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“广角°青年实验项目空间”第二期项目启动暨首展“万有引力”开幕式如期举办

2023-11-02

10月31日, “广角°青年实验项目空间”第二期项目启动暨首展“万有引力”开幕式在中央美术学院美术馆如期举办。本场活动共分为两个环节,一是“广角°青年实验项目空间”第二期项目启动,二是“万有引力——陈明强个人作品展”开幕仪式。“广角°青年实验项目空间”是展示中央美术学院青年教师策展与创作的实验田,意在通过多元的展览项目,协助并促进青年师生对跨学科联动、区域文化研究和中国传统文化作出积极回应。该项目由美术馆、学院教师工作部(人事处)和教师发展中心三方联合筹办和推进,鼓励青年教师在此申报并实施实验性展览项目。在过去两年期间,“广角°”已完成两期项目的征集与评选,现有12个展览方案入选。参加本次活动的嘉宾有中央美术学院党委书记高洪,副院长邱志杰,学校办公室主任傅怡静,教师工作部部长(兼)人事处处长史玲,壁画系主任唐晖,版画系主任孔亮,实验艺术与科技艺术学院院长冯梦波、党支部书记陈晔,教务处处长郝凝辉,学工部部长史文杰,研究生院党支部书记葛玉君,发展规划处处长王姝,宣传部副部长吴琼,教师工作部部长(兼)人事处副处长扈学婷,教师工作部副部长李彦君,美术馆副馆长高高,学术委员会副秘书长汤宇,中央美术学院教授金日龙、张国龙、章燕紫,以及列宾美术学院院长米哈伊洛夫斯基·谢苗·伊里奇等一同出席了开幕式。中央美术学院美术馆党支部书记韩文超主持开幕式。(一)“广角°青年实验项目空间”第二期项目启动中央美术学院党委书记高洪致辞中央美术学院党委书记高洪在致辞中表示,学校党委向来重视青年教师的成长与发展,鼓励青年教师在教育教学、艺术创作的同时进行深入的艺术探索,挖掘潜力。在今天,学校党委和学校正在研究新的人才战略方案,特别是已经启动的“中央美术学院为建设中华民族现代文明作贡献的行动计划”。学校需肩负新的文化使命,培养优秀人才,随着时代发展的变化,所有青年教师都要进行深入的探索,无论是教育教学成果、艺术创作成果、学术研究成果,还是服务社会成果、文明传承成果。美术馆作为中央美术学院的学术高地,也是全国重点高校美术馆之一,因此,开发美术馆的多功能性意义特别重大。“广角°青年实验项目空间”给青年教师提供了一个艺术探索的展示平台和载体,促进了青年教师的学术交流,营造了更浓厚的学术氛围。“广角°”第一期的展览项目既有对百年学院传统的思考、对当下时代心声的回应,也有对未来艺术态势的预测和推演。中央美术学院副院长邱志杰致辞中央美术学院副院长、“广角°青年实验项目空间”总顾问邱志杰公布了第二期入选方案。他表示,首期“广角°”让大家看到了青年教师们在策展实践、社会美育和学科教学等面的新尝试与新结合;同时也显示了学院在扶持青年教师创作成长方面的阶段工作成果,关注青年创新、为学院未来发展积淀扎实力量。今年,在几个部门的协作推动下,在第一期优秀方案的激励下,有更多的展览方案参报第二期。这些方案进一步展示了学院青年教师在科技艺术、跨学科合作方面的探索,同时还有若干方案与经典文化和传统材料进行了融汇,与当下国家文化政策中对传统文化的发掘有效地结合起来了。第二期征集时间为2022年10月至2023年3月,于2023年6月25日举办评选会议。经过筹备组里校内和校外专家的匿名投票,“广角°”第二期共有七个方案入选,包含四个个人项目和三个团体项目,分别是个人项目:《万有引力——陈明强个人作品展》《OB(q∣p):多智体从相遇到协作(陈抱阳个展)》《玉·见广角——钱亮玉质媒材艺术研究展》《牺牲的空间——李展的新作》;团体项目:《根景-智联-跃界:探索植物,技术与其他生命的交错共振》《滋兰雅韵——滋兰昆曲社庆祝建校一百零五周年暨建社十五周年纪念展》《隐入山海——在C展厅制造的实验剧场空间》。这些项目探索的领域涵盖得非常广,从传统工艺到剧场到人工智能、多智能体,展示出学校的青年教师们在创作生态上探索的一种广度和深度。“广角°”第二期入选方案代表与嘉宾合影中央美术学院美术馆直属党支部书记韩文超致辞中央美术学院美术馆直属党支部书记韩文超代表“广角°”工作组,介绍了“广角°”项目的背景以及第一期展览方案的落地执行情况。“广角°青年实验项目空间”,是美术馆二层C展厅(二层半)的不规则空间,这个空间有三个关键词:第一个关键词是“青年”,代表着活力和探索;第二个关键词是“实验”,青年教师可以将自己的创作、科研和教学与跨领域连接起来,展示多元、丰富的策展和创作内容。第三个关键词是“广角”,与展厅不规则的空间形状契合,同时与美术馆一层的策展培育计划“锐角”呼应。发言最后,韩书记还对参与支持该项目的领导、参与方案评审的校外专家吴洪亮和彭锋,积极响应方案征集的老师,以及来自社会各界同仁对这个项目的关心支持一并表示感谢。启动仪式最后,高洪书记宣布,随着“广角°青年实验项目空间”第二期方案的落地实施,第三期“广角°”的征集活动也正式开始。期望更多的青年教师参与其中,形成面貌丰富的展览与创作成果在“广角°”的空间中展示。“广角°青年实验项目空间”第三期方案征集海报(二)“万有引力”——陈明强个人作品展开幕仪式“万有引力”——陈明强个人作品展是第二期“广角°青年实验项目空间”的首个展览。本次展览由实验艺术与科技艺术学院院长冯梦波担任学术顾问,由央美青年策展人陈哩尔和权文熙共同策划。展览选择了陈明强新近创作与未曾展出的共14件作品,溯其创作思考的流变与关联,对材料本体与艺术再造之间的诸微妙处作出翻译,力图展现其个人创作思考与艺术面貌的新象。展览的学术顾问、实验艺术与科技艺术学院院长冯梦波致辞展览的学术顾问、实验艺术与科技艺术学院院长冯梦波在致辞中表示:“陈明强是实验艺术与科技艺术学院的党支部副书记,他是一个非常脚踏实地的人,在作品中能够看到他亲手挖泥、亲自烧窑。同时也能感受到他是一个心存高远的人,其作品主题是关于太空和宇宙”,陈明强这种脚踏实地的精神跟其作品心存高远之间的张力正是其能量和魅力之所在。展览联合策展人陈哩尔致辞中央美术学院艺术管理与教育学院青年教师、展览联合策展人陈哩尔在致辞中首先代表策展团队感谢中央美术学院美术馆、中央美术学院教师工作部(人事处)、中央美术学院教师发展中心以及专家同仁的大力支持与帮助。她表示,展览通过不同的线索串联起“万有引力”这一主题,围绕着艺术家经年的创作状态、不熄的艺术热忱与灵光乍现的时刻,择取了陈明强思考、探索物质材料、媒介融合以及艺术创作过程中具有偶发性瞬间的14件新作,展开了从其家乡的土壤到浩瀚的星河,从灵与肉到虚与实,乃至熟悉与陌生之关系的探讨。而艺术家强烈的求知欲、内心深处的表达欲和坚持不懈的意志力则最终构成了展览的完形。展览艺术家陈明强致辞本次展览艺术家陈明强在发言中感谢了各位老师对其展览的大力支持。今年是陈老师在美院工作的第十个年头,他强调非常幸运能在美院的美术馆将自己这几年的一些创作思考呈现出来,今天这么多前辈、老师、朋友能在百忙之中参加展览的开幕式,对他而言是一种巨大的鼓励和肯定。展览的联合策展人权文熙进行导览开幕式结束后,本次展览的联合策展人权文熙为大家介绍展出的作品并分享策展的体悟。展览将持续至11月13日。部分参展作品《流星雨》陶瓷、弹弓、黄豆,共8件,尺寸不一,2021年(局部)2《流星雨》陶瓷、弹弓、黄豆,共8件,尺寸不一,2021年(局部)1《星的方向》陶瓷、月陨石、铁精粉、灯带,共7件,尺寸不一,2022年(局部) 2《星的方向》陶瓷、月陨石、铁精粉、灯带,共7件,尺寸不一,2022年(瓷盘釉面微拍) 3《原点》布面油画,260×260cm,2023年(局部)启示3/钛白油画颜料、铁精粉/100cm×100cm/2021流星雨/陶瓷、弹弓、黄豆/共8件 尺寸不一/2021天使 412.21/陨铁、不锈钢电焊条/180cm×110cm×72cm/2021“万有引力”——陈明强个人作品展展览时间:2023年10月24日—11月13日展览地点:中央美术学院美术馆2层C展厅| 展览工作组 |学术顾问 | 冯梦波策展人 | 陈哩尔、权文熙艺术家|陈明强展览协调|王若冰策展助理|王典、曹嘉巍、曲鸣飞、张驰、黄楷松、 刘潇、齐茂、李彦樵、李响、原腾臻设计统筹|纪玉洁视觉设计|孙梦云 @Shaping Studio展览管理|吴鹏、马亮展览宣传|何一沙、吴靖、贺伊飞官网文宣|王静公共教育|任蕊、姚轶群、梁雯、王军财经事务|杨柳、门婧、寇蕾行政支持|蒋思妤、岳君瑶、张倩、郭旭后勤安保|吕智发、陈小华
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CAFAM展览预告 | “艺术之桥:从安特卫普到北京,再回来”学生作品联展即将开幕

2023-11-02

艺术之桥:从安特卫普到北京,再回来展览时间:2023年11月2日-11月12日展览地点:中央美术学院美术馆2层A展厅开幕时间:11月2日(周四)15:00开幕地点:中央美术学院美术馆2层A展厅2023年11月2日下午三点,由中央美术学院与安特卫普皇家美术学院共同主办的“艺术之桥:从安特卫普到北京,再回来”学生作品联展(ART BRIDGES:ANTWERP TO BEIJING & BACK AGAIN)将在中央美术学院美术馆开幕。此次展览是安特卫普皇家美术学院与中央美术学院联合策划两校学生的创作交流活动,也是安特卫普皇家美术学院360周年校庆的全球系列活动的重要组成部分。本次展览以“艺术之桥”为主题,旨在链接两校的学术与教育资源,呈现两国艺术高校“和而不同”的精神传承以及对当代文化多样性的阐释和表达。展览的一个亮点是“快题”的形式,双方学生的展览作品均在规定时间内按照同样的要求完成,作品不强调深耕细作和过多的修饰,于是可以明显感受到一种生动与直接,同时又包含着安特卫普皇家美术学院学生对这个主题的思考和回应,也展示了他们眼中艺术的种种可能。此次艺术交流展的举办,将不仅促进两校之间的文化交流,也将让观众领略到不同文化背景下的艺术作品所蕴含的共通之处。这种跨文化的对话与碰撞,无疑将为双方学生提供一个展示自己才华的平台,同时也将为观众带来一场跨文化的视觉体验。本次展览将持续至11月12日。部分参展照片Hansen Karsten Krogh, 2023Alexandra Duschnat, 2023Maaike Moyson, 2023Noée Vaes, 2023Flora Perrot, 2023Maria Albores Lojo,2023Emilia Schupp,2023Marie Verplancke, 2023Yuliia Danylenko,2023Hoyt Zhang, 2023Helena Berg, 2023Amanda Niskanen, 2023比利时安特卫普皇家美术学院简介比利时安特卫普皇家美术学院(Royal Academy of Fine Arts Antwerp)由弗莱芒画家大卫•特尼尔斯(David Teniers II)二世于 1663 年创立,是世界上最早的艺术学校之一。它因其在艺术和时尚领域的著名校友而受到认可。如今,它开设了九个美术和设计专业,并设有一个艺术教师专业。其主校区是安特卫普市中心的一处历史遗迹,拥有约 600 名来自世界各地的学生。除了优秀的艺术实践之外,学校还注重跨学科艺术研究和艺术博士学位。安特卫普美院属于AP应用科学与艺术大学的艺术学部。艺术之桥:从安特卫普到北京,再回来展览时间:2023年11月2日-11月12日展览地点:中央美术学院美术馆2层A展厅联合主办单位:中央美术学院、安特卫普皇家美术学院承办单位:中央美术学院国际合作与交流处、中央美术学院美术馆支持机构:中欧经济文化中心(CEECC)、比利时驻北京大使馆(Embassy of the Kingdom of Belgium in Beijing)展览工作组学术主持:约翰·帕斯(Johan Pas)(安特卫普皇家美术学院院长)、林茂(中央美术学院院长)策展人:皮特·波斯特尔(Peter Bosteels)(安特卫普皇家美术学院)、邱志杰(中央美术学院)项目统筹:娄雁、王川、卫艳、郑钰垚展览总监:张子康、韩文超展览统筹:王春辰、高高展览协调:胡晓岚设计总监:纪玉洁展示设计:保罗-穆勒设计协助:张良铭
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启动 | 中央美术学院美术馆“广角°青年实验项目空间”第三期方案征集

2023-10-31

“广角°青年实验项目空间”是展示中央美术学院青年教师策展与创作的实验田,意在通过多元的展览项目,协助并促进青年师生对跨学科联动、区域文化研究和中国传统文化作出积极回应。
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CAFAM讲座预告 | 张永和/非常建筑——走向通用建筑

2023-10-30

2023年10月31日,美国建筑师协会院士、非常建筑创始人、主持建筑师、MIT荣休教授张永和先生将受邀来到中央美术学院,带来"央美建筑系列讲堂"的第十四次讲座——《走向通用建筑》。
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CAFAM展览开幕&工作坊预告 | 广角°青年实验项目空间 “万有引力” 展览即将开幕

2023-10-29

广角°青年实验项目空间主办:中央美术学院美术馆中央美术学院党委教师工作部(人事处)中央美术学院教师发展中心“广角°——青年实验项目空间”于2022年初启动首期,秉承推动中央美术学院青年教师在策展与创作方面多维探索的共同理念,由中央美术学院美术馆与党委教师工作部(人事处)、教师发展中心联合,使美术馆二层半的独立空间,成为青年教师创作研展、展览策划的一块实验田。目前已完成第一期与第二期方案的征集、评选(现有十二个展览方案入选)。展览信息开幕时间:2023年10月31日14:00开幕地点:中央美术学院美术馆学术报告厅展览时间:2023年10月24日—11月13日展览地点:中央美术学院美术馆2层C展厅10月24日,“广角°青年实验项目空间”第二期的首个展览“万有引力”在中央美术学院美术馆二层C展厅如期开展。本次展览为央美青年教师陈明强的个人作品展。展览由实验艺术与科技艺术学院院长冯梦波教授担任学术顾问,央美青年教师陈哩尔和权文熙担任策展人。展览选择了陈明强新近创作与未曾展出的共14件作品,涵括装置、影像、现成品、雕塑、陶瓷与绘画等艺术形式,呈现出艺术家自2006年至今创作之路的真实缩影,即不断深入物质材料媒介探索,在寻找创作方向中探寻真实自我的创作历程。展览开幕式暨“广角°青年实验项目空间”第二期启动仪式将于2023年10月31日(周二)下午14:00于中央美术学院美术馆报告厅举办。展览现场图展览将持续到11月13日。部分参展作品《天使 412.21》陨铁、不锈钢电焊条,180x110x72cm,2021年《启示3》钛白油画颜料、铁精粉,100x100cm,2021年《原点》布面油画,260×260cm,2023年(局部)《流星雨》陶瓷、弹弓、黄豆,共8件,尺寸不一,2021年《星的方向》陶瓷、月陨石、铁精粉、灯带,共7件,尺寸不一,2022年(局部)《星的方向》陶瓷、月陨石、铁精粉、灯带,共7件,尺寸不一,2022年(瓷盘釉面微拍)“万有引力既是偶发的力,亦可等同为‘命中注定’,就像本次个展中传达出一位当代青年教师面对生活无处不在的偶然性,艺术家不断在人生的力量场中左右调试,产生新的自觉,乃至自我找寻的艰难过程。”——朱莉 中央美术学院副研究员、中央美院艺讯网执行主编“在艺术与日常生活之间,在作品和普通物件之间,陈明强所着力思考的,仅只是人生在世一个又一个朴素的问题……在其中,一切都在互联共生,一切都处在一种‘万有引力’,一切也随时孕育着创造的可能;同样在其中,人的位置虽然微不足道,但正是经由艺术家的工作,扣动了让万物真正运动起来的扳机。”——张晨中央美术学院人文学院副教授“一直以来,陈明强像是一个苦行僧一样处理自己的生活和艺术的关系,在我看来他的作品中‘工作量’早已经超越出劳动本身,而是变成了作品构成观念的一部分,他将自己对于生活的感受和炽烈的情感,通过巨大的工作量注入到自己的作品中,由此产生感人的力量。”——段少峰策展人、撰稿人、博士候选人艺术家简介陈明强任教于中央美术学院实验艺术与科技艺术学院。其创作聚焦于现成品艺术、传统工艺的活化传承、传统艺术语言的当代转换等课题,作品涉及装置、影像、现成品、雕塑、陶瓷与绘画等艺术形式,呈现较为多元的面貌。其艺术多源自内在感性冲动与外界观察记录的交汇之处,擅长在熟悉与陌生的关系中迸发新的灵感,发掘物体本身承载的情感和温度,并将自己的感受和体悟在不断重复的点铸过程中融入其中。工作坊招募计划探寻·星空——儿童创作工作坊星空是我们最古老的朋友。我们的祖先走出他们的洞穴,仰望着星空,并为之惊叹。我们每个人都是星辰的孩子,我们从中诞生,它存在于我们的梦想和探索之中。星空是一个能够激发创作灵感的亘古主题,这一宇宙中的壮观景象不断唤起人们的好奇心和浪漫情感。本次创作工作坊将融合科学、艺术与哲学,打开一扇通向宇宙浩瀚的大门,他们将了解关于星体、星系和宇宙的基本概念,像科学家一样用望远镜观察星空,感受宇宙的浩瀚无垠,引发对于宇宙的起源、生命的意义和人在宇宙中的位置的思考。星空不仅是科学研究的对象,也是哲学思考与创造力的灵感源泉。 在本次工作坊中,孩子们将在艺术家的带领下,通过混合不同的颜色和技巧,尝试在画布上创造独一无二的浩瀚星空,以艺术的方式表现宇宙的奥秘。他们将用油画颜料混合、叠加,创造独特的星空画作,捕捉星空中不同星体的光谱和颜色。这是一场科技性与创造性的交汇,让儿童不仅仅是观察者,更是创作者,用自己的艺术作品表达对宇宙的深刻思考,同时也增强对色彩与形状的理解,将星空之美留存在画布上。正如贯穿于展览中的不具名之力与意外之力,本次工作坊的精髓在于体验惊喜和意外。本次活动旨在鼓励孩子们将科技性的观察与艺术的创造力相结合,以呈现独特的星空作品,同时留出空间让偶然与惊喜成为他们创作的一部分。参与其中的孩子们将发现,当运用不同的绘画技法将颜料混合时,星星的形状和颜色会产生出乎意料的变化,创造出令人惊叹的效果,仿佛宇宙中的每一颗星星都蕴藏着无限的故事,等待被他们发现并表达。这是一个唤醒想象力、发现偶然的惊喜,创造独一无二星空画作的机会,让我们一起在“星空”中畅想和发现,创造出属于自己的星星世界。授课老师:陈明强工作坊报名方式活动时间:11月12日(周日)14:00—16:00活动地点:中央美术学院美术馆会议室招募对象:5-10岁儿童(每位儿童限一位家长陪同)招募人数:10人报名方式:请编辑“儿童活动+参与者姓名+年龄+电话”发送短信至13910187193(姚老师),名额有限,报满为止。报名成功者将会收到短信回复,请勿重复提交报名。展览信息“万有引力”—— 陈明强个人作品展开幕时间:2023年10月31日14:00开幕地点:中央美术学院美术馆报告厅展览时间:2023年10月24日—11月13日展览地点:中央美术学院美术馆2层C展厅“万有引力”展览工作组学术顾问 | 冯梦波策展人 | 陈哩尔、权文熙艺术家|陈明强展览协调|王若冰策展助理|王典、曹嘉巍、曲鸣飞、张驰、黄楷松、 刘潇、齐茂、李彦樵、李响、原腾臻设计统筹|纪玉洁视觉设计|孙梦云 @Shaping Studio
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闭展倒计时 | 摄影小史:菲利普斯赠书摄影文献展

2023-10-28

自古以来,人们从未停止对“描绘可视现实外观”的追求,而摄影术的出现使得这一过程可以略过人类的双手,让物理世界中的景象自动出现在显影媒介上,彻底实现了对外观的精准再现。
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2023-10-26

先生,是一个神圣而沉厚的语词。在中央美术学院的百余年发展历程中,从办学前身北京美术学校到国立北平艺专,从延安鲁艺美术系到中央美术学院,有多少驰名艺坛、桃李天下的先生,曾在这所学校里为艺育人。老先生,更是一个令人尊崇和敬仰的称谓。在这座百年美术学府的厚重文脉中,在新中国以后美术教育事业发展的艰辛历程中,有他们付出的心力、洒下的汗水,有他们身为世范的德艺品格,还有留给历史与未来的经典力作。由中央美术学院主办,中央美术学院关心下一代工作委员会、离退休工作处、美术馆承办的“老先生 新时代”美术作品展第二回展览于2023年10月20日在中央美术学院美术馆开展,展览将展至11月12日。参展艺术家名单  老先生 新时代 展览作品  老先生 新时代 张宝玮《蓝色的行板》油画,70×50cm,2023张佩义《春归》水印版画,35×52cm,1997韩光煦《军民一家亲》水彩年画,105×72cm,1971叶毓中《帕米尔》纸本设色,160×160cm,1991韩国榛《庄子》纸本水墨,138×69cm,2007武漫宜《牵驼姑娘》绢本设色,124×90cm,1992潘公凯《盛放》纸本水墨,180×97cm,2023戴士和《达坂城》布面油画,55×75cm,2023翟欣健《袁隆平院士》纸本水彩,54×39cm,2022苏百钧《瑞雪 向日葵》绢本设色,218×148cm,2016丁一林《山路》布面油画,60×50cm,2022胡明哲《圣托里尼》岩彩画,90×60cm,2017高天雄《温暖》布面油画,140×200cm,2023崔晓东《边关十月》纸本水墨重彩,68×68cm,2023吕中元《金辉》布面油画,160×160cm,2019许仁龙《火神山》纸本水墨,137×69cm,2021李延洲《白云古寺》布面油画,110×100cm,2009陈建华《沁园春 雪》生宣、墨,138×70cm,2023曹力《汉唐古韵》布面油画,90×140cm,2016张元《细雨润无声》混合材料,50×70cm,2023洪凌《孤岩》布面油画,128×128cm,2018王璜生《落入大海的星星》纸本设色,69×69cm,2012朝戈《有山的风景》油画,50×60cm,2019于光华《春意盎然》纸本设色,50×68cm,2021马璐《月白之三》亚麻布,丙烯,综合技法,100×160cm,2019-2021李洋《大凉山彝族汉子》纸本水墨,68×68cm,2022王少军《又是一日夕阳落》纸本水彩,36×51cm,2022胡建成《大红袍》布面油画,165×45cm,2023姚鸣京《秋趣图》纸本设色,137×79cm,2020刘彦湖《篆书王闿运集联——经曰直方大无不利,史称功德言长相维》纸本水墨,202×24cm×2幅,2022陈平《竹石》宣纸、墨,136×68cm,2023薛云祥《万山之祖》纸本设色,68×68cm,2022王华祥《过年5》纸本水墨,49×41cm,2023刘庆和《纳西姐姐》纸本水墨,117×91cm,2022李晓林《沉默的矿工》色粉画,200×75cm,2023刘丽萍《一带一路  保加利亚女孩》纸本水彩,75×55cm,2018金日龙《天地玄黄(五)》布面丙烯,160×160cm,2019周吉荣《中国天眼——贵州平塘射电望远镜》丝网套色,100×150cm,2019
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讲座回顾 | 付阳华:明清之际遗民情境中的人物图像

2023-10-25

“何处寻行迹”展览研究工作坊公开讲座系列讲座题目:何处寻龙脉——明清山水画的风格源流主讲人:邵彦(中央美术学院人文学院教授)主持人:黄小峰(“何处寻行迹”展览学术顾问,中央美术学院人文学院院长,教授)主持人  高高2023年10月13日,“何处寻行迹——中央美术学院美术馆藏古代绘画中的人与自然”展览的系列讲座第二场“何处寻桃源——明清之际遗民情境中的人物图像”于美术馆学术报告厅举行,讲座由中国人民大学艺术学院付阳华教授主讲,美术馆副馆长高高和美院人文学院副教授郑弌主持。高高首先介绍了付阳华的学术研究背景,尤其是她与本次讲座内容关联较大的著作《明遗民绘画的图像叙事》,这也将为展览展出的部分山水画提供另一个观看视角。该讲座也是此次展览研究工作坊的公开授课之一。主讲人  付阳华讲座伊始,付阳华肯定了 “何处寻行迹”展览作为高校藏画展在叙述思路上的可贵之处,本次展览围绕馆藏明清绘画,重点关注了文人绘画中点景人物的丰富样态与绘画程式,更通过展览作品的陈列实现了对明清之际地域风格特点的直接对比,关注其各自地域山水及点景人物表现的不同特色。而在展厅中,数件作品在一般的文人绘画之外,又呈现出与明清易代后的遗民群体千丝万缕的联系,这些作品引发了付阳华的浓厚兴趣。沈周,《云水行窝图》卷(局部),1503年纸本设色,纵 33厘米、横 164厘米中央美术学院美术馆藏绘制《云水行窝图》的沈周是彼时最引人注目的画家,作为明代吴门绘画的代表画家,他虽不愿意涉足官场,却在文人层面满足了我们对于文人及其绘画的一切想象。明人对于“吾家”沈周的叙述,它们展现出吴门画家对于自身地望风格的身份认同。樊圻,《抚梅图》轴,清绢本水墨,纵113厘米、横56厘米中央美术学院美术馆藏一智,《黄山峰顶图》轴,清纸本设色,纵113厘米,横59厘米中央美术学院美术馆藏展厅中作为“金陵八家”之一樊圻的作品也引起了付阳华的关注。通过对作品中抚梅动态的关注,以及时人及上世纪40年代鉴藏家题跋的对比解读,付阳华注意到金陵在遗民群体中的特殊地位,另外经历了甲申之变的金陵画家让正处于抗日战争逃亡中(1944年甲申年)的“读画者”产生了“异代同调”的共情。在《黄山峰顶图》中,雪庄、一智师徒对于黄山的关注也展现出彼时出世画家对于写生其隐居山林的热爱。它们无不展现出遗民艺术丰富的表现形式及其在后世所能引起的复杂激荡。付阳华关于遗民绘画的四重发问在阐释对展览作品的新解之余,付阳华回顾了其既往以肖像为核心的遗民绘画讲授。她提出,基于对典型遗民画作中传状、服帽旧制、实况、易代岁月和题跋语境的分析,我们可以尝试回答“画中之人,是写实还是虚笔?”“画中之景,蕴含着何种情怀?”“人与景之间如何构成了一种映照与互文?”“他们又与今天的观看者间有什么联系?”这四重递进的问题。而本次讲座中,付老师则希望通过近期研究中的新例尝试发现遗民绘画中的新视野。 项圣谟《自画像》与《尚友图》中的项圣谟形象对比《松涛散仙图》《朱色山水自画像》《大树风号图》三作形象对比首先,付阳华透过项圣谟一系列自画像和写像,注意到其在明清之际对于自身形象的处理有全身的细致肖像,也有山水画中的点景人物。早年项圣谟1646的《自画像》为文人常见的生日写生小像,而1652年绘制以记录1635年雅集的《尚友图》中的他则明显更为年轻,其展现出好友亡故,山河寥落之际对美好往昔的追忆。面对1644年明朝灭亡的际遇,其创作的《朱色山水自画像》以朱砂描绘风景,表现出“剩水残山色尚朱”的意味,相比《松涛散仙图》与《朱色山水自画像》,《大树风号图》甚至直接采用点景背影加以表现,传递出其沦为遗民之际隐晦复杂的自我表达与自我宣泄。戴本孝,《华山十二景图》册(4/12),1669年纵21.2厘米、横16.7厘米上海博物馆藏据《光绪直隶和州志》标注迢迢谷周边地形的《清代和州地图》其次,付阳华借助戴本孝《山水册》等创作中的“洞中人”形象讨论了遗民画家对于人与山水隐居环境关系的塑造。戴本孝因其父绝食殉国而成为遗民,其《华山十二景图》则见证了其攀爬华山的写生记录。在攀登过程中,戴本孝注意到华山“毛女洞”“北斗坪”“古丈夫洞”等场景,并通过对这些洞景的提炼化用,创作出《华山毛女洞图》等一系列描绘洞中隐者仙人、山间高士乃至仙人自洞中乘槎出游的画面情节。在对于华山写生经验的挪用之外,戴本孝对于洞天景观的兴趣也与其隐居之地——迢迢谷周边复杂嶙峋的洞天景观相关,早年的视觉经验与当下的生活环境共同塑造了其对于“洞中人”主题的钟爱,也展现出遗民画家对于隐居环境的细致的匠心营造。杨补,《怀古图咏册》(采薇),1648年纸本水墨,每半开纵26.7厘米、横33厘米上海博物馆藏山水环境营造之外,付阳华借助遗民杨补1648年的《怀古图咏册》,讨论了遗民透过人物的仿古姿态所实现的“异代同调”性。杨补与其子皆为遗民,这套册页作为其私人观赏的画作,被杨补用于排遣寄托明亡后的生活岁月。册页内容由“采薇”“耦耕”“种瓜”“采芝”“因树为屋”“土室”“化汲”“卧雪”“采菊” “本穴世界”等情节组成。十幅画按照历史时间先后顺序排列,其主题皆为经历易代之际的高士。这件画作被杨补本人不断地翻阅查看,显然他希望让自己时时模仿与学习古贤们的生活模式,而这些故事还可以不断叠加、增殖,也反映出杨补将自身作为明清易代之际的高士,希望让自身加入先贤的行列,以继续传承遗民的风骨与气节。吴历,《墨井草堂消夏图》,1679年纸本水墨,纵36.4厘米、横268.4厘米大都会博物馆藏刘贯道《消夏图》画心局部清代地图中的常熟周边地景随后,付阳华又透过吴历的《墨井草堂消夏图》展现了画家兼顾别号、草堂、家山,地域中的自我画像。《墨井草堂消夏图》是吴历决定由虞山前往罗马前绘制的赠友之作,在图式上沿用了刘贯道等《消夏图》传统的图式动态。与此同时,吴历绘制出了自己的墨井草堂,其所居墨井草堂即由孔子弟子言偃的墨井而得名,是儒家的道源传统之象征,而通过一通记载吴历先祖的碑文可知,他很可能身为言氏之后。在这幅赠友之作中,其画面呈现出的V字形湖山布局,并绘制出藏书楼等家山景观,这些处理无疑结合了其家乡虞山与尚湖之间所构成的实地景观,而画面的描绘也见证了吴历对于家山故园的深切留恋。郑弌主持讲座问答环节讲座最后,付阳华系统总结了遗民绘画在形象、动态行为、色彩、方向、拆字法、笔墨处理、诗文内容等方面的隐秘特征。同时,她更提到遗民是一个在历史语境中不断变化的概念,需要我们在研究中以细致的观察加以审视。随后,郑弌总结了付阳华的讲座观点,他认为此次讲座通过一系列遗民绘画案例的生动串讲,为我们揭示出遗民绘画潜藏于一般文人绘画之下的隐秘细节,而“异代同调”的观念也提示我们关注不同时代遗民们面对类似际遇时具有共时性的自我形塑。“何处寻行迹”展览研究工作坊合影在问答环节,展览研究工作坊的学员及在场听众针对具有私密性的遗民绘画是否存在被公开观看与传播交流的可能性?逃禅出世的遗民是否有较为特殊的个人形象塑造?以及遗民绘画如何同一般文人的山水画与生活场景描绘加以区分辨析?等问题角度同付阳华进行了深入浅出的交流。文/张鹏(中央美术学院博士研究生)展览工作组在展厅的置景空间留影展览已于近日结束,但展览引发的讨论、工作坊的学员研究仍在继续。同时,展览的一个公共教育活动也将以线上的形式继续持续一段时间,该活动名为“我在自然中”作品征集,向朋友们征集,你们之前在展厅置景空间的打卡照片以及你们在自然山水之间的照片,请大家发送照片至cafaartgroups@126.com,共同参与进这次展览的现场与记忆中来。展览信息文化和旅游部“2023年全国美术馆馆藏精品展出季”入选项目何处寻行迹馆藏古代绘画中的人与自然主办:中央美术学院美术馆展览时间:2023年9月8日-10月22日展览地点:中央美术学院美术馆2层A展厅赞助:北京鑫河艺博文化有限公司、北京自定义科技文化创意有限公司工作坊学员与主持人、工作组在9月开班的合影| 工作坊主持 |黄小峰(“何处寻行迹”展览学术顾问,中央美术学院人文学院院长、教授) | 工作坊内容 |一、公开讲座尹吉男(中央美术学院人文学院原院长、现任广州美术学院图像与历史高等研究院院长):《城与野》邵彦(中央美术学院人文学院教授):《何处寻龙脉——明清山水画的风格源流》付阳华(中国人民大学艺术学院教授):《何处寻桃源——明清之际遗民情境中的人物图像》二、内部授课董梅(中央美术学院人文学院教授):《文学与绘画中的仰观俯察——讨论中国文化中的“天地人”观看视角》郭怀宇(故宫博物院副研究馆员):《鉴定中的风格与材料问题》郑弌(中央美术学院人文学院副教授):《从风景到景观:山水画叙事的经电话》边凯(中央美术学院中国画与书法学院副教授):《山水画里的点景人物》窦天炜(中央美术学院美术馆修复师):《美术馆纸本修复》刘希言(“何处寻行迹”展览策展人、中央美术学院美术馆副研究员):《策展思路与策展背后》三、学员成果汇报该部分将由姜鹏(国家博物馆副研究馆员)、万笑石(中央美术学院人文学院讲师)和陈冠石(“何处寻行迹”展览策展助理)进行主持与指导
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
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CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Group Visit Agreement
and Statement

CAFA Art Museum Publication Authorization Agreement

I fully agree to CAFA Art Museum (CAFAM) submitting to CAFA for publication the images, pictures, texts, writings, and event products (such as works created during participation in workshops) related to me from my participation in public events (including museum member events) organized by the CAFA Art Museum Public Education Department. CAFA can publish these materials by electronic, web, or other digital means, and I hereby agree to be included in the China Knowledge Resource Bank, the CAFA Database, the CAFA Art Museum Database, and related data, documentation, and filing institutions and platforms. Regarding their use in CAFA and dissemination on the internet, I agree to make use of these rights according to the stated Rules.

CAFA Art Museum Event Safety Disclaimer

Article I

This event was organized on the principles of fairness, impartiality, and voluntary participation and withdrawal. Participants undertake all risk and liability for themselves. All events have risks, and participants must be aware of the risks related to their chosen event.

Article II

Event participants must abide by the laws and regulations of the People’s Republic of China, as well as moral and ethical norms. All participants must demonstrate good character, respect for others, friendship, and a willingness to help others.

Article III

Event participants should be adults (people 18 years or older with full civil legal capacity). Underage persons must be accompanied by an adult.

Article IV

Event participants undertake all liability for their personal safety during the event, and event participants are encouraged to purchase personal safety insurance. Should an accident occur during an event, persons not involved in the accident and the museum do not undertake any liability for the accident, but both have the obligation to provide assistance. Event participants should actively organize and implement rescue efforts, but do not undertake any legal or economic liability for the accident itself. The museum does not undertake civil or joint liability for the personal safety of event participants.

Article V

During the event, event participants should respect the order of the museum event and ensure the safety of the museum site, the artworks in displays, exhibitions, and collections, and the derived products. If an event causes any degree of loss or damage to the museum site, space, artworks, or derived products due to an individual, persons not involved in the accident and the museum do not undertake any liability for losses. The event participant must negotiate and provide compensation according to the relevant legal statutes and museum rules. The museum may sue for legal and financial liability.

Article VI

Event participants will participate in the event under the guidance of museum staff and event leaders or instructors and must correctly use the painting tools, materials, equipment, and/or facilities provided for the event. If a participant causes injury or harm to him/herself or others while using the painting tools, materials, equipment, and/or facilities, or causes the damage or destruction of the tools, materials, equipment, and/or facilities, the event participant must undertake all related liability and provide compensation for the financial losses. Persons not involved in the accident and the museum do not undertake any liability for personal accidents.

CAFA Art Museum Portraiture Rights Licensing Agreement

According to The Advertising Law of the People’s Republic of China, The General Principles of the Civil Law of the People’s Republic of China, and The Provisional Opinions of the Supreme People’s Court on Some Issues Related to the Full Implementation of the General Principles of the Civil Law of the People’s Republic of China, and upon friendly negotiation, Party A and Party B have arrived at the following agreement regarding the use of works bearing Party A’s image in order to clarify the rights and obligations of the portrait licenser (Party A) and the user (Party B):

I. General Provisions

(1) Party A is the portraiture rights holder in this agreement. Party A voluntarily licenses its portraiture rights to Party B for the purposes stipulated in this agreement and permitted by law.

(2) Party B (CAFA Art Museum) is a specialized, international modern art museum. CAFA Art Museum keeps pace with the times, and works to create an open, free, and academic space and atmosphere for positive interaction with groups, corporations, institutions, artists, and visitors. With CAFA’s academic research as a foundation, the museum plans multi-disciplinary exhibitions, conferences, and public education events with participants from around the world, providing a platform for exchange, learning, and exhibition for CAFA’s students and instructors, artists from around the world, and the general public. As a public institution, the primary purposes of CAFA Art Museum’s public education events are academic and beneficial to society.

(3) Party B will photograph all CAFA Public Education Department events for Party A.

II. Content, Forms of Use, and Geographical Scope of Use

(1) Content. The content of images taken by Party B bearing Party A’s likeness include: ① CAFA Art Museum ② CAFA campus ③ All events planned or executed by the CAFAM Public Education Department.

(2) Forms of Use. For use in CAFA’s publications, products with CDs, and promotional materials.

(3) Geographical Scope of Use

The applicable geographic scope is global.

The media in which the portraiture may be used encompasses any media that does not infringe upon Party A’s portraiture rights (e.g., magazines and the internet).

III. Term of Portraiture Rights Use

Use in perpetuity.

IV. Licensing Fees

The fees for images bearing Party A’s likeness will be undertaken by Party B.

After completion, Party B does not need to pay any fees to Party A for images bearing Party A’s likeness.

Additional Terms

(1) All matters not discussed in this agreement shall be resolved through friendly negotiation between both parties. Both parties may then sign a supplementary agreement, provided it does not violate any laws or regulations.

(2) This agreement comes into effect on the date that it is signed (sealed) and the relevant boxes are selected by Party A and Party B.

(3) This agreement exists in paper and electronic forms. The paper form is made in duplicate, with Party A and Party B each retaining one copy with the same legal efficacy.

Event participants implicitly accept and undertake all the obligations stated in this agreement. Those who do not consent will be seen as abandoning the right to participate in this event. Before participating in this event, please speak to your family members to obtain their consent and inform them of this disclaimer. After participants sign/check the required box, participants and their families will be seen as having read and agreed to these terms.

I have carefully read and agree to the above provisions.

Event Booking Form

Name:
Gender
Phone:
Valid Certificate: Identity Card
ID Number:
Email:

Reminder:

Hello! Thank you for participating in our public education event and we are looking forward to seeing you! If you cannot attend the event on time, please send a text message to 13261936837 (Liang) to cancel the booking. Please be aware that your eligibility for using the quick booking may be affected If you cancel the booking more than three times. Thank you for your understanding!
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