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暑期献礼|携手上海西岸艺术中心展现新中国美术的历史与未来

2023-07-13

上海暑期必看展览 “青春万岁——新中国美术的青年时代”,正在西岸艺术中心N馆展出。展览依托中央美术学院馆藏及特邀作品追溯新中国美术的发展历程,以“青春”为线索串联半个多世纪的创作灵光。总计展出100余位艺术家的近150件包含绘画、雕塑、装置等多种类型的作品。,时长04:12「青春万岁」展览纪录片/教科书式地呈现  新中国美术发展的中坚力量/“中央美术学院作为这批公办美术院校中至关重要的一所,其通过培养出一批批杰出的艺术家,以及他们所创作的经典作品,奠定了自身在新中国美术发展历程中不可替代的地位。绝大部分创造了新中国美术历史的艺术家都与中央美院密切相关。”——潘公凯此次的展览精选出部分的代表作品,构成了一个以央美历届毕业生的留校作品为样本的研究和展示专题的展览。通过解读这些大量著名艺术家发展历程中关键性的代表作或“成名作”,以一种教科书式的教学方式,系统性地把一幅新中国美术画卷呈现在眼前,具有重大的历史和教育意义。这些作品无疑构成了新中国以来美术史各阶段成果中不可或缺的组成部分。为现场观众带来一场教科书级的沉浸式展览体验,感受中国艺术的历史和未来,探求青春力量在艺术创作中的重要作用。展览中精选的中央美术学院美术馆藏八十余件艺术家青年时期的代表作品,时间跨越20世纪下半叶至21世纪,展现出富有青春活力的时代画卷。其中不乏许多日后的成名艺术家将他们艺术发展历程中关键性的“代表作”或“成名作”留在了属于美院的一段青春岁月,为新中国美术史书写着“青春”注脚。/经典作品介绍/ 新中国美术史  尽在步履之间 *按出生年代顺序排列侯一民1930年生于河北高阳。著名油画家、美术家、美术教育家,国家级有突出贡献专家,中国壁画学会名誉会长,新中国第一代美术家、美术教育家,新壁画运动开拓者之一。地下工作者侯一民 布面油彩 210×176cm 1957 年此画是侯一民在马克西莫夫油画训练班的结业创作,描绘的是解放前夕进步青年秘密印刷党的宣传刊物,迎接解放的真实事件,这也是画家本人亲身经历的真实事件,反映革命历史的大题材油画作品。//闻立鹏1931年生于湖北,中国油画艺术家、美术评论家,曾任中央美术学院教授,中国美术家协会理事。国际歌闻立鹏 布面油彩 243×199cm 1963 年《国际歌》是闻立鹏于1963在中央美术学院油画研究班的毕业创作,也是他艺术创作中重要代表作品。当时名称是《英特那雄耐尔一定要实现》,取自《国际歌》的最后一句,后来因为语言上的方便简称为《国际歌》。//詹建俊1931年生于辽宁。詹建俊是中国油画界中早期对油画的现代性元素行进研究及探索的画家,是中国二十世纪美术史具代表性的人物。起家詹建俊 布面油彩 140×348cm 1957 年此画是詹建俊在马克西莫夫油画训练班的创作,画面呈现的是暴风雨即将来临的时刻。《起家》抓住了我国20世纪50年代的时代脉搏之一:开拓北大荒。在那个年代,无数热血青年积极响应党和国家的号召,纷纷奔赴北大荒。这些青年通过辛勤劳动开拓荒野创造新的历史,表现出一种青春无悔的英雄主义情结和浪漫主义情怀。《起家》是中央美术学院美术馆重要馆藏之一,也是詹建俊的成名佳作。//靳尚谊1934年生于河南,中国油画家,师从艾中信、罗工柳,被誉为中国油画新古典主义学派的创始人。是我国当代油画的代表人物之一。拄棍的老人王大爷靳尚谊 纸本铅笔 71.6×61.3cm 1956 年画面表现的是一位北方乡下农民,拄着拐棍的侧面肖像。创作这幅作品时,靳尚谊21岁,刚从中央美院绘画系毕业,进入克西莫夫油画训练班学习油画。这是他较为满意的一幅早期作品。作品中的“王大爷” 是当时训练班请的模特。//潘世勋1934年生于吉林省吉林市,现为中国美术家协会会员,中国油画学会理事。红日初升潘世勋 布面油彩 120×137.5cm 1960 年此次展出的作品《红日初升》为潘世勋的代表作之一。作品为在他26岁时在中央美院任教时创作的作品。旨在对潘世勋的艺术创作进行研究与展示,带领观众认识他在中国现实主义油画道路上的卓越实践,以及他的艺术中所反映出的新中国美术教育的时代特点。//戴士和1948年生于北京,1976年毕业于北京师范学院美术系,1981年毕业于中央美术学院油画系壁画研究生班。中央美术学院教授,中国美术家协会油画艺术委员会委员,中国油画学会理事。正午组画之四草原上的云戴士和 木板油彩 90.5×90.5cm 1985 年此幅作品为戴士和37岁时在央美任教期间创作的作品。在这幅作品中,戴士和显然不是一个试图把“思想性”和“观念”摆在表面的艺术家,而是一位意欲建立表现与思想与观念之间内在的相关性和自然的联系性的艺术家。//杨飞云1954年生于内蒙古,1982年毕业于中央美术学院油画系。曾任教于中央戏剧学院舞台美术系和中央美术学院油画系。男人体杨飞云 布面油彩 120×80cm 1981 年本作品为杨飞云在27岁就读央美期间创作的作品,在这幅《男人体》中,杨飞云扎实的写实技巧一览无遗,人体的每一根细小曲线,每一条绷紧的肌肉,都体现着杨飞云扎实的写实技巧。一个年轻的男人体,在他的笔下,具有一种超越庸常的理想主义的完美。这是杨飞云艺术生涯中仅有的几幅男性人体习作之一。//徐冰1955年生于四川重庆,中国当代艺术家,现居北京、纽约,师从詹建俊、罗尔纯和古元等名家,其为人所知的大部分作品皆与文字有关,如使用全新创造的“汉字”写成的“天书“。有山的地方徐冰 木版单色 53×73.5cm 1988 年此次展出的作品为徐冰33岁在央美任教期间创作的作品。他将东方的哲学思维方式及文化导入到当代艺术创作中,作品对文字语言等沟通工具、艺术与文明的本质问题、不同物种与文化间的蕾丝与冲突等进行批判性的思考。//隋建国1956年生于山东青岛。1984年山东艺术学院美术系本科毕业,1989年中央美术学院雕塑系硕士研究生毕业,曾任中央美术学院雕塑系主任。失重隋建国 石膏着色、铜 尺寸不一 /16 个 1988 /2012这幅作品《失重》位隋建国33岁时在中央美术学院时期的作品。创作时逢上世纪中国80年代现代艺术运动的高潮期,这一时期以《平衡》、《失重》和《卫生肖像》三个系列为代表,突出了他运用各种现代主义雕塑语言进行“自我”、“生命意义”的哲理陈述和反省,挑战对象主要是古典主义学院传统。//苏新平1960年生于内蒙古集宁市,1989年毕业于中央美术学院版画系,获得硕士学位,并留校任教。 现为中央美术学院副院长、教授、博士生导师,中国美术家协会版画艺术委员会主任。寂静的小镇(之一)苏新平 石版单色 53×68cm 1989 年在上世纪80、90年代,中国兴起一股描绘边疆异域的艺术思潮,但大多流于表面,仅仅呈现了异域风情。来自内蒙草原的他对此持有不同的看法,因此在他的版画作品中,并没有停留在对草原风情的描绘,而是将他熟悉的草原生活内化为一种精神线索,成为贯穿于作品中的独特气质与艺术语言。正如在他作品中,反复出现的“白马”,已不单是草原风物的符号,而是成为艺术家切入当代社会的一个视角,与自我独立精神的化身。//方力钧1963年生于河北,1989年毕业于中央美术学院版画系。他也是国际艺术领域中最具知名度的中国艺术家之一。1995.13方力钧 木版单色 92×63cm 1995 年此幅作品为方力钧32岁时创作。自上世纪九十年代起,方力钧便开始展现出他强烈的表现主义风格绘画。这幅作品为木刻版画,即便站在百花争鸣的最中心,画中的人依旧愁眉苦脸,眼神空洞。作画强调人物内心的情感,象征着低落、忧愁的“人”在繁花中迷失自我。//刘小东1963年生于辽宁,1988年毕业于中央美术学院油画系。现为中央美术学院油画系教授。油漆工刘小东 布面油彩 160×91cm 1991 年此幅作品为刘小东28岁在中央美术学院附中任教时期创作的作品。刘小东感到世界上各种“主义”众多,而“现实主义”对于他来说具有纪实性和直接性,“我依托在这个基点上,心中感到实在。”即使在上世纪80年代后期现代艺术运动一统天下之时,刘小东仍旧坚持本分的写实主义,将目光聚焦于日常生活与熟悉人物。在那默默无闻的十多年中,刘小东仍旧坚守自身对于绘画的理念,着力表现普通人生存遭遇的独立与疏离,远离潮流与喧哗。喻红1966年出生,毕业于中央美术学院,中央美院油画系教师。川喻红 布面油彩 130×140cm 1988 年这件作品是喻红本科毕业创作的《川》,画的是一组风华正茂的年轻人迎风而走的形态,其中最前面的一位女性,大概是喻红自己身影的写照。这件作品,除了色彩、造型、笔触等的成熟精彩外,这些年轻人的形象都被斜拉着并微微变形,身体的重心旁落,有些失衡,尚未走出校门的喻红似乎已经敏感地意识到她们这一代人走进社会可能面临的种种失衡和变形,画面有一种不安的扭曲的复杂情绪。毛焰1968年生于湖南湘潭,毕业于中央美术学院油画系,现居南京,任教于南京艺术学院美术系。女子坐像毛焰 布面油彩 128×95cm 1991 年这件作品为作者23岁时在央美本科毕业时创作的作品。毛焰以肖像绘画为人所熟知。在毛焰看来,绘画是自身态度与信念的表现,若是通过客观媒介以观念出发建立作品是颠倒了艺术创作的主次顺序。他认为绘画的过程应该是把“自我”放入其中。唐晖1968年生于中国武汉, 1991年毕业于中国北京中央美术学院壁画系,同年留校任教,现任中央美术学院壁画系教授。时空一击唐晖 布面油彩 244×362cm 1991 年 《时空一击》为唐晖在23岁时央美的毕业作品,也是唐晖的代表作之一。作品《时空一击》,观念上表达了时间从过去到未来可跨越性;在空间建构上也融合了宏观到微观的表达。作品涉及到了强烈的多元文化表达。展览信息Exhibition Information 青春万岁 —— 新中国美术的青年时代   展览时间   2023.4.30—9.310:00—17:00每周一闭馆,节假日另行通知  展览地点  西岸艺术中心N馆(上海市徐汇区丰谷路35号) 购票方式 扫码购票
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CAFAM展览预告 | “写生新疆:20世纪以来新疆主题创作研究展”即将开展

2023-07-11

写生新疆:20世纪以来新疆主题创作研究展展览时间:2023.7.12-8.20展览地点:中央美术学院美术馆2层B展厅资助单位:国家艺术基金主办单位:中央美术学院承办单位:中央美术学院美术馆支持单位:中国美术馆 新疆美术馆 黑龙江省美术馆 浙江华茂艺术教育博物馆 懋源泓斋鸣谢:罗安 闻丹青 韩健立 蒋雯丽学术主持:邱志杰总策划: 张子康学术顾问:曹庆晖展览总监:韩文超展览统筹:王春辰 高高策展人: 郭小晖 王静设计协调:纪玉洁视觉设计:孙彤展览艺术家(按出生时间排列):韩乐然 司徒乔 叶浅予 王合内 罗工柳 戴泽 梁玉龙 黄胄 伍必端 列阳 全山石 闻立鹏 张威 杨鸣山 靳尚谊 庞均 谭权书 阿曼·穆罕诺夫 谢家道 苏高礼 刘秉江 龙清廉 龚建新 文国璋 范迪安 张群 于小冬 胡西丹·克里木 刘小东 杨茂源 赵培智 刘商英 刘雨佳 康春慧2023年7月12日,“写生新疆:20世纪以来新疆主题创作研究展”将在中央美术学院美术馆2楼B展厅开展,“写生新疆:20世纪以来新疆主题创作研究展”通过对中国20世纪以来的具有代表性的新疆主题作品的一次研究性展示,聚焦于中国现当代艺术史上一个独有的现象,即大批艺术家远赴新疆写生这一群体性艺术创作活动,着重审视和探究“新疆”作为视觉素材给近代艺术家的创作带来的影响,以及艺术家在“写生”这个绘画语言上的拓展和突破,展现20世纪以来中国艺术家们在这一问题上的探索和成就,以及艺术家们在此方面所作出的历史性贡献。司徒乔 套马 中央美院美术馆藏从五四运动之时,中国知识分子如陈独秀、康有为等人便推崇写生之法,主张改良中国画必须借鉴和学习西方油画的写实精神,以此作为冲击旧文化的有力武器。此后,毛泽东主席在1943年《延安文艺座谈会上的讲话》中提出,“有出息的文学家、艺术家,必须长期地、无条件地、全心全意地到工农兵群众中去,到火热的斗争中区,到唯一的最广大、最丰富的资源中去,观察、体验、研究、分析一切人,一些文学和艺术的原始材料,然后才有可能进入创作过程。”“写生”从一种技术准备过程,变成一种行为方式。韩乐然 天山脚下歌舞  油画 1946年  48×63cm叶浅予 新疆乐舞(轴)中央美术学院美术馆藏本次展览将这段伟大旅程的历史脉络分为四个章节,分别是:激情与探险——现代新疆写生的先遣者(1949年以前)、开掘与新篇——新中国文艺政策下的西行之路(1949-1978)、壮阔与崇高——新时期新疆题材的开拓(1979-2000)、历史与现实——新世纪的视野(2000年以来)。通过对四个不同时期的写生新疆作品的展示,聚焦于“写生”与“新疆”两个核心问题,解读不同时代的艺术家对新疆这一视觉素材宝库的发现与挖掘,具体说明为什么中国近现代史上这么多的艺术家们都选择远赴新疆写生。展览还特别呈现了刘小东、杨茂源、刘商英、刘雨佳、康春慧5个深入新疆的当代艺术实践项目个案。展览期待讨论的问题包括:第一,“写生”观念和实践在20世纪以来的发展和转变,以及这些转变在艺术表达实践过程中是如何运作并产生效应。第二,新疆的文化和地理的特殊性在这一艺术实践中发挥了怎样的作用和意义。梁玉龙 新疆背袋老人 87×68cm 布面油彩 1961 中央美术学院美术馆藏阿曼·穆罕诺夫 葡萄架下 中央美术学院美术馆藏王合内 对话(女孩和小鹿) (木雕) 中央美术学院美术馆藏除写生这一艺术行为的讨论之外,写生之地的特殊区域文化属性也必须得到重视。自古以来,新疆对于视觉造型艺术有着重要的贡献,远古的岩石壁画拱卫出古代西域文明的摇篮,汉唐的佛教造像将艺术之光铺照向天山南北,丝绸之路又交汇着中国、印度、阿拉伯、希腊等多地文化。新疆地域的特殊性决定了新疆独有的人文景观和地理景观,这也是吸引和启发众多艺术家深入新疆进行创作的缘起。到20世纪后半叶,大批经受过现代艺术语言训练的艺术家沿着前人的足迹不断走进新疆腹地,重新认识到中国山河之壮美奇雄,汲取文化养分的同时,也让人们开始重新思考艺术文化的价值。可以说,写生新疆这一活动,既是艺术家个人的选择,又与中国近现代艺术史中重要的文化思潮的转变息息相关。靳尚谊 塔吉克新娘全山石 维吾尔老人——教长 中央美术学院美术馆藏刘小东 土孩儿 150×140cm 布面油画 2013 中央美术学院美术馆藏张群 高高的塔什干 中央美术学院美术馆藏通过对“写生新疆”的课题性研究,既展现了这片广袤土地在新中国成立以来发生的巨大变革,也可以此主题为视点,深刻领略中国20世纪以来艺术观念和创作思想的发展脉络。本展览为2022年国家艺术基金传播交流推广资助项目。
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2023-07-07

屏幕时代和无纸化时代的到来,打破了“平面”的传统定义,媒体技术的发展和信息传播方式的迭代,不断推动着“设计”的自我更新和转型。在此语境下,裹挟鲜明时代特征与智识创新意识的产物——动态平面(Motion Graphic)在全球范围内获得飞速发展,已然成为当代设计领域最具潜力和能量的趋势之一。由中央美术学院美术馆主办,北京创意品项协办的“动见——国际动态设计展”将于2023年7月8日在中央美术学院美术馆2层A展厅拉开帷幕,展览由刘钢、纪玉洁、罗伊·特霍斯特(Roy Terhorst)联合策展,比利时Barco独家提供艺术投影设备支持。《动态研究》 罗布和罗宾Rob en RobinStudies in Motion动态平面区别于影像艺术、动画、平面设计、新媒体交互设计等带给人们的清晰印象,它被独立提出来讨论,在国内仍然是一个新兴话题。本次展览以“动见”为主题,选取了来自中国、荷兰、瑞士、美国、英国、西班牙、韩国、日本等8个国家的16位/组顶尖设计师、设计团体的近60件作品。一方面希冀透过精彩纷呈的动态视觉为观众提供从多个维度走近和认知动态平面的契机,以及来自创意思维的启迪。另一方面,更重要的是通过洞察国际动态平面的创作生态,探讨当代设计的未来所趋。《动态城市》 登贝设计Studio Dumbar, Cities in Motion《荷兰艺术节系列》 托尼克Thonik, Holland Festival事实上,动态平面早以短视频、品牌广告、海报、导视、标识等多种形式悄然参与到人们的日常生活之中。从3G到5G网络、从台机到便携式平板和手机的时代,人们在短短十几年内经历了从“慢阅读”到“快浏览”的节奏改变。技术的进步潜移默化地改变了人们的视觉习惯,这也促使平面设计师开始思考如何打破思维惯性、突破专业固化去探索和创造新的视觉语言与表达方式。屏幕成为一种无限的容器,让视觉叙事有了动态发展和变换的可能性;文本可以脱离既定网格的限定,变化为律动有趣的信息传递;海报不再是二维的静态传达,而成为带有时间属性的运动视觉;设计师的日记本也更换为以制图工具和图形软件记录动态日常。动态平面是一种多元性的实验,它带来的不只是夺目的视觉现象,更重要的是启发思维、激发想象与创新的动能。《火柴棒》 冈崎智弘Tomohiro Okazaki, Matches《形状研究系列》 德克·科伊Dirk Koy Shape Study Series参展艺术家(按英文名称首字母排序):another design(中国)、塞西莉亚·埃利希(Cecilia Erlich,西班牙)、康纳·坎贝尔(Connor Campbell,英国)、德克·科伊(Dirk Koy,瑞士)、埃里希·布雷希布勒(Erich Brechbuhl,瑞士)、罗布和罗宾(Rob en Robin,荷兰)、登贝设计(Studio Dumbar,荷兰)、菲克森独立设计工作室(Studio Feixen,瑞士)、立入禁止(Studio NA.EO,中国)、冈崎智弘(Tomohiro Okazaki,日本)、托尼克(Thonik,荷兰)、非白工作室(Transwhite Studio,中国)、泽维尔·蒙尼(Xavier Monney,瑞士)、宋艺焕(Yehwan Song,韩国)、扎克·莱伯曼(Zach Lieberman,美国)、4aC design(中国)展览信息:动见 ——国际动态设计展展览时间:2023年7月8日~8月20日展览地点:中央美术学院美术馆2层A展厅主办机构:中央美术学院美术馆协办机构:北京创意品项艺术投影设备:Barco学术主持:邱志杰   学术顾问:靳  军    展览总监:张子康、韩文超展览统筹:王春辰、高  高策 展 人: 刘  钢、纪玉洁、罗伊·特霍斯特策展助理:喻湘洁视觉设计:税洋珊、庄海超空间设计:赵囡囡、孙文萍、赵鑫鑫
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你与盛夏差一次央美毕业展

2023-07-04

央美「潮」潮流文化第三季正式启幕!大明湖畔「白盒子」又搞事情啦!今年,中央美术学院毕业展回归线下,据报道「从5月初起,央美北门外每天不到9点半,前来看毕业展的观众就已经排起了长龙」,作为近年规模最大的毕业展再次火爆全网!这个盛夏,「央美毕业展」精彩作品将首次走出校园,与济南相遇!欢迎全国各地的艺术爱好者前来交流,看美院学子献给青春最好的礼物,沉浸享受这一年一度不容错过的精神盛宴。《央美“潮”蔚然生长》展览现场2023年6月27日,央美「潮」·蔚然生长——潮流文化第三季·毕业季篇在中央美术学院山东艺术教育中心信尚美术馆盛大启幕。此次展览由中央美术学院主办、 中央美术学院美术馆及中央美术学院继续教育学院承办、山东文旅投资集团有限公司协办。目前,中央美术学院毕业季系列展览已于6月20日正式落下帷幕,央美「潮」·蔚然生长——潮流文化第三季·毕业季篇作为「央美毕业展」精品展,现场精选部分创意出彩、灵感爆棚、火爆全网的佳作,力图全方位展现中国艺术新兴力量们的多彩创作。展品涵盖央美专升本、本、硕、博毕业生临别校园的真诚创作,覆盖雕塑、绘画、装置、多媒体等不同媒介形式,总数超百余件。前言纵观艺术史的发展,青年艺术都是时代最新鲜,最直接,最鲜活的,很多伟大的作品都是艺术家青年时代的代表之作。很多划时代的艺术变化最初都蕴含在青涩的青年艺术之中。今年初夏,中央美术学院的2023年「毕业季·蔚然生长」再次归来,青年艺术的活力迅速在京城掀起了一股观展热潮,成为一个现象级的展览。展览如清晨的一片露珠,如初夏的一抹新绿,带给人们心灵清新、纯粹的感动。本次展览是积蓄多年的「中央美术学院毕业季」品牌力量的一次爆发,更是几百位毕业生集体力量的爆发,富有前沿思考、多维表达并深度耕耘的优秀作品吸引了观众。今年的作品大都准备充分,创作中投入了巨大心血。每一位毕业生都将自己所学、所知的最好的一面展现给社会。作品的交互体验更加丰富、直接,观众参与度更高。选题、构思视角新颖,表现手法多样而富有活力,充分体现出当代青年丰富的审美层次和独特的观察视角。同时,新的技术和材料,也为毕业生的创作带来了更多的可能性。很多作品都从现实生活和自身情感出发,讨论艺术的意义,拓展艺术语言的边界,创造出新的视觉形象。为了将展览中的优秀作品搬到泉城济南,中央美术学院美术馆和继续教育学院首次深度合作,继续「央美‘潮’·潮流文化艺术季」品牌,主要挑选了本次毕业季中具有鲜明艺术特色和创新意识,富有青春创造力的毕业作品,策划推出央美「潮」的第三季——「蔚然生长」毕业季篇。展览见证青年艺术家的「蔚然生长」,为新一代青年才俊的成长助力,将蓬勃的艺术朝气带到生机盎然的大明湖畔,持续为城市文化生态赋能。策展人:李垚辰、李砚辞亮点释出,一睹为快! ► ► ► 爷青回,童年回忆杀 ► ► ► 呜!暴露年龄系列......《“小学课本研究创作计划”》 黄鸿作品展览现场哪一本,藏着你的校园回忆? ► ► ►与蛇共舞? ► ► ►基于基因行为的雕塑《基于基因行为的雕塑》冉华明作品展览现场每一个褶皱,都是它行走过的痕迹 ► ► ► 什么,在美术馆越野?► ► ►即刻启程!《远视系列》李佩浩作品展览现场骑上我心爱的小摩托~ ► ► ► 微缩王国,演绎经典 ► ► ►你能发现哪些大师的名作?《蚊艺复兴》仟禧作品展览现场穿越时空,遇见「蚊」艺复兴? ► ► ► 色彩碰撞,无羁表达 ► ► ►艺术青苗蔚然生长《双子星》李泉颖作品展览现场因为未知,所以敬畏,所以求索《苹果》黄伊婷作品展览现场自信、自由、独立《人间更迭-春生》蒋壁莹作品展览现场有关生命的周而复始成长与羁绊的紧密相连《Lollipop 系列》张炜炜作品展览现追忆童年,探究原始快乐《娱乐天空》赖镇乾作品展览现《腌臜之地》连润璘作品展览现场《心有冥契》赵子钰作品展览现场《冷脸子系列》韩冷作品展览现场《XSCI-40》张青作品展览现场是一眼心动的「多巴胺」色彩也是值得回味的灵感之旅《母体机器》王涵作品展览现场《聚·散》陈戈霖作品展览现场关于人的思考 ► ► ► 光影之中,自有精彩 ► ► ►驻足此地,解锁精彩发现《漫长的白日梦》朱玉洁作品展览现场飘摇之中的审视光影下的漫长白日梦《皮格马利翁的眼镜》侯帅作品展览现场《人机关系:审判》崔青洲作品展览现场,时长00:13《对面的楼》钱如琢作品展览现场打开不一样的观展方式 ► ► ► 黑与白相遇,只有无趣? ► ► ►根!本!不!可!能!《茫》向昱作品展览现场「前路未知,茫然无措」由文字转换的抽象实体《坛》戴淑慧作品展览现场符号?图腾?汽车零件?一场神秘的仪式在此举行《相骨》李佳卿作品展览现场《新预言》系列王英杰作品展览现场《La Vita e Bella 生命万岁》张玥达作品展览现场《突变》王心妍作品展览现场黑白之中,尽显艺术功底《百分之六十黑》杜露希作品展览现场纯粹黑白调也可以灵动表达领导~找到您要的「五彩斑斓的黑」咯 ► ► ► 真假虚实,过去的事► ► ►那些即将被我们忘记的...《拾物》傅旭航作品展览现场拾物,拾取日常之物一眼看到麦麦跟我喊:麦门永存《药盒——这两年》尹继红作品展览现场《我怀念的》系列王骥宇作品展览现场《生产》尚友录作品展览现场《午后》张安作品展览现场《何处是吾乡》单禹瀚作品展览现场《边·际》组画黄珍作品展览现场《车站》曾文昊作品展览现场《造星》《阜通西大街》刘宏超作品展览现场谁还不是个「怀旧」宝宝睹物思人,大概是这个意思《万籁和鸣》王康作品展览现场那些被你忽视的任意组合就可以天马行空《工具人》系列蔡勤萧作品展览现场工具人,工具与人,时长02:05央美“潮”潮流文化艺术季宣传片丨展览名称丨央美潮·蔚然生长——潮流文化第三季·毕业季篇丨展览时间丨2023年6月27日—9月24日丨展览地点丨中央美术学院山东艺术教育中心信尚美术馆丨主办单位丨中央美术学院 丨承办单位丨中央美术学院美术馆、中央美术学院继续教育学院丨协办单位丨山东文旅投资集团有限公司丨开放时间丨每周周二至周日开放,周一为闭馆时间展览期间每日10:00AM-6:00PM为开放时间,最后入场时间5:30PM。 注意事项:1.本次展览需购票参观,门票一经出售,概不退换;2.未经许可,请勿使用三脚架、自拍杆和闪光灯等专业拍摄设备进行拍摄;3.未经许可,请勿在展厅内进行任何网络直播行为,不得从事任何商业类的拍摄活动;4.双肩包、直径大于40cm的箱包、婴儿手推车等需按规寄存,宠物不得入内;5.请勿携带危险物品或有特殊刺激性气味物品进入场馆;6.请勿在展厅内和指定区域外饮食,醉酒者谢绝入馆,全馆禁烟;7.文明观展,请勿触摸展品,请勿喧哗、追逐、打闹;8.1米以下儿童儿童请在家长的陪同下入馆参观;9.本馆在参观人流高峰期间将实行分时段、限流参观,请予以配合和谅解;10.参观本馆持军官证、老年证、医护证、残疾证等免票入内,学生持学生证半价优惠,一米以下儿童在监护人陪同下可以免费参观,1米以上儿童需购买学生票入内。票务团购电话:18612102368(赵老师)长按扫码,即可购票!中央美术学院山东艺术教育中心信尚美术馆成立于2020年。信尚美术馆以中央美术学院作为学术建构基础,依托山东文旅集团,以展览、教育与文化创意产业全面融合的创新方式,建立具有学术研究与教育传播功能的当代美术馆。除艺术展览之外,信尚美术馆还将定期面向公众开展系列论坛讲座、艺术活动等公共教育项目,推动艺术在公众中的普及与传播。
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王春辰:数字化美术馆的未来就是现在

2023-07-04

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作品回顾 |艺术城市——城市视觉设计工作室 |2023中央美院本科生毕业展

2023-06-29

城市视觉设计工作室包含了品牌识别系统,品牌战略,品牌传播与推广等在城市各个空间中的视觉符号表达。工作室通过研究当下城市视觉形象设计现状,深入发掘“城市视觉形象”的美学价值,在城市未来发展的愿景之上对城市形象进行设计分析,提出对城市形象设计的可持续发展的方法,运用核心品牌策略和视觉研究理论对视觉符号,图形,文字信息等在城市空间中的传播展开思考与设计,塑造具有鲜活生命力的城市品牌形象。|指导教师||参展学生|
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Child Public Education Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Adult Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Sumbit

Group Public Education Event Reservation Form

I agree to the Group Visit Agreement and Statement Please agree to the Group Visit Agreement.
Submit

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

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Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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