing students and imparting his knowledge wholeheartedly, embodying the mission and responsibility of a CAFA educator. This exhibition not only showcases his artistic achievements but also carries forward his spirit of pursuit, dedication to education, and patriotism embodied in "No Smooth Path to The Summit".Address by Jin Jun, Director of CAFA Art MuseumJin Jun, Director of the CAFA Art Museum, stated that the CAFA Art Museum serves as a platform for disseminating the century-old academic spirit, as well as a center for collecting and preserving classic artworks and teaching achievements. For many years, it has been committed to building a comprehensive collection system of masterpieces and representative artists based on the century-long history of CAFA. The exhibition is inaugurated on the anniversary day for two purposes: first, to express sincere respect to Mr. Li Xingjian; second, to carry forward spiritual inheritance, bringing his art into dialogue with young students and realizing the intergenerational continuation of the academy’s tradition and academic spirit. Featuring more than 300 works carefully selected from over 260 representative paintings and more than 3,000 sketches donated by Mr. Li, the exhibition is curated in accordance with the trajectory of his artistic exploration. Such a large-scale and complete donation is rare in the history of the museum. Mr. Li Xingjian’s artistic career, creative practice and donation act perfectly embody the ideal of “Nurturing numerous students with great love, creating timeless masterpieces with supreme art”. His artistic spirit deserves continuous research and promotion. The museum will properly preserve and inherit these works, giving full play to their important role in continuing the cultural context of China.Address by Li Geng, Representative of Li Keran’s Family and President of Li Keran Academy of PaintingIn his speech, Li Geng, Representative of Li Keran’s Family and President of Li Keran Academy of Painting, recalled that in his youth he had received careful guidance from both Zhou Sicong and Li Xingjian. Mr. Li Xingjian, who taught him sketching and drawing for a long time, was his important mentor. He spoke of the unwavering faith in art upheld by his father Li Keran and Mr. Li Xingjian during extraordinary historical periods. He noted that the mission of an artist is to uphold his original aspiration through the brush. Only by persistent devotion can one reach the summit of art — just as the motto “No Smooth Path to The Summit” bestowed by his father upon CAFA.Address by Yu Yue, Student Representative and Teacher at the School of Calligraphy, Central Academy of Fine ArtsIn his speech, Yu Yue, student representative and teacher at the School of Calligraphy, CAFA, reviewed his own study experience and expressed deep gratitude to Mr. Li Xingjian for guiding him onto the path of art, leaving him many precious memories. When teaching landscape painting from life, Mr. Li led the students to sketch in western Hunan and Mount Hengshan. He imparted the essence of the “Li School Landscape”: capturing the soul of nature and practicing the principle of “selecting one subject, refining it tenfold”. His teaching was concise and incisive, his demonstrations exquisite, and his guidance on students’ works meticulous, enabling them to gain sudden insight. Outside class, Mr. Li’s elegant, modest, sincere and romantic character made the students deeply understand that moral integrity is the foundation of academic pursuit. The Li Xingjian Sketching Award established by Mr. Li represents not only his expectations for young students but also embodies the mission of inheriting CAFA’s teaching system and passing the artistic torch from generation to generation.Address by Huang Huasan, Family Representative and Professor, School of Arts, Renmin University of ChinaHuang Huasan, family representative and Professor at the School of Arts, Renmin University of China, delivered a speech on behalf of Mr. Li Xingjian and conveyed his sincere gratitude. The donation project, which took four years to complete, has finally come to a successful conclusion, fulfilling Mr. Li Xingjian’s long-cherished wish and bringing him deep warmth and satisfaction.He also conveyed Mr. Li’s message to young students: I hope you will remain committed to being diligent learners, temper your skills and pursue artistic excellence with the faith that “No Smooth Path to The Summit”; at the same time, inherit the Chinese painting tradition of CAFA, uphold the original aspiration of “creating Chinese paintings and art for the people”, and live up to the times and to the art of painting.Li Yaochen, Deputy Secretary of the Directly Affiliated Party Branch of CAFA Art Museum, served as the hostIn 2025, Mr. Li Xingjian sorted and selected his artworks, and generously donated his representative works throughout his life to the museum to enrich teaching resources at CAFA. The donation includes more than 260 works and over 3,000 sketches, covering every stage of his artistic exploration over more than 60 years since his university studies. Mr. Li Xingjian’s dedication and commitment to artistic inheritance are deeply touching and inspiring.Han Wenchao, Secretary of the Directly Affiliated Party Branch of CAFA Art Museum, presented the Artwork Donation Certificate to Mr. Huang Huasan,  representative of Mr. Li Xingjian’s familyMr. Li Xingjian also donated 300,000 RMB in prize money to the CAFA Education Development Foundation to establish the “Li Xingjian Sketching Award”. His selfless spirit of “taking from art, giving back to education” is deeply moving, and his legacy will surely illuminate the artistic path of generations of students.Zhou Yue, Director of the Office of the CAFA Education Development Foundation, presented the Donation Certificate to Professor Huang Huasan, representative of Mr. Li Xingjian’s familyThis exhibition features selected major works by Li Xingjian from his student years in the 1960s to his overseas residence in the early 21st century. With a long time span and a large number of works, it comprehensively presents Mr. Li Xingjian’s artistic vision and style. It is hoped that visitors may understand how an artist develops his approach through repeated practice, establishes a style through inheritance and innovation, and ultimately transforms personal creative experience into researchable, discussable and inheritable academic achievements.The exhibition is structured around two major sections: The Path of Artistic Refinement and Painstaking Study through Sketching. The former focuses on his journey of inheritance and innovation from "borrowing scenery" and "depicting scenery" to "creating scenery"; the latter showcases his extensive sketches and quick drawings, reflecting his persistent creative spirit and fruitful achievements. Mr. Li Xingjian specialized in landscape painting and was a disciple of Mr. Li Keran. He was one of the important practitioners and inheritors of the landscape painting teaching system at the Central Academy of Fine Arts founded by Li Keran. His landscape works not only inherit the aesthetic characteristics of Li School landscape—dark, full, forceful, and rough-textured—but also integrate his unique insights into nature, forming a personal style marked by vigor, richness, grandeur, and profound artistic conception. The landscapes he depicts are small in composition yet vast in realm, concise in imagery yet far-reaching in meaning. With layered mountains and luxuriant ink washes, they present the magnificence and vastness of nature through shifting light and shadow. Throughout his life, he abided by his mentor’s teachings: "Do not rely on talent, do not seek hasty advancement, learn through hardship, and be a painstaking scholar." He maintained a devout attitude toward art, as well as a spirit of diligent research and innovation that feared no difficulties. His artistic footsteps spanned the mountains and rivers of China and many parts of the world.A key highlight of this exhibition is the special section “Painstaking Study through Sketching”, which presents Mr. Li Xingjian’s sketchworks accumulated over decades. As an ancient Chinese saying goes, “Search all wondrous peaks to make drafts” — a maxim perfectly embodied by Mr. Li. His sketches are not merely the collection of visual materials, but a constant refinement of perception, skill, and artistic sensibility. From fishing boats and ferries along the Li River, to the majestic perilous gorges of the Three Gorges, from daily scenes in foreign streets to vibrant construction sites, every line he drew reflects profound observation of reality and nature.“No Smooth Path to The Summit”刻印Mr. Li Xingjian once carved a large seal inscribed with “No Smooth Path to The Summit”, with the side inscription reading: “Carved in reverence of Master Keran’s words for self-encouragement — Xingjian”. By adopting his mentor’s motto as his own, he made it a true reflection of his artistic spirit. This exhibition is not only a comprehensive review and retrospective of Mr. Li Xingjian’s artistic achievements, but also a high tribute from the Art Museum of the Central Academy of Fine Arts to this outstanding alumnus for his selfless dedication. Through the precious paintings and numerous sketch manuscripts on display, viewers are invited to enter his simple yet grand artistic world, and to understand the truth: only by rooting in life, delving deep into tradition, and daring to innovate can one keep climbing toward the summit of art.The exhibition runs until April 19, 2026.   Selected Works   "Sorghum Is Red" by Li Xingjian, 1963, color on paper, 48×47.5 cm, Collection of CAFA Art Museum"Pavilions Hidden in Misty Rain" by Li Xingjian, 1981, color on paper, 98×60 cm, collected by CAFA Art MuseumSouth and North of the Cottage Are All Spring Waters (No. 2) , Li Xingjian, 1984, color on paper, 83 × 50.5 cm, collected by CAFA Art MuseumRain Encountered at the Old Cave of Mount Emei, Li Xingjian, 1988, color on paper, 68×68 cm, collected by CAFA Art MuseumSmall Street Leading to Sacré‑Cœur from Montmartre, Li Xingjian, 1997Color on paper68.5 × 102 cm, Collection of CAFA Art MuseumPond SceneLi Xingjian, 1962, Ink pen on paper15 × 21 cm, Collection of CAFA Art MuseumPedestrians on the Bridge, Li Xingjian, 1977Ink pen on paper19.2 × 26.5 cmCollection of the CAFA Art MuseumThe Joyful Old Farmer, Li Xingjian, 1972Pencil on paper26 × 19 cmCollection of CAFA Art MuseumTall Standing Drilling Rigs, Li Xingjian1970sPencil on paper31.6 × 25.8 cmCollection of CAFA Art MuseumChâteau d'Estaing (Western Europe) Li Xingjian, 1988Ink pen on paper13 × 21 cmCollection of CAFA Art Museum   Artist Profile   Li XingjianLi Xingjian was born in Wuhan, Hubei Province in 1937. He is a renowned contemporary Chinese landscape painter and art educator. He was admitted to the Affiliated High School of Guangzhou Academy of Fine Arts in 1954, and pursued advanced studies at the Department of Chinese Painting, Central Academy of Fine Arts in 1958. He studied under Li Keran, specializing in ink landscape painting, and stayed to teach at the academy after graduation in 1963. He once served as a professor at the Central Academy of Fine Arts, director of the Landscape Painting Studio of the Department of Chinese Painting, postgraduate supervisor, member of the Chinese Artists Association, and executive director of the Li Keran Art Foundation.His creations are based on sketching, with a simple and natural style. While inheriting Li Keran's majestic and profound style, he integrates a fresh and bright contemporary spirit, forming a unique artistic language. His representative works include Autumn Red Season, Spring Rain over the River City, The Great River Flows East, Boats Departing at Dawn and others. He participated in the creation of the monumental Chinese painting Splendid China for the first anniversary celebration of Hong Kong's return to China in 1998.He has held numerous solo exhibitions across China and around the world. Many of his works are collected by major art museums and museums at home and abroad, including the National Art Museum of China, the Museum of Fine Arts, Boston, USA, and the Fukuyama Museum of Art, Japan. Five personal painting collections have been published, including Li Xingjian Landscape Paintings and Li Xingjian Paintings.Ministry of Culture and Tourism"2025 National Art Collection and Donation Award Project"No Level Paths on High Peaks—Donation Exhibition of Li XingjianExhibition Dates:March 28 – April 19, 2026Venue:Gallery A (3rd Floor), Galleries (4th Floor)CAFA Art MuseumOrganizer:CAFA Art MuseumSupporting Institutions:School of Chinese Painting, CAFASchool of Calligraphy, CAFAAcademic Director:Yu YangExhibition Directors:Jin Jun, Qiu Ting, Xu Hai, Han WenchaoExhibition Coordinator:Gao Gao, Hai JunAcademic Advisors:Huang Huasan, Liu Rong, Yu YueCurators:Li Yaochen, Li JieDesign Director:Ji YujieDesign Associate:Min ZhiyiCuratorial Assistants:Chen Tianyi, Li Ze, Zha YiruiExhibition Management:Wu Peng, Su Shicun, Jing Peng, Lü ZhifaCollection Management:Li Yaochen, Xu Yan, Jiang Nan, Wang Chunling, Ma Liang, Cui Ranran, Dou Tianwei, Li WeiMedia & Publicity:He Yisha, Wu Jing, He Yifei, Du Yinzhu, Ding Yi, Guo HongmeiPublic Education:Xiao Baozhen, Geng Jinghua, Wang Jun, Yao Yiqun, Liang Wen, Xi Huawei, Cai MengFinance Affairs:Yang Liu, Men JingDevelopment & Promotion:Sun Wei, Yi Yi, Jin Jianru, Kou Lei, Liu XinglingAdministrative Support:Jiang Siyu, Yue Junyao, Zhang Qian, Guo Xu, Chen XiaohuaVideo Production:Du XiaochengSeal Rubbings:Wang Xiaochen, Lin Zhuoyang, Dong Xuanning, Li Jiameng, Zhang Enyuan, Liu Yizhao, Wang Qiushi, Xie Yanchen, Cui Zihui, Lin Han, Zhang Qirui, Guo Zihao, Liu Jinming, Su Haoming, Chen Zeye, Fan Lin, Duan Shuo, Zhao Boyang, Wu Mengze, Xue Yutong, Sun Guanming, Li Boya, Sun Yixuan, Chen Yuming, Zhang Yifan, Ren JinhongSpecial Thanks to:Li Yuhua, Wang Tongren, Jiang Baolin, Wang Yong, Cui Xiaodong, Zhou Hongbing, Wang Wei, Gao Yi, Wang GengEditor-in-Chief / He YishaEditor / Du YinzhuOn-site Photographs / He Yifei
More

Avoid The Crowds On Qingming Festival and Come To CAFA | Embark On A Journey Of Blossoming Art

2026-03-31

Dear audience friends:Our museum will remain open as usual during the Qingming Festival holiday (April 4th – April 6th). Opening hours are 9:30–17:30 (last admission at 17:00). You are welcome to visit and immerse yourself in the splendid bloom of art and fashion.CAFA Art MuseumMarch 31, 2026  On display    CAFAM looks forward to welcoming you!  Editor-in-Chief / He YishaEditor / Du Yinzhu
More

Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
Quick loginAccount login
  • Mobile phone number will be your login ID
  •  
Use Artron membership to login